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It's Been A Long, Long Time
Songs like
It's Been A Long, Long Time
by
Jackie Gleason
Based on a tempo of (+/- 10%) and a similar genre
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Billy May & His Orchestra
Handful Of Stars
138 bpm • G Maj • 02:44 • -13.47db
16% Popularity • 17% Danceability • 36% Energy • 38% Liveness
81% Instrumentalness • 12% Positiveness
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Hugo Winterhalter And His Orchestra
I'll String Along with You - Instrumenta...
138 bpm • C Maj • 03:30 • -14db
18% Popularity • 21% Danceability • 17% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
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Les & Larry Elgart
Little Brown Jug
138 bpm • G# Maj • 02:05 • -13db
24% Popularity • 66% Danceability • 38% Energy • 19% Liveness
23% Instrumentalness • 64% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
54% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Carroll Gibbons
It Looks Like Rain In Cherry Blossom Lan...
138 bpm • G# Maj • 02:55 • -21.45db
40% Popularity • 39% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
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The Circle Session Players
Be Our Guest
138 bpm • G Maj • 03:30 • -13.49db
34% Popularity • 73% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Jackie Gleason
It's Been A Long, Long Time
138 bpm • G Maj • 03:32 • -20.31db
30% Popularity • 27% Danceability • 7% Energy • 21% Liveness
90% Instrumentalness • 15% Positiveness
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Hugo Winterhalter And His Orchestra
Cheerful Little Earful - Instrumental
138 bpm • G# Maj • 02:34 • -11.08db
22% Popularity • 53% Danceability • 39% Energy • 23% Liveness
4% Instrumentalness • 72% Positiveness
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Francois Parisi
Le Parc De Plaisir
138 bpm • A# min • 02:12 • -9db
37% Popularity • 36% Danceability • 21% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
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Justin Hurwitz
When I Wake
138 bpm • D Maj • 03:52 • -11db
38% Popularity • 59% Danceability • 21% Energy • 16% Liveness
63% Instrumentalness • 54% Positiveness
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Herb Alpert & The Tijuana Brass
Belz Mein Shtetele Belz (My Home Town)
139 bpm • F min • 02:14 • -12.75db
25% Popularity • 66% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Billy May & His Orchestra
Rhapsody In Blue
137 bpm • D# min • 03:21 • -16.53db
10% Popularity • 34% Danceability • 5% Energy • 16% Liveness
4% Instrumentalness • 9% Positiveness
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Living Strings
A-Roving
137 bpm • F Maj • 05:12 • -17.34db
20% Popularity • 20% Danceability • 34% Energy • 95% Liveness
83% Instrumentalness • 23% Positiveness
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Jackie Gleason
Hello, Dolly!
137 bpm • A# min • 03:15 • -17.11db
10% Popularity • 17% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Dana Boulé
Parlez-Moi D'amour
139 bpm • G Maj • 03:00 • -11.28db
37% Popularity • 20% Danceability • 31% Energy • 15% Liveness
85% Instrumentalness • 9% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
45% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Henry Mancini
The Summer Knows
140 bpm • F min • 03:27 • -21.69db
41% Popularity • 22% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Antonio Rossi & His Orchestra
The Windmills of Your Mind
140 bpm • E min • 03:31 • -16.55db
29% Popularity • 31% Danceability • 18% Energy • 34% Liveness
94% Instrumentalness • 10% Positiveness
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Les Elgart & His Orchestra
(The Gang That Sang) Heart of My Heart
140 bpm • G# Maj • 02:34 • -14.19db
23% Popularity • 76% Danceability • 17% Energy • 6% Liveness
26% Instrumentalness • 68% Positiveness
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Laurie Johnson
Paris Honeymoon
140 bpm • D min • 01:30 • -6db
17% Popularity • 29% Danceability • 48% Energy • 24% Liveness
96% Instrumentalness • 42% Positiveness
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Herb Alpert & The Tijuana Brass
Mae
136 bpm • E min • 02:26 • -11db
48% Popularity • 38% Danceability • 34% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
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Paul Weston
Easy Come, Easy Go
141 bpm • E min • 03:21 • -20.04db
14% Popularity • 22% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 14% Positiveness
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Jerry Herman
If He Walked Into My Life
141 bpm • D min • 03:52 • -17.39db
18% Popularity • 23% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Swing 41
Seul Ce Soir
141 bpm • A min • 05:51 • -14db
33% Popularity • 62% Danceability • 29% Energy • 88% Liveness
71% Instrumentalness • 56% Positiveness
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Charlie Shaffer
My Foolish Heart - Again
135 bpm • F Maj • 03:05 • -16db
24% Popularity • 53% Danceability • 16% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
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Lester Lanin
I LEFT MY HEART IN SAN FRANCISCO - Slow ...
141 bpm • A# Maj • 01:56 • -13db
31% Popularity • 80% Danceability • 38% Energy • 11% Liveness
95% Instrumentalness • 70% Positiveness
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Herb Alpert & The Tijuana Brass
Butterball
141 bpm • D min • 02:14 • -7.61db
19% Popularity • 70% Danceability • 65% Energy • 7% Liveness
25% Instrumentalness • 89% Positiveness
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Jackie Gleason
It All Depends On You
135 bpm • C Maj • 03:09 • -16.48db
15% Popularity • 20% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 14% Positiveness
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Horst Jankowski
Toselli Serenade
142 bpm • G min • 02:49 • -10.33db
27% Popularity • 34% Danceability • 45% Energy • 10% Liveness
62% Instrumentalness • 47% Positiveness
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Erroll Garner
Misty - Remastered 1996
143 bpm • C Maj • 02:53 • -17.67db
20% Popularity • 21% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Angela Morley
Fashion Show
133 bpm • D min • 02:40 • -13db
10% Popularity • 19% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 22% Positiveness
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Edmundo Ros & His Orchestra
What A Difference A Day Made
133 bpm • C min • 02:50 • -11.5db
29% Popularity • 63% Danceability • 62% Energy • 76% Liveness
72% Instrumentalness • 69% Positiveness
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Charlie Kunz
Room 504
133 bpm • C Maj • 01:33 • -25.73db
24% Popularity • 65% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 45% Positiveness
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Jackie Gleason
The Man That Got Away
134 bpm • F Maj • 04:23 • -20.86db
18% Popularity • 17% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 6% Positiveness
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Paul Mauriat
Un homme et une femme
132 bpm • F min • 02:23 • -13.97db
40% Popularity • 46% Danceability • 30% Energy • 11% Liveness
61% Instrumentalness • 37% Positiveness
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Dick Hyman
(Mona And Cossimo) Canzone Per Loretta
132 bpm • C# Maj • 00:54 • -20.47db
23% Popularity • 48% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 50% Positiveness
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The O'Neill Brothers Group
A Lovely Night (Instrumental Version)
132 bpm • G Maj • 02:59 • -18.54db
35% Popularity • 58% Danceability • 24% Energy • 38% Liveness
85% Instrumentalness • 39% Positiveness
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Paul Englishby
Introduction
132 bpm • A# Maj • 00:59 • -20db
17% Popularity • 51% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Graham De Wilde
Private Investigator
132 bpm • D# Maj • 01:55 • -18.14db
34% Popularity • 36% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Les & Larry Elgart
Meditation
133 bpm • C min • 02:52 • -17db
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Hugo Winterhalter And His Orchestra
Strange Music
132 bpm • A# min • 02:42 • -12db
35% Popularity • 35% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 56% Positiveness
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Cantovano and His Orchestra
Waltz for Peppy - The Artist
132 bpm • G Maj • 03:18 • -9db
27% Popularity • 32% Danceability • 34% Energy • 14% Liveness
55% Instrumentalness • 18% Positiveness
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Yrving & Lisa Yeras
Barcarolle From "The Tales of Hoffman"
131 bpm • F min • 02:21 • -11db
35% Popularity • 27% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Vic Damone
Let's Fall in Love
131 bpm • C# min • 01:58 • -9.06db
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Franz Waxman
Rear Window Suite: II. Lisa - Intermezzo
131 bpm • A# min • 03:09 • -25db
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Stelvio Cipriani
Maquillage
145 bpm • A Maj • 01:14 • -9.17db
48% Popularity • 28% Danceability • 27% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
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Northwest Sinfonia
The Plaza
131 bpm • D# Maj • 02:07 • -14db
22% Popularity • 48% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
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Charlie Kunz
Has Anybody Here Seen Kelly
131 bpm • G Maj • 02:12 • -27.08db
24% Popularity • 58% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 59% Positiveness
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Si Zentner
Sweetheart Of Sigma Chi
147 bpm • F min • 02:11 • -12.35db
21% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Lionel Newman
You Make It Easy To Be True
131 bpm • A min • 01:11 • -21db
26% Popularity • 55% Danceability • 12% Energy • 50% Liveness
96% Instrumentalness • 57% Positiveness
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Gary Grant
Pink Champagne
130 bpm • G Maj • 01:52 • -20.25db
31% Popularity • 26% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
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Lester Lanin
Old Devil Moon - Moderate Society
147 bpm • A# Maj • 02:04 • -15.78db
23% Popularity • 78% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
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Frank Samuels
Hollywood Holiday
147 bpm • F min • 01:42 • -14.97db
28% Popularity • 31% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
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Francois Parisi
Ballad Du Paris
129 bpm • C# Maj • 03:14 • -10db
47% Popularity • 49% Danceability • 43% Energy • 32% Liveness
4% Instrumentalness • 33% Positiveness
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Eddie Condon
Nobody Knows
129 bpm • D# Maj • 02:29 • -16.73db
45% Popularity • 60% Danceability • 15% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
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Living Strings
Do-Re-Mi
129 bpm • C Maj • 02:19 • -14.14db
20% Popularity • 41% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 23% Positiveness
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Robert Farnon
Manhattan Playboy
147 bpm • E Maj • 02:32 • -13.01db
11% Popularity • 30% Danceability • 31% Energy • 31% Liveness
82% Instrumentalness • 55% Positiveness
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Margaret Whiting
Make Someone Happy
129 bpm • B min • 02:09 • -7.34db
47% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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George Shearing
On The Street Where You Live
129 bpm • A# Maj • 02:52 • -24db
37% Popularity • 57% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Les & Larry Elgart
Brazil (Bossa Nova)
148 bpm • G Maj • 02:14 • -15db
33% Popularity • 65% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 92% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Close
129 bpm • D# Maj • 02:26 • -19db
26% Popularity • 24% Danceability • 20% Energy • 59% Liveness
86% Instrumentalness • 32% Positiveness
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The O'Neill Brothers Group
(Dance In) The Old Fashioned Way
128 bpm • F Maj • 03:22 • -13.96db
13% Popularity • 45% Danceability • 21% Energy • 13% Liveness
83% Instrumentalness • 45% Positiveness
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Justin Hurwitz
Bathroom Mirror / You're Coming Right?
128 bpm • C# min • 01:22 • -15db
40% Popularity • 71% Danceability • 43% Energy • 31% Liveness
87% Instrumentalness • 54% Positiveness
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Larry Morey
With A Smile And A Song
128 bpm • G# Maj • 02:51 • -17db
14% Popularity • 45% Danceability • 13% Energy • 8% Liveness
7% Instrumentalness • 53% Positiveness
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The Strings Of Paris
The Girl From Ipanema
150 bpm • F Maj • 02:37 • -13db
37% Popularity • 48% Danceability • 34% Energy • 18% Liveness
90% Instrumentalness • 22% Positiveness
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Les & Larry Elgart
Green Eyes
128 bpm • G min • 02:31 • -13.74db
22% Popularity • 70% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 96% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
All of You (Vielli Russio)
150 bpm • C# Maj • 01:45 • -21.74db
29% Popularity • 42% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 70% Positiveness
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Dick Hyman
Mr. Moon
127 bpm • C Maj • 00:58 • -10.96db
28% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hurwitz
Cincinnati
126 bpm • D Maj • 02:05 • -9db
35% Popularity • 58% Danceability • 58% Energy • 16% Liveness
86% Instrumentalness • 86% Positiveness
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Kris Bowers
Happy Talk
152 bpm • D Maj • 01:21 • -9db
37% Popularity • 61% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 80% Positiveness
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Lelio Luttazzi
Non dimenticar le mie parole
125 bpm • C min • 01:01 • -13.78db
45% Popularity • 66% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
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Living Strings
Ebb Tide
152 bpm • F Maj • 07:38 • -20db
21% Popularity • 20% Danceability • 19% Energy • 94% Liveness
88% Instrumentalness • 11% Positiveness
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Lester Lanin
The Hukilau Song - Hula
125 bpm • G Maj • 01:59 • -16.78db
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 88% Positiveness
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Benny Goodman Trio
Someday, Sweetheart - 1996 Remastered
153 bpm • D min • 02:47 • -14.55db
29% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
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Jackie Gleason
That's All - Remastered
125 bpm • D# Maj • 02:34 • -10.05db
10% Popularity • 20% Danceability • 34% Energy • 16% Liveness
85% Instrumentalness • 15% Positiveness
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Hugo Montenegro & His Orchestra
A Martini Built for Two
125 bpm • C Maj • 02:22 • -21.76db
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
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Carroll Gibbons
Too Marvellous for Words
153 bpm • C# Maj • 03:04 • -20.66db
41% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
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The Circle Session Players
Ev'rybody Wants To Be A Cat
124 bpm • E min • 02:22 • -18.71db
28% Popularity • 75% Danceability • 19% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
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Les & Larry Elgart
Willow Weep for Me
124 bpm • G# Maj • 02:19 • -21db
27% Popularity • 57% Danceability • 26% Energy • 14% Liveness
94% Instrumentalness • 74% Positiveness
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Frank Valdor & His Orchestra
I Got Lucky In The Rain
124 bpm • G Maj • 02:38 • -13.42db
22% Popularity • 46% Danceability • 33% Energy • 46% Liveness
7% Instrumentalness • 80% Positiveness
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Jackie Gleason
Theme From "Bus Stop"
124 bpm • F Maj • 03:42 • -19.34db
36% Popularity • 24% Danceability • 9% Energy • 10% Liveness
25% Instrumentalness • 11% Positiveness
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Edmundo Ros & His Orchestra
Green Eyes
124 bpm • F Maj • 02:36 • -14.55db
31% Popularity • 45% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
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Carroll Gibbons
Goodnight My Love
123 bpm • C min • 03:25 • -19db
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
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Wayne Newton
But Not For Me - Digitally Remastered 99
123 bpm • C min • 02:23 • -15db
43% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Guy Lombardo
Seems Like Old Times
122 bpm • D min • 02:58 • -13db
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Hollyridge Strings
Don't Worry, Baby
122 bpm • A min • 02:24 • -9.23db
32% Popularity • 37% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
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The Gerry Mulligan Quintet
Night Lights - 1965 Version
122 bpm • G# Maj • 02:55 • -17.33db
41% Popularity • 40% Danceability • 8% Energy • 13% Liveness
25% Instrumentalness • 35% Positiveness
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Edmundo Ros & His Orchestra
A Felicidade
123 bpm • C min • 03:12 • -14db
40% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
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Carroll Gibbons
So Rare
122 bpm • C Maj • 03:03 • -20.49db
44% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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Bobby Crush
As Time Goes
122 bpm • C min • 02:41 • -20db
13% Popularity • 38% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Pepe Jaramillo
Green Eyes
122 bpm • D min • 02:19 • -14.7db
38% Popularity • 74% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
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George Fenton
Phil Gets the Girl
121 bpm • F Maj • 03:29 • -10.77db
15% Popularity • 66% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Billy May & His Orchestra
Perdido
121 bpm • C min • 03:01 • -13.54db
22% Popularity • 46% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Si Zentner
Charade
157 bpm • A min • 02:38 • -10.16db
35% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
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Syd Dale
Alone at Last
120 bpm • F# Maj • 02:32 • -11.27db
33% Popularity • 48% Danceability • 50% Energy • 40% Liveness
93% Instrumentalness • 27% Positiveness
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Charlie Kunz
You Made Me Love You
159 bpm • G Maj • 00:52 • -25.27db
32% Popularity • 61% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
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Wilfred Burns
Melody in Moccasins
158 bpm • C Maj • 02:59 • -17.5db
17% Popularity • 53% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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Nelson Riddle
Gabrielle
120 bpm • G min • 02:46 • -13.01db
36% Popularity • 46% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
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Billy May & His Orchestra
I Believe In You
159 bpm • G Maj • 02:23 • -13db
27% Popularity • 36% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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It's Been A Long, Long Time