Songs like It's A Vanity by T. P. Orchestre Poly-Rythmo
Based on a tempo of (+/- 10%) and a similar genre
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Vaudou Game
Not Guilty
134 bpm • F# min • 03:55 • -6.12db
16% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Orchestre Super Borgou de Parakou
Wegne´Nda M´Banza
134 bpm • F min • 03:17 • -7.19db
21% Popularity • 68% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 68% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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William Onyeabor
Something You Will Never Forget
135 bpm • D Maj • 10:07 • -4.87db
19% Popularity • 66% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
19% Popularity • 66% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
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Fanga
Crache La Douleur
135 bpm • G# min • 05:05 • -5.16db
31% Popularity • 60% Danceability • 90% Energy • 26% Liveness
16% Instrumentalness • 79% Positiveness
31% Popularity • 60% Danceability • 90% Energy • 26% Liveness
16% Instrumentalness • 79% Positiveness
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T. P. Orchestre Poly-Rythmo
It's A Vanity
134 bpm • F# Maj • 04:22 • -5.61db
34% Popularity • 76% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
34% Popularity • 76% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
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Tony Allen
Celebrate (2022 - Remaster)
133 bpm • C Maj • 07:50 • -11.3db
13% Popularity • 54% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
13% Popularity • 54% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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El Rego
Hessa
135 bpm • C Maj • 03:01 • -8.37db
20% Popularity • 67% Danceability • 57% Energy • 8% Liveness
21% Instrumentalness • 73% Positiveness
20% Popularity • 67% Danceability • 57% Energy • 8% Liveness
21% Instrumentalness • 73% Positiveness
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Bola Johnson
Oro Aiye
135 bpm • C# Maj • 02:51 • -7.08db
18% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Hugh Masekela
Ahvuomo
133 bpm • A min • 06:26 • -3.87db
9% Popularity • 50% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 50% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Mystic Djim & The Spirits
Yaoundé Girls
135 bpm • A Maj • 05:57 • -12db
11% Popularity • 84% Danceability • 86% Energy • 6% Liveness
23% Instrumentalness • 77% Positiveness
11% Popularity • 84% Danceability • 86% Energy • 6% Liveness
23% Instrumentalness • 77% Positiveness
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T. P. Orchestre Poly-Rythmo
Minsato Le, Mi Dayihome
133 bpm • F min • 03:19 • -9db
27% Popularity • 77% Danceability • 69% Energy • 14% Liveness
17% Instrumentalness • 74% Positiveness
27% Popularity • 77% Danceability • 69% Energy • 14% Liveness
17% Instrumentalness • 74% Positiveness
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Colomach
Ottoto Shamoleda
133 bpm • C# Maj • 02:43 • -8db
16% Popularity • 74% Danceability • 70% Energy • 8% Liveness
62% Instrumentalness • 88% Positiveness
16% Popularity • 74% Danceability • 70% Energy • 8% Liveness
62% Instrumentalness • 88% Positiveness
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Orchestre Poly-Rythmo de Cotonou
Akoue We Gni Gan - Jerk Fon
133 bpm • E Maj • 03:19 • -7.89db
20% Popularity • 77% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 77% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Geraldo Pino
Heavy Heavy Heavy
136 bpm • A min • 06:33 • -8.37db
29% Popularity • 66% Danceability • 87% Energy • 13% Liveness
41% Instrumentalness • 87% Positiveness
29% Popularity • 66% Danceability • 87% Energy • 13% Liveness
41% Instrumentalness • 87% Positiveness
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The Apagya Showband
Mumude
132 bpm • F min • 03:02 • -7.16db
27% Popularity • 63% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 63% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Marijata
Break Through
132 bpm • D min • 04:59 • -13.07db
18% Popularity • 74% Danceability • 78% Energy • 22% Liveness
1% Instrumentalness • 82% Positiveness
18% Popularity • 74% Danceability • 78% Energy • 22% Liveness
1% Instrumentalness • 82% Positiveness
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Toite Sandja
Mais dis-donc
132 bpm • C# Maj • 04:08 • -10.37db
9% Popularity • 77% Danceability • 59% Energy • 40% Liveness
1% Instrumentalness • 78% Positiveness
9% Popularity • 77% Danceability • 59% Energy • 40% Liveness
1% Instrumentalness • 78% Positiveness
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T. P. Orchestre Poly-Rythmo
Min E Wa..We Non Dou
132 bpm • G# Maj • 08:01 • -10.57db
5% Popularity • 71% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
5% Popularity • 71% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Orchestre Super Borgou de Parakou
Gandigui
137 bpm • G# min • 03:03 • -7.03db
22% Popularity • 66% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
22% Popularity • 66% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
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The Funkees
Abraka
131 bpm • F# Maj • 04:26 • -12db
25% Popularity • 67% Danceability • 78% Energy • 38% Liveness
78% Instrumentalness • 94% Positiveness
25% Popularity • 67% Danceability • 78% Energy • 38% Liveness
78% Instrumentalness • 94% Positiveness
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The Apagya Showband
Kwaku Ananse
132 bpm • C min • 03:12 • -6.22db
26% Popularity • 55% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 55% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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The Chakachas
Oye Mi
131 bpm • D Maj • 03:21 • -13.53db
23% Popularity • 63% Danceability • 55% Energy • 14% Liveness
77% Instrumentalness • 96% Positiveness
23% Popularity • 63% Danceability • 55% Energy • 14% Liveness
77% Instrumentalness • 96% Positiveness
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Oscar Sulley
Bukom Mashie
131 bpm • A min • 05:07 • -7.46db
23% Popularity • 66% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
23% Popularity • 66% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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T. P. Orchestre Poly-Rythmo
Moulon Devia
137 bpm • G# min • 07:34 • -11.67db
9% Popularity • 77% Danceability • 63% Energy • 29% Liveness
1% Instrumentalness • 83% Positiveness
9% Popularity • 77% Danceability • 63% Energy • 29% Liveness
1% Instrumentalness • 83% Positiveness
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Arp Frique
Ijo Ya
131 bpm • C Maj • 03:12 • -7db
11% Popularity • 61% Danceability • 80% Energy • 17% Liveness
41% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 80% Energy • 17% Liveness
41% Instrumentalness • 74% Positiveness
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Marijata
I Walk Alone
137 bpm • E min • 10:44 • -15db
32% Popularity • 56% Danceability • 43% Energy • 9% Liveness
22% Instrumentalness • 75% Positiveness
32% Popularity • 56% Danceability • 43% Energy • 9% Liveness
22% Instrumentalness • 75% Positiveness
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The Funkees
303
130 bpm • G min • 04:20 • -11.49db
14% Popularity • 63% Danceability • 74% Energy • 28% Liveness
56% Instrumentalness • 92% Positiveness
14% Popularity • 63% Danceability • 74% Energy • 28% Liveness
56% Instrumentalness • 92% Positiveness
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William Onyeabor
Heaven and Hell
130 bpm • F min • 04:03 • -4db
30% Popularity • 65% Danceability • 90% Energy • 17% Liveness
25% Instrumentalness • 76% Positiveness
30% Popularity • 65% Danceability • 90% Energy • 17% Liveness
25% Instrumentalness • 76% Positiveness
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Sweet Talks
Kyekye Pe Aware
130 bpm • G Maj • 04:56 • -6.53db
9% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Hugh Masekela
Witch Doctor
138 bpm • A min • 06:29 • -5db
25% Popularity • 79% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 79% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Hallelujah Chicken Run Band
Mudzimu Ndiringe
138 bpm • C# min • 03:16 • -5db
31% Popularity • 68% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 76% Positiveness
31% Popularity • 68% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 76% Positiveness
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Marijata
Break Through
130 bpm • D min • 05:09 • -4.37db
12% Popularity • 66% Danceability • 95% Energy • 15% Liveness
6% Instrumentalness • 77% Positiveness
12% Popularity • 66% Danceability • 95% Energy • 15% Liveness
6% Instrumentalness • 77% Positiveness
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Orlando Julius
Mapami
129 bpm • F Maj • 03:04 • -5.29db
15% Popularity • 58% Danceability • 90% Energy • 12% Liveness
25% Instrumentalness • 92% Positiveness
15% Popularity • 58% Danceability • 90% Energy • 12% Liveness
25% Instrumentalness • 92% Positiveness
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Olinga Gaston
Ngon Engap
129 bpm • C# Maj • 04:21 • -13.41db
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
13% Instrumentalness • 94% Positiveness
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
13% Instrumentalness • 94% Positiveness
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BLO
Chant To Mother Earth
139 bpm • G Maj • 06:06 • -8.75db
23% Popularity • 38% Danceability • 67% Energy • 35% Liveness
16% Instrumentalness • 60% Positiveness
23% Popularity • 38% Danceability • 67% Energy • 35% Liveness
16% Instrumentalness • 60% Positiveness
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Joe Mensah
Africa Is Home
129 bpm • A# min • 08:56 • -10db
21% Popularity • 61% Danceability • 71% Energy • 31% Liveness
59% Instrumentalness • 83% Positiveness
21% Popularity • 61% Danceability • 71% Energy • 31% Liveness
59% Instrumentalness • 83% Positiveness
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Rob
Forgive Us All
139 bpm • F min • 07:59 • -9.29db
12% Popularity • 52% Danceability • 46% Energy • 21% Liveness
21% Instrumentalness • 58% Positiveness
12% Popularity • 52% Danceability • 46% Energy • 21% Liveness
21% Instrumentalness • 58% Positiveness
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Girma Bèyènè
Enkèn Yèlélèbesh
129 bpm • F min • 03:58 • -9db
41% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Funky Nassau
Bahama Soul Stew
129 bpm • G Maj • 02:35 • -3db
33% Popularity • 70% Danceability • 80% Energy • 5% Liveness
78% Instrumentalness • 96% Positiveness
33% Popularity • 70% Danceability • 80% Energy • 5% Liveness
78% Instrumentalness • 96% Positiveness
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Peter King
Ko Dara
129 bpm • G Maj • 03:33 • -9.93db
16% Popularity • 78% Danceability • 66% Energy • 8% Liveness
7% Instrumentalness • 97% Positiveness
16% Popularity • 78% Danceability • 66% Energy • 8% Liveness
7% Instrumentalness • 97% Positiveness
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BLO
Chant To Mother Earth
139 bpm • G Maj • 06:09 • -14.34db
27% Popularity • 40% Danceability • 45% Energy • 15% Liveness
53% Instrumentalness • 48% Positiveness
27% Popularity • 40% Danceability • 45% Energy • 15% Liveness
53% Instrumentalness • 48% Positiveness
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Gyedu-Blay Ambolley and His Creations
Akoko Ba
128 bpm • F Maj • 05:26 • -8.27db
19% Popularity • 71% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 71% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Rob
Not the End
140 bpm • E min • 03:49 • -12.39db
9% Popularity • 86% Danceability • 72% Energy • 11% Liveness
65% Instrumentalness • 86% Positiveness
9% Popularity • 86% Danceability • 72% Energy • 11% Liveness
65% Instrumentalness • 86% Positiveness
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![Soweto Disco cover art]()
The Movers
Soweto Disco
128 bpm • A# Maj • 04:06 • -11db
31% Popularity • 66% Danceability • 73% Energy • 4% Liveness
85% Instrumentalness • 95% Positiveness
31% Popularity • 66% Danceability • 73% Energy • 4% Liveness
85% Instrumentalness • 95% Positiveness
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The Apagya Showband
Tamfo Nyi Ekyir
128 bpm • F min • 03:56 • -9db
30% Popularity • 59% Danceability • 75% Energy • 8% Liveness
19% Instrumentalness • 59% Positiveness
30% Popularity • 59% Danceability • 75% Energy • 8% Liveness
19% Instrumentalness • 59% Positiveness
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T. P. Orchestre Poly-Rythmo
Houe Toue Hon - Afshin Remix
128 bpm • C# Maj • 07:47 • -13.11db
1% Popularity • 53% Danceability • 59% Energy • 13% Liveness
85% Instrumentalness • 61% Positiveness
1% Popularity • 53% Danceability • 59% Energy • 13% Liveness
85% Instrumentalness • 61% Positiveness
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Bola Johnson
Baby £1.10/-
128 bpm • C# Maj • 02:39 • -7db
20% Popularity • 70% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 70% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Manu Dibango
Goro City
128 bpm • A min • 08:34 • -8db
16% Popularity • 77% Danceability • 72% Energy • 3% Liveness
11% Instrumentalness • 96% Positiveness
16% Popularity • 77% Danceability • 72% Energy • 3% Liveness
11% Instrumentalness • 96% Positiveness
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Betti Betti
Ndolam
128 bpm • A# Maj • 06:03 • -9.51db
0% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Embryo
Soca (It's Soul Calypso)
128 bpm • G Maj • 04:12 • -9.3db
13% Popularity • 76% Danceability • 70% Energy • 32% Liveness
7% Instrumentalness • 74% Positiveness
13% Popularity • 76% Danceability • 70% Energy • 32% Liveness
7% Instrumentalness • 74% Positiveness
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Ebo Taylor
Kwame - Instrumental
127 bpm • F Maj • 03:42 • -5db
36% Popularity • 60% Danceability • 86% Energy • 13% Liveness
89% Instrumentalness • 77% Positiveness
36% Popularity • 60% Danceability • 86% Energy • 13% Liveness
89% Instrumentalness • 77% Positiveness
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T. P. Orchestre Poly-Rythmo
Gnonnou Ho
141 bpm • C# Maj • 07:30 • -10.61db
6% Popularity • 58% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
6% Popularity • 58% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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The Lijadu Sisters
Cashing In
127 bpm • G Maj • 06:02 • -8.8db
18% Popularity • 55% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 55% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Bernard Ntone
Mussoliki
126 bpm • F# min • 04:17 • -12.68db
17% Popularity • 77% Danceability • 73% Energy • 13% Liveness
47% Instrumentalness • 86% Positiveness
17% Popularity • 77% Danceability • 73% Energy • 13% Liveness
47% Instrumentalness • 86% Positiveness
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Joni Haastrup
Watch Out
126 bpm • A min • 06:13 • -5db
7% Popularity • 72% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 72% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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El Rego
Djobime
143 bpm • C# min • 02:35 • -8.49db
8% Popularity • 53% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
8% Popularity • 53% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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The Funkees
Salem
126 bpm • C# Maj • 05:36 • -12db
14% Popularity • 66% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 66% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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T. P. Orchestre Poly-Rythmo
Houe Towe Houn
126 bpm • F# Maj • 06:09 • -10.18db
1% Popularity • 68% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 68% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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The Undisputed Truth
Ungena Za Ulimwengu (Unite The World)
126 bpm • C min • 08:51 • -15db
32% Popularity • 84% Danceability • 42% Energy • 7% Liveness
29% Instrumentalness • 82% Positiveness
32% Popularity • 84% Danceability • 42% Energy • 7% Liveness
29% Instrumentalness • 82% Positiveness
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Christy Azuma and Uppers International
Din Ya Sugri
125 bpm • F Maj • 07:02 • -7db
15% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Dur-Dur Band
Halelo
125 bpm • G# Maj • 06:28 • -12.47db
18% Popularity • 66% Danceability • 43% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
18% Popularity • 66% Danceability • 43% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
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Manu Dibango
Bayam Sell'Am
125 bpm • B min • 05:53 • -4.45db
8% Popularity • 64% Danceability • 90% Energy • 16% Liveness
82% Instrumentalness • 91% Positiveness
8% Popularity • 64% Danceability • 90% Energy • 16% Liveness
82% Instrumentalness • 91% Positiveness
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Hailu Mergia
Musicawi Silt
125 bpm • G Maj • 03:49 • -7.02db
23% Popularity • 40% Danceability • 86% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
23% Popularity • 40% Danceability • 86% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
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Hamad Kalkaba and The Golden Sounds
Astadjam Dada Sare
125 bpm • G# min • 03:39 • -7.79db
22% Popularity • 75% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 75% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Buari
Karam Bani
125 bpm • A# Maj • 04:23 • -7.74db
19% Popularity • 59% Danceability • 91% Energy • 32% Liveness
18% Instrumentalness • 83% Positiveness
19% Popularity • 59% Danceability • 91% Energy • 32% Liveness
18% Instrumentalness • 83% Positiveness
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The Real Live Show
Gimme The Music - Reza's with a Bassline...
125 bpm • E min • 04:39 • -5.89db
0% Popularity • 61% Danceability • 86% Energy • 12% Liveness
2% Instrumentalness • 72% Positiveness
0% Popularity • 61% Danceability • 86% Energy • 12% Liveness
2% Instrumentalness • 72% Positiveness
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William Onyeabor
Love Me Now
124 bpm • C Maj • 07:02 • -15.07db
12% Popularity • 82% Danceability • 59% Energy • 6% Liveness
63% Instrumentalness • 83% Positiveness
12% Popularity • 82% Danceability • 59% Energy • 6% Liveness
63% Instrumentalness • 83% Positiveness
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Ignace de Souza & The Melody Aces
Asaw Fofor
144 bpm • A min • 02:55 • -10.56db
28% Popularity • 77% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
28% Popularity • 77% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
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SJOB Movement
Love Affair
124 bpm • G min • 06:51 • -9.66db
13% Popularity • 58% Danceability • 62% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
13% Popularity • 58% Danceability • 62% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
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Dur-Dur Band
Hayeelin
124 bpm • A# Maj • 05:40 • -12db
29% Popularity • 73% Danceability • 59% Energy • 13% Liveness
95% Instrumentalness • 85% Positiveness
29% Popularity • 73% Danceability • 59% Energy • 13% Liveness
95% Instrumentalness • 85% Positiveness
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Emmanuel Kahe
Ye Medjuie
124 bpm • F min • 04:26 • -13.02db
13% Popularity • 69% Danceability • 82% Energy • 7% Liveness
51% Instrumentalness • 91% Positiveness
13% Popularity • 69% Danceability • 82% Energy • 7% Liveness
51% Instrumentalness • 91% Positiveness
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Crispy
A.I.E. (A Mwana)
124 bpm • C# Maj • 03:20 • -6.4db
12% Popularity • 74% Danceability • 87% Energy • 12% Liveness
16% Instrumentalness • 62% Positiveness
12% Popularity • 74% Danceability • 87% Energy • 12% Liveness
16% Instrumentalness • 62% Positiveness
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The Uhuru Dance Band
Yahia Mu
124 bpm • C Maj • 04:10 • -7db
10% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Orchestre Régional De Kayes
Sanjina
145 bpm • E min • 05:59 • -13.95db
10% Popularity • 57% Danceability • 43% Energy • 28% Liveness
3% Instrumentalness • 84% Positiveness
10% Popularity • 57% Danceability • 43% Energy • 28% Liveness
3% Instrumentalness • 84% Positiveness
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Ebo Taylor
Peace On Earth
124 bpm • F min • 07:43 • -6.79db
32% Popularity • 75% Danceability • 86% Energy • 30% Liveness
26% Instrumentalness • 66% Positiveness
32% Popularity • 75% Danceability • 86% Energy • 30% Liveness
26% Instrumentalness • 66% Positiveness
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Manu Dibango
Wilderness
124 bpm • F Maj • 03:08 • -6.95db
23% Popularity • 67% Danceability • 97% Energy • 14% Liveness
85% Instrumentalness • 68% Positiveness
23% Popularity • 67% Danceability • 97% Energy • 14% Liveness
85% Instrumentalness • 68% Positiveness
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William Onyeabor
Good Name
124 bpm • F min • 10:05 • -4.96db
24% Popularity • 75% Danceability • 92% Energy • 20% Liveness
84% Instrumentalness • 97% Positiveness
24% Popularity • 75% Danceability • 92% Energy • 20% Liveness
84% Instrumentalness • 97% Positiveness
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Marijata
We Live In Peace
124 bpm • F Maj • 04:09 • -14.45db
28% Popularity • 66% Danceability • 74% Energy • 25% Liveness
4% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 74% Energy • 25% Liveness
4% Instrumentalness • 53% Positiveness
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Felixson Ngasia & The Survivals
Black Precious Colour
124 bpm • G Maj • 07:10 • -10.98db
15% Popularity • 68% Danceability • 81% Energy • 8% Liveness
79% Instrumentalness • 87% Positiveness
15% Popularity • 68% Danceability • 81% Energy • 8% Liveness
79% Instrumentalness • 87% Positiveness
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Super Eagles
Love's a Real Thing
124 bpm • A Maj • 02:59 • -9db
31% Popularity • 67% Danceability • 58% Energy • 19% Liveness
60% Instrumentalness • 66% Positiveness
31% Popularity • 67% Danceability • 58% Energy • 19% Liveness
60% Instrumentalness • 66% Positiveness
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The Ogyatanaa Show Band
Disco Africa
124 bpm • F# min • 04:15 • -7db
25% Popularity • 80% Danceability • 76% Energy • 5% Liveness
70% Instrumentalness • 40% Positiveness
25% Popularity • 80% Danceability • 76% Energy • 5% Liveness
70% Instrumentalness • 40% Positiveness
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Hamad Kalkaba and The Golden Sounds
Touflé
124 bpm • C# Maj • 04:24 • -8.68db
15% Popularity • 71% Danceability • 78% Energy • 17% Liveness
40% Instrumentalness • 79% Positiveness
15% Popularity • 71% Danceability • 78% Energy • 17% Liveness
40% Instrumentalness • 79% Positiveness
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Amadou Balaké
Super Bar Konon Mousso
123 bpm • F# Maj • 05:26 • -7.63db
12% Popularity • 53% Danceability • 87% Energy • 17% Liveness
60% Instrumentalness • 88% Positiveness
12% Popularity • 53% Danceability • 87% Energy • 17% Liveness
60% Instrumentalness • 88% Positiveness
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Rob
I've Got to See You Again, Lord
123 bpm • E min • 03:52 • -11.29db
9% Popularity • 58% Danceability • 59% Energy • 12% Liveness
45% Instrumentalness • 33% Positiveness
9% Popularity • 58% Danceability • 59% Energy • 12% Liveness
45% Instrumentalness • 33% Positiveness
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Rob
Just One More Time
123 bpm • C# Maj • 07:38 • -8db
10% Popularity • 79% Danceability • 90% Energy • 7% Liveness
65% Instrumentalness • 90% Positiveness
10% Popularity • 79% Danceability • 90% Energy • 7% Liveness
65% Instrumentalness • 90% Positiveness
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William Onyeabor
Love Is Blind
123 bpm • A min • 07:48 • -7.43db
17% Popularity • 77% Danceability • 63% Energy • 12% Liveness
66% Instrumentalness • 90% Positiveness
17% Popularity • 77% Danceability • 63% Energy • 12% Liveness
66% Instrumentalness • 90% Positiveness
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The Funkees
Acid Rock
146 bpm • F Maj • 02:53 • -9.83db
34% Popularity • 71% Danceability • 52% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
34% Popularity • 71% Danceability • 52% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
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Les Amazones de Guinée
Samba
123 bpm • B min • 04:57 • -16.36db
29% Popularity • 56% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 56% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
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T. P. Orchestre Poly-Rythmo
Ne Te Fache Pas
123 bpm • G min • 04:38 • -9.11db
27% Popularity • 56% Danceability • 77% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
27% Popularity • 56% Danceability • 77% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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Heshoo Beshoo Group
Emakhaya
123 bpm • D Maj • 07:18 • -9db
28% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
28% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
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Rob
Funky Rob Way
123 bpm • A# min • 06:14 • -9db
8% Popularity • 81% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 66% Positiveness
8% Popularity • 81% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 66% Positiveness
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Orlando Julius
Aseni
123 bpm • F# Maj • 05:18 • -6.18db
20% Popularity • 57% Danceability • 84% Energy • 9% Liveness
10% Instrumentalness • 96% Positiveness
20% Popularity • 57% Danceability • 84% Energy • 9% Liveness
10% Instrumentalness • 96% Positiveness
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Rob
Boogie On
122 bpm • C# Maj • 04:15 • -7db
17% Popularity • 80% Danceability • 92% Energy • 8% Liveness
71% Instrumentalness • 91% Positiveness
17% Popularity • 80% Danceability • 92% Energy • 8% Liveness
71% Instrumentalness • 91% Positiveness
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De Frank Professionals
Afe Ato Yen Bio
122 bpm • D# Maj • 04:42 • -4.97db
37% Popularity • 81% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 81% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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The Beginning Of The End
Funky Nassau, Pt. 2
122 bpm • F# min • 02:34 • -8db
43% Popularity • 65% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 97% Positiveness
43% Popularity • 65% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 97% Positiveness
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Shina Williams & His African Percussionists
Agboju Logun
122 bpm • E Maj • 11:33 • -7db
32% Popularity • 79% Danceability • 70% Energy • 4% Liveness
14% Instrumentalness • 68% Positiveness
32% Popularity • 79% Danceability • 70% Energy • 4% Liveness
14% Instrumentalness • 68% Positiveness
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Rob
Boogie On
122 bpm • C# Maj • 04:10 • -7.11db
7% Popularity • 80% Danceability • 93% Energy • 11% Liveness
70% Instrumentalness • 91% Positiveness
7% Popularity • 80% Danceability • 93% Energy • 11% Liveness
70% Instrumentalness • 91% Positiveness
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The Psychedelic Aliens
Gbe Keke Wo Taoc
122 bpm • G Maj • 02:29 • -6db
26% Popularity • 58% Danceability • 89% Energy • 12% Liveness
68% Instrumentalness • 30% Positiveness
26% Popularity • 58% Danceability • 89% Energy • 12% Liveness
68% Instrumentalness • 30% Positiveness
