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It's Easy To Say Goodbye
Songs like
It's Easy To Say Goodbye
by
Walter Wanderley
Based on a tempo of (+/- 10%) and a similar genre
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Brazilian Octopus
Summer Hill
159 bpm • A min • 02:00 • -9.26db
29% Popularity • 36% Danceability • 46% Energy • 14% Liveness
40% Instrumentalness • 40% Positiveness
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Walter Wanderley
It's Easy To Say Goodbye
159 bpm • G# Maj • 02:03 • -9.92db
35% Popularity • 60% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Bernard Herrmann
Theme from Taxi Driver - Reprise
158 bpm • D min • 02:27 • -14.03db
30% Popularity • 33% Danceability • 53% Energy • 10% Liveness
56% Instrumentalness • 60% Positiveness
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Piero Piccioni
Mariposa Rosada
158 bpm • F min • 02:23 • -15.05db
27% Popularity • 71% Danceability • 45% Energy • 11% Liveness
78% Instrumentalness • 95% Positiveness
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Luiz Henrique
Cabaret
158 bpm • A Maj • 03:12 • -18.28db
8% Popularity • 74% Danceability • 26% Energy • 12% Liveness
6% Instrumentalness • 61% Positiveness
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Carmell Jones
Night Tide
157 bpm • A min • 04:04 • -10db
31% Popularity • 47% Danceability • 57% Energy • 31% Liveness
13% Instrumentalness • 42% Positiveness
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Muzak Orchestra
Star Eyes
161 bpm • F min • 03:15 • -8.54db
23% Popularity • 22% Danceability • 48% Energy • 29% Liveness
89% Instrumentalness • 30% Positiveness
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Walter Wanderley
Samba De Verão
158 bpm • D min • 03:12 • -9db
41% Popularity • 53% Danceability • 66% Energy • 11% Liveness
77% Instrumentalness • 61% Positiveness
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Smashtrax
Cheery Cheese Lounge Me
161 bpm • F Maj • 01:43 • -12.63db
20% Popularity • 52% Danceability • 59% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
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Tommy Flanagan Trio
Verdandi
157 bpm • C# Maj • 02:14 • -14db
39% Popularity • 39% Danceability • 49% Energy • 14% Liveness
81% Instrumentalness • 70% Positiveness
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John Shakespeare
Against the Clock
162 bpm • A min • 01:30 • -6db
10% Popularity • 47% Danceability • 96% Energy • 9% Liveness
96% Instrumentalness • 55% Positiveness
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Brian Bennett
Daytrip
156 bpm • C Maj • 01:57 • -16db
17% Popularity • 57% Danceability • 34% Energy • 16% Liveness
98% Instrumentalness • 84% Positiveness
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Heinz Kiessling
Velvet and Grace
156 bpm • D min • 02:52 • -9.7db
16% Popularity • 31% Danceability • 43% Energy • 19% Liveness
3% Instrumentalness • 67% Positiveness
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Walter Wanderley
Meditation
156 bpm • E min • 01:53 • -13db
45% Popularity • 67% Danceability • 53% Energy • 11% Liveness
79% Instrumentalness • 65% Positiveness
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Maston
Evening
162 bpm • G min • 01:42 • -10.74db
44% Popularity • 60% Danceability • 53% Energy • 10% Liveness
79% Instrumentalness • 64% Positiveness
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Roberto Menescal E Seu Conjunto
Dan-Cha-Cha-Cha
155 bpm • G Maj • 02:02 • -13.94db
41% Popularity • 51% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
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I Marc 4
Catherine
154 bpm • F min • 03:28 • -12db
25% Popularity • 50% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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Coleman Hawkins
Un Abraco No Bonfa (An Embrace To Bonfa)
153 bpm • F Maj • 04:52 • -15.55db
23% Popularity • 59% Danceability • 21% Energy • 10% Liveness
9% Instrumentalness • 74% Positiveness
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Nick Perito Orchestra
It Never Rains in California
166 bpm • G min • 01:56 • -8.21db
24% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Walter Wanderley
Cried, Cried (Choru, Choru)
163 bpm • G min • 02:26 • -8.46db
30% Popularity • 56% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Muzak Orchestra
Tengo Ritmo
153 bpm • F min • 02:27 • -11.15db
27% Popularity • 58% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Werner Tautz
The Winslow Boy
152 bpm • C Maj • 02:50 • -11db
20% Popularity • 34% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
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Luiz Henrique
Florianopolis
152 bpm • G Maj • 03:06 • -14.99db
6% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Alberto Baldan Bembo
Oblo'
167 bpm • A# Maj • 05:16 • -9.65db
28% Popularity • 20% Danceability • 57% Energy • 25% Liveness
86% Instrumentalness • 34% Positiveness
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Gerry Mulligan Sextet
Morning Of The Carnival
151 bpm • F min • 05:30 • -21db
50% Popularity • 47% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 66% Positiveness
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Walter Wanderley
Ainda Mais Lindo
152 bpm • G Maj • 03:17 • -20.44db
26% Popularity • 63% Danceability • 37% Energy • 12% Liveness
16% Instrumentalness • 71% Positiveness
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Smashtrax
Smooth Jazz My Mood
168 bpm • D min • 01:34 • -8.09db
20% Popularity • 57% Danceability • 58% Energy • 13% Liveness
92% Instrumentalness • 78% Positiveness
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Sexteto Electrónico Moderno
Vivir por Vivir
151 bpm • E min • 04:03 • -15.66db
18% Popularity • 26% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 10% Positiveness
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Piero Piccioni
Isabel
150 bpm • C Maj • 02:51 • -28.85db
34% Popularity • 47% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 49% Positiveness
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Billy May
Patricia
150 bpm • C Maj • 02:10 • -13db
22% Popularity • 61% Danceability • 34% Energy • 5% Liveness
91% Instrumentalness • 91% Positiveness
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Jackie Davis
Five Minutes More
168 bpm • F Maj • 02:46 • -14.17db
15% Popularity • 46% Danceability • 36% Energy • 8% Liveness
69% Instrumentalness • 88% Positiveness
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Grant Green
We've Only Just Begun
169 bpm • A# Maj • 05:10 • -13.81db
34% Popularity • 50% Danceability • 44% Energy • 8% Liveness
84% Instrumentalness • 61% Positiveness
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Al Hirt
Más Que Nada
149 bpm • A# min • 02:49 • -12.57db
21% Popularity • 44% Danceability • 42% Energy • 50% Liveness
56% Instrumentalness • 66% Positiveness
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Bill Le Sage
Bossa Noches
149 bpm • F Maj • 02:30 • -25db
25% Popularity • 63% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 69% Positiveness
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Piero Piccioni
Your Smile - Remastered 2021
168 bpm • A# min • 02:14 • -13.53db
8% Popularity • 44% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Piero Umiliani
Hooray (Versione bossa nova) - Remastere...
149 bpm • A# min • 01:33 • -12.27db
32% Popularity • 48% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
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Luiz Henrique
Happy Birthday
169 bpm • B min • 04:02 • -13.1db
5% Popularity • 57% Danceability • 60% Energy • 9% Liveness
74% Instrumentalness • 65% Positiveness
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Ray Barretto
Mambo Sangria
170 bpm • C min • 02:46 • -14.43db
20% Popularity • 57% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Walter Wanderley
Music To Watch Girls Go By
148 bpm • G min • 03:04 • -14.37db
30% Popularity • 67% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
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Cal Tjader's Modern Mambo Quintet
Mamblues
148 bpm • F Maj • 02:24 • -5db
15% Popularity • 41% Danceability • 87% Energy • 16% Liveness
75% Instrumentalness • 82% Positiveness
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セキトオ・シゲオ
ソフィスティケイテッド・レ�...
171 bpm • C# Maj • 04:08 • -8.26db
23% Popularity • 60% Danceability • 65% Energy • 27% Liveness
5% Instrumentalness • 87% Positiveness
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Piero Umiliani
Piano Bossa Nova
148 bpm • A# min • 01:34 • -11.27db
48% Popularity • 47% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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稲垣次郎とソウル・メディア
大ガラスのおしゃべり
171 bpm • D min • 04:00 • -13.34db
24% Popularity • 44% Danceability • 52% Energy • 9% Liveness
88% Instrumentalness • 76% Positiveness
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Frank Samuels
Hollywood Holiday
147 bpm • F min • 01:42 • -14.97db
26% Popularity • 31% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
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Walter Wanderley
Song Of The Jet
172 bpm • D min • 02:41 • -9db
31% Popularity • 58% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Denny McLain
The Girl From Ipanema / Meditation
147 bpm • F Maj • 03:17 • -14.44db
21% Popularity • 36% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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セキトオ・シゲオ
ブルー・レディーに赤いバラ
148 bpm • C Maj • 02:54 • -10db
27% Popularity • 41% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 49% Positiveness
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Piero Umiliani
Autostop Per Rio
148 bpm • C Maj • 03:33 • -14.74db
38% Popularity • 48% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Alberto Baldan Bembo
Club Moreno
172 bpm • C Maj • 01:49 • -11.04db
23% Popularity • 63% Danceability • 30% Energy • 10% Liveness
95% Instrumentalness • 49% Positiveness
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James Clarke
The Free Life
147 bpm • A# Maj • 03:00 • -14db
17% Popularity • 52% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
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Walter Wanderley
Samba da Minha Terra
172 bpm • G Maj • 02:03 • -6.57db
23% Popularity • 60% Danceability • 82% Energy • 36% Liveness
89% Instrumentalness • 89% Positiveness
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Tamba 4
Quietly
172 bpm • G Maj • 02:09 • -32.92db
31% Popularity • 16% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Maria Toledo
Samba De Orfeu
173 bpm • D Maj • 02:10 • -16.41db
43% Popularity • 58% Danceability • 29% Energy • 10% Liveness
80% Instrumentalness • 76% Positiveness
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Piero Umiliani
Atmosphere - Remastered
148 bpm • D# Maj • 03:45 • -18.45db
44% Popularity • 62% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 92% Positiveness
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Alberto Baldan Bembo
Tropical Club
147 bpm • E min • 03:15 • -11db
33% Popularity • 70% Danceability • 68% Energy • 10% Liveness
81% Instrumentalness • 92% Positiveness
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The Tikiyaki Orchestra
Bachelor #2
146 bpm • C Maj • 02:00 • -10.23db
29% Popularity • 62% Danceability • 85% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
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Walter Wanderley
Baia
173 bpm • D min • 02:33 • -14.7db
26% Popularity • 63% Danceability • 45% Energy • 12% Liveness
41% Instrumentalness • 76% Positiveness
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Cortex
Devil's Dance
146 bpm • C Maj • 02:28 • -8db
51% Popularity • 65% Danceability • 85% Energy • 28% Liveness
43% Instrumentalness • 81% Positiveness
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Don Ralke
Fascinating Rhythm
173 bpm • C min • 02:53 • -25db
21% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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セキトオ・シゲオ
サンシャイン
146 bpm • C Maj • 02:52 • -18.61db
32% Popularity • 59% Danceability • 32% Energy • 8% Liveness
74% Instrumentalness • 82% Positiveness
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Milt Buckner
The Late, Late Show - Remastered
146 bpm • A min • 03:38 • -13.93db
22% Popularity • 76% Danceability • 31% Energy • 13% Liveness
55% Instrumentalness • 55% Positiveness
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Keith Mansfield
Teenage Travelogue
173 bpm • C Maj • 02:46 • -10.28db
18% Popularity • 52% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 64% Positiveness
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Walter Wanderley
Baiao Da Garoa
173 bpm • C Maj • 03:37 • -15.77db
25% Popularity • 33% Danceability • 37% Energy • 19% Liveness
74% Instrumentalness • 74% Positiveness
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Tak Shindo
Stumbling
145 bpm • D min • 02:08 • -12.84db
20% Popularity • 43% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 51% Positiveness
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Candeias
Zimbao
145 bpm • B Maj • 03:36 • -13db
21% Popularity • 54% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
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Tamba 4
Tristeza De Nos Dois
145 bpm • C Maj • 02:42 • -28.98db
29% Popularity • 45% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
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Sandro Brugnolini
Lovable
145 bpm • C Maj • 03:37 • -16.81db
22% Popularity • 56% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Piero Umiliani
Nostalgia - Rhythm Version
175 bpm • A min • 03:28 • -13.16db
48% Popularity • 32% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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Walter Wanderley
Raindrops Keep Falling on My Head
145 bpm • G min • 02:50 • -12.97db
24% Popularity • 65% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 64% Positiveness
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Roberto Menescal E Seu Conjunto
Amanhecendo
145 bpm • D min • 02:04 • -10.37db
39% Popularity • 57% Danceability • 55% Energy • 12% Liveness
78% Instrumentalness • 76% Positiveness
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Hideo Shiraki
Alone, Alone and Alone
175 bpm • G min • 06:18 • -18.68db
18% Popularity • 38% Danceability • 6% Energy • 14% Liveness
84% Instrumentalness • 29% Positiveness
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Muzak Orchestra
Birthday at the Waldorf
144 bpm • F Maj • 02:48 • -10.91db
25% Popularity • 47% Danceability • 48% Energy • 55% Liveness
7% Instrumentalness • 75% Positiveness
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Milt Jackson
The Oo-Oo Bossa Nova
144 bpm • G Maj • 03:06 • -16.99db
14% Popularity • 63% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
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Don Tiki
All Quiet Flows the Don
176 bpm • D Maj • 05:18 • -19.06db
9% Popularity • 54% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 36% Positiveness
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Walter Wanderley
Wave
144 bpm • C Maj • 03:14 • -16.85db
12% Popularity • 54% Danceability • 43% Energy • 13% Liveness
87% Instrumentalness • 81% Positiveness
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Neil Richardson
Firebird
143 bpm • F min • 02:18 • -5.68db
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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Piero Piccioni
Amanda's Train
177 bpm • F min • 02:05 • -15.06db
33% Popularity • 40% Danceability • 65% Energy • 21% Liveness
82% Instrumentalness • 94% Positiveness
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Muzak Orchestra
Beat It
144 bpm • E min • 03:00 • -11.31db
19% Popularity • 69% Danceability • 48% Energy • 17% Liveness
82% Instrumentalness • 82% Positiveness
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Martini Lounge
Glow Worm Cha-cha-cha
143 bpm • F min • 02:23 • -14.31db
17% Popularity • 76% Danceability • 45% Energy • 7% Liveness
76% Instrumentalness • 96% Positiveness
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Arawak
Ricordo del sud America
143 bpm • F min • 02:09 • -28.55db
33% Popularity • 68% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 95% Positiveness
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Walter Wanderley
Angelique
143 bpm • B min • 02:45 • -15.56db
32% Popularity • 52% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 31% Positiveness
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John Shakespeare
Sandals in the Sand
143 bpm • C Maj • 03:00 • -16.96db
16% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Nick Perito Orchestra
C'mon Smile
142 bpm • A Maj • 02:02 • -11.05db
18% Popularity • 67% Danceability • 53% Energy • 31% Liveness
15% Instrumentalness • 83% Positiveness
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James Clarke
Girl of My Dreams
178 bpm • B min • 04:19 • -11.34db
15% Popularity • 25% Danceability • 33% Energy • 27% Liveness
8% Instrumentalness • 32% Positiveness
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Marc Durst
Tutti Flutti Swing
142 bpm • D# Maj • 02:03 • -11.82db
25% Popularity • 56% Danceability • 38% Energy • 22% Liveness
97% Instrumentalness • 54% Positiveness
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セキトオ・シゲオ
ジャスト・メット・ア・スト�...
142 bpm • C Maj • 04:43 • -12.99db
13% Popularity • 50% Danceability • 30% Energy • 12% Liveness
52% Instrumentalness • 30% Positiveness
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Walter Wanderley
Beloved Melancholy (Saudade Querida)
143 bpm • G Maj • 02:43 • -7.63db
25% Popularity • 58% Danceability • 64% Energy • 31% Liveness
70% Instrumentalness • 77% Positiveness
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Al Hirt
Music to Watch Girls By
142 bpm • G min • 01:51 • -13db
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
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Luiz Henrique
Blue Island
141 bpm • B min • 03:49 • -14.93db
7% Popularity • 68% Danceability • 34% Energy • 14% Liveness
15% Instrumentalness • 66% Positiveness
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Masaru Imada
アンダルシアの風
141 bpm • C min • 07:05 • -11.86db
27% Popularity • 51% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Puccio Roelens
Dorothy
141 bpm • G min • 01:57 • -5.3db
36% Popularity • 49% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
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Tamba 4
Watch What Happens
141 bpm • E min • 03:21 • -26.69db
33% Popularity • 53% Danceability • 10% Energy • 16% Liveness
86% Instrumentalness • 75% Positiveness
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Walter Wanderley
The Girl From Ipanema
141 bpm • A min • 02:38 • -8.96db
31% Popularity • 48% Danceability • 80% Energy • 30% Liveness
79% Instrumentalness • 88% Positiveness
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Piero Umiliani
Crystal
140 bpm • C# Maj • 02:00 • -20.36db
48% Popularity • 39% Danceability • 19% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
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Masayoshi Takanaka
THAT'S THE WAY OF THE WORLD
140 bpm • D Maj • 06:14 • -11.12db
41% Popularity • 65% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
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George Siravo
Where's the Melody
140 bpm • C# Maj • 02:23 • -9.52db
20% Popularity • 74% Danceability • 50% Energy • 21% Liveness
70% Instrumentalness • 77% Positiveness
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Valentino
Just Passing Through
140 bpm • G Maj • 02:24 • -18.79db
18% Popularity • 68% Danceability • 28% Energy • 9% Liveness
8% Instrumentalness • 81% Positiveness
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Jackie Davis
Midnight Sun
140 bpm • F# Maj • 03:10 • -18db
18% Popularity • 68% Danceability • 27% Energy • 12% Liveness
80% Instrumentalness • 68% Positiveness
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Its Amazing
Karl Heinz Loges and His Music
140 bpm • A Maj • 02:09 • -10.42db
18% Popularity • 55% Danceability • 56% Energy • 12% Liveness
16% Instrumentalness • 58% Positiveness
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Syd Dale
The Mad Hatter's Ball
181 bpm • C Maj • 02:32 • -2.81db
15% Popularity • 33% Danceability • 85% Energy • 46% Liveness
67% Instrumentalness • 90% Positiveness
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It's Easy To Say Goodbye