Songs like It's Just the Beginning (From "No One in the World") by Emma Hatton
Based on a tempo of (+/- 10%) and a similar genre
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Stéphane Huguenin
I'm On My Way
119 bpm • D Maj • 02:52 • -4.95db
10% Popularity • 81% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 81% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Thelma Jones
Only Yesterday
119 bpm • G Maj • 04:41 • -9.94db
23% Popularity • 43% Danceability • 38% Energy • 51% Liveness
9% Instrumentalness • 32% Positiveness
23% Popularity • 43% Danceability • 38% Energy • 51% Liveness
9% Instrumentalness • 32% Positiveness
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Harrison Craig
She's A Lady
119 bpm • E min • 02:44 • -3.85db
17% Popularity • 61% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Emma Hatton
It's Just the Beginning
119 bpm • A# Maj • 03:34 • -7.65db
1% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Des'ree
Drunk On Your Kisses
119 bpm • G Maj • 04:30 • -11.09db
22% Popularity • 44% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 44% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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David Campbell
Perhaps, Perhaps, Perhaps
119 bpm • D# min • 02:30 • -6.33db
14% Popularity • 58% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 58% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Leslie Odom Jr.
Good Times
120 bpm • D Maj • 02:30 • -5.87db
14% Popularity • 69% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 69% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Neil Diamond
Heartlight - Classic Diamonds
120 bpm • D# Maj • 04:46 • -7.65db
24% Popularity • 43% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
24% Popularity • 43% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Heather Small
How Can I Love You More
120 bpm • D# Maj • 03:00 • -8.96db
11% Popularity • 38% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 38% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Wet Wet Wet
Beyond The Sea
120 bpm • G Maj • 03:56 • -7.44db
17% Popularity • 56% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 56% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Stylistics
Sing Baby Sing
120 bpm • E min • 02:53 • -6.02db
13% Popularity • 63% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 63% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Redemption Praise
Jesus - Radio Edit
120 bpm • C Maj • 03:21 • -5.8db
11% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Farrant
Don't Give Up On Love
120 bpm • B Maj • 03:25 • -7db
28% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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The Three Degrees
When Will I See You Again
120 bpm • G# Maj • 02:59 • -12.22db
19% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Gary Barlow
Enough Is Enough
120 bpm • D Maj • 03:26 • -3db
24% Popularity • 79% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 79% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Broadway's Theatre Original Cast
On Broadway
120 bpm • A# Maj • 04:33 • -8.5db
12% Popularity • 80% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 80% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Merry Clayton
Same Old Story
120 bpm • G# Maj • 04:49 • -9.71db
11% Popularity • 46% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 25% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 25% Positiveness
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Charlie Mole
Surrender
120 bpm • A min • 03:29 • -11.04db
12% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Marc Ferrari
Soul Sista
120 bpm • C Maj • 03:08 • -6.75db
10% Popularity • 78% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 78% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Sondheim
Sooner or Later
118 bpm • C Maj • 03:07 • -13.92db
12% Popularity • 28% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 28% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Al Wilson
Brother, Where Are You
120 bpm • F min • 03:44 • -11.94db
8% Popularity • 53% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 53% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Tracee Ellis Ross
Bad Girl
118 bpm • F min • 02:51 • -2.45db
29% Popularity • 67% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 67% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Paul Sandrone
I Love You With All of My Heart
118 bpm • E min • 02:41 • -9.33db
14% Popularity • 53% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 53% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Dick Walter
A Different Kind of Love
118 bpm • A# min • 04:34 • -25.1db
10% Popularity • 45% Danceability • 5% Energy • 9% Liveness
14% Instrumentalness • 9% Positiveness
10% Popularity • 45% Danceability • 5% Energy • 9% Liveness
14% Instrumentalness • 9% Positiveness
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Curtis Stigers
Never Saw A Miracle
118 bpm • A min • 04:23 • -12.06db
12% Popularity • 55% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 55% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Della Reese
And Now
120 bpm • D# Maj • 02:39 • -8.03db
7% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Piero Umiliani
Un posto per un addio - Version 2
120 bpm • B min • 02:17 • -14.54db
10% Popularity • 35% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 35% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 34% Positiveness
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Karl Loxley
Your Song
121 bpm • F Maj • 03:33 • -10.72db
24% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jamie O'Neal
All By Myself
117 bpm • A min • 04:49 • -9.22db
44% Popularity • 36% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
44% Popularity • 36% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Kathryn Davis
All About That Bass - Original
121 bpm • F# min • 03:56 • -8.86db
14% Popularity • 65% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 65% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Jr. Walker & The All Stars
Anyway You Wannta
117 bpm • A Maj • 02:40 • -10db
22% Popularity • 70% Danceability • 51% Energy • 4% Liveness
14% Instrumentalness • 91% Positiveness
22% Popularity • 70% Danceability • 51% Energy • 4% Liveness
14% Instrumentalness • 91% Positiveness
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Kath Gotts
Fairy Tales Aren't Just For Fairies
117 bpm • C# Maj • 03:28 • -8.47db
0% Popularity • 26% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 26% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Forbes
Not for Me
117 bpm • A# Maj • 02:24 • -4.7db
19% Popularity • 83% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 83% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Robert Bagshaw
I'm Like a Fool
122 bpm • B min • 03:09 • -6.15db
11% Popularity • 84% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 84% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Julien Vega
Primo amore
116 bpm • G# Maj • 02:16 • -5.3db
11% Popularity • 40% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 40% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Parry Music
Something's Coming Over Me
116 bpm • C Maj • 03:01 • -11.43db
9% Popularity • 29% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 29% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Mica Millar
Not The First
122 bpm • G Maj • 03:57 • -10.11db
17% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Joey Niceforo
Solitaire
116 bpm • C# Maj • 05:22 • -10.58db
18% Popularity • 23% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Emma Hatton
I Just Can't Stop Loving You
122 bpm • A# min • 04:24 • -7.92db
1% Popularity • 42% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
1% Popularity • 42% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Miriam Mandipira
Don't Let Me Be Lonely Tonight
116 bpm • D min • 05:15 • -14.51db
14% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Georgia Cécile
He Knew How To Love
122 bpm • G min • 03:57 • -10.37db
9% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Andreya Triana
Song for a Friend
122 bpm • B Maj • 03:55 • -10.79db
16% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Three Degrees
The Year of Decision - Rerecorded
122 bpm • A# Maj • 02:41 • -10.68db
17% Popularity • 68% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 68% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Chiwetel Ejiofor
Yes Sir I Can Boogie - Original Version
122 bpm • F Maj • 04:20 • -3.69db
18% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The Tymes
Ms. Grace - Rerecorded
116 bpm • B min • 03:19 • -12.31db
27% Popularity • 68% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 68% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Mary J. Blige
Sorry Seems To Be The Hardest Word
122 bpm • D Maj • 03:15 • -8.97db
33% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Krysta Rodriguez
Say Liza (Liza With A Z)
122 bpm • C# Maj • 02:55 • -8.9db
11% Popularity • 82% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 82% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Nikka Costa
Cry to Me
116 bpm • D Maj • 02:40 • -9.28db
11% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Anders Lewén
Colours out of Grey
116 bpm • D Maj • 02:36 • -8.46db
14% Popularity • 74% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 74% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Elton John
The Heart Of Every Girl
122 bpm • G# Maj • 03:38 • -7db
23% Popularity • 72% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 72% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Robbie Williams
Have You Met Miss Jones?
122 bpm • G Maj • 02:33 • -7.61db
28% Popularity • 59% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Greencastle Homer
Amore
123 bpm • A Maj • 02:42 • -11.47db
7% Popularity • 47% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 47% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Crosstown Sync
I Want Some Money Baby
122 bpm • F min • 03:28 • -11.1db
8% Popularity • 54% Danceability • 54% Energy • 67% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 54% Danceability • 54% Energy • 67% Liveness
0% Instrumentalness • 67% Positiveness
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Sam Cooke
The House I Live In
115 bpm • D Maj • 03:22 • -10.48db
18% Popularity • 32% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 32% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Carmen Ejogo
Yes I Do
123 bpm • D Maj • 03:14 • -5.36db
16% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Melanie
Johnny Boy
115 bpm • C# min • 02:40 • -12.46db
33% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Studio Bonaparte
The Nola Song
123 bpm • C# min • 03:53 • -8.82db
13% Popularity • 68% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 68% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Brandon Combs
Tears
115 bpm • D Maj • 02:27 • -6.37db
10% Popularity • 70% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Mario Biondi
You'll Never Find Another Love Like Mine
115 bpm • D Maj • 04:20 • -6.72db
20% Popularity • 75% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
20% Popularity • 75% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
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Frankie Avalon
Beauty School Dropout
123 bpm • C min • 03:02 • -14.78db
15% Popularity • 55% Danceability • 37% Energy • 94% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 55% Danceability • 37% Energy • 94% Liveness
0% Instrumentalness • 68% Positiveness
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Odyssey
Native New Yorker
115 bpm • A# Maj • 04:22 • -7.02db
8% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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The Jive Aces
Bring Me Sunshine
115 bpm • A# Maj • 04:18 • -7.63db
16% Popularity • 61% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 61% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The Tymes
Miss Grace - Re-recorded
123 bpm • E min • 03:31 • -15.52db
14% Popularity • 57% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 57% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Beverley Knight
I Don't Wanna Go on Without You / Stand ...
124 bpm • D Maj • 03:34 • -8.14db
18% Popularity • 40% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 40% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Steve Lawrence
I Gotta Be Me
114 bpm • C Maj • 02:42 • -11.23db
32% Popularity • 41% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 41% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Joey Niceforo
Note to God
124 bpm • C# min • 04:18 • -7.83db
7% Popularity • 47% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 47% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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CHRISTIAN PADOVAN
Come Back In My Life
114 bpm • A Maj • 02:26 • -9.17db
31% Popularity • 47% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 47% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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FitnessGlo
The Way You Make Me Feel
124 bpm • F Maj • 02:21 • -3db
21% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Whitney Houston
Don't Cry For Me - Darkchild Film Versio...
124 bpm • G# Maj • 03:53 • -9.32db
29% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Helen Shapiro
Sometime Yesterday
114 bpm • A# Maj • 02:52 • -8.74db
9% Popularity • 50% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 50% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Eddi Reader
Town Without Pity
124 bpm • G min • 02:50 • -8db
21% Popularity • 38% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 38% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Neil Sedaka
Love Will Keep Us Together
124 bpm • D# Maj • 03:50 • -10db
38% Popularity • 74% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 74% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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CHRISTIAN PADOVAN
The Other Day
114 bpm • A Maj • 02:37 • -9.63db
22% Popularity • 64% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 64% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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David Cassidy
Wish You Were Here
114 bpm • C min • 03:02 • -17.43db
8% Popularity • 67% Danceability • 26% Energy • 9% Liveness
43% Instrumentalness • 57% Positiveness
8% Popularity • 67% Danceability • 26% Energy • 9% Liveness
43% Instrumentalness • 57% Positiveness
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The Supremes
Falling In Love With Love
125 bpm • D Maj • 02:29 • -10.09db
18% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ike & Tina Turner
I Am A Motherless Child
113 bpm • C# min • 03:29 • -29.94db
11% Popularity • 31% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 31% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Sparklers
Dreamy Eyes
125 bpm • G# Maj • 01:56 • -11.93db
9% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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CeeLo Green
I'm A Man
125 bpm • C# Maj • 03:09 • -4.7db
14% Popularity • 76% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 76% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Andy Powell
Couldn't Care Less
125 bpm • C Maj • 02:51 • -7.45db
10% Popularity • 70% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 70% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Harold Melvin & The Blue Notes
The Love I Lost (Rerecorded)
125 bpm • D Maj • 03:31 • -4.03db
14% Popularity • 61% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 61% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
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Mario Biondi
Dream for Two
125 bpm • A Maj • 04:29 • -9.1db
10% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Elton John
Song For Guy - Single Edit / Remastered ...
125 bpm • F Maj • 05:02 • -14db
20% Popularity • 43% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 43% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Natalie Gauci
Orange Coloured Sky
125 bpm • G Maj • 02:25 • -3.35db
7% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jennie Lena
Ben
126 bpm • F Maj • 03:13 • -8.39db
8% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Daniel and Laura Curtis
Stop the Show
126 bpm • G Maj • 03:14 • -5.38db
0% Popularity • 48% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 48% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Martha Reeves & The Vandellas
Dancing In The Street - The Motown Story...
126 bpm • B min • 03:10 • -8db
9% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Jo Ann Campbell
A Kookie Little Paradise
112 bpm • C Maj • 02:29 • -10db
7% Popularity • 73% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 73% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 92% Positiveness
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Tha Known
Freedom Me
112 bpm • C# min • 03:20 • -8.63db
15% Popularity • 76% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 76% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Terry Saunders
Something Wonderful - Remastered 2001
126 bpm • F Maj • 03:11 • -13.18db
19% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Ronnie Hilton
The Wonder of You
112 bpm • D# Maj • 02:31 • -10db
21% Popularity • 41% Danceability • 28% Energy • 9% Liveness
22% Instrumentalness • 34% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 9% Liveness
22% Instrumentalness • 34% Positiveness
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Miles Western
We’re Here
127 bpm • D min • 02:04 • -9.87db
2% Popularity • 67% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 67% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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ANNIE TROUSSEAU
All Or Nothing At All
112 bpm • C Maj • 04:03 • -15.13db
21% Popularity • 42% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 42% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Megan O'Neill
Time in a Bottle
112 bpm • D Maj • 05:00 • -15.31db
27% Popularity • 49% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 49% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Donnie Elbert
Where Did Our Love Go
127 bpm • C Maj • 03:25 • -10.62db
17% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
17% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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Mary J. Blige
(You Make Me Feel Like A) Natural Woman
112 bpm • F Maj • 02:56 • -9.75db
37% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Adam J. Bernard
There Goes My Baby
127 bpm • G Maj • 02:45 • -9.7db
17% Popularity • 33% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 33% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dean Martin
Rainbows Are Back in Style
127 bpm • E Maj • 03:06 • -7.36db
15% Popularity • 61% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 61% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Clark Anderson
So Amazing
127 bpm • C# Maj • 04:32 • -6.4db
12% Popularity • 41% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 41% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
