Songs like It's Raining by Allen Toussaint
Based on a tempo of (+/- 10%) and a similar genre
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Mose Allison
Everybody Cryin' Mercy
66 bpm • F min • 02:42 • -17.77db
12% Popularity • 80% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 80% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Oz Noy
Slow Grease
68 bpm • E min • 05:56 • -11.86db
3% Popularity • 43% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 43% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Harris
Bad Luck Is All I Have
70 bpm • G# Maj • 08:40 • -10.52db
12% Popularity • 74% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 74% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Magic Sam
That's All I Need
67 bpm • C Maj • 03:18 • -11.63db
19% Popularity • 56% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 56% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Allen Toussaint
West End Blues
72 bpm • F min • 03:51 • -12.4db
22% Popularity • 50% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 54% Positiveness
22% Popularity • 50% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 54% Positiveness
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Little Willie John
I'm Shakin'
72 bpm • F Maj • 02:31 • -14db
42% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Mose Allison
One Room Country Shack
72 bpm • C Maj • 02:59 • -14.47db
26% Popularity • 72% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 72% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Percy Mayfield
Hit The Road Jack
73 bpm • F min • 01:30 • -11.31db
30% Popularity • 82% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 82% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Earl King
Let the Good Times Roll
72 bpm • A Maj • 02:21 • -9db
32% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Al Kooper
Season of the Witch
74 bpm • D Maj • 11:09 • -10.18db
31% Popularity • 43% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 43% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The James Hunter Six
I Got Eyes
74 bpm • A Maj • 02:17 • -8.72db
34% Popularity • 53% Danceability • 67% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 53% Danceability • 67% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
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Eldridge Holmes
If I Were A Carpenter
75 bpm • A Maj • 02:53 • -7.88db
15% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Swamp Dogg
I Was Born Blue
75 bpm • C Maj • 03:01 • -14.55db
18% Popularity • 70% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Elvis Costello
The Sharpest Thorn
76 bpm • F Maj • 04:16 • -7.3db
10% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Dennis Wilson
Dreamer
77 bpm • A# min • 04:22 • -14.5db
31% Popularity • 56% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 56% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Betty Harris
I'm Gonna Git Ya - 2024 Remastered
77 bpm • C# Maj • 02:19 • -7.18db
20% Popularity • 74% Danceability • 52% Energy • 57% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 74% Danceability • 52% Energy • 57% Liveness
0% Instrumentalness • 81% Positiveness
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Gene Harris & The Three Sounds
Sittin' Duck
77 bpm • C Maj • 09:15 • -9db
26% Popularity • 74% Danceability • 64% Energy • 9% Liveness
30% Instrumentalness • 72% Positiveness
26% Popularity • 74% Danceability • 64% Energy • 9% Liveness
30% Instrumentalness • 72% Positiveness
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Bobby Charles
Small Town Talk - Single Version
79 bpm • D Maj • 03:26 • -13db
18% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Lee Fields & The Expressions
Moonlight Mile (Instrumental)
79 bpm • G Maj • 03:37 • -11db
14% Popularity • 72% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
14% Popularity • 72% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
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Sugar Pie DeSanto
Slip-In Mules
79 bpm • B Maj • 02:47 • -8.66db
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Allen Toussaint
From A Whisper To A Scream
79 bpm • C# Maj • 03:29 • -16.33db
19% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Betty Harris
What Did I Do Wrong - 2024 Remastered
77 bpm • C min • 02:50 • -7.05db
18% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Les McCann
Burnin' Coal
80 bpm • D min • 06:38 • -9db
35% Popularity • 51% Danceability • 78% Energy • 10% Liveness
30% Instrumentalness • 89% Positiveness
35% Popularity • 51% Danceability • 78% Energy • 10% Liveness
30% Instrumentalness • 89% Positiveness
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O.V. Wright
Let's Straighten It Out
79 bpm • F min • 03:52 • -11.24db
45% Popularity • 69% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 69% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Leslie Miller
He Quit Me
80 bpm • A# Maj • 02:46 • -11.8db
27% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Stokes
Go Back Home
80 bpm • C min • 03:00 • -19.47db
16% Popularity • 72% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 45% Positiveness
16% Popularity • 72% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 45% Positiveness
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The Impressions
Fool for You
81 bpm • D# min • 02:52 • -8db
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
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Mose Allison
If You're Goin' to the City
81 bpm • A# min • 03:50 • -2.33db
12% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Neville Brothers
Brother John / Iko Iko
81 bpm • D Maj • 05:36 • -14.08db
29% Popularity • 78% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 78% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Ann Peebles
I Feel Like Breaking up Somebody's Home ...
81 bpm • F Maj • 02:30 • -9.15db
46% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Tommy Tucker
Hi-Heel Sneakers
81 bpm • F Maj • 02:48 • -8db
39% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Terry Callier
You Goin' Miss Your Candyman
82 bpm • G Maj • 02:58 • -4.98db
15% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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King Hannibal
Hymn No. 5
82 bpm • B min • 07:01 • -14.78db
11% Popularity • 76% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 76% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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The Crusaders
Look Beyond The Hill
82 bpm • C# Maj • 03:15 • -16db
29% Popularity • 61% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 67% Positiveness
29% Popularity • 61% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 67% Positiveness
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C.W. Stoneking
We Gon' Boogaloo
82 bpm • F Maj • 03:27 • -13db
29% Popularity • 52% Danceability • 38% Energy • 7% Liveness
38% Instrumentalness • 76% Positiveness
29% Popularity • 52% Danceability • 38% Energy • 7% Liveness
38% Instrumentalness • 76% Positiveness
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Delvon Lamarr Organ Trio
Little Booker T
83 bpm • A# min • 04:18 • -8.84db
27% Popularity • 74% Danceability • 45% Energy • 10% Liveness
91% Instrumentalness • 74% Positiveness
27% Popularity • 74% Danceability • 45% Energy • 10% Liveness
91% Instrumentalness • 74% Positiveness
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Charlie Musselwhite
Christo Redemptor
83 bpm • G min • 03:21 • -16db
42% Popularity • 48% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
42% Popularity • 48% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
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Terry Callier
Blues
82 bpm • G Maj • 02:58 • -6.77db
36% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The 4th Coming
We Got Love
83 bpm • E Maj • 02:42 • -7.69db
20% Popularity • 53% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 53% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Dorsey
Give It Up
83 bpm • A# min • 03:03 • -8.92db
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Eugene McDaniels
Outlaw
84 bpm • D Maj • 04:44 • -8.67db
24% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Junior Wells
(I Got A) Stomach Ache
84 bpm • D Maj • 03:26 • -15.41db
29% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Allen Toussaint
Fingers and Toes - Remastered Version
84 bpm • C Maj • 04:07 • -11.12db
11% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Ann Peebles
Do I Need You
85 bpm • G# min • 02:33 • -13.07db
43% Popularity • 79% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
43% Popularity • 79% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
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Rufus Thomas
Sixty Minute Man
85 bpm • C# min • 07:18 • -9.45db
25% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Little Richard
I Don't Know What You Got
85 bpm • D# Maj • 04:46 • -5.84db
30% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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NRBQ
Magnet
85 bpm • F Maj • 03:30 • -9.76db
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Allen Toussaint
Don't Pity Me - Remastered
85 bpm • A# Maj • 02:55 • -6.21db
25% Popularity • 67% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 67% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Darondo
The Wolf
86 bpm • C Maj • 04:58 • -11db
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The James Hunter Six
(Baby) Hold On
86 bpm • F min • 02:45 • -5db
45% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Donaldson
Hamp's Hump
87 bpm • F Maj • 06:40 • -15db
24% Popularity • 74% Danceability • 37% Energy • 8% Liveness
78% Instrumentalness • 60% Positiveness
24% Popularity • 74% Danceability • 37% Energy • 8% Liveness
78% Instrumentalness • 60% Positiveness
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O.V. Wright
Don't Let My Baby Ride
88 bpm • C min • 03:04 • -13.1db
23% Popularity • 67% Danceability • 40% Energy • 22% Liveness
19% Instrumentalness • 53% Positiveness
23% Popularity • 67% Danceability • 40% Energy • 22% Liveness
19% Instrumentalness • 53% Positiveness
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Allen Toussaint
Southern Nights - Remastered Version
86 bpm • C# Maj • 03:36 • -12.96db
43% Popularity • 61% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 48% Positiveness
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Odetta
Take Me To The Pilot
88 bpm • D Maj • 02:57 • -11.84db
22% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Eugene McDaniels
Cherrystones
88 bpm • F min • 03:11 • -10db
32% Popularity • 62% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 62% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 93% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
49% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Syl Johnson
Let Yourself Go
88 bpm • G# Maj • 03:11 • -10.07db
35% Popularity • 66% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
35% Popularity • 66% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Swamp Dogg
Synthetic World
89 bpm • A# Maj • 03:25 • -16db
37% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
37% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Allen Toussaint
Out of the City (Into Country Life) - Re...
87 bpm • D Maj • 03:36 • -8.35db
18% Popularity • 68% Danceability • 67% Energy • 15% Liveness
8% Instrumentalness • 85% Positiveness
18% Popularity • 68% Danceability • 67% Energy • 15% Liveness
8% Instrumentalness • 85% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
37% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Howard Tate
Where Did My Baby Go
89 bpm • G# Maj • 02:31 • -6.08db
22% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
22% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
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Odetta
Hit Or Miss
89 bpm • D Maj • 03:54 • -13.34db
52% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Syl Johnson
Come Together
89 bpm • B Maj • 03:15 • -9db
29% Popularity • 84% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 72% Positiveness
29% Popularity • 84% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 72% Positiveness
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Allen Toussaint
Poor Folks
88 bpm • F Maj • 04:49 • -14.82db
11% Popularity • 81% Danceability • 28% Energy • 14% Liveness
84% Instrumentalness • 38% Positiveness
11% Popularity • 81% Danceability • 28% Energy • 14% Liveness
84% Instrumentalness • 38% Positiveness
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Volker Kriegel
Suspicious Child, Growing Up
89 bpm • D Maj • 04:00 • -13.47db
33% Popularity • 59% Danceability • 40% Energy • 10% Liveness
81% Instrumentalness • 37% Positiveness
33% Popularity • 59% Danceability • 40% Energy • 10% Liveness
81% Instrumentalness • 37% Positiveness
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J.J. Cale
Wish I Had Not Said That
90 bpm • C Maj • 03:22 • -16.69db
42% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
42% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Patterson
How Do You Spell Love
90 bpm • A# min • 02:20 • -10.61db
31% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
31% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
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Link Wray
La De Da
90 bpm • D Maj • 04:03 • -9.48db
35% Popularity • 31% Danceability • 67% Energy • 9% Liveness
33% Instrumentalness • 92% Positiveness
35% Popularity • 31% Danceability • 67% Energy • 9% Liveness
33% Instrumentalness • 92% Positiveness
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Allen Toussaint
Last Train - Remastered Version
88 bpm • C# Maj • 03:01 • -9db
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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Gene Harris & The Three Sounds
Put On Train
90 bpm • D# Maj • 05:51 • -10db
22% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
22% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
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Sharon Jones & The Dap-Kings
Be Easy
90 bpm • G Maj • 03:03 • -9db
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Git Back
90 bpm • G# Maj • 03:01 • -8db
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Little
Spanish Moon
90 bpm • B Maj • 03:06 • -15.68db
52% Popularity • 57% Danceability • 42% Energy • 6% Liveness
61% Instrumentalness • 74% Positiveness
52% Popularity • 57% Danceability • 42% Energy • 6% Liveness
61% Instrumentalness • 74% Positiveness
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Trombone Shorty
On Your Way Down
90 bpm • E min • 03:36 • -5.88db
32% Popularity • 69% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
32% Popularity • 69% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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The Mar-Keys
Cleo's Back
90 bpm • C Maj • 03:00 • -13.87db
21% Popularity • 71% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
21% Popularity • 71% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
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Ann Peebles
I Pity the Fool
90 bpm • F Maj • 02:59 • -7.07db
31% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Robert Palmer
Fine Time
90 bpm • F# min • 05:51 • -17db
31% Popularity • 78% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 92% Positiveness
31% Popularity • 78% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 92% Positiveness
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The Neville Brothers
Yellow Moon
90 bpm • G Maj • 04:04 • -15db
50% Popularity • 69% Danceability • 58% Energy • 31% Liveness
2% Instrumentalness • 89% Positiveness
50% Popularity • 69% Danceability • 58% Energy • 31% Liveness
2% Instrumentalness • 89% Positiveness
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Fred Wesley & The New J.B.'s
Breakin' Bread - Single Version
92 bpm • A# min • 04:19 • -12db
26% Popularity • 82% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 82% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Koko Taylor
Voodoo Woman
92 bpm • F min • 03:48 • -9.42db
45% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Allen Toussaint
Sweet Touch Of Love
92 bpm • C# Maj • 03:16 • -12.8db
34% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
40% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Ike Turner & The Kings Of Rhythm
Nuttin' Up
92 bpm • G Maj • 02:26 • -8.48db
11% Popularity • 53% Danceability • 62% Energy • 14% Liveness
59% Instrumentalness • 52% Positiveness
11% Popularity • 53% Danceability • 62% Energy • 14% Liveness
59% Instrumentalness • 52% Positiveness
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The Neville Brothers
Wake Up
91 bpm • F# min • 03:21 • -17.04db
21% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Curtis Mayfield
We Got to Have Peace
92 bpm • G# min • 04:45 • -7.59db
31% Popularity • 56% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 56% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Blind Boys Of Alabama
Run On For A Long Time
92 bpm • A Maj • 03:24 • -10.02db
38% Popularity • 73% Danceability • 54% Energy • 12% Liveness
66% Instrumentalness • 65% Positiveness
38% Popularity • 73% Danceability • 54% Energy • 12% Liveness
66% Instrumentalness • 65% Positiveness
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Allen Toussaint
We Are The People - Live (Remastered)
92 bpm • C# Maj • 02:48 • -8.96db
16% Popularity • 70% Danceability • 65% Energy • 21% Liveness
4% Instrumentalness • 64% Positiveness
16% Popularity • 70% Danceability • 65% Energy • 21% Liveness
4% Instrumentalness • 64% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:36 • -5.95db
36% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lonnie Johnson
Looking for a Sweetie
92 bpm • G Maj • 03:48 • -15.29db
22% Popularity • 64% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 64% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Cornell Dupree
Teasin'
93 bpm • C# min • 03:51 • -4.8db
19% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
19% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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The Wild Tchoupitoulas
Hey Pocky A-Way
93 bpm • F# Maj • 03:57 • -13.1db
8% Popularity • 84% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 84% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Allen Toussaint
We the People
92 bpm • C# Maj • 02:48 • -12.79db
12% Popularity • 77% Danceability • 52% Energy • 25% Liveness
1% Instrumentalness • 65% Positiveness
12% Popularity • 77% Danceability • 52% Energy • 25% Liveness
1% Instrumentalness • 65% Positiveness
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Curly Moore
Get Low Down
93 bpm • F Maj • 02:29 • -6.66db
20% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
