Songs like It's Too Late by Carole King
Based on a tempo of (+/- 10%) and a similar genre
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Tracy Chapman
Fast Car
104 bpm • E min • 04:56 • -15.52db
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Chicago
If You Leave Me Now
104 bpm • B Maj • 03:55 • -6.78db
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Barry Manilow
Mandy
104 bpm • A# Maj • 03:33 • -9.03db
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Lou Reed
Walk On the Wild Side
105 bpm • C Maj • 04:14 • -16.73db
73% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
76% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
76% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Rod Stewart
You're in My Heart (The Final Acclaim)
103 bpm • A Maj • 04:30 • -11db
57% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Temptations
My Girl
105 bpm • C Maj • 02:45 • -10.74db
82% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
82% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Simon
Run That Body Down
105 bpm • D Maj • 03:52 • -15.05db
48% Popularity • 68% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
48% Popularity • 68% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
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The Mamas & The Papas
Dedicated To The One I Love
103 bpm • G Maj • 02:58 • -8.81db
64% Popularity • 40% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 40% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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The Beatles
In My Life - Remastered 2009
103 bpm • A Maj • 02:26 • -11.36db
79% Popularity • 69% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
79% Popularity • 69% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Linda Ronstadt
You're No Good
105 bpm • G# Maj • 03:44 • -10.14db
63% Popularity • 67% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
63% Popularity • 67% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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Jackson Browne
The Pretender
103 bpm • G Maj • 05:51 • -7.98db
54% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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The Youngbloods
Get Together
103 bpm • D Maj • 04:39 • -12db
56% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Bee Gees
How Deep Is Your Love
105 bpm • F min • 04:05 • -9.37db
79% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
79% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The Mamas & The Papas
My Girl
105 bpm • C Maj • 03:33 • -8db
43% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Captain & Tennille
Muskrat Love
103 bpm • A Maj • 03:48 • -16.55db
44% Popularity • 66% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 66% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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The 5th Dimension
(Last Night) I Didn't Get To Sleep At Al...
105 bpm • F min • 03:12 • -13db
46% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Otis Redding
Try a Little Tenderness
103 bpm • A min • 03:21 • -15.15db
67% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
67% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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The Beach Boys
In My Room - Remastered
103 bpm • B Maj • 02:14 • -9.57db
55% Popularity • 34% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 34% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Simon
Me and Julio Down by the Schoolyard
105 bpm • A Maj • 02:44 • -10.59db
71% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Simon & Garfunkel
Cecilia
103 bpm • C Maj • 02:54 • -8.87db
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Peter Gabriel
Solsbury Hill
102 bpm • B Maj • 04:21 • -8.62db
70% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
70% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Gilbert O'Sullivan
Clair
106 bpm • A Maj • 02:59 • -7.31db
56% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Stephen Bishop
On And On
102 bpm • B Maj • 03:01 • -10.48db
62% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jackson Browne
The Load-Out - Remastered
106 bpm • G Maj • 05:35 • -11.71db
53% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Gordon Lightfoot
Sundown
106 bpm • B Maj • 03:33 • -15.49db
71% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
71% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Simon & Garfunkel
April Come She Will
102 bpm • A Maj • 01:49 • -16.24db
69% Popularity • 49% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 49% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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The Doobie Brothers
Listen to the Music
106 bpm • C# min • 03:47 • -13.18db
78% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
78% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Paul Simon
Father and Daughter
106 bpm • E Maj • 04:11 • -7.09db
51% Popularity • 78% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 78% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Al Green
Let's Stay Together
102 bpm • G min • 03:19 • -10.7db
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
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Carly Simon
You're So Vain
106 bpm • C Maj • 04:18 • -8.18db
78% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
78% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Peter, Paul and Mary
Don't Think Twice, It's All Right
102 bpm • D# Maj • 03:16 • -22.53db
57% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Simon & Garfunkel
Kathy's Song
102 bpm • F# Maj • 03:17 • -16.67db
57% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Badfinger
Day After Day - Remastered 2010
102 bpm • F Maj • 03:11 • -7.11db
58% Popularity • 40% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 40% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Gordon Lightfoot
Beautiful
107 bpm • E min • 03:23 • -16.49db
47% Popularity • 59% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
47% Popularity • 59% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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The Young Rascals
Groovin'
107 bpm • F min • 02:31 • -8.9db
61% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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10cc
The Things We Do For Love
107 bpm • C# Maj • 03:27 • -9.84db
66% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
66% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Simon & Garfunkel
The Sound of Silence - Acoustic Version
107 bpm • F# Maj • 03:05 • -13.55db
75% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
75% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
57% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Carole King
Where You Lead
107 bpm • C Maj • 03:20 • -10.45db
60% Popularity • 78% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
60% Popularity • 78% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Jackson Browne
Stay - Remastered
107 bpm • G Maj • 03:24 • -8.27db
60% Popularity • 60% Danceability • 76% Energy • 11% Liveness
30% Instrumentalness • 72% Positiveness
60% Popularity • 60% Danceability • 76% Energy • 11% Liveness
30% Instrumentalness • 72% Positiveness
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George Harrison
Love Comes to Everyone
107 bpm • B min • 04:36 • -9.32db
50% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
66% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
66% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Simon & Garfunkel
Bleecker Street
101 bpm • E Maj • 02:43 • -16.22db
56% Popularity • 41% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 48% Positiveness
56% Popularity • 41% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 48% Positiveness
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Eagles
New Kid in Town - 2013 Remaster
107 bpm • E Maj • 05:04 • -10db
67% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Mamas & The Papas
I Call Your Name
107 bpm • D Maj • 02:38 • -11.29db
48% Popularity • 41% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 41% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Neil Sedaka
Laughter In The Rain
101 bpm • F Maj • 02:50 • -9.46db
68% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
68% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
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The 5th Dimension
Up, Up and Away
108 bpm • G min • 02:43 • -14.6db
50% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby, Stills & Nash
Just a Song Before I Go
108 bpm • B min • 02:13 • -18db
57% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Glen Campbell
Gentle On My Mind - Remastered 2001
109 bpm • D# Maj • 02:58 • -14db
62% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
62% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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James Taylor
How Sweet It Is (To Be Loved By You) - 2...
109 bpm • C Maj • 03:36 • -10.96db
66% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
66% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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John Lennon
(Just Like) Starting Over - Remastered 2...
99 bpm • A Maj • 03:56 • -6.16db
58% Popularity • 70% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 70% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Carole King
Bitter with the Sweet
99 bpm • C min • 02:27 • -13.68db
55% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The 5th Dimension
One Less Bell To Answer
100 bpm • B min • 03:30 • -7db
46% Popularity • 40% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 40% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Maria Muldaur
Midnight at the Oasis
99 bpm • C# Maj • 03:49 • -8db
49% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Fleetwood Mac
Over My Head
99 bpm • D Maj • 03:34 • -16.53db
59% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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The Righteous Brothers
Unchained Melody
99 bpm • C Maj • 03:38 • -16.73db
79% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
79% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Carole King
The First Day In August
110 bpm • A min • 02:47 • -15.91db
29% Popularity • 59% Danceability • 26% Energy • 7% Liveness
6% Instrumentalness • 30% Positiveness
29% Popularity • 59% Danceability • 26% Energy • 7% Liveness
6% Instrumentalness • 30% Positiveness
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Orleans
Dance with Me
98 bpm • D Maj • 03:00 • -10.08db
62% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Joel
Don't Ask Me Why
98 bpm • F Maj • 02:57 • -7.35db
59% Popularity • 69% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
59% Popularity • 69% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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The Mamas & The Papas
Monday, Monday - Single Version
110 bpm • C# Maj • 03:28 • -9.5db
64% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Don McLean
If We Try
110 bpm • D Maj • 03:36 • -16.22db
41% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Eagles
One of These Nights - 2013 Remaster
110 bpm • G Maj • 04:51 • -10.39db
74% Popularity • 66% Danceability • 61% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
74% Popularity • 66% Danceability • 61% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
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The Association
Cherish
110 bpm • F Maj • 03:27 • -8db
47% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Joel
Scenes from an Italian Restaurant
98 bpm • F Maj • 07:36 • -4.99db
61% Popularity • 42% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 42% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Simon
Diamonds on the Soles of Her Shoes
111 bpm • F Maj • 05:49 • -9.72db
61% Popularity • 79% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 79% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Eagles
Tequila Sunrise - 2013 Remaster
111 bpm • G Maj • 02:53 • -12.86db
70% Popularity • 63% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
70% Popularity • 63% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
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Carole King
You've Got a Friend - Demo
98 bpm • G# Maj • 04:09 • -9.05db
13% Popularity • 41% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
13% Popularity • 41% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Marvin Gaye
You're All I Need To Get By
98 bpm • B min • 02:53 • -11.07db
62% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Bread
If
98 bpm • A Maj • 02:35 • -16.95db
69% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
65% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
65% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Yusuf / Cat Stevens
Oh Very Young
111 bpm • A Maj • 02:36 • -11.19db
62% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Ringo Starr
Photograph
111 bpm • E Maj • 03:59 • -12.74db
55% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Captain & Tennille
The Way I Want To Touch You
111 bpm • C min • 02:43 • -7db
41% Popularity • 66% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 66% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Stills
Love the One You're With
97 bpm • C Maj • 03:04 • -11.22db
52% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Carole King
Crying In the Rain - Demo
97 bpm • F Maj • 01:48 • -7.11db
32% Popularity • 62% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 62% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Crosby, Stills & Nash
Love the One You're With
97 bpm • C Maj • 03:04 • -12.9db
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Andy Gibb
I Just Want To Be Your Everything
97 bpm • A Maj • 03:45 • -7.44db
65% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
65% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Smokey Robinson & The Miracles
The Tracks Of My Tears
97 bpm • G Maj • 02:54 • -10.91db
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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The Supremes
You Can't Hurry Love
97 bpm • A# Maj • 02:47 • -9.34db
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Blood, Sweat & Tears
Spinning Wheel
97 bpm • G Maj • 04:07 • -9.31db
52% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Carole King
Only Love Is Real
112 bpm • D min • 03:29 • -10.67db
36% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jefferson Starship
Count on Me
112 bpm • A Maj • 03:14 • -14.91db
52% Popularity • 55% Danceability • 32% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 55% Danceability • 32% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Wings
With A Little Luck - Remastered 1993
112 bpm • F# min • 05:44 • -15db
52% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Guess Who
These Eyes
96 bpm • G Maj • 03:45 • -11.28db
60% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Yusuf / Cat Stevens
The First Cut Is The Deepest - Stereo Ve...
96 bpm • G Maj • 03:00 • -7db
61% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Sam Cooke
You Send Me - Mono
96 bpm • E min • 02:45 • -7.58db
60% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
60% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Blood, Sweat & Tears
You've Made Me So Very Happy
96 bpm • D# min • 04:18 • -9.11db
49% Popularity • 41% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 41% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Carole King
Peace In the Valley
113 bpm • E min • 03:21 • -17.32db
27% Popularity • 73% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 73% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Jackie Wilson
(Your Love Keeps Lifting Me) Higher & Hi...
96 bpm • D Maj • 02:59 • -7.19db
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Rickie Lee Jones
Chuck E's in Love
113 bpm • A Maj • 03:29 • -10.79db
46% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Association
Never My Love - Remastered Version
96 bpm • F# Maj • 03:07 • -12db
56% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
