Songs like It's Sad to Belong - Single Version by England Dan & John Ford Coley
Based on a tempo of (+/- 10%) and a similar genre
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Marco Sison
Looking Through the Eyes of Love
136 bpm • F Maj • 04:24 • -13db
40% Popularity • 42% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 42% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Sheena Easton
What If We Fall In Love
136 bpm • F Maj • 04:08 • -11db
35% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Freestyle
I Will Still Love You
136 bpm • A Maj • 03:25 • -8.75db
35% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Arthur John
Between the Moon and New York City
136 bpm • B min • 03:52 • -10db
48% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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George Benson
Nothing's Gonna Change My Love for You
137 bpm • C# Maj • 04:02 • -5.1db
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Helen Reddy
I Can't Say Goodbye To You
135 bpm • G Maj • 03:50 • -15.14db
47% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ric Segreto
Don't Know What to Say - Don't Know What...
135 bpm • D Maj • 02:45 • -15db
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Peabo Bryson
Love Always Finds a Way
137 bpm • E Maj • 04:49 • -14db
46% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Dan Fogelberg
Leader of the Band / Washington Post Mar...
135 bpm • G# Maj • 04:48 • -21db
35% Popularity • 61% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 61% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Michael Johnson
You're Not Easy To Forget - Remastered 2...
135 bpm • C Maj • 03:31 • -6.23db
16% Popularity • 68% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 68% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Michael Martin Murphey
Maybe This Time
135 bpm • C Maj • 03:16 • -8.62db
49% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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England Dan & John Ford Coley
Lovin' Somebody on a Rainy Night
137 bpm • G Maj • 03:12 • -12.07db
16% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Ric Segreto
Come Back to Me
135 bpm • G Maj • 03:09 • -16.95db
34% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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George Duke
Born to Love You
137 bpm • A Maj • 03:10 • -8.84db
45% Popularity • 48% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 48% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Dan Fogelberg
Leader of the Band
135 bpm • G# Maj • 04:16 • -14.36db
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Rodel Naval
I Don'T Wanna Lose Your Love
135 bpm • D# Maj • 03:15 • -18.56db
54% Popularity • 37% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 37% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
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Nora Aunor
Torn Between to Lovers
135 bpm • A# Maj • 03:51 • -12.76db
32% Popularity • 55% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 55% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
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England Dan & John Ford Coley
Westward Wind
135 bpm • C Maj • 03:23 • -12db
33% Popularity • 56% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 56% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Joey Albert
I Remember the Boy
138 bpm • G# Maj • 03:11 • -11db
46% Popularity • 28% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 28% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Mary MacGregor
For a While
138 bpm • C Maj • 02:54 • -9.23db
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Glenn Frey
Lover's Moon
138 bpm • G Maj • 04:11 • -19.64db
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Gino Padilla
Let the Love Begin
138 bpm • C# Maj • 04:46 • -13db
46% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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England Dan & John Ford Coley
Calling for You Again
138 bpm • F Maj • 02:46 • -11.66db
19% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Atlantic Starr
Masterpiece
138 bpm • F min • 04:55 • -10.42db
49% Popularity • 64% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 64% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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David Benoit
Take A Look Inside My Heart
138 bpm • D# Maj • 04:54 • -11.85db
36% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
36% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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George Benson
In Your Eyes
134 bpm • A Maj • 03:20 • -16.04db
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Fra Lippo Lippi
Crazy Wisdom
134 bpm • D# Maj • 04:35 • -17.05db
31% Popularity • 67% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 67% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Joey Albert
It's over Now
138 bpm • F Maj • 03:46 • -8db
45% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Helen Reddy
I Didn't Mean To Love You
138 bpm • G min • 04:06 • -14db
31% Popularity • 32% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 32% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Glenn Medeiros
Love Always Finds A Reason
138 bpm • D min • 04:33 • -15db
46% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Johnson
Bluer Than Blue
134 bpm • G Maj • 03:05 • -15.21db
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mary MacGregor
Don't Let Me Be Lonely Tonight
138 bpm • A# Maj • 03:23 • -5db
34% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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The Spinners
I Don't Want to Lose You
133 bpm • D# Maj • 03:45 • -13.35db
40% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Charlene
It Ain't Easy Comin' Down
139 bpm • A# Maj • 03:28 • -12db
41% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Seals and Crofts
First Love
133 bpm • F# Maj • 03:47 • -14db
49% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Barbra Streisand
I Finally Found Someone
139 bpm • F# Maj • 03:41 • -15.07db
63% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Johnson
Blame It On The Rain - Remastered 2002
133 bpm • A# Maj • 03:35 • -7.41db
34% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
56% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Brenda K. Starr
Love Me Like the First Time
133 bpm • C# Maj • 03:20 • -7.74db
53% Popularity • 57% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 57% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Roberta Flack
Making Love
139 bpm • F Maj • 03:44 • -17db
38% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Walter Murphy
Just a Love Song
139 bpm • F Maj • 04:23 • -11db
28% Popularity • 36% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 36% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Johnson
Doors
139 bpm • C# Maj • 03:12 • -17db
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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APO Hiking Society
Show Me a Smile
133 bpm • D Maj • 03:16 • -17.44db
39% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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James Ingram
Where Did My Heart Go?
133 bpm • C Maj • 03:52 • -12.13db
42% Popularity • 39% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 39% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Peabo Bryson
Maybe
133 bpm • G# Maj • 03:21 • -16.46db
45% Popularity • 52% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 52% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Klymaxx
I Miss You (Re-Recorded / Remastered)
139 bpm • F Maj • 05:37 • -11db
43% Popularity • 71% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 71% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Barry Manilow
Somewhere Down The Road
133 bpm • C Maj • 04:03 • -12.61db
57% Popularity • 32% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
57% Popularity • 32% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Anne Murray
I Just Fall In Love Again
133 bpm • C Maj • 02:51 • -9db
60% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
60% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Clair Marlo
Without Me
132 bpm • C Maj • 03:56 • -14db
38% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Mary MacGregor
Torn Between Two Lovers
132 bpm • A# Maj • 03:39 • -7.08db
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Baron Barber
I'll Always Stay in Love This Way
140 bpm • C min • 05:26 • -18db
36% Popularity • 50% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 50% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Breathe
How Can I Fall ?
132 bpm • A Maj • 04:44 • -13.98db
52% Popularity • 50% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 50% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Jacky Ward
Fools Fall in Love
132 bpm • A Maj • 03:26 • -17.92db
29% Popularity • 41% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
29% Popularity • 41% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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Andrew Lloyd Webber
Starlight Express
140 bpm • E Maj • 03:45 • -11.6db
51% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Julia Fordham
(Love Moves In) Mysterious Ways
132 bpm • G# Maj • 04:35 • -15.97db
38% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Russell Hitchcock
I Can't Believe My Eyes
140 bpm • E min • 04:30 • -10.67db
44% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Lionel Richie
Stuck On You
132 bpm • F Maj • 03:12 • -16.06db
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Carpenter
Something In Your Eyes
140 bpm • C Maj • 04:12 • -15.32db
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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David Gates
Falling in Love Again
140 bpm • B Maj • 02:19 • -14.84db
30% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Marco Sison
I'll Face Tomorrow
140 bpm • E Maj • 03:33 • -16db
30% Popularity • 37% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 37% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Randy Crawford
One Hello
132 bpm • F Maj • 03:19 • -15.81db
46% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Odette Quesada
I Need You Back
132 bpm • B Maj • 03:29 • -16.46db
41% Popularity • 43% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 43% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Johnson
When You Come Home
132 bpm • A# Maj • 03:13 • -16.48db
23% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Peabo Bryson
Learning the Ways of Love
132 bpm • F Maj • 03:14 • -13db
33% Popularity • 62% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 62% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Cetera
Have You Ever Been in Love
132 bpm • D Maj • 04:09 • -12.82db
37% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Davis
I Go Crazy
141 bpm • E min • 03:53 • -8.66db
54% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Basil Valdez
You
141 bpm • C# Maj • 04:06 • -15db
60% Popularity • 34% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 34% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Calloway
You Are My Everything
131 bpm • C# Maj • 04:30 • -14.33db
41% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Rockstar
Parting Time
131 bpm • A Maj • 03:29 • -15.52db
61% Popularity • 38% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
61% Popularity • 38% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Surface
Shower Me With Your Love
131 bpm • A Maj • 04:54 • -11db
52% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Leif Garrett
I Was Looking For Someone To Love
141 bpm • D Maj • 02:59 • -16.29db
39% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Kenny Rogers
Through The Years
131 bpm • C Maj • 04:46 • -11.46db
63% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Klein
Fallin' - 1979 Original Broadway Cast
131 bpm • D Maj • 02:42 • -20.68db
40% Popularity • 53% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 53% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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David Pomeranz
The Old Songs
141 bpm • B Maj • 04:10 • -8db
56% Popularity • 52% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 52% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Gibb
Words And Music
141 bpm • B min • 04:38 • -9.35db
38% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Electric Light Orchestra
Midnight Blue
141 bpm • F Maj • 04:17 • -13.12db
51% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Boy Katindig
I'll Always Stay in Love This Way
141 bpm • C min • 05:14 • -10db
28% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Atlantic Starr
Always
131 bpm • G Maj • 04:48 • -6.76db
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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England Dan & John Ford Coley
Everything's Gonna Be Alright
131 bpm • G Maj • 03:08 • -11.54db
21% Popularity • 63% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 63% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Dan Fogelberg
Believe In Me
131 bpm • A Maj • 04:34 • -16db
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Joey Albert
Million Miles Away
131 bpm • A# Maj • 03:42 • -8.64db
49% Popularity • 33% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 33% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Mary MacGregor
Never Give Up
142 bpm • A Maj • 04:05 • -6.19db
23% Popularity • 40% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 40% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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England Dan & John Ford Coley
Caught Up in the Middle
142 bpm • D# Maj • 04:10 • -14.26db
14% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Raymond Lauchengco
So It's You
130 bpm • C min • 03:24 • -10.87db
57% Popularity • 32% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 32% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
48% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
