Songs like IV. Allegro non troppo by Heitor Villa-Lobos
Based on a tempo of (+/- 10%) and a similar genre
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
47% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
47% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Witold Lutosławski
3 Fragmente: I. Magie
150 bpm • C min • 01:27 • -24db
17% Popularity • 24% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
17% Popularity • 24% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
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Leo Brouwer
Preludios Epigramaticos: No. 4
144 bpm • A Maj • 01:28 • -31db
35% Popularity • 30% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
35% Popularity • 30% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Book 3: No. 3. Cap...
152 bpm • D min • 01:36 • -26db
33% Popularity • 19% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
33% Popularity • 19% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Enrique Granados
12 Danzas Españolas, Op. 37: 5. Andaluz...
151 bpm • E min • 03:29 • -20db
21% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
21% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.7 Allegro
144 bpm • A min • 01:35 • -16db
32% Popularity • 19% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
32% Popularity • 19% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Joaquín Rodrigo
Concierto de Aranjuez for Guitar and Orc...
153 bpm • D Maj • 05:12 • -20.1db
6% Popularity • 59% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
6% Popularity • 59% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Franz Liszt
Grand Galop chromatique in E-Flat Major,...
153 bpm • G# Maj • 03:58 • -18.42db
31% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
31% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Enrique Granados
Apariciones: Valses Romanticos: Sensitiv...
143 bpm • C min • 01:40 • -33db
45% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
45% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
142 bpm • G Maj • 06:28 • -30.75db
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Claude Debussy
2 Arabesques (arr. for guitar and orches...
143 bpm • F# min • 05:12 • -27.09db
16% Popularity • 30% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Julio Sagreras
Violetas (arr. Christoph Denoth)
141 bpm • E min • 02:09 • -21.14db
16% Popularity • 46% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
16% Popularity • 46% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Paulinho Nogueira
Bachianinha No. 1 (Arr. for Guitar by S�...
142 bpm • A min • 03:20 • -21.61db
38% Popularity • 38% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
38% Popularity • 38% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Joaquín Rodrigo
Concierto de Aranjuez for Guitar and Orc...
156 bpm • D Maj • 05:07 • -20.18db
15% Popularity • 55% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
15% Popularity • 55% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 2, "O trenzinh...
139 bpm • G# Maj • 07:11 • -25db
20% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Johann Kaspar Mertz
Tarantella
139 bpm • A min • 03:53 • -13.52db
20% Popularity • 36% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Niccolò Paganini
Moses Variations on the G String
139 bpm • C Maj • 07:29 • -19.79db
8% Popularity • 47% Danceability • 14% Energy • 8% Liveness
52% Instrumentalness • 50% Positiveness
8% Popularity • 47% Danceability • 14% Energy • 8% Liveness
52% Instrumentalness • 50% Positiveness
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Darius Milhaud
Scaramouche, Op. 165d (version for clari...
138 bpm • D min • 02:15 • -15db
14% Popularity • 41% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 58% Positiveness
14% Popularity • 41% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 58% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Heitor Villa-Lobos
Villa-Lobos: 12 Études, W235: No. 1 in ...
138 bpm • E min • 02:03 • -30db
19% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
19% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Fantasiestücke Op. 73: I. Zar...
138 bpm • A min • 03:17 • -27db
12% Popularity • 21% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
12% Popularity • 21% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: III. All...
160 bpm • D Maj • 05:05 • -19.05db
17% Popularity • 48% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
17% Popularity • 48% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.32/L.423/P...
137 bpm • E min • 02:18 • -33.24db
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Joaquín Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
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Gaspar Sanz
Canarios
136 bpm • D Maj • 02:27 • -12.15db
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
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Regino Sáinz de la Maza
Sainz de la Maza: Zapateado
135 bpm • E Maj • 02:46 • -25.84db
15% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
15% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Lang Lang
Danzas Argentinas, Op. 2: II. Danza de l...
134 bpm • A min • 04:00 • -24db
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Fernando Sor
Voyons si c'est ca - 6 Pieces, Op. 45: N...
134 bpm • A Maj • 02:58 • -28.54db
32% Popularity • 37% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
32% Popularity • 37% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Johann Kaspar Mertz
Elegie: Elegy
133 bpm • A min • 08:32 • -29db
16% Popularity • 33% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 33% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Claude Debussy
Debussy: Syrinx, L. 129
165 bpm • B Maj • 03:21 • -31db
22% Popularity • 14% Danceability • 2% Energy • 11% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 14% Danceability • 2% Energy • 11% Liveness
43% Instrumentalness • 7% Positiveness
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Emmanuel Pahud
Molino: Duo No. 3, Op. 16: I. Andantino
167 bpm • G Maj • 01:38 • -25.18db
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Miguel Llobet Solés
Cançons Populars: El Testament d'Amèli...
131 bpm • D min • 01:36 • -20.79db
30% Popularity • 54% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 42% Positiveness
30% Popularity • 54% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 42% Positiveness
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Adam Holzman
Preludio : Preludio
131 bpm • A Maj • 02:16 • -27db
31% Popularity • 50% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
31% Popularity • 50% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pièces de clavecin, Book 1: No. 6, L'ai...
130 bpm • D min • 04:28 • -22.89db
23% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
23% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A Major, M. 8: I. Alleg...
130 bpm • A Maj • 06:07 • -25db
6% Popularity • 25% Danceability • 4% Energy • 14% Liveness
4% Instrumentalness • 3% Positiveness
6% Popularity • 25% Danceability • 4% Energy • 14% Liveness
4% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Igor Stravinsky
Chanson russe
130 bpm • F min • 03:28 • -31db
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Bohuslav Martinů
Loutky (Puppets), H. 92: No. 1. Pierroto...
169 bpm • G min • 01:39 • -26.66db
21% Popularity • 41% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
21% Popularity • 41% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Göran Söllscher
4 Estaciones Portenas (pour guitare): N�...
129 bpm • E min • 03:52 • -26.9db
36% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Alberto Ginastera
Suite de danzas criollas, Op. 15 (2nd ve...
129 bpm • C Maj • 01:56 • -40db
32% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
32% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
► Preview
Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
129 bpm • G Maj • 02:54 • -23db
9% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
9% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Béla Bartók
Bartók / Arr. Levering for Flute and Gu...
170 bpm • E min • 01:27 • -19db
10% Popularity • 38% Danceability • 9% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
10% Popularity • 38% Danceability • 9% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
► Preview
Claude Debussy
Debussy: Fantaisie for Piano and Orchest...
170 bpm • D Maj • 07:22 • -20.69db
12% Popularity • 17% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Zequinha De Abreu
Abreu / Arr. Suba: Tico-Tico no Fubá
129 bpm • G Maj • 01:56 • -17.37db
18% Popularity • 42% Danceability • 31% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
18% Popularity • 42% Danceability • 31% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
► Preview
Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
► Preview
Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
3 Pieces, Op. 2: No. 1 in C-Sharp Minor
128 bpm • C# min • 03:21 • -23.33db
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
César Cui
Orientale
171 bpm • G min • 02:06 • -23.52db
14% Popularity • 23% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
14% Popularity • 23% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Antonio Ruiz Pipó
Chansons et danses: Danse
128 bpm • D Maj • 01:45 • -29db
28% Popularity • 42% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
28% Popularity • 42% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Heitor Villa-Lobos
Bachianas Brasileiras No. 5, W389: I. Á...
172 bpm • D min • 06:02 • -13db
18% Popularity • 10% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Heitor Villa-Lobos
Prelude No.1 - Melodía lírica
127 bpm • E min • 04:52 • -14.83db
39% Popularity • 44% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
39% Popularity • 44% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Joaquín Rodrigo
Fantasía para un gentilhombre for Guita...
126 bpm • C Maj • 02:01 • -20db
15% Popularity • 66% Danceability • 15% Energy • 14% Liveness
98% Instrumentalness • 55% Positiveness
15% Popularity • 66% Danceability • 15% Energy • 14% Liveness
98% Instrumentalness • 55% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
