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It's A Long Road
Songs like
It's A Long Road
by
The Meltdown
Based on a tempo of (+/- 10%) and a similar genre
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Dallas Tamaira
Stormy
74 bpm • G min • 03:12 • -9.1db
28% Popularity • 68% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
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Elles Bailey
Colours Start To Run
74 bpm • F# min • 03:28 • -6.85db
39% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Meltdown
It's A Long Road
74 bpm • G min • 05:13 • -9.2db
25% Popularity • 38% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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The California Honeydrops
Nothing at All
75 bpm • D min • 02:53 • -10.73db
40% Popularity • 68% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Emma Donovan
Lovin' Looks Like
75 bpm • A Maj • 04:47 • -7.29db
17% Popularity • 63% Danceability • 48% Energy • 42% Liveness
14% Instrumentalness • 52% Positiveness
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Shaneeka Simon
Underground Railroad
75 bpm • F# min • 04:14 • -12.93db
18% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Spinifex Gum
Noah
75 bpm • B min • 04:38 • -8.15db
4% Popularity • 48% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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JúnÃus Meyvant
Drifting
75 bpm • C Maj • 06:02 • -6.59db
12% Popularity • 58% Danceability • 46% Energy • 18% Liveness
9% Instrumentalness • 49% Positiveness
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The Meltdown
Secret Life
75 bpm • A min • 04:03 • -9.95db
36% Popularity • 56% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Allen
Blue Flame
75 bpm • E min • 05:32 • -11.58db
14% Popularity • 72% Danceability • 30% Energy • 14% Liveness
2% Instrumentalness • 66% Positiveness
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Robert Finley
I Can Feel Your Pain
75 bpm • F Maj • 03:37 • -8.88db
22% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Hajaj
Love To Last
76 bpm • C# Maj • 02:43 • -12.45db
65% Popularity • 77% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Honeyfeet
Clap Hands
76 bpm • G Maj • 04:41 • -12db
28% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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William Bell
One Day Closer To Home
76 bpm • G Maj • 03:50 • -9.45db
17% Popularity • 82% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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The Meltdown
Colours in the Sky - Live at the Night C...
72 bpm • D Maj • 04:34 • -10.62db
21% Popularity • 51% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
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Jonathan Jeremiah
Cut A Black Diamond
76 bpm • D# min • 03:37 • -5.76db
23% Popularity • 47% Danceability • 67% Energy • 14% Liveness
31% Instrumentalness • 69% Positiveness
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Robert Finley
Nobody Wants To Be Lonely
72 bpm • G Maj • 03:13 • -7.76db
33% Popularity • 49% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Mitch Grainger
Honey Bee - Acoustic
76 bpm • G Maj • 03:01 • -10.1db
31% Popularity • 76% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Trainman Blues
Losing Time
76 bpm • D Maj • 03:01 • -5.5db
28% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Archie Baker
The Disco Blues
77 bpm • D Maj • 07:18 • -8.29db
18% Popularity • 33% Danceability • 59% Energy • 54% Liveness
3% Instrumentalness • 49% Positiveness
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Jonah Tolchin
Can't Close My Eyes
77 bpm • B min • 03:20 • -7.71db
26% Popularity • 71% Danceability • 62% Energy • 14% Liveness
9% Instrumentalness • 89% Positiveness
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Mica Millar
Will I See You Again - Radio Edit
77 bpm • D Maj • 03:57 • -6.64db
27% Popularity • 55% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Jonathan Jeremiah
Ten-storey Falling
77 bpm • C# min • 04:16 • -11.57db
23% Popularity • 71% Danceability • 51% Energy • 12% Liveness
29% Instrumentalness • 55% Positiveness
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Toni Green
Why Don't We Do It In The Road
77 bpm • A# Maj • 03:49 • -12db
26% Popularity • 85% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Malted Milk
Pay Day
77 bpm • C min • 03:37 • -12.22db
33% Popularity • 71% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Meltdown
The Other Side
70 bpm • G Maj • 03:52 • -9.25db
34% Popularity • 49% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 56% Positiveness
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Ali McGuirk
X Boyfriends
78 bpm • E Maj • 02:53 • -8.57db
29% Popularity • 70% Danceability • 38% Energy • 25% Liveness
1% Instrumentalness • 63% Positiveness
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Mica Millar
Will I See You Again
77 bpm • D Maj • 05:12 • -6.26db
31% Popularity • 49% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Valentine
In the Mood for Love
78 bpm • C# Maj • 03:32 • -7.75db
16% Popularity • 76% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Robert Randolph & The Family Band
Simple Man
70 bpm • C min • 03:03 • -8.19db
55% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jonathan Jeremiah
Long Night
78 bpm • C# Maj • 02:08 • -4.88db
31% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Elizabeth King
Be So Glad
79 bpm • F Maj • 04:02 • -9.2db
14% Popularity • 46% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Matt Storm
Don't Even Know
79 bpm • D# min • 03:20 • -8.53db
45% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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THE DAWN LIGHT
THOUSAND STRINGED INSTRUMENT
79 bpm • C# Maj • 05:29 • -8.32db
9% Popularity • 57% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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The Meltdown
Colours in the Sky
69 bpm • D Maj • 04:13 • -12.2db
36% Popularity • 43% Danceability • 25% Energy • 16% Liveness
3% Instrumentalness • 38% Positiveness
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Malted Milk
Money
80 bpm • A Maj • 04:28 • -8.08db
22% Popularity • 79% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Jonathan Jeremiah
Horsepower For The Streets
79 bpm • A min • 02:23 • -7.82db
47% Popularity • 50% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Curtis Harding
Explore
80 bpm • G min • 04:46 • -8.79db
35% Popularity • 63% Danceability • 58% Energy • 32% Liveness
24% Instrumentalness • 30% Positiveness
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Mel Parsons
Offer Down
80 bpm • A# min • 03:04 • -7.53db
38% Popularity • 53% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Southern Avenue
Savior
68 bpm • B min • 03:43 • -4db
36% Popularity • 48% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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J.P. Bimeni
I Miss You - Radio Edit
81 bpm • D Maj • 03:19 • -7.43db
30% Popularity • 45% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Teskey Brothers
Get Me Outta The Rain
81 bpm • B min • 03:27 • -8.79db
48% Popularity • 76% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Jonathan Jeremiah
The Stars Are Out
80 bpm • D Maj • 02:11 • -5.69db
36% Popularity • 65% Danceability • 86% Energy • 34% Liveness
1% Instrumentalness • 83% Positiveness
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Emma Smith
I Found A Place In My Heart
81 bpm • C Maj • 03:05 • -9.49db
31% Popularity • 42% Danceability • 37% Energy • 21% Liveness
40% Instrumentalness • 53% Positiveness
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Ruby Velle & The Soulphonics
Used Me Again (now lose me forever)
81 bpm • C Maj • 03:33 • -6.2db
11% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Greyhounds
No Other Woman (OurVinyl Sessions)
81 bpm • F min • 03:22 • -8.22db
35% Popularity • 62% Danceability • 86% Energy • 9% Liveness
10% Instrumentalness • 66% Positiveness
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Rita Ray
So Sweet
81 bpm • C Maj • 04:14 • -9.06db
18% Popularity • 61% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Meltdown
How Funny Is Another Mans Pain
81 bpm • D min • 04:43 • -8.28db
32% Popularity • 61% Danceability • 52% Energy • 16% Liveness
2% Instrumentalness • 57% Positiveness
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Mica Millar
Heaven Knows
81 bpm • B Maj • 05:23 • -7.32db
37% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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JúnÃus Meyvant
Believer
82 bpm • A# min • 04:56 • -6.3db
15% Popularity • 58% Danceability • 79% Energy • 40% Liveness
3% Instrumentalness • 80% Positiveness
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Robert Finley
Livin’ Out A Suitcase
82 bpm • A min • 03:09 • -7.99db
31% Popularity • 64% Danceability • 65% Energy • 39% Liveness
1% Instrumentalness • 84% Positiveness
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Dan Parsons
Whatcha Gonna Do About It
82 bpm • D Maj • 03:14 • -8.62db
30% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jonathan Jeremiah
Small Mercies
82 bpm • E Maj • 03:41 • -9db
30% Popularity • 62% Danceability • 64% Energy • 12% Liveness
16% Instrumentalness • 54% Positiveness
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Jade Macrae
Out Of Sight
82 bpm • F# Maj • 03:48 • -4.22db
38% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Black Pumas
Wichita Lineman - Electric Deluxe Sessio...
83 bpm • D min • 03:14 • -9.03db
41% Popularity • 43% Danceability • 49% Energy • 9% Liveness
18% Instrumentalness • 34% Positiveness
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St. Paul & The Broken Bones
I'll Be Your Woman
83 bpm • G# min • 03:56 • -7.55db
45% Popularity • 60% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 31% Positiveness
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Emma Donovan
Sing You Over
83 bpm • G Maj • 04:27 • -9.82db
37% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Octave Lissner
Corners
83 bpm • D Maj • 03:39 • -5.93db
56% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Kat Eaton
Dreaming About You
83 bpm • E Maj • 04:27 • -6.24db
29% Popularity • 61% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Yirrmal
Love Sweet Love
83 bpm • G Maj • 02:44 • -8.58db
21% Popularity • 71% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Winslow-King
Slow Sunday June
83 bpm • D Maj • 02:29 • -8.79db
38% Popularity • 49% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Greyhounds
Nobody's Judging
83 bpm • F# min • 03:11 • -7.9db
32% Popularity • 62% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 58% Positiveness
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Malted Milk
More and More
84 bpm • A Maj • 04:55 • -8db
36% Popularity • 41% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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David Myles
Mystery
84 bpm • F Maj • 03:25 • -8.41db
25% Popularity • 67% Danceability • 53% Energy • 19% Liveness
14% Instrumentalness • 77% Positiveness
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Black Pumas
Old Man
84 bpm • C Maj • 03:17 • -7.79db
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Sextones
Getaway Driver
85 bpm • E min • 03:34 • -8.48db
20% Popularity • 72% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Aaron Frazer
Can’t Leave It Alone
85 bpm • C# Maj • 02:32 • -5.02db
42% Popularity • 74% Danceability • 66% Energy • 11% Liveness
42% Instrumentalness • 75% Positiveness
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Kat Eaton
Slow It Down
85 bpm • G# Maj • 03:51 • -7.85db
40% Popularity • 66% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Myles Sanko
Who to Call
85 bpm • C# Maj • 03:34 • -7.58db
13% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Octave Lissner
Schoolboy Blues
85 bpm • E Maj • 03:08 • -11.42db
25% Popularity • 79% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Emma Donovan
My Goodness
85 bpm • G# Maj • 03:56 • -7db
37% Popularity • 66% Danceability • 65% Energy • 15% Liveness
8% Instrumentalness • 80% Positiveness
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Jackie Venson
Rollin' and Tumblin
85 bpm • F Maj • 02:52 • -8.74db
31% Popularity • 83% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Hajaj
Let Me Get To Know You
86 bpm • A# Maj • 03:26 • -13.03db
55% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Eli "Paperboy" Reed
Let’s Straighten It Out
86 bpm • A min • 03:22 • -7.18db
18% Popularity • 66% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Mica Millar
Nothing's For Keeps
86 bpm • C# Maj • 05:18 • -10.06db
21% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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War & Pierce
Amen
86 bpm • E min • 04:07 • -9db
33% Popularity • 78% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Conor Hughes
Crazy For You
86 bpm • F# min • 02:46 • -8.3db
34% Popularity • 50% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
59% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Kat Eaton
Talk To Me
63 bpm • B Maj • 03:38 • -8.45db
33% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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PAPA | PEET
Goin' Crazy
87 bpm • F# min • 03:58 • -6.35db
0% Popularity • 70% Danceability • 55% Energy • 3% Liveness
64% Instrumentalness • 68% Positiveness
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Pete Josef
Sunny Side Up
87 bpm • G Maj • 04:00 • -8.11db
32% Popularity • 70% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Liz Brasher
Blood of the Lamb
88 bpm • F# min • 03:02 • -6.62db
30% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Devon Gilfillian
Here and Now
87 bpm • A# Maj • 03:38 • -8db
49% Popularity • 73% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Sextones
This Could Last Forever
88 bpm • C Maj • 03:57 • -6.68db
33% Popularity • 63% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Kat Eaton
Lottery Ticket
87 bpm • F Maj • 03:55 • -7.3db
25% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Lack Of Afro
Wait for Me
88 bpm • F Maj • 03:14 • -5db
37% Popularity • 82% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Southern Avenue
That's All
88 bpm • G min • 04:08 • -6.9db
31% Popularity • 75% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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North Mississippi Allstars
Set Sail part I
88 bpm • F Maj • 04:57 • -12.93db
31% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Farrow
I'll Be Your Fool
88 bpm • F Maj • 03:35 • -10db
40% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Malted Milk
To Build Something
89 bpm • A# Maj • 03:45 • -6.83db
56% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The War And Treaty
Ain't No Harmin' Me
89 bpm • A# Maj • 03:50 • -6db
29% Popularity • 47% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Brian Owens
Ring Of Fire
89 bpm • D Maj • 04:46 • -9.43db
18% Popularity • 61% Danceability • 52% Energy • 13% Liveness
8% Instrumentalness • 43% Positiveness
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Amy Helm
Breathing
89 bpm • C Maj • 02:27 • -5.92db
28% Popularity • 65% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Omar Coleman
Strange Times
89 bpm • F# Maj • 04:23 • -8.32db
14% Popularity • 66% Danceability • 51% Energy • 32% Liveness
5% Instrumentalness • 74% Positiveness
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Elles Bailey
Riding Out the Storm
89 bpm • B min • 04:38 • -6.86db
37% Popularity • 53% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Hamish Anderson
What You Do To Me - Radio Edit
89 bpm • A Maj • 04:11 • -6.29db
23% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Eamon
Won’t Stop Now
90 bpm • C# min • 03:04 • -6.83db
12% Popularity • 70% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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The Meltdown
Tell You Not To Worry
90 bpm • F# min • 04:42 • -8.55db
48% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Durand Jones & The Indications
Morning In America
90 bpm • A min • 03:51 • -6db
49% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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It's A Long Road