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It’s OK to Get Crazy
Songs like
It’s OK to Get Crazy
by
Daniel Farrant
Based on a tempo of (+/- 10%) and a similar genre
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Serengeti
keep winning
92 bpm • D Maj • 02:58 • -4.21db
8% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Model Citizen
Feel So Good
92 bpm • C min • 02:54 • -1db
34% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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New Perspectives
Hit the Spot
92 bpm • F min • 02:17 • -5.33db
11% Popularity • 68% Danceability • 76% Energy • 36% Liveness
18% Instrumentalness • 66% Positiveness
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Daniel Farrant
It’s OK to Get Crazy
92 bpm • B min • 03:01 • -7db
13% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Skinny Beats
My Best Life
92 bpm • G Maj • 03:06 • -4db
25% Popularity • 62% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Dena Deadly
Hello Sunshine
92 bpm • D# Maj • 02:46 • -7db
32% Popularity • 71% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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BB St. Clair
The Cure
92 bpm • D Maj • 03:34 • -7.21db
11% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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THE K!X
Make You a Believer
92 bpm • G# min • 03:06 • -5.87db
21% Popularity • 57% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Maya Isacowitz
Body On Fire
92 bpm • F Maj • 03:21 • -6.33db
31% Popularity • 56% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 55% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Imani Coppola
Just Feels Good
91 bpm • F min • 03:36 • -4.49db
38% Popularity • 63% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Krysta Youngs
One Life
94 bpm • F# min • 02:46 • -6.44db
21% Popularity • 75% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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James Davies
Make This Work
94 bpm • B Maj • 02:59 • -7.62db
11% Popularity • 69% Danceability • 72% Energy • 7% Liveness
5% Instrumentalness • 76% Positiveness
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Kari Kimmel
High
94 bpm • C min • 04:16 • -6.7db
6% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Vali
Ain't No Friend Of Mine
94 bpm • A Maj • 02:59 • -4.8db
18% Popularity • 79% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Rawson
We Love the Sun
90 bpm • E Maj • 02:54 • -7db
0% Popularity • 59% Danceability • 68% Energy • 14% Liveness
66% Instrumentalness • 81% Positiveness
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Lulu Hand Grenade
Liar Liar
90 bpm • A min • 03:08 • -5.06db
17% Popularity • 56% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Daniel Farrant
Magnificent
90 bpm • G# Maj • 03:14 • -5.89db
13% Popularity • 50% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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COS&effekt
The Wild One
90 bpm • A Maj • 02:54 • -6.24db
11% Popularity • 42% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Danny Farrant
Jungle Kill
95 bpm • G# min • 03:17 • -6.23db
9% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Nick Kingsley
Por Favor
95 bpm • A min • 02:53 • -5.37db
8% Popularity • 76% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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KOYOTIE
They Call It Love
95 bpm • F Maj • 03:05 • -4.49db
10% Popularity • 83% Danceability • 66% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
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Foxxi
Follow the Leader
95 bpm • F min • 02:06 • -8.87db
25% Popularity • 80% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Daniel Farrant
Magic in the Clouds
95 bpm • B Maj • 03:26 • -6.9db
3% Popularity • 54% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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carly and martina
How I Like It
95 bpm • C Maj • 02:47 • -4.95db
16% Popularity • 56% Danceability • 88% Energy • 72% Liveness
0% Instrumentalness • 40% Positiveness
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Tom Griffiths
You're a Superstar
95 bpm • A Maj • 02:13 • -6.64db
7% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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CRMNL
A Little Bit Dangerous
89 bpm • A# min • 03:14 • -5.42db
44% Popularity • 58% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Sizzy Rocket
Sucker Punch
89 bpm • G Maj • 03:36 • -5.31db
17% Popularity • 72% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Roza
Mindplay
96 bpm • G# min • 02:30 • -9.48db
28% Popularity • 84% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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BOYY
Love Chains
96 bpm • C min • 03:17 • -6db
37% Popularity • 60% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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SAYSH
Lifeline
96 bpm • C# Maj • 02:45 • -8.64db
21% Popularity • 71% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Levy
Above the Clouds
88 bpm • B Maj • 03:07 • -5.28db
16% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Shangrii-La
How You Like This
88 bpm • F min • 02:53 • -4.43db
13% Popularity • 71% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lulu Hand Grenade
Shotgun
88 bpm • C min • 03:46 • -3.4db
20% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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KOYOTIE
Give It To Me
88 bpm • C Maj • 02:53 • -6.84db
11% Popularity • 78% Danceability • 73% Energy • 10% Liveness
7% Instrumentalness • 24% Positiveness
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WAR*HALL
Break The System
88 bpm • A Maj • 03:53 • -4.26db
18% Popularity • 25% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Summer Kennedy
Gold Rays
97 bpm • F Maj • 03:33 • -4.88db
20% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Daniel Farrant
I See Murder
87 bpm • D Maj • 03:44 • -6.11db
4% Popularity • 55% Danceability • 61% Energy • 53% Liveness
0% Instrumentalness • 53% Positiveness
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SLPSTRM
Giants Were Here
87 bpm • G Maj • 03:04 • -8.92db
18% Popularity • 52% Danceability • 84% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
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Jhay C
Get on It
98 bpm • D Maj • 03:02 • -6.69db
9% Popularity • 69% Danceability • 84% Energy • 48% Liveness
0% Instrumentalness • 77% Positiveness
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Nick Kingsley
Pretty Little Lies
98 bpm • A min • 03:00 • -5.21db
22% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Claire Guerreso
This Is The New Wave
98 bpm • G# min • 02:07 • -7.32db
23% Popularity • 72% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Le Bon
Back From The Dead
98 bpm • D Maj • 02:53 • -7db
9% Popularity • 66% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Daniel Farrant
Get Sweeter
98 bpm • G# Maj • 03:10 • -6.74db
19% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Summer Kennedy
Oh My My
98 bpm • B min • 03:41 • -5.07db
37% Popularity • 68% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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The Federal Empire
The American Dream - Acoustic
85 bpm • B min • 03:23 • -4.7db
21% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Kingsley
Rock a Bye Baby
98 bpm • F min • 02:24 • -6.14db
15% Popularity • 72% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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ITG Studios
Older I Get
100 bpm • E min • 02:52 • -5.46db
2% Popularity • 79% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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BB St. Clair
The Whole Wide World
100 bpm • A# min • 03:37 • -7.86db
12% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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3 One Oh
Come Out and Play
100 bpm • F# Maj • 01:55 • -6db
39% Popularity • 64% Danceability • 80% Energy • 36% Liveness
1% Instrumentalness • 63% Positiveness
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Benj Heard
I'm a Boss
100 bpm • F min • 03:19 • -4db
12% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Daniel Farrant
Show Me What You Got
100 bpm • C# Maj • 02:56 • -4.7db
3% Popularity • 66% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Nick Kingsley
Yoshi’s Island
98 bpm • G Maj • 02:34 • -7.3db
7% Popularity • 62% Danceability • 55% Energy • 17% Liveness
1% Instrumentalness • 46% Positiveness
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Krysta Youngs
Live It Up
100 bpm • B min • 02:28 • -6.25db
16% Popularity • 76% Danceability • 85% Energy • 4% Liveness
6% Instrumentalness • 78% Positiveness
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WZRD BLD
Take the Money and Run
100 bpm • F# Maj • 03:21 • -5db
32% Popularity • 53% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Beilis
Runnin' Away
100 bpm • C Maj • 03:05 • -4db
15% Popularity • 79% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Addie Hamilton
Pole Position
100 bpm • B min • 03:18 • -4.71db
9% Popularity • 65% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Farrant
Now I'm Healing
100 bpm • E min • 03:38 • -7.29db
6% Popularity • 57% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Nick Kingsley
Bad Acid Tastes Fantastic
100 bpm • D Maj • 02:40 • -5.4db
7% Popularity • 70% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Goldenface
You Got It
100 bpm • C# min • 02:28 • -4.95db
35% Popularity • 71% Danceability • 78% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Extreme Music
Small Explosions
100 bpm • C Maj • 03:15 • -6.13db
13% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Indiana
Bad Luck
100 bpm • G# Maj • 03:14 • -7.94db
17% Popularity • 72% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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The Filthy Souls
Here I Am
100 bpm • F min • 03:12 • -8.93db
44% Popularity • 63% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Daniel Farrant
Making Me Weak
100 bpm • A# Maj • 03:08 • -8.34db
5% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Cook Classics
The Real Thing
100 bpm • A# min • 03:09 • -5db
30% Popularity • 75% Danceability • 86% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
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Nick Kingsley
An Axe in Your Head
85 bpm • F min • 03:16 • -8.79db
21% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Layup
Good Connection
100 bpm • A Maj • 02:43 • -6.07db
23% Popularity • 82% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 94% Positiveness
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DARKMINDS
Give It My All
100 bpm • F min • 02:38 • -2.65db
21% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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BUNDESWEHR EXCLUSIVE
Move That
100 bpm • G Maj • 02:12 • -4db
25% Popularity • 74% Danceability • 87% Energy • 24% Liveness
91% Instrumentalness • 71% Positiveness
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Daniel Farrant
What’s Coming to You
100 bpm • A Maj • 02:48 • -10.93db
2% Popularity • 69% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Ian Post
Once and for All
84 bpm • F min • 03:43 • -6db
20% Popularity • 53% Danceability • 85% Energy • 20% Liveness
5% Instrumentalness • 69% Positiveness
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Nick Kingsley
Hate to Be That Girl
100 bpm • B min • 03:49 • -7db
14% Popularity • 67% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Layup
One Of A Kind
101 bpm • C# Maj • 02:53 • -5.45db
18% Popularity • 64% Danceability • 81% Energy • 22% Liveness
34% Instrumentalness • 68% Positiveness
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WAR*HALL
Jump Around
102 bpm • G Maj • 03:04 • -3.55db
19% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Indiana
Paper Cut
102 bpm • F min • 03:43 • -9.28db
20% Popularity • 71% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Farrant
Get a Little Crazy
100 bpm • D Maj • 03:45 • -8db
14% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Norman
Here We Go
102 bpm • B min • 02:23 • -9.72db
48% Popularity • 68% Danceability • 61% Energy • 19% Liveness
10% Instrumentalness • 67% Positiveness
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Devin Jay Hoffman
We Never Stop
83 bpm • C# Maj • 02:41 • -4.61db
22% Popularity • 65% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Red Means Run
Smoke There’s Fire
102 bpm • C# Maj • 02:55 • -6.99db
13% Popularity • 79% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Animal Island
Love Is Around Us
102 bpm • A min • 03:24 • -6.17db
11% Popularity • 66% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Summer Kennedy
Brand New
102 bpm • A Maj • 03:34 • -5.86db
15% Popularity • 71% Danceability • 89% Energy • 6% Liveness
1% Instrumentalness • 44% Positiveness
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Louis II
Future Hit
102 bpm • F# min • 03:00 • -5.62db
19% Popularity • 71% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Benj Heard
Runaways
102 bpm • A Maj • 03:09 • -3.81db
9% Popularity • 57% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Heartbreak Kid
Down for Whatever
82 bpm • B min • 03:41 • -5.17db
13% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Andrea Di Giovanni
Shame Resurrection
83 bpm • A min • 03:24 • -6.66db
31% Popularity • 32% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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KOYOTIE
Ready Set Let's Go
103 bpm • A# min • 03:09 • -2.89db
21% Popularity • 84% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Summer Kennedy
The Good Life
102 bpm • A Maj • 03:46 • -5.45db
14% Popularity • 70% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Night Panda
Walk With A Bounce
103 bpm • E min • 03:20 • -8.01db
19% Popularity • 68% Danceability • 85% Energy • 6% Liveness
16% Instrumentalness • 42% Positiveness
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Daniel Farrant
Wounded and Blue
82 bpm • F# Maj • 04:04 • -6.63db
1% Popularity • 50% Danceability • 60% Energy • 61% Liveness
18% Instrumentalness • 20% Positiveness
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Foxxi
Born for This
104 bpm • F# min • 03:16 • -5.84db
35% Popularity • 77% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Nada Funk
What's on your Mind - UnoMas Remix
104 bpm • A# Maj • 03:13 • -5.45db
22% Popularity • 62% Danceability • 89% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
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Kali J
Flex
104 bpm • C# Maj • 02:41 • -6.4db
18% Popularity • 74% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Chloe Leighton
Walk of Fame
104 bpm • G# Maj • 03:10 • -5db
14% Popularity • 66% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Summer Kennedy
Ready or Not
104 bpm • B min • 04:03 • -4.3db
11% Popularity • 66% Danceability • 92% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
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Daniel Farrant
Pure Bliss
104 bpm • G min • 03:21 • -5db
16% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Foxxi
All Eyes on Me
104 bpm • B Maj • 03:13 • -5.37db
17% Popularity • 78% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Emma Kern
Sabotage
104 bpm • C# min • 03:21 • -5.04db
21% Popularity • 74% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 56% Positiveness
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Earl St. Clair
Can't Stop
81 bpm • A# min • 03:01 • -8.58db
34% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Claire Wyndham
Hype
105 bpm • F min • 02:53 • -5.88db
12% Popularity • 64% Danceability • 71% Energy • 38% Liveness
6% Instrumentalness • 86% Positiveness
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Sergio Ruelas
Love in Color
105 bpm • A# min • 03:03 • -10db
11% Popularity • 69% Danceability • 66% Energy • 16% Liveness
15% Instrumentalness • 10% Positiveness
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It’s OK to Get Crazy