Songs like It's Ecstasy When You Lay Down Next To Me - Single Version by Barry White
Based on a tempo of (+/- 10%) and a similar genre
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Andrea True Connection
More, More, More - Re-Recorded - Instrum...
103 bpm • A min • 03:03 • -6.26db
33% Popularity • 77% Danceability • 84% Energy • 10% Liveness
40% Instrumentalness • 91% Positiveness
33% Popularity • 77% Danceability • 84% Energy • 10% Liveness
40% Instrumentalness • 91% Positiveness
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Otis Redding
Try a Little Tenderness
103 bpm • A min • 03:21 • -15.15db
67% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
67% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Jocelyn Brown
Somebody Else's Guy
103 bpm • F# Maj • 06:26 • -10db
59% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Barry White
It's Ecstasy When You Lay Down Next To M...
103 bpm • G Maj • 06:57 • -10.15db
48% Popularity • 88% Danceability • 40% Energy • 4% Liveness
24% Instrumentalness • 79% Positiveness
48% Popularity • 88% Danceability • 40% Energy • 4% Liveness
24% Instrumentalness • 79% Positiveness
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Earth, Wind & Fire
Shining Star
103 bpm • A Maj • 02:50 • -13.09db
65% Popularity • 68% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
65% Popularity • 68% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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Dr. Hook
Sexy Eyes
102 bpm • A min • 03:31 • -10db
49% Popularity • 75% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 75% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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The Real Thing
You to Me Are Everything
102 bpm • C Maj • 03:28 • -7.33db
66% Popularity • 60% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
66% Popularity • 60% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
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Otis Redding
My Girl
103 bpm • C Maj • 02:55 • -9.26db
63% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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The Gap Band
I Don't Believe You Want To Get Up And D...
104 bpm • B min • 03:31 • -10.31db
44% Popularity • 65% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 65% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Barry White
It's Ecstasy When You Lay Down Next To M...
103 bpm • C Maj • 03:28 • -10.95db
36% Popularity • 86% Danceability • 38% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
36% Popularity • 86% Danceability • 38% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
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Carl Douglas
Kung Fu Fighting
102 bpm • D Maj • 03:17 • -8.7db
74% Popularity • 62% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 62% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Barry Manilow
Mandy
104 bpm • A# Maj • 03:33 • -9.03db
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Carrack
Groovin' - Remastered
104 bpm • D Maj • 02:43 • -11.09db
58% Popularity • 74% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 74% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Dr. Hook
Sexy Eyes - Single Version
104 bpm • A min • 03:00 • -11.9db
56% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Barry White
Baby We Better Try To Get It Together
104 bpm • A# min • 04:25 • -10.68db
49% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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George Michael
Father Figure - Remastered
102 bpm • D# Maj • 05:36 • -13.29db
63% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Lionel Richie
Love Will Find A Way
102 bpm • C# min • 06:10 • -16db
42% Popularity • 84% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 84% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Al Green
Let's Stay Together
102 bpm • G min • 03:19 • -10.7db
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
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Rufus
Ain't Nobody
104 bpm • A# min • 04:45 • -9.23db
68% Popularity • 82% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
68% Popularity • 82% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Chicago
If You Leave Me Now
104 bpm • B Maj • 03:55 • -6.78db
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Real Thing
You To Me Are Everything
102 bpm • C Maj • 03:33 • -4db
46% Popularity • 55% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 55% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 03:16 • -8.37db
69% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
69% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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George McCrae
Rock Your Baby
104 bpm • C# Maj • 03:20 • -5.54db
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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George Michael
Fastlove, Pt. 1
104 bpm • A# min • 05:24 • -7.52db
65% Popularity • 74% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 74% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Shakatak
Easier Said Than Done
101 bpm • A# Maj • 03:48 • -10db
39% Popularity • 74% Danceability • 69% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
39% Popularity • 74% Danceability • 69% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
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Al Jarreau
Moonlighting
101 bpm • C# Maj • 03:03 • -5.28db
38% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Ashford & Simpson
Solid
101 bpm • C Maj • 05:12 • -12db
55% Popularity • 81% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 81% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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Lisa Stansfield
All Around the World - Remastered
101 bpm • C# Maj • 04:25 • -4.6db
63% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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George McCrae
Rock Your Baby
104 bpm • F min • 06:24 • -9.77db
44% Popularity • 60% Danceability • 82% Energy • 9% Liveness
12% Instrumentalness • 94% Positiveness
44% Popularity • 60% Danceability • 82% Energy • 9% Liveness
12% Instrumentalness • 94% Positiveness
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Commodores
Sweet Love
101 bpm • C# Maj • 06:33 • -8db
45% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Hot Chocolate
So You Win Again
105 bpm • A Maj • 04:31 • -9db
50% Popularity • 71% Danceability • 54% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
50% Popularity • 71% Danceability • 54% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
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Sister Sledge
Thinking of You - 1995 Remaster
101 bpm • F Maj • 04:26 • -8.87db
60% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
60% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Barry White
I've Got So Much To Give
105 bpm • A# Maj • 05:21 • -11.31db
33% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Culture Club
Do You Really Want To Hurt Me
101 bpm • E min • 04:22 • -15db
68% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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George McCrae
Rock Your Baby - 2012 Remaster
105 bpm • C# Maj • 06:25 • -10db
36% Popularity • 59% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
36% Popularity • 59% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Commodores
Nightshift
105 bpm • G# Maj • 05:06 • -10.19db
66% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
66% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Imagination
Just an Illusion
105 bpm • B min • 06:27 • -10.53db
63% Popularity • 75% Danceability • 55% Energy • 6% Liveness
12% Instrumentalness • 66% Positiveness
63% Popularity • 75% Danceability • 55% Energy • 6% Liveness
12% Instrumentalness • 66% Positiveness
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Marvin Gaye
I Want You
101 bpm • C# min • 04:34 • -9.56db
61% Popularity • 52% Danceability • 79% Energy • 24% Liveness
32% Instrumentalness • 74% Positiveness
61% Popularity • 52% Danceability • 79% Energy • 24% Liveness
32% Instrumentalness • 74% Positiveness
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Neil Sedaka
Laughter In The Rain
101 bpm • F Maj • 02:50 • -9.46db
68% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
68% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
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Love Unlimited
High Steppin', Hip Dressin' Fella (You G...
106 bpm • F# min • 05:30 • -9db
36% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Timmy Thomas
Why Can't We Live Together
106 bpm • G min • 04:37 • -15.31db
47% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
47% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
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George McCrae
Rock Your Baby
106 bpm • C# Maj • 03:21 • -13.06db
51% Popularity • 65% Danceability • 56% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
51% Popularity • 65% Danceability • 56% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
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Lionel Richie
Penny Lover - 7" Single Remix
100 bpm • F# min • 03:46 • -9.2db
49% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jackie DeShannon
What The World Needs Now Is Love
106 bpm • C# Maj • 03:06 • -9.5db
55% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Gilbert O'Sullivan
Clair
106 bpm • A Maj • 02:59 • -7.31db
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Silver Convention
Fly Robin Fly - Alternate Mix
100 bpm • C min • 03:48 • -14.14db
45% Popularity • 83% Danceability • 42% Energy • 7% Liveness
76% Instrumentalness • 94% Positiveness
45% Popularity • 83% Danceability • 42% Energy • 7% Liveness
76% Instrumentalness • 94% Positiveness
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Lisa Stansfield
Change - Remastered
106 bpm • C Maj • 05:38 • -6.79db
29% Popularity • 66% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 66% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Bee Gees
More Than A Woman
106 bpm • G Maj • 03:17 • -6.43db
80% Popularity • 63% Danceability • 68% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
80% Popularity • 63% Danceability • 68% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
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George McCrae
We Got Love
100 bpm • D# Maj • 03:05 • -8db
36% Popularity • 78% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 78% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Imagination
Music and Lights
100 bpm • E min • 05:22 • -11db
54% Popularity • 78% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
54% Popularity • 78% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
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Silver Convention
Fly, Robin, Fly
100 bpm • C min • 05:32 • -12.21db
25% Popularity • 82% Danceability • 47% Energy • 10% Liveness
7% Instrumentalness • 91% Positiveness
25% Popularity • 82% Danceability • 47% Energy • 10% Liveness
7% Instrumentalness • 91% Positiveness
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Sade
Paradise
100 bpm • C# Maj • 03:37 • -7.87db
69% Popularity • 74% Danceability • 79% Energy • 7% Liveness
39% Instrumentalness • 97% Positiveness
69% Popularity • 74% Danceability • 79% Energy • 7% Liveness
39% Instrumentalness • 97% Positiveness
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Lisa Stansfield
Change - Edit
106 bpm • D min • 04:34 • -8.27db
47% Popularity • 68% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 68% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Barry White
Let The Music Play
100 bpm • A# Maj • 06:15 • -11.43db
41% Popularity • 62% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 62% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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CHIC
My Forbidden Lover
107 bpm • D Maj • 04:34 • -9.77db
45% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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The Pointer Sisters
Happiness
107 bpm • B min • 03:59 • -7.68db
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Bianco
Half a Minute
107 bpm • F Maj • 03:49 • -7.77db
48% Popularity • 77% Danceability • 70% Energy • 24% Liveness
14% Instrumentalness • 64% Positiveness
48% Popularity • 77% Danceability • 70% Energy • 24% Liveness
14% Instrumentalness • 64% Positiveness
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Herb Alpert
Rise
99 bpm • A# Maj • 07:37 • -10.8db
55% Popularity • 81% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
55% Popularity • 81% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
56% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Barry White
Let The Music Play - Single Version
99 bpm • A# Maj • 03:30 • -6db
63% Popularity • 54% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
63% Popularity • 54% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Delegation
Where Is the Love - We Used to Know
107 bpm • D Maj • 03:57 • -11db
46% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Robert Palmer
Mercy Mercy Me / I Want You (Medley)
99 bpm • C# min • 05:57 • -7.67db
49% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Al Green
Love and Happiness
99 bpm • F# Maj • 05:07 • -10.96db
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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George Michael
A Different Corner
99 bpm • F# Maj • 04:03 • -10.34db
53% Popularity • 26% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Barry White
Let The Music Play - Alternate Version
99 bpm • A# Maj • 04:34 • -7.05db
27% Popularity • 57% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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The Real Thing
Can't Get By Without You
99 bpm • C# min • 03:29 • -8.66db
33% Popularity • 68% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 68% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Oleta Adams
Get Here
107 bpm • A# Maj • 04:34 • -16.05db
57% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
57% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Pasadenas
Tribute (Right On)
107 bpm • B min • 05:10 • -11.23db
42% Popularity • 69% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 69% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Odyssey
Going Back to My Roots - Single Version
107 bpm • C# Maj • 03:25 • -9.67db
48% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Lisa Stansfield
The Real Thing
99 bpm • B min • 04:20 • -5.93db
55% Popularity • 70% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 70% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Barry White
Let The Music Play - Promo Single Versio...
99 bpm • A# Maj • 04:14 • -6.72db
30% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Real Thing
Can't Get By Without You (7" Version)
99 bpm • C# min • 03:09 • -8.28db
47% Popularity • 64% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 64% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
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The Righteous Brothers
Unchained Melody
99 bpm • C Maj • 03:38 • -16.73db
79% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
79% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Al Jarreau
Roof Garden
99 bpm • G# Maj • 06:20 • -13.88db
43% Popularity • 75% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 75% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Sade
Hang on to Your Love
108 bpm • C Maj • 04:30 • -6db
66% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Hi-Gloss
You'll Never Know
98 bpm • F# min • 05:25 • -10.93db
45% Popularity • 72% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 72% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Diana Ross
Upside Down
108 bpm • F min • 04:05 • -8.56db
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
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Commodores
Brick House
108 bpm • E min • 03:28 • -10.48db
67% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
67% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
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Lionel Richie
Love Will Conquer All
98 bpm • D min • 05:40 • -10.08db
45% Popularity • 79% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 79% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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James Brown
Get Up I Feel Like Being A Sex Machine -...
108 bpm • G# Maj • 02:50 • -8.15db
54% Popularity • 84% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 84% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Bill Medley
(I've Had) The Time Of My Life - theme f...
108 bpm • F# min • 04:49 • -11.25db
68% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Marvin Gaye
You're All I Need To Get By
98 bpm • B min • 02:53 • -11.07db
62% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Spandau Ballet
True - 2003 Remaster
98 bpm • C Maj • 06:33 • -8.44db
68% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
68% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Al Green
I'm Still in Love with You
98 bpm • C Maj • 03:11 • -9.54db
57% Popularity • 71% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 71% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Smokey Robinson
Being With You
109 bpm • C min • 04:06 • -9.53db
55% Popularity • 65% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 65% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Lionel Richie
All Night Long (All Night)
109 bpm • C# Maj • 06:23 • -13.92db
55% Popularity • 72% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
55% Popularity • 72% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
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TOTO
Georgy Porgy - Disco Version
97 bpm • E min • 05:05 • -13.21db
44% Popularity • 79% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 79% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Frankie Valli
Swearin' to God - Single Version
109 bpm • C# Maj • 04:05 • -7.36db
39% Popularity • 67% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 67% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Carly Simon
You Belong to Me
109 bpm • F min • 03:52 • -8db
53% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Barbra Streisand
Promises
97 bpm • B Maj • 04:21 • -16db
45% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Lionel Richie
All Night Long (All Night) - Single Vers...
109 bpm • C# Maj • 04:18 • -12.04db
74% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
74% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
