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It's Alright
Songs like
It's Alright
by
Mother Mother
Based on a tempo of (+/- 10%) and a similar genre
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Glass Animals
The Other Side Of Paradise
128 bpm • B min • 05:20 • -7.63db
68% Popularity • 69% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Naethan Apollo
Lemon Lime Lips
128 bpm • B min • 02:59 • -6db
49% Popularity • 81% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Mother Mother
It's Alright
128 bpm • G# Maj • 02:55 • -10.15db
61% Popularity • 71% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Cloudfodder
My Ugly
128 bpm • C min • 02:18 • -10.26db
54% Popularity • 73% Danceability • 53% Energy • 40% Liveness
2% Instrumentalness • 60% Positiveness
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Steppes
Marceline The Vampire
128 bpm • D Maj • 02:55 • -4.41db
42% Popularity • 52% Danceability • 87% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
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AlicebanD
Fire With Fire
129 bpm • A# min • 02:56 • -7db
46% Popularity • 48% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Leanna Firestone
Diet Coke
128 bpm • C# min • 03:07 • -5.53db
51% Popularity • 77% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Naethan Apollo
You're Not Welcome
129 bpm • C Maj • 02:30 • -9db
59% Popularity • 73% Danceability • 42% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
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Mother Mother
Oh Ana
128 bpm • F Maj • 03:17 • -7.15db
70% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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MARINA
Oh No!
127 bpm • C Maj • 03:02 • -3.97db
71% Popularity • 77% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Happy Fits
Best Tears
130 bpm • D Maj • 02:38 • -4db
52% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Cody Fry
Underground
130 bpm • F Maj • 02:51 • -12db
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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girl in red
dead girl in the pool.
130 bpm • G Maj • 03:06 • -7db
58% Popularity • 69% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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The Crane Wives
Sleeping Giants
130 bpm • D Maj • 03:36 • -7db
46% Popularity • 33% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Mother Mother
No Culture
127 bpm • C# min • 03:36 • -4.63db
44% Popularity • 70% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Rare Americans
Brittle Bones Nicky
130 bpm • C# min • 03:22 • -6.1db
57% Popularity • 77% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Bo Burnham
Goodbye
126 bpm • G Maj • 04:09 • -9.94db
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Maeson
Cringe
126 bpm • F Maj • 03:36 • -7.72db
65% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Penelope Scott
Mommy Fwiend
126 bpm • C min • 03:30 • -6db
46% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Tessa Violet
Bored
126 bpm • B min • 03:03 • -6.21db
39% Popularity • 84% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Mother Mother
Infinitesimal
130 bpm • C# min • 02:56 • -4.2db
51% Popularity • 78% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Saint Motel
Destroyer
130 bpm • D Maj • 03:11 • -5.14db
45% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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The Happy Fits
So Alright, Cool, Whatever
130 bpm • C Maj • 03:11 • -5.42db
57% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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The Oh Hellos
Theseus
126 bpm • E Maj • 03:16 • -10db
45% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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half•alive
Tip Toes
130 bpm • F Maj • 03:15 • -5.59db
50% Popularity • 68% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Melanie Martinez
Dollhouse
130 bpm • F min • 03:51 • -5.33db
75% Popularity • 72% Danceability • 71% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Bronze Radio Return
Everything Moves
130 bpm • G min • 03:23 • -4.78db
48% Popularity • 63% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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The Crane Wives
Tongues & Teeth
126 bpm • C Maj • 03:41 • -6.71db
61% Popularity • 62% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Oh Hellos
Exeunt
126 bpm • G# Maj • 02:33 • -11db
49% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Shayfer James
Ferryman
125 bpm • G min • 03:04 • -5db
50% Popularity • 79% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Adventure Time
Monster
125 bpm • E min • 01:39 • -16.62db
62% Popularity • 76% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ricky Montgomery
Dont Know How
125 bpm • C# Maj • 03:03 • -5db
48% Popularity • 65% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
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The Happy Fits
Mary
131 bpm • G Maj • 03:14 • -4db
54% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Fish in a Birdcage
Rule #1 - Magic
131 bpm • C Maj • 02:59 • -8db
53% Popularity • 89% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
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Mother Mother
I Got Love
125 bpm • B min • 02:52 • -6.95db
48% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Noah Floersch
On Your Mind
125 bpm • G# Maj • 02:39 • -8.38db
52% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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kroh
Typical Me
132 bpm • G min • 03:06 • -8.16db
50% Popularity • 50% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Tally Hall
Never Meant to Know
132 bpm • E Maj • 03:40 • -5.5db
52% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Robert DeLong
Favorite Color Is Blue
132 bpm • F Maj • 03:34 • -5db
48% Popularity • 60% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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The Crane Wives
Keep You Safe
124 bpm • A# Maj • 04:11 • -9.45db
45% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Happy Fits
Achey Bones
132 bpm • C min • 03:21 • -4.52db
47% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Lovejoy
The Fall
132 bpm • G# min • 03:04 • -10.34db
56% Popularity • 79% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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kroh
Hush
132 bpm • G min • 02:56 • -12.81db
45% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Friday Pilots Club
Would You Mind
124 bpm • G# min • 04:06 • -9.68db
45% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Orla Gartland
Between My Teeth
124 bpm • A min • 03:16 • -5.27db
33% Popularity • 83% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Absinthe
124 bpm • A min • 03:03 • -4.94db
60% Popularity • 61% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Mother Mother
All Gone
133 bpm • F# Maj • 03:45 • -4.96db
47% Popularity • 54% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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half•alive
Pure Gold
133 bpm • C Maj • 03:34 • -6.98db
43% Popularity • 69% Danceability • 59% Energy • 42% Liveness
9% Instrumentalness • 29% Positiveness
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The Front Bottoms
Father
133 bpm • F min • 03:49 • -4.36db
56% Popularity • 58% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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AViVA
BLAME IT ON THE KIDS
133 bpm • F# min • 03:16 • -6.27db
62% Popularity • 72% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Roe Kapara
Employment Cost
133 bpm • E Maj • 01:37 • -7db
51% Popularity • 77% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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The Orion Experience
The Queen of White Lies
123 bpm • C Maj • 03:08 • -4.15db
53% Popularity • 76% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Beach Bunny
Painkiller
123 bpm • E Maj • 03:36 • -7.97db
59% Popularity • 37% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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dodie
Human
134 bpm • G# Maj • 03:22 • -14.92db
47% Popularity • 66% Danceability • 29% Energy • 10% Liveness
15% Instrumentalness • 39% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Mx. Sinister
134 bpm • D min • 02:59 • -4.07db
55% Popularity • 51% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Vian Izak
The London Air Raids
122 bpm • A# Maj • 03:33 • -5.6db
44% Popularity • 58% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Will Wood and the Tapeworms
Skeleton Appreciation Day in Vestal, NY ...
122 bpm • C Maj • 04:04 • -6db
54% Popularity • 61% Danceability • 69% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
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Ricky Montgomery
Get Used to It
122 bpm • A Maj • 03:55 • -5.68db
53% Popularity • 71% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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MARINA
Hermit the Frog
122 bpm • C Maj • 03:35 • -4.55db
66% Popularity • 61% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Sugar Pills
122 bpm • A# min • 03:07 • -4.46db
52% Popularity • 63% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Vian Izak
Mostly
134 bpm • C Maj • 01:42 • -13db
49% Popularity • 55% Danceability • 18% Energy • 16% Liveness
17% Instrumentalness • 19% Positiveness
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Lovejoy
Perfume
122 bpm • G# Maj • 03:27 • -7.78db
61% Popularity • 62% Danceability • 79% Energy • 10% Liveness
27% Instrumentalness • 96% Positiveness
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Bastille
Icarus
135 bpm • E min • 03:45 • -6.58db
59% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Friday Pilots Club
For The Wicked
135 bpm • F Maj • 02:53 • -4db
60% Popularity • 59% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Rare Americans
Cats, Dogs & Rats
122 bpm • D# min • 02:31 • -6.09db
50% Popularity • 67% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Amazing Devil
That Unwanted Animal
136 bpm • G min • 04:58 • -9.77db
51% Popularity • 41% Danceability • 56% Energy • 25% Liveness
1% Instrumentalness • 11% Positiveness
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Lovejoy
Knee Deep at ATP
135 bpm • E Maj • 03:08 • -10.56db
53% Popularity • 62% Danceability • 56% Energy • 12% Liveness
12% Instrumentalness • 21% Positiveness
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Tessa Violet
Crush
136 bpm • C# Maj • 03:36 • -9.55db
61% Popularity • 91% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Oh Hellos
Thus Always To Tyrants
136 bpm • F min • 03:39 • -9db
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Choke
120 bpm • E min • 03:15 • -3.91db
69% Popularity • 52% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Juniper Vale
Will I Find My Home - Acoustic Version
120 bpm • C Maj • 03:33 • -6.8db
44% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Twenty One Pilots
Tear in My Heart
120 bpm • D Maj • 03:08 • -4.8db
76% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Paper Kites
Willow Tree March
120 bpm • E min • 04:36 • -9.23db
43% Popularity • 60% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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half•alive
Make of It
120 bpm • F# Maj • 02:35 • -8.37db
43% Popularity • 76% Danceability • 71% Energy • 14% Liveness
18% Instrumentalness • 72% Positiveness
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Tessa Violet
Haze
120 bpm • D min • 03:46 • -9db
40% Popularity • 78% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Will Wood
Against the Kitchen Floor
120 bpm • G Maj • 05:06 • -4db
58% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Amazing Devil
Inkpot Gods
120 bpm • G# Maj • 04:58 • -9.49db
50% Popularity • 55% Danceability • 61% Energy • 32% Liveness
5% Instrumentalness • 33% Positiveness
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fin
Lost
120 bpm • D# Maj • 02:59 • -8.91db
49% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Younger Hunger
Dead Inside
120 bpm • F# min • 03:20 • -3.9db
59% Popularity • 70% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Bo Burnham
Shit
120 bpm • A# Maj • 01:18 • -5.22db
64% Popularity • 94% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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half•alive
still feel.
120 bpm • A# min • 04:07 • -6.47db
64% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Rare Americans
Milk Man
120 bpm • A# min • 03:00 • -7.17db
48% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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MARINA
Savages
120 bpm • A min • 04:16 • -7.2db
57% Popularity • 76% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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chloe moriondo
I Want To Be With You
120 bpm • E Maj • 02:59 • -6.97db
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sushi Soucy
I Deserve to Bleed
120 bpm • G Maj • 01:44 • -11.51db
66% Popularity • 76% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Jack Stauber's Micropop
Baby Hotline
120 bpm • C Maj • 04:51 • -9.92db
68% Popularity • 74% Danceability • 36% Energy • 33% Liveness
5% Instrumentalness • 45% Positiveness
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Saint Motel
A Good Song Never Dies
120 bpm • D min • 03:21 • -3.55db
60% Popularity • 68% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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mxmtoon
prom dress
120 bpm • A# Maj • 03:17 • -6.05db
68% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Junie & TheHutFriends
The Consequence Of Imagination Is Fear
120 bpm • A Maj • 02:58 • -9.72db
52% Popularity • 76% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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chloe moriondo
Kindergarten
120 bpm • G Maj • 02:25 • -15db
48% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Happy Fits
She Wants Me (To Be Loved)
120 bpm • A Maj • 03:19 • -5.18db
59% Popularity • 78% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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The Wrecks
Favorite Liar
120 bpm • A Maj • 04:02 • -3.49db
56% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Halsey
Control
120 bpm • E min • 03:34 • -5.64db
70% Popularity • 55% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Will Wood
Memento Mori: the most important thing i...
120 bpm • C Maj • 02:49 • -8.83db
58% Popularity • 72% Danceability • 57% Energy • 72% Liveness
0% Instrumentalness • 71% Positiveness
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Mother Mother
Weep
120 bpm • C Maj • 03:27 • -8.89db
34% Popularity • 44% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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girli
More Than a Friend
137 bpm • C Maj • 02:55 • -7.65db
63% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Penelope Scott
American Healthcare (Glitzy)
120 bpm • F Maj • 04:29 • -12db
51% Popularity • 54% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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It's Alright