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It's You
Songs like
It's You
by
Black & Gold
Based on a tempo of (+/- 10%) and a similar genre
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Karaccipicchia
Barolo
95 bpm • E Maj • 01:20 • -21.83db
7% Popularity • 66% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 48% Positiveness
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Pilates+
With the Flow
95 bpm • D Maj • 04:45 • -5.29db
13% Popularity • 55% Danceability • 85% Energy • 12% Liveness
71% Instrumentalness • 54% Positiveness
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Pilates
Joseph's Method
95 bpm • D Maj • 04:25 • -5.27db
12% Popularity • 55% Danceability • 85% Energy • 12% Liveness
79% Instrumentalness • 53% Positiveness
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Arms and Sleepers
The Art of Dying
95 bpm • E min • 03:23 • -12.78db
22% Popularity • 43% Danceability • 56% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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temcandoanything
System Setup
95 bpm • C min • 02:29 • -12.25db
13% Popularity • 45% Danceability • 41% Energy • 18% Liveness
86% Instrumentalness • 23% Positiveness
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Earth to Jackson
The World He Calls Home
95 bpm • C# min • 03:12 • -10.07db
1% Popularity • 45% Danceability • 48% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
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statika
phantom circuit
95 bpm • D# Maj • 02:16 • -15.69db
32% Popularity • 39% Danceability • 42% Energy • 71% Liveness
87% Instrumentalness • 5% Positiveness
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Censored X
i wouldn't mind - slowed + reverbed
95 bpm • C# Maj • 05:14 • -10.15db
12% Popularity • 51% Danceability • 56% Energy • 7% Liveness
95% Instrumentalness • 38% Positiveness
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Kensuke Ushio
lit(var)
95 bpm • C# min • 02:14 • -16.15db
53% Popularity • 33% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Small Black
Service Merchandise
95 bpm • A# Maj • 03:14 • -12.7db
15% Popularity • 26% Danceability • 33% Energy • 8% Liveness
56% Instrumentalness • 16% Positiveness
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Pola & Bryson
Southbank
96 bpm • G# Maj • 02:17 • -13.59db
17% Popularity • 12% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Joywave
A.M.
96 bpm • E Maj • 02:28 • -8.55db
18% Popularity • 44% Danceability • 54% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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The Space Pilots
Particle Beam
94 bpm • E min • 02:06 • -12.8db
8% Popularity • 25% Danceability • 45% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Ambient Jazz Ensemble
Quiet Hero
94 bpm • D Maj • 05:03 • -12.72db
12% Popularity • 24% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
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Devon Hendryx²
Edie
96 bpm • C Maj • 06:43 • -8.98db
11% Popularity • 24% Danceability • 69% Energy • 50% Liveness
81% Instrumentalness • 5% Positiveness
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A.L.I.S.O.N
Infinite
96 bpm • E Maj • 04:05 • -10.53db
22% Popularity • 48% Danceability • 64% Energy • 11% Liveness
36% Instrumentalness • 3% Positiveness
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Amos Roddy
Matsutake
96 bpm • F Maj • 03:20 • -14db
32% Popularity • 33% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Liam Mour
Blossom
96 bpm • B Maj • 04:17 • -9.57db
9% Popularity • 51% Danceability • 66% Energy • 11% Liveness
94% Instrumentalness • 74% Positiveness
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Alan Fillip
Cinematic Drone
96 bpm • C min • 02:23 • -14.5db
21% Popularity • 50% Danceability • 35% Energy • 12% Liveness
46% Instrumentalness • 8% Positiveness
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Thievery Corporation
Fragments - Tycho Remix
94 bpm • F Maj • 06:21 • -13.91db
23% Popularity • 59% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 39% Positiveness
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Johnny Jewel
Missing Pages
93 bpm • D# min • 02:49 • -15.15db
18% Popularity • 41% Danceability • 28% Energy • 68% Liveness
78% Instrumentalness • 8% Positiveness
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Thorsten Quaeschning
Flare
93 bpm • D min • 05:56 • -8.37db
9% Popularity • 39% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Living Pictures
Biodome - Radio Edit
98 bpm • A# min • 02:58 • -8.33db
14% Popularity • 55% Danceability • 75% Energy • 49% Liveness
90% Instrumentalness • 54% Positiveness
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Zooey Wonder
Alpha
98 bpm • D# Maj • 02:37 • -8.72db
7% Popularity • 51% Danceability • 62% Energy • 20% Liveness
76% Instrumentalness • 6% Positiveness
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scntfc
Atalanta Third
98 bpm • F Maj • 03:24 • -15.27db
11% Popularity • 43% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Hummus for Bastards
Ansak (Pomegranate and Lime)
98 bpm • G Maj • 02:56 • -21.3db
15% Popularity • 43% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
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Alicks
Through Thick
92 bpm • A min • 03:52 • -10.01db
15% Popularity • 33% Danceability • 36% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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WMD
Mochi
92 bpm • E Maj • 02:00 • -19.15db
13% Popularity • 56% Danceability • 35% Energy • 16% Liveness
96% Instrumentalness • 44% Positiveness
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Kettel & Secede
Admittance
98 bpm • C# min • 05:03 • -14.57db
12% Popularity • 39% Danceability • 54% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Matti Bye
Getting Up
92 bpm • G Maj • 03:03 • -17.6db
28% Popularity • 40% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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SWIM
Heart
92 bpm • A Maj • 02:20 • -10.02db
35% Popularity • 15% Danceability • 41% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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New Creation Worship
The Father's House
99 bpm • B Maj • 01:21 • -17.05db
16% Popularity • 39% Danceability • 32% Energy • 21% Liveness
95% Instrumentalness • 7% Positiveness
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Volkor X
Hypersleep
99 bpm • F Maj • 05:54 • -10.82db
37% Popularity • 37% Danceability • 60% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
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Ryan Farish
Anthem of Hope
91 bpm • C# Maj • 04:13 • -9.27db
19% Popularity • 36% Danceability • 74% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
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Ilverism
Holding Out, Holding On
91 bpm • G Maj • 03:23 • -9.76db
13% Popularity • 21% Danceability • 66% Energy • 30% Liveness
92% Instrumentalness • 13% Positiveness
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Erdi Irmak
Burn The City Down
100 bpm • D Maj • 02:40 • -18.45db
9% Popularity • 53% Danceability • 14% Energy • 11% Liveness
79% Instrumentalness • 23% Positiveness
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Ryan Gregory Tallman
Mirror Wisdom
100 bpm • B min • 03:21 • -7.67db
21% Popularity • 26% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Tom Day
All for You
100 bpm • C# Maj • 06:04 • -11.96db
13% Popularity • 39% Danceability • 39% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Sithu Aye
Nucleosynthesis (Interlude)
100 bpm • C# min • 01:36 • -18.44db
9% Popularity • 46% Danceability • 41% Energy • 16% Liveness
80% Instrumentalness • 30% Positiveness
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Ross Lara
Bending The Storm
100 bpm • F Maj • 02:43 • -14.45db
11% Popularity • 44% Danceability • 34% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Schiller
Love
100 bpm • G min • 08:50 • -10.74db
36% Popularity • 44% Danceability • 50% Energy • 9% Liveness
16% Instrumentalness • 14% Positiveness
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Orange and Mountains
Rivali
100 bpm • D# min • 04:22 • -11.91db
5% Popularity • 48% Danceability • 50% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Justin Jet Zorbas
Where We Once Stood
100 bpm • C Maj • 03:00 • -19.73db
35% Popularity • 35% Danceability • 24% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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Futurecop!
Zen 4040
100 bpm • C# Maj • 04:15 • -8.54db
10% Popularity • 51% Danceability • 51% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Mezhdunami
Antarctica
100 bpm • G Maj • 03:02 • -17.9db
13% Popularity • 39% Danceability • 43% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Sourcee
Hear Me Now - Lessov Remix
100 bpm • D Maj • 05:14 • -10.26db
33% Popularity • 51% Danceability • 86% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Manu Zain
Anything
100 bpm • A# Maj • 04:12 • -8.79db
12% Popularity • 47% Danceability • 78% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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dj fit-ness
45 Kilos Menos
100 bpm • G# min • 02:15 • -14.37db
10% Popularity • 53% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Bryan El
Solaris XL
100 bpm • G# Maj • 05:53 • -11.12db
16% Popularity • 46% Danceability • 80% Energy • 11% Liveness
85% Instrumentalness • 22% Positiveness
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OK Beats
Intro Type Beat (Remastered)
100 bpm • E Maj • 03:49 • -14.89db
22% Popularity • 32% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Henry Costa
Whispers
100 bpm • C Maj • 04:06 • -13.67db
12% Popularity • 36% Danceability • 39% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Modulation Sounds
Holding You
100 bpm • F Maj • 02:04 • -12.25db
13% Popularity • 34% Danceability • 44% Energy • 15% Liveness
98% Instrumentalness • 18% Positiveness
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Cupid Lofi Records
March Madness
100 bpm • F# min • 02:49 • -23.19db
12% Popularity • 57% Danceability • 22% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Puremusic
Unsaid - Stray Theories Remix
100 bpm • F min • 03:40 • -12.65db
31% Popularity • 32% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
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Retland
To Wander
100 bpm • B Maj • 04:19 • -15db
7% Popularity • 22% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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taintree
BRUISSING MY LIFE
90 bpm • A min • 01:04 • -23.61db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Scratch Massive
Shame
90 bpm • B min • 02:01 • -8.37db
45% Popularity • 69% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 36% Positiveness
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Justin Jet Zorbas
My Dreams in a Reflection
90 bpm • F Maj • 03:28 • -18db
33% Popularity • 48% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Astronaut Ape
Hope
90 bpm • G Maj • 07:05 • -9.74db
12% Popularity • 24% Danceability • 43% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Sam Mountain
Compass
90 bpm • B min • 02:08 • -16.09db
14% Popularity • 43% Danceability • 41% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
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IOTO
The Air Was Full of Life
90 bpm • F# Maj • 04:27 • -11.01db
27% Popularity • 54% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
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Florentin Gurlitt
Soon
90 bpm • C# Maj • 03:18 • -17.72db
20% Popularity • 50% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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Micheal Zion
New Horizon
90 bpm • F# Maj • 03:50 • -20.57db
36% Popularity • 42% Danceability • 26% Energy • 19% Liveness
48% Instrumentalness • 36% Positiveness
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1000 Eyes
Eulenlieder
90 bpm • G# min • 02:06 • -16.9db
36% Popularity • 31% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Luminist
Determination
90 bpm • C min • 02:52 • -14.25db
17% Popularity • 32% Danceability • 36% Energy • 29% Liveness
97% Instrumentalness • 4% Positiveness
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remind me
I'm so beat
100 bpm • G# Maj • 02:38 • -19.73db
31% Popularity • 50% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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ocha
Deep Blue
90 bpm • D# Maj • 01:25 • -16.1db
14% Popularity • 23% Danceability • 31% Energy • 22% Liveness
60% Instrumentalness • 18% Positiveness
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Elskavon
Imprints
101 bpm • G# Maj • 04:18 • -13.83db
14% Popularity • 27% Danceability • 40% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Julianna Barwick
Inspirit
89 bpm • B Maj • 04:12 • -11.74db
40% Popularity • 17% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Juers
Make Me New (TROSSFOREVER)
89 bpm • A min • 01:53 • -13.8db
23% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Potatohead People
Ode to Mr Jacobs
102 bpm • G# Maj • 01:04 • -13.34db
16% Popularity • 17% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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White Ring
Tower
102 bpm • B Maj • 05:27 • -8.98db
10% Popularity • 26% Danceability • 30% Energy • 8% Liveness
97% Instrumentalness • 21% Positiveness
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Alfie-Jay Winters
Takayama Dawn
102 bpm • A# min • 01:52 • -17.62db
28% Popularity • 57% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Alamein
My Tender
102 bpm • D# min • 04:58 • -23.45db
15% Popularity • 48% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Marcus Warner
The Blue Edge
102 bpm • G# Maj • 05:17 • -9.16db
17% Popularity • 35% Danceability • 62% Energy • 25% Liveness
93% Instrumentalness • 5% Positiveness
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Bethel Music
Jesus We Love You
102 bpm • E Maj • 05:55 • -12.55db
41% Popularity • 23% Danceability • 36% Energy • 21% Liveness
89% Instrumentalness • 5% Positiveness
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Ian Burian
Saule
88 bpm • D Maj • 02:33 • -14.38db
14% Popularity • 19% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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LOFIER
Rainy in The End
102 bpm • F Maj • 01:09 • -13.09db
13% Popularity • 51% Danceability • 63% Energy • 29% Liveness
49% Instrumentalness • 55% Positiveness
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Martin Stürtzer
Habitat Section
88 bpm • C Maj • 06:54 • -17.18db
14% Popularity • 45% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Rejoicer
Jail Time with Mr. Murd
88 bpm • G# min • 02:16 • -18.93db
20% Popularity • 53% Danceability • 33% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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Jesse Bru
Ever Day Of My Life
88 bpm • E min • 01:43 • -21.93db
16% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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ROJS
Stockholm
88 bpm • A# Maj • 03:48 • -9.94db
20% Popularity • 39% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
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Farsi
Transcend (Interlude 05)
103 bpm • C Maj • 03:44 • -12.6db
10% Popularity • 59% Danceability • 57% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Kodomo
Son
103 bpm • F# min • 05:00 • -8.62db
29% Popularity • 71% Danceability • 76% Energy • 27% Liveness
76% Instrumentalness • 19% Positiveness
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Logistics
C.Lone
87 bpm • B Maj • 02:17 • -12.02db
7% Popularity • 32% Danceability • 31% Energy • 40% Liveness
92% Instrumentalness • 6% Positiveness
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Uppermost
UNIVERSE SHINE BRIGHTER
87 bpm • F min • 04:07 • -10.2db
18% Popularity • 35% Danceability • 62% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
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Dreams We've Had
My Own Bed
87 bpm • A Maj • 06:59 • -5.14db
17% Popularity • 49% Danceability • 74% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
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Scratch Massive
Jumper
86 bpm • A min • 01:47 • -11.8db
13% Popularity • 21% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Kane Parsons
Async Research Institute
104 bpm • A# min • 02:54 • -15.61db
18% Popularity • 47% Danceability • 32% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Peppsen
Tough Life
105 bpm • F# min • 02:30 • -13.8db
25% Popularity • 57% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Kyle Dixon & Michael Stein
The First Lie
86 bpm • A# Maj • 01:13 • -13.25db
42% Popularity • 50% Danceability • 44% Energy • 17% Liveness
92% Instrumentalness • 5% Positiveness
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Puremusic
Roses
105 bpm • G# Maj • 07:24 • -15.84db
25% Popularity • 55% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Future Holograms
Floated Away
105 bpm • G Maj • 03:57 • -11.91db
11% Popularity • 62% Danceability • 59% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Yoann Pisterman
Pink Noise
105 bpm • C# Maj • 06:43 • -16db
19% Popularity • 51% Danceability • 12% Energy • 62% Liveness
93% Instrumentalness • 12% Positiveness
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Headspace
I Saw Light In Their Eyes
105 bpm • C# Maj • 02:59 • -17.2db
33% Popularity • 65% Danceability • 46% Energy • 7% Liveness
90% Instrumentalness • 38% Positiveness
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Above & Beyond
Common Ground
86 bpm • C Maj • 03:32 • -14.52db
22% Popularity • 9% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Roudeep
We Are Here Now - Soul Chill Version
105 bpm • B min • 04:20 • -12.54db
10% Popularity • 52% Danceability • 51% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
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Ryan Davis
Daffodils
105 bpm • G# Maj • 03:39 • -14.4db
9% Popularity • 25% Danceability • 45% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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MIK's Reaction
My Mother The Artist
85 bpm • C Maj • 03:24 • -6.76db
18% Popularity • 9% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Crandon Park
Into the Light
106 bpm • F Maj • 05:06 • -14.44db
23% Popularity • 36% Danceability • 31% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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It's You