Songs like It's Always Been You by Caleb Hearn
Based on a tempo of (+/- 10%) and a similar genre
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Caleb Hearn
It's Always Been You
132 bpm • A# Maj • 02:49 • -8.73db
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Matthew Nolan
Far Away
132 bpm • C# Maj • 03:21 • -11db
37% Popularity • 54% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 54% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Sampson
Like the Rain
132 bpm • A Maj • 03:10 • -10.18db
46% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Camylio
unbreak
130 bpm • B min • 03:18 • -7.35db
44% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Reagan Beem
It's Okay - Acoustic
130 bpm • D Maj • 02:52 • -6.14db
36% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander Stewart
he never will
130 bpm • G# Maj • 02:51 • -4.92db
62% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
62% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Khloe Rose
Fictional
130 bpm • D Maj • 03:43 • -6.82db
63% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Caleb Hearn
She's Everything That I've Ever Wanted
130 bpm • E Maj • 03:24 • -10.43db
50% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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We Three
HALF HEARTED
130 bpm • E Maj • 03:52 • -10db
55% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Abe Parker
Empty House
130 bpm • D Maj • 02:57 • -9.75db
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Roose
Because I love you
130 bpm • C# Maj • 02:51 • -6.8db
44% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Ashley Kutcher
When You're Not Okay
135 bpm • F Maj • 02:31 • -7db
46% Popularity • 50% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 50% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Brent Morgan
Angel
135 bpm • F# Maj • 03:15 • -9.77db
52% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
43% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Jane
Intrusive Thoughts
129 bpm • B Maj • 03:21 • -8.58db
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Hansen
CHEMICALS
135 bpm • C Maj • 03:17 • -5.8db
63% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Dean Lewis
Memories
129 bpm • D Maj • 02:59 • -6.51db
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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JESSIA
Next Time
135 bpm • C Maj • 03:17 • -9db
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Kylie Muse
The Love Of My Life
135 bpm • G# Maj • 02:42 • -9.95db
37% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Reagan Beem
Happy
136 bpm • A Maj • 03:15 • -8.13db
31% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Alex Warren
Save You a Seat
136 bpm • F# Maj • 03:17 • -6.29db
73% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Loving Caliber
You Set My World On Fire
136 bpm • B Maj • 03:22 • -8.44db
49% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Alex Sampson
Let There Be Light
128 bpm • D Maj • 03:43 • -6db
35% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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David J
Heartbroken
136 bpm • A Maj • 02:54 • -4.61db
47% Popularity • 56% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 56% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Matt Hansen
GRAVITY
136 bpm • D Maj • 02:54 • -9.12db
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Caleb Hearn
Distracted
128 bpm • G# min • 02:45 • -7.66db
27% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Stewart
if you only knew
128 bpm • C Maj • 02:42 • -10.66db
68% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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James TW
Speechless
127 bpm • C Maj • 03:07 • -8.34db
48% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dylan Brady
Bless the Broken Road
128 bpm • B Maj • 03:06 • -11db
42% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Clark
deserve
137 bpm • D# Maj • 02:49 • -9.12db
51% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Caleb Hearn
Little Bit Better
137 bpm • G# min • 03:47 • -9.38db
75% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
75% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Jessie Murph
Always Been You
137 bpm • D# min • 02:11 • -7.67db
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Avery Anna
I Love You More
137 bpm • D Maj • 03:24 • -4.83db
46% Popularity • 58% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 58% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Alex Warren
Yard Sale
127 bpm • C Maj • 02:54 • -6.07db
64% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Tate McRae
she's all i wanna be - Acoustic
138 bpm • F# Maj • 03:18 • -12db
50% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Rachel Grae
Right Person Right Time - Acoustic
138 bpm • F# Maj • 03:01 • -7.92db
41% Popularity • 53% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 53% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Hanniou
losing you
138 bpm • C Maj • 03:41 • -9.13db
45% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alexander Stewart
broken by you
138 bpm • C# Maj • 02:52 • -4.65db
67% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
67% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Andi
Can't Break Up
138 bpm • E Maj • 02:41 • -5.32db
47% Popularity • 68% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 68% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Brady
Fallin'
138 bpm • G# Maj • 03:29 • -11.34db
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Dean Lewis
Be Alright - Acoustic
126 bpm • A Maj • 03:17 • -9.02db
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Benson Boone
Better Alone
126 bpm • G Maj • 03:29 • -6.11db
63% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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gavn!
lift you up (someone else)
126 bpm • B min • 02:40 • -12.19db
45% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Livingston
Last Man Standing
138 bpm • C# Maj • 03:03 • -5.76db
68% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Brady
How Are You? (ROSIE Rewrite)
138 bpm • C# Maj • 03:03 • -7.03db
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Camylio
strangers
125 bpm • C Maj • 02:52 • -10.08db
51% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Warren
How Could You (Be OK)
125 bpm • C Maj • 03:17 • -5.36db
52% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Brent Morgan
I'll Be There for You
125 bpm • F Maj • 02:09 • -10.03db
57% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Avalan
World We Know
125 bpm • D Maj • 02:56 • -8db
38% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Hansen
lifejacket
125 bpm • D Maj • 03:23 • -6.43db
59% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
51% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Morgan
Some Days
140 bpm • F# Maj • 02:10 • -13db
66% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Caleb Hearn
Need You Now
140 bpm • G Maj • 02:44 • -7.12db
27% Popularity • 60% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 60% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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DJ Captn Morgan
Alive
140 bpm • D Maj • 03:46 • -8.44db
0% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jamie Miller
Over You
140 bpm • B min • 02:33 • -6db
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
56% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
56% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Forest Blakk
Long Story Short
124 bpm • A Maj • 02:40 • -6.92db
50% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Zoe Wees
Daddy's Eyes
124 bpm • D Maj • 03:02 • -4.94db
45% Popularity • 55% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 55% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
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Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
48% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Here At Last
Ordinary Life
124 bpm • C# Maj • 02:42 • -7.48db
49% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Camylio
foolish
142 bpm • C Maj • 03:00 • -8.54db
41% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mark Ambor
Sky is the Limit
123 bpm • E Maj • 02:39 • -14.18db
57% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Suriel Hess
Reasons to Leave
142 bpm • B Maj • 02:45 • -9db
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Caleb Hearn
If We Break Up
143 bpm • F Maj • 03:48 • -8.86db
30% Popularity • 42% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 42% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
49% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Clark
you dont see it
143 bpm • C# Maj • 03:08 • -16.53db
45% Popularity • 61% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 61% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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We Three
Kissin' When We're Mad
122 bpm • E Maj • 03:05 • -7db
40% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alex Warren
Chasing Shadows - Acoustic
122 bpm • C# Maj • 02:42 • -10.14db
41% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tyler Shaw
Love You Still (abcdefu romantic version...
121 bpm • E Maj • 02:30 • -19db
60% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
60% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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elijah woods
everything everywhere always
144 bpm • F# Maj • 02:27 • -10.23db
67% Popularity • 40% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 40% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Matthew Nolan
My Mistakes
144 bpm • G# Maj • 03:14 • -10.29db
44% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain
121 bpm • D# Maj • 02:43 • -4.57db
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
