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It's Too Late
Songs like
It's Too Late
by
Chuck Willis
Based on a tempo of (+/- 10%) and a similar genre
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The Chiffons
A Love So Fine
101 bpm • C Maj • 01:55 • -3db
32% Popularity • 52% Danceability • 89% Energy • 44% Liveness
0% Instrumentalness • 95% Positiveness
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Bill Doggett
Slow Walk
101 bpm • F Maj • 02:34 • -8.72db
14% Popularity • 56% Danceability • 61% Energy • 23% Liveness
82% Instrumentalness • 84% Positiveness
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Chuck Willis
What Am I Living For
101 bpm • A# Maj • 02:26 • -9db
28% Popularity • 67% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Roy Hamilton
Don't Let Go
101 bpm • G# Maj • 02:31 • -16.81db
33% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Big Maybelle
Blues Early, Early, Pts. 1 & 2
100 bpm • G# Maj • 04:32 • -9.98db
28% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Cufflinks
Guided Missiles
102 bpm • C# Maj • 02:47 • -13db
20% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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LaVern Baker
Still
102 bpm • A Maj • 02:24 • -10.83db
12% Popularity • 64% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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The Moonglows
See Saw
103 bpm • E min • 02:25 • -8.24db
8% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Chuck Willis
It's Too Late
101 bpm • F Maj • 02:35 • -8db
16% Popularity • 35% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Otis
Willie and the Hand Jive
99 bpm • G# min • 02:35 • -9.12db
38% Popularity • 78% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Jimmy Jones
A Wonderous Place
103 bpm • G Maj • 02:22 • -8.45db
7% Popularity • 42% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Little Anthony & The Imperials
Two People in the World
103 bpm • G Maj • 02:37 • -8.81db
17% Popularity • 39% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Lloyd Price
Come into My Heart
104 bpm • G# Maj • 02:07 • -7.05db
18% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Charts
Deserie
99 bpm • D min • 02:41 • -7db
14% Popularity • 49% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Chuck Willis
Just One Kiss
100 bpm • F Maj • 02:15 • -9.75db
2% Popularity • 56% Danceability • 29% Energy • 18% Liveness
3% Instrumentalness • 52% Positiveness
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Little Willie John
Leave My Kitten Alone
104 bpm • G# Maj • 02:33 • -7db
27% Popularity • 52% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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The Kodaks
Oh Gee, Oh Gosh
98 bpm • D Maj • 02:50 • -8.26db
12% Popularity • 64% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Rochell & The Candles & Johnny Wyatt
Once Upon a Time
98 bpm • E Maj • 02:52 • -11db
24% Popularity • 48% Danceability • 40% Energy • 25% Liveness
69% Instrumentalness • 39% Positiveness
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Larry Williams
Lawdy Miss Clawdy
98 bpm • A# Maj • 02:13 • -13.99db
28% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Hank Ballard & The Midnighters
Get It
98 bpm • D# Maj • 02:13 • -13.41db
8% Popularity • 55% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Chuck Willis
From the Bottom of My Heart
100 bpm • C# Maj • 02:36 • -7.05db
4% Popularity • 51% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Little Willie John
Leave My Kitten Alone
104 bpm • G# Maj • 02:33 • -9.67db
18% Popularity • 50% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Rosco Gordon
Goin' Home
104 bpm • G# Maj • 02:06 • -15.55db
31% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Gale Storm
I Hear You Knokin'
98 bpm • C# Maj • 02:22 • -8.91db
18% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The El Dorados
I'll Be Forever Loving You
98 bpm • D# Maj • 02:28 • -10db
27% Popularity • 56% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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The Capris
Indian Girl
98 bpm • F# Maj • 02:25 • -10db
13% Popularity • 53% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Chuck Willis
Love of Loves
99 bpm • C Maj • 02:51 • -7.74db
1% Popularity • 48% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Anthony and the Sophomores
Play Those Oldies Mr. D.J.
105 bpm • C min • 02:31 • -14db
13% Popularity • 53% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Pastels
Been so Long
97 bpm • C Maj • 02:43 • -14db
10% Popularity • 56% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Dee Clark
Just Keep It Up
97 bpm • A# Maj • 01:57 • -11db
23% Popularity • 68% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Carl Perkins
Glad All Over
105 bpm • G# Maj • 01:39 • -9.59db
33% Popularity • 77% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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The Mystics
A Sunday Kind Of Love
97 bpm • G Maj • 02:28 • -14db
28% Popularity • 53% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Larry Williams
Make A Little Love
97 bpm • D Maj • 02:03 • -12.15db
12% Popularity • 64% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Brook Benton
Hotel Happiness
105 bpm • A# Maj • 02:43 • -9.61db
20% Popularity • 63% Danceability • 45% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
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The Nutmegs
The Ship of Love
105 bpm • G# Maj • 03:03 • -10.44db
14% Popularity • 47% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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The Dovells
Bristol Stomp
106 bpm • D Maj • 02:21 • -6.32db
25% Popularity • 66% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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The Chimes
Once in a While
106 bpm • D# Maj • 02:26 • -6.4db
27% Popularity • 32% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Chuck Willis
Juanita
106 bpm • F Maj • 02:37 • -5.03db
5% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Tommy McLain
Sweet Dreams
96 bpm • G Maj • 03:23 • -9db
25% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Shirley & Lee
I Feel Good
96 bpm • C# Maj • 02:19 • -8.09db
10% Popularity • 71% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Nutmegs
A Story Untold
106 bpm • F Maj • 02:19 • -9.24db
34% Popularity • 62% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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The Quin-Tones
Down the Aisle of Love
96 bpm • F# Maj • 02:50 • -10.45db
14% Popularity • 42% Danceability • 33% Energy • 18% Liveness
55% Instrumentalness • 47% Positiveness
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Ruth Brown
This Little Girl's Gone Rockin'
96 bpm • C Maj • 01:48 • -6.93db
22% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Chuck Willis
You'll Be My Love
96 bpm • F Maj • 02:10 • -8.6db
4% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Dee Clark
Just Keep it Up
96 bpm • A# Maj • 02:12 • -15.31db
14% Popularity • 67% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Faye Adams
Shake a Hand
106 bpm • D# Maj • 02:52 • -2.1db
9% Popularity • 33% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
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Clyde McPhatter
I Can't Stand Up Alone
96 bpm • C Maj • 02:11 • -10.83db
9% Popularity • 62% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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The Cleftones
My Dearest Darling
107 bpm • G Maj • 02:59 • -9db
7% Popularity • 54% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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The Earls
Life Is but a Dream
107 bpm • D Maj • 01:47 • -10db
23% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Chuck Willis
My Baby
96 bpm • C min • 01:53 • -8db
13% Popularity • 70% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Mickey Baker
Bewildered
107 bpm • C Maj • 03:02 • -11db
5% Popularity • 63% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Clarence "Frogman" Henry
Baby, Baby, Please - Remastered
107 bpm • G min • 02:18 • -7.1db
7% Popularity • 59% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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The Timetones
In My Heart
95 bpm • C Maj • 02:30 • -8.01db
28% Popularity • 53% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Barrett Strong
Oh I Apologize - Single Version / Mono
107 bpm • A# Maj • 02:21 • -6.16db
17% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Earls
Remember Then
107 bpm • F# Maj • 02:09 • -9db
35% Popularity • 49% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The Knockouts
Darling Lorraine
108 bpm • B Maj • 02:01 • -12.22db
20% Popularity • 53% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Chuck Willis
Thunder and Lightning
107 bpm • G Maj • 02:37 • -8.49db
1% Popularity • 57% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Clyde McPhatter
Without Love (There Is Nothing)
108 bpm • F Maj • 02:58 • -8.43db
6% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Dion & The Belmonts
I Got The Blues
108 bpm • E Maj • 02:47 • -5db
24% Popularity • 54% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Little Anthony
The Diary
108 bpm • A min • 02:33 • -9.4db
9% Popularity • 52% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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The El Dorados
Bim Bam Boom
94 bpm • G# Maj • 02:53 • -11.61db
22% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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LaVern Baker
See See Rider
94 bpm • F# Maj • 02:30 • -11db
39% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Chuck Willis
Thunder and Lightning
108 bpm • G Maj • 02:37 • -8.29db
5% Popularity • 60% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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The Crescendos
Oh Julie
94 bpm • A# Maj • 02:44 • -11db
8% Popularity • 43% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Clyde McPhatter
Treasure of Love
108 bpm • A# Maj • 02:12 • -0.76db
14% Popularity • 48% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Little Willie John
Sleep
94 bpm • G# Maj • 02:55 • -12.73db
10% Popularity • 37% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The Tempos
See You in September
109 bpm • E min • 02:10 • -12.5db
37% Popularity • 61% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Annie Laurie
It Hurts To Be In Love
109 bpm • D Maj • 02:44 • -11db
10% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Dubs
Could This Be Magic
109 bpm • C# Maj • 02:18 • -9.23db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Mickey Baker
Dearest
109 bpm • A# Maj • 02:57 • -9.05db
10% Popularity • 66% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Lloyd Price
I Wish Your Picture Was You
109 bpm • G Maj • 02:10 • -9db
12% Popularity • 49% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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The Channels
Bye Bye Baby
93 bpm • F# Maj • 02:27 • -6.56db
23% Popularity • 48% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Gary U.S. Bonds
Twist, Twist Senora
93 bpm • A# Maj • 02:37 • -7.75db
13% Popularity • 66% Danceability • 82% Energy • 84% Liveness
2% Instrumentalness • 86% Positiveness
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Clarence "Frogman" Henry
I Love You, Yes I Do
93 bpm • A# Maj • 02:15 • -6.55db
14% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Chuck Willis
Love Of Loves
93 bpm • G Maj • 02:55 • -18.73db
1% Popularity • 46% Danceability • 15% Energy • 18% Liveness
8% Instrumentalness • 80% Positiveness
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Little Eva
Some Kinda Wonderful
109 bpm • C Maj • 02:39 • -12db
28% Popularity • 79% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
93 bpm • F min • 02:30 • -9.48db
25% Popularity • 63% Danceability • 57% Energy • 34% Liveness
2% Instrumentalness • 70% Positiveness
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The Moonglows
Most of All
110 bpm • G# Maj • 03:01 • -11.09db
7% Popularity • 40% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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The Chantels
Look in My Eyes (Alternative Take)
110 bpm • F# Maj • 02:19 • -9.16db
22% Popularity • 51% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Barbara Lewis
My Heart Went Do Dat Da
110 bpm • F Maj • 02:16 • -16.57db
19% Popularity • 58% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Ernie K-Doe
I Cried My Last Tear
110 bpm • A# Maj • 02:14 • -4db
16% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Ruth Brown
Oh What a Dream
110 bpm • G Maj • 02:52 • -17.59db
18% Popularity • 68% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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The "5" Royales
Dedicated To The One I Love
110 bpm • F min • 02:45 • -10.76db
22% Popularity • 46% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Little Willie John
Now You Know
111 bpm • F min • 02:16 • -14.26db
16% Popularity • 69% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Chantels
Every Night (I Pray)
111 bpm • A# Maj • 02:06 • -8.49db
21% Popularity • 47% Danceability • 36% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
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The Dubs
Please Don't Ask Me to Be Lonely
111 bpm • F Maj • 02:21 • -10.98db
27% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:04 • -11db
29% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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The Orlons
I'll Be True
92 bpm • B Maj • 02:30 • -7.84db
15% Popularity • 49% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Bobby Mitchell
I'm Gonna Be A Wheel Someday - Remastere...
92 bpm • F Maj • 02:27 • -9.22db
8% Popularity • 78% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Clyde McPhatter
Let's Forget About The Past
112 bpm • F Maj • 02:31 • -6.86db
12% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Roy Brown
Let The Four Winds Blow
91 bpm • F min • 02:03 • -12.5db
25% Popularity • 80% Danceability • 50% Energy • 8% Liveness
3% Instrumentalness • 95% Positiveness
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Larry Williams
Just Because
112 bpm • D# Maj • 02:48 • -13.04db
12% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:03 • -8.33db
12% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Orlons
Don't Hang Up - Remastered
112 bpm • G Maj • 02:16 • -9.09db
23% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Little Willie John
Talk To Me, Talk To Me
112 bpm • G min • 02:44 • -9.14db
21% Popularity • 26% Danceability • 57% Energy • 22% Liveness
7% Instrumentalness • 38% Positiveness
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Smiley Lewis
Blue Monday
91 bpm • G# Maj • 02:41 • -7db
19% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Chuck Willis
Bye Bye Baby
91 bpm • C Maj • 02:39 • -17.39db
5% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Clarence "Frogman" Henry
It Wont Be Long
91 bpm • D Maj • 02:12 • 1.32db
12% Popularity • 72% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Larry Williams
She Said Yeah
91 bpm • F Maj • 01:51 • -11db
29% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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The Del-Vikings
A Sunday Kind of Love
112 bpm • F Maj • 02:23 • -10.74db
19% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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It's Too Late