Songs like It's Going to Take Some Time by Gábor Szabó
Based on a tempo of (+/- 10%) and a similar genre
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Yusef Lateef
Bishop School
132 bpm • E min • 03:05 • -12db
25% Popularity • 60% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 60% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Gábor Szabó
I've Just Seen a Face
132 bpm • F Maj • 04:40 • -17.38db
19% Popularity • 38% Danceability • 46% Energy • 13% Liveness
93% Instrumentalness • 60% Positiveness
19% Popularity • 38% Danceability • 46% Energy • 13% Liveness
93% Instrumentalness • 60% Positiveness
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Domenique Dumont
La bataille de neige
133 bpm • A min • 03:54 • -14.45db
39% Popularity • 90% Danceability • 51% Energy • 28% Liveness
95% Instrumentalness • 97% Positiveness
39% Popularity • 90% Danceability • 51% Energy • 28% Liveness
95% Instrumentalness • 97% Positiveness
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Eden Ahbez
Banana Boy
131 bpm • F Maj • 02:50 • -15db
20% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Pharoah Sanders
Astral Traveling
131 bpm • A# Maj • 05:50 • -14.93db
39% Popularity • 47% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
39% Popularity • 47% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Makaya McCraven
Inner Flight
131 bpm • E min • 03:02 • -14.83db
36% Popularity • 43% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
36% Popularity • 43% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Yusef Lateef
Love Theme From Spartacus - Remastered 2...
133 bpm • E min • 04:15 • -15.81db
53% Popularity • 57% Danceability • 31% Energy • 7% Liveness
92% Instrumentalness • 56% Positiveness
53% Popularity • 57% Danceability • 31% Energy • 7% Liveness
92% Instrumentalness • 56% Positiveness
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Amanaz
Sunday Morning
133 bpm • F# Maj • 04:59 • -16db
48% Popularity • 63% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 46% Positiveness
48% Popularity • 63% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 46% Positiveness
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Gábor Szabó
Cheetah
134 bpm • D min • 04:10 • -9.21db
18% Popularity • 51% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 72% Positiveness
18% Popularity • 51% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 72% Positiveness
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David Axelrod
The Sick Rose
134 bpm • G# Maj • 04:49 • -12.37db
15% Popularity • 35% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
15% Popularity • 35% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Jack Wilkins
Red Clay
134 bpm • A# min • 04:58 • -10.79db
41% Popularity • 59% Danceability • 53% Energy • 11% Liveness
69% Instrumentalness • 50% Positiveness
41% Popularity • 59% Danceability • 53% Energy • 11% Liveness
69% Instrumentalness • 50% Positiveness
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Pierre Cavalli
Terezinha Meu Amor
130 bpm • G Maj • 03:12 • -15.67db
17% Popularity • 77% Danceability • 35% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
17% Popularity • 77% Danceability • 35% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
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Sun Ra
Enlightenment
130 bpm • A min • 05:05 • -10.72db
33% Popularity • 50% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 50% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Herbie Hancock
Bring Down the Birds - Outtake
134 bpm • G# Maj • 01:46 • -15.19db
47% Popularity • 70% Danceability • 39% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
47% Popularity • 70% Danceability • 39% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
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Syl Johnson
Soul Heaven
135 bpm • G# min • 02:35 • -9.22db
53% Popularity • 72% Danceability • 58% Energy • 28% Liveness
81% Instrumentalness • 96% Positiveness
53% Popularity • 72% Danceability • 58% Energy • 28% Liveness
81% Instrumentalness • 96% Positiveness
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Alice Coltrane
Stopover Bombay
129 bpm • C min • 02:52 • -13db
36% Popularity • 42% Danceability • 56% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
36% Popularity • 42% Danceability • 56% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
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Gábor Szabó
Another Dream
135 bpm • F min • 04:59 • -10.83db
4% Popularity • 56% Danceability • 17% Energy • 14% Liveness
54% Instrumentalness • 35% Positiveness
4% Popularity • 56% Danceability • 17% Energy • 14% Liveness
54% Instrumentalness • 35% Positiveness
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Rosinha De Valença
Asa Branca
135 bpm • G Maj • 04:12 • -11.31db
40% Popularity • 44% Danceability • 34% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
40% Popularity • 44% Danceability • 34% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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Koushik
Forest Loop
135 bpm • E min • 01:09 • -16.89db
32% Popularity • 58% Danceability • 33% Energy • 14% Liveness
98% Instrumentalness • 95% Positiveness
32% Popularity • 58% Danceability • 33% Energy • 14% Liveness
98% Instrumentalness • 95% Positiveness
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Surprise Chef
Drinking from the Cup of Bob Knob
129 bpm • D min • 03:59 • -10.59db
46% Popularity • 60% Danceability • 34% Energy • 11% Liveness
77% Instrumentalness • 36% Positiveness
46% Popularity • 60% Danceability • 34% Energy • 11% Liveness
77% Instrumentalness • 36% Positiveness
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Ahmed Malek
Halla
136 bpm • G min • 02:50 • -11.8db
32% Popularity • 47% Danceability • 12% Energy • 13% Liveness
38% Instrumentalness • 37% Positiveness
32% Popularity • 47% Danceability • 12% Energy • 13% Liveness
38% Instrumentalness • 37% Positiveness
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Alan Tew
Surveillance
136 bpm • G Maj • 01:33 • -20.5db
44% Popularity • 69% Danceability • 20% Energy • 10% Liveness
68% Instrumentalness • 67% Positiveness
44% Popularity • 69% Danceability • 20% Energy • 10% Liveness
68% Instrumentalness • 67% Positiveness
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Gábor Szabó
Autumn Leaves / Speak To Me Of Love - Me...
128 bpm • A min • 03:35 • -10.58db
16% Popularity • 45% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
16% Popularity • 45% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
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Sven Libaek
Solar Flares
128 bpm • C Maj • 03:31 • -16.16db
32% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
32% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
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Les McCann
Sometimes I Cry
136 bpm • F# Maj • 05:22 • -15.44db
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Cochemea
Chito's Song
136 bpm • C# Maj • 05:05 • -14.5db
32% Popularity • 72% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
32% Popularity • 72% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Pharoah Sanders
Love Is Everywhere
128 bpm • F min • 05:18 • -11.72db
43% Popularity • 51% Danceability • 73% Energy • 15% Liveness
34% Instrumentalness • 75% Positiveness
43% Popularity • 51% Danceability • 73% Energy • 15% Liveness
34% Instrumentalness • 75% Positiveness
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Sun Ra
Plutonian Nights
127 bpm • F# min • 04:22 • -16.65db
24% Popularity • 64% Danceability • 41% Energy • 13% Liveness
6% Instrumentalness • 73% Positiveness
24% Popularity • 64% Danceability • 41% Energy • 13% Liveness
6% Instrumentalness • 73% Positiveness
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Gábor Szabó
Fire Dance - 2022 Remastered Version
128 bpm • C min • 05:40 • -12.1db
18% Popularity • 48% Danceability • 45% Energy • 11% Liveness
34% Instrumentalness • 52% Positiveness
18% Popularity • 48% Danceability • 45% Energy • 11% Liveness
34% Instrumentalness • 52% Positiveness
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Paul Desmond
A Taste of Honey
128 bpm • F min • 04:25 • -23.98db
42% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
42% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
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Hailu Mergia
Endegena
137 bpm • F# min • 05:00 • -12.01db
34% Popularity • 55% Danceability • 41% Energy • 12% Liveness
29% Instrumentalness • 70% Positiveness
34% Popularity • 55% Danceability • 41% Energy • 12% Liveness
29% Instrumentalness • 70% Positiveness
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Les McCann
Doin That Thing
127 bpm • E min • 08:30 • -16.67db
26% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
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Delvon Lamarr Organ Trio
Careless Whisper
137 bpm • G min • 05:34 • -8.38db
36% Popularity • 70% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
36% Popularity • 70% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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David Axelrod
Don't You Worry 'Bout A Thing
127 bpm • C min • 03:42 • -11.39db
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
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Gábor Szabó
Gypsy Queen
136 bpm • A Maj • 05:13 • -12.27db
40% Popularity • 49% Danceability • 64% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
40% Popularity • 49% Danceability • 64% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
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Menahan Street Band
Queens Highway
137 bpm • A# min • 01:07 • -8.98db
66% Popularity • 78% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
66% Popularity • 78% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Pierre Cavalli
Pao de Açucar
137 bpm • E min • 03:47 • -14.35db
21% Popularity • 63% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
21% Popularity • 63% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Idris Muhammad
Camby Bolongo
127 bpm • E Maj • 04:33 • -7db
28% Popularity • 89% Danceability • 52% Energy • 7% Liveness
77% Instrumentalness • 91% Positiveness
28% Popularity • 89% Danceability • 52% Energy • 7% Liveness
77% Instrumentalness • 91% Positiveness
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Hailu Mergia
Migibima Moltual
127 bpm • C min • 06:26 • -11db
37% Popularity • 55% Danceability • 63% Energy • 33% Liveness
23% Instrumentalness • 82% Positiveness
37% Popularity • 55% Danceability • 63% Energy • 33% Liveness
23% Instrumentalness • 82% Positiveness
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Amanaz
Green Apple
127 bpm • A# min • 03:50 • -9.44db
37% Popularity • 64% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
37% Popularity • 64% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
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Mulatu Astatke
Mètché Dershé (When Am I Going to Rea...
126 bpm • G Maj • 04:00 • -9db
39% Popularity • 63% Danceability • 51% Energy • 22% Liveness
48% Instrumentalness • 38% Positiveness
39% Popularity • 63% Danceability • 51% Energy • 22% Liveness
48% Instrumentalness • 38% Positiveness
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Eden Ahbez
Tradewind
126 bpm • G min • 03:01 • -18.03db
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
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Don Cherry
California
126 bpm • C Maj • 02:49 • -8.16db
16% Popularity • 57% Danceability • 97% Energy • 25% Liveness
20% Instrumentalness • 57% Positiveness
16% Popularity • 57% Danceability • 97% Energy • 25% Liveness
20% Instrumentalness • 57% Positiveness
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Oliver Nelson
In A Japanese Garden
138 bpm • A# Maj • 03:11 • -11db
37% Popularity • 44% Danceability • 45% Energy • 14% Liveness
96% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 45% Energy • 14% Liveness
96% Instrumentalness • 37% Positiveness
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Gábor Szabó
Saigon Bride
138 bpm • G Maj • 03:11 • -17.34db
22% Popularity • 40% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
22% Popularity • 40% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Chico Hamilton
Conquistadores '74
139 bpm • G# Maj • 03:33 • -13db
29% Popularity • 53% Danceability • 68% Energy • 14% Liveness
46% Instrumentalness • 97% Positiveness
29% Popularity • 53% Danceability • 68% Energy • 14% Liveness
46% Instrumentalness • 97% Positiveness
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Pharoah Sanders
Moon Child
126 bpm • G# Maj • 08:10 • -19db
24% Popularity • 55% Danceability • 38% Energy • 12% Liveness
7% Instrumentalness • 78% Positiveness
24% Popularity • 55% Danceability • 38% Energy • 12% Liveness
7% Instrumentalness • 78% Positiveness
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Amanaz
Amanaz
126 bpm • C# Maj • 02:40 • -11.38db
33% Popularity • 44% Danceability • 45% Energy • 15% Liveness
14% Instrumentalness • 79% Positiveness
33% Popularity • 44% Danceability • 45% Energy • 15% Liveness
14% Instrumentalness • 79% Positiveness
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Janko Nilovic
Maze Of Sounds
125 bpm • G min • 03:24 • -11.26db
32% Popularity • 63% Danceability • 25% Energy • 8% Liveness
20% Instrumentalness • 74% Positiveness
32% Popularity • 63% Danceability • 25% Energy • 8% Liveness
20% Instrumentalness • 74% Positiveness
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BLO
Chant To Mother Earth
139 bpm • G Maj • 06:09 • -14.34db
27% Popularity • 40% Danceability • 45% Energy • 15% Liveness
53% Instrumentalness • 48% Positiveness
27% Popularity • 40% Danceability • 45% Energy • 15% Liveness
53% Instrumentalness • 48% Positiveness
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Gábor Szabó
Ravi
139 bpm • E min • 02:57 • -11.31db
14% Popularity • 68% Danceability • 61% Energy • 7% Liveness
37% Instrumentalness • 80% Positiveness
14% Popularity • 68% Danceability • 61% Energy • 7% Liveness
37% Instrumentalness • 80% Positiveness
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Hailu Mergia
Sewnetuwa
139 bpm • F Maj • 06:08 • -11.18db
29% Popularity • 36% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
29% Popularity • 36% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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Paul Desmond
A Taste of Honey - Live
125 bpm • F min • 04:31 • -18db
34% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Eden Ahbez
Myna Bird
140 bpm • A Maj • 02:21 • -16db
24% Popularity • 26% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
24% Popularity • 26% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Ian Carr
Roots
125 bpm • F# Maj • 09:24 • -12.84db
25% Popularity • 52% Danceability • 49% Energy • 10% Liveness
61% Instrumentalness • 90% Positiveness
25% Popularity • 52% Danceability • 49% Energy • 10% Liveness
61% Instrumentalness • 90% Positiveness
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Mulatu Astatke
Gubèlyé (My Gubel)
124 bpm • F min • 04:40 • -13.01db
39% Popularity • 46% Danceability • 28% Energy • 16% Liveness
41% Instrumentalness • 26% Positiveness
39% Popularity • 46% Danceability • 28% Energy • 16% Liveness
41% Instrumentalness • 26% Positiveness
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Gábor Szabó
Three King Fishers
140 bpm • B min • 04:48 • -11.61db
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Cortex
Mary et Jeff
140 bpm • A min • 02:45 • -9.91db
42% Popularity • 59% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
42% Popularity • 59% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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The Sweet Enoughs
Dream Puppy
124 bpm • F# min • 05:39 • -12db
41% Popularity • 72% Danceability • 16% Energy • 15% Liveness
54% Instrumentalness • 20% Positiveness
41% Popularity • 72% Danceability • 16% Energy • 15% Liveness
54% Instrumentalness • 20% Positiveness
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Lonnie Liston Smith
Sais (Egypt)
124 bpm • G Maj • 08:12 • -11.86db
27% Popularity • 35% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 35% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Cochemea
Seyewailo
141 bpm • D min • 05:00 • -9.31db
18% Popularity • 47% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 47% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Hailu Mergia
Atmetalegnem Woi
141 bpm • B min • 03:39 • -11.82db
29% Popularity • 52% Danceability • 32% Energy • 10% Liveness
22% Instrumentalness • 84% Positiveness
29% Popularity • 52% Danceability • 32% Energy • 10% Liveness
22% Instrumentalness • 84% Positiveness
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Wolfgang Dauner
Take off Your Clothes and Feel the Setti...
141 bpm • D# Maj • 04:01 • -12.47db
26% Popularity • 47% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 47% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Gábor Szabó
Some Velvet Morning
141 bpm • D min • 05:25 • -10.9db
26% Popularity • 50% Danceability • 53% Energy • 10% Liveness
30% Instrumentalness • 26% Positiveness
26% Popularity • 50% Danceability • 53% Energy • 10% Liveness
30% Instrumentalness • 26% Positiveness
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Mulatu Astatke
Mascaram Setaba - Stereo Master
141 bpm • B min • 02:47 • -15.99db
51% Popularity • 50% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 85% Positiveness
51% Popularity • 50% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 85% Positiveness
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Chico Hamilton
Helena
142 bpm • A# min • 04:25 • -11.23db
25% Popularity • 60% Danceability • 66% Energy • 7% Liveness
69% Instrumentalness • 76% Positiveness
25% Popularity • 60% Danceability • 66% Energy • 7% Liveness
69% Instrumentalness • 76% Positiveness
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Yusef Lateef
Woodward Avenue
123 bpm • E min • 02:14 • -16db
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
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Dalton
Soul Brother
142 bpm • G min • 03:41 • -8.27db
46% Popularity • 47% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 47% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Heshoo Beshoo Group
Emakhaya
123 bpm • D Maj • 07:18 • -9db
28% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
28% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
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Gábor Szabó
Fire Dance
123 bpm • C min • 05:47 • -22.7db
18% Popularity • 50% Danceability • 19% Energy • 8% Liveness
77% Instrumentalness • 52% Positiveness
18% Popularity • 50% Danceability • 19% Energy • 8% Liveness
77% Instrumentalness • 52% Positiveness
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Sun Ra & His Arkestra
Springtime Again
123 bpm • F Maj • 09:15 • -11.99db
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
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The Equatics
Walk On By
142 bpm • A min • 03:57 • -13db
35% Popularity • 59% Danceability • 39% Energy • 14% Liveness
74% Instrumentalness • 38% Positiveness
35% Popularity • 59% Danceability • 39% Energy • 14% Liveness
74% Instrumentalness • 38% Positiveness
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Shuggie Otis
Freedom Flight
142 bpm • E Maj • 12:56 • -16.33db
28% Popularity • 37% Danceability • 26% Energy • 6% Liveness
36% Instrumentalness • 28% Positiveness
28% Popularity • 37% Danceability • 26% Energy • 6% Liveness
36% Instrumentalness • 28% Positiveness
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Kokoroko
Adwa
123 bpm • A min • 05:56 • -10.3db
40% Popularity • 48% Danceability • 80% Energy • 31% Liveness
77% Instrumentalness • 69% Positiveness
40% Popularity • 48% Danceability • 80% Energy • 31% Liveness
77% Instrumentalness • 69% Positiveness
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Menahan Street Band
Stepping Through Shadow
142 bpm • G min • 02:01 • -13db
50% Popularity • 72% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
50% Popularity • 72% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
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Gábor Szabó
Azure Blue
142 bpm • F# min • 04:14 • -11.55db
22% Popularity • 56% Danceability • 38% Energy • 26% Liveness
88% Instrumentalness • 46% Positiveness
22% Popularity • 56% Danceability • 38% Energy • 26% Liveness
88% Instrumentalness • 46% Positiveness
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The Natural Yogurt Band
Flowers in the Rain
122 bpm • G min • 02:15 • -13.37db
46% Popularity • 57% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
46% Popularity • 57% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Pierre Cavalli
Cachaça
143 bpm • C Maj • 03:41 • -11.52db
17% Popularity • 54% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
17% Popularity • 54% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
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Shuggie Otis
Sweet Thang
143 bpm • G Maj • 04:12 • -13.4db
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
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Sun Ra
Dreaming
122 bpm • D# Maj • 02:44 • -13.57db
20% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Cochemea
Song of Happiness
143 bpm • C Maj • 05:55 • -10db
36% Popularity • 74% Danceability • 38% Energy • 7% Liveness
84% Instrumentalness • 72% Positiveness
36% Popularity • 74% Danceability • 38% Energy • 7% Liveness
84% Instrumentalness • 72% Positiveness
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Gábor Szabó
Spellbinder
123 bpm • A# Maj • 05:30 • -8.96db
32% Popularity • 72% Danceability • 71% Energy • 14% Liveness
90% Instrumentalness • 62% Positiveness
32% Popularity • 72% Danceability • 71% Energy • 14% Liveness
90% Instrumentalness • 62% Positiveness
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Gary McFarland
Simpatico
122 bpm • F min • 04:45 • -13.46db
10% Popularity • 67% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 52% Positiveness
10% Popularity • 67% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 52% Positiveness
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Sandro Brugnolini
Stenella dubia
144 bpm • C Maj • 03:39 • -15db
35% Popularity • 56% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
35% Popularity • 56% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Karl Hector & The Malcouns
Kingdom of D'mt
121 bpm • G# Maj • 03:15 • -7db
42% Popularity • 73% Danceability • 59% Energy • 11% Liveness
73% Instrumentalness • 84% Positiveness
42% Popularity • 73% Danceability • 59% Energy • 11% Liveness
73% Instrumentalness • 84% Positiveness
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Yusef Lateef
The Plum Blossom - Remastered 2023
144 bpm • A Maj • 05:03 • -25.42db
44% Popularity • 63% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 71% Positiveness
44% Popularity • 63% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 71% Positiveness
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The Fabulous Three
White Sands Pt 1
121 bpm • F min • 02:01 • -8db
47% Popularity • 67% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
47% Popularity • 67% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Gábor Szabó
I Remember When
143 bpm • G Maj • 07:34 • -10.81db
11% Popularity • 52% Danceability • 57% Energy • 9% Liveness
70% Instrumentalness • 64% Positiveness
11% Popularity • 52% Danceability • 57% Energy • 9% Liveness
70% Instrumentalness • 64% Positiveness
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Paul Desmond
El Condor Pasa
121 bpm • C Maj • 03:03 • -14.13db
43% Popularity • 62% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 58% Positiveness
43% Popularity • 62% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 58% Positiveness
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The Wailers
Driftwood
121 bpm • A min • 02:45 • -22.16db
28% Popularity • 41% Danceability • 12% Energy • 10% Liveness
57% Instrumentalness • 50% Positiveness
28% Popularity • 41% Danceability • 12% Energy • 10% Liveness
57% Instrumentalness • 50% Positiveness
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Sun Ra
The Lady with the Golden Stockings - a.k...
121 bpm • B min • 07:45 • -17.26db
21% Popularity • 75% Danceability • 33% Energy • 17% Liveness
79% Instrumentalness • 54% Positiveness
21% Popularity • 75% Danceability • 33% Energy • 17% Liveness
79% Instrumentalness • 54% Positiveness
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Tommy Guerrero
B.W.'s Blues
145 bpm • D Maj • 04:50 • -8.18db
35% Popularity • 79% Danceability • 73% Energy • 8% Liveness
85% Instrumentalness • 88% Positiveness
35% Popularity • 79% Danceability • 73% Energy • 8% Liveness
85% Instrumentalness • 88% Positiveness
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Alan Tew
The Fence (B)
121 bpm • C Maj • 02:13 • -25db
38% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
38% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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Gábor Szabó
Walk Away Renee
122 bpm • A# Maj • 02:47 • -21.99db
24% Popularity • 41% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
24% Popularity • 41% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Yusef Lateef
Nubian Lady - 1972
145 bpm • B min • 06:38 • -15db
27% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
27% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
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Mulatu Astatke
Emnete
120 bpm • C# Maj • 03:29 • -12db
41% Popularity • 75% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 87% Positiveness
41% Popularity • 75% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 87% Positiveness
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Alain Goraguer
Sour Soul
146 bpm • A min • 03:19 • -12.59db
25% Popularity • 53% Danceability • 60% Energy • 11% Liveness
16% Instrumentalness • 8% Positiveness
25% Popularity • 53% Danceability • 60% Energy • 11% Liveness
16% Instrumentalness • 8% Positiveness
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L'éclair
Taishi-Koto, Pt. 1
146 bpm • F min • 02:29 • -12.16db
46% Popularity • 36% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 68% Positiveness
46% Popularity • 36% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 68% Positiveness