Songs like I've Done It Again by Grace Jones
Based on a tempo of (+/- 10%) and a similar genre
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Roxy Music
To Turn You On
110 bpm • D# Maj • 04:16 • -8.99db
42% Popularity • 65% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 65% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Air
You Make It Easy
110 bpm • F Maj • 04:01 • -10.92db
51% Popularity • 64% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
51% Popularity • 64% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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The Blue Nile
Over the Hillside
110 bpm • D Maj • 05:04 • -8.76db
38% Popularity • 61% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 61% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Joni Mitchell
The Three Great Stimulants
110 bpm • C Maj • 06:13 • -17.02db
20% Popularity • 83% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 83% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
110 bpm • E Maj • 06:15 • -10.95db
18% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
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Scritti Politti
No Fine Lines
110 bpm • C Maj • 01:43 • -16.57db
27% Popularity • 58% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 58% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Grace Jones
I've Done It Again
110 bpm • F min • 03:51 • -11.38db
30% Popularity • 67% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 67% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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John Cale
Dying on the Vine
110 bpm • C min • 05:20 • -13db
31% Popularity • 79% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 89% Positiveness
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David Sylvian
Brilliant Trees
110 bpm • F# min • 08:42 • -13.85db
27% Popularity • 36% Danceability • 28% Energy • 9% Liveness
33% Instrumentalness • 8% Positiveness
27% Popularity • 36% Danceability • 28% Energy • 9% Liveness
33% Instrumentalness • 8% Positiveness
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Sally Oldfield
Night of the Hunter's Moon
111 bpm • G Maj • 03:26 • -12.07db
15% Popularity • 82% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 82% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Thomas Dolby
I Scare Myself
109 bpm • C# Maj • 05:36 • -9.19db
39% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
39% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
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Colourbox
The Moon Is Blue
109 bpm • G Maj • 04:37 • -10.51db
38% Popularity • 56% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 56% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Grace Jones
Pars - Long Version
109 bpm • E min • 05:41 • -12.9db
10% Popularity • 74% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 90% Positiveness
10% Popularity • 74% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 90% Positiveness
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Tom Tom Club
L Elephant
109 bpm • A Maj • 04:50 • -12.97db
24% Popularity • 71% Danceability • 73% Energy • 30% Liveness
45% Instrumentalness • 89% Positiveness
24% Popularity • 71% Danceability • 73% Energy • 30% Liveness
45% Instrumentalness • 89% Positiveness
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Tracey Thorn
Goodbye Joe
109 bpm • D# min • 02:32 • -14.38db
14% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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China Crisis
Here Comes A Raincloud
109 bpm • E min • 04:16 • -21.65db
28% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Dolby
Budapest by Blimp
111 bpm • G# min • 08:39 • -18db
22% Popularity • 70% Danceability • 46% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
22% Popularity • 70% Danceability • 46% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Goldfrapp
Lovely Head
109 bpm • F min • 03:49 • -9.86db
48% Popularity • 48% Danceability • 41% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
48% Popularity • 48% Danceability • 41% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
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Grace Jones
Pars
109 bpm • E min • 04:09 • -14.41db
28% Popularity • 75% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
28% Popularity • 75% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Rotary Connection
Want You To Know
111 bpm • C Maj • 03:02 • -7.73db
12% Popularity • 37% Danceability • 59% Energy • 65% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 37% Danceability • 59% Energy • 65% Liveness
0% Instrumentalness • 26% Positiveness
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Tim Buckley
Sweet Surrender
109 bpm • D Maj • 06:47 • -8.3db
34% Popularity • 55% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 55% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Roxy Music
In The Midnight Hour
109 bpm • C Maj • 03:12 • -5.9db
42% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Laurie Anderson
From the Air
111 bpm • G# Maj • 04:33 • -10db
35% Popularity • 81% Danceability • 52% Energy • 4% Liveness
13% Instrumentalness • 97% Positiveness
35% Popularity • 81% Danceability • 52% Energy • 4% Liveness
13% Instrumentalness • 97% Positiveness
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Marianne Faithfull
It's All Over Now Baby Blue
111 bpm • D Maj • 03:49 • -11db
46% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Double
Woman of the World - Long Instrumental V...
111 bpm • C Maj • 04:39 • -17.54db
24% Popularity • 78% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
24% Popularity • 78% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
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Grace Jones
Feel Up - UK 12" Version / Remastered 20...
109 bpm • C# Maj • 06:18 • -10.12db
16% Popularity • 69% Danceability • 71% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
16% Popularity • 69% Danceability • 71% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
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Fun Boy Three
Faith, Hope and Charity
111 bpm • G Maj • 02:50 • -13db
23% Popularity • 86% Danceability • 40% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
23% Popularity • 86% Danceability • 40% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
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Matching Mole
O'Caroline
109 bpm • C# Maj • 05:06 • -18db
24% Popularity • 44% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 15% Positiveness
24% Popularity • 44% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 15% Positiveness
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Dusty Springfield
Just A Little Lovin'
111 bpm • F min • 02:16 • -11.03db
41% Popularity • 36% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 36% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Stephen Bell-Booth
Come On Kate
111 bpm • G# Maj • 03:51 • -13db
12% Popularity • 80% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 80% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Double
Woman of the World
111 bpm • A min • 03:55 • -9.88db
31% Popularity • 72% Danceability • 69% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
31% Popularity • 72% Danceability • 69% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
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Virginia Astley
A Summer Long Since Passed
111 bpm • E Maj • 04:37 • -15.61db
26% Popularity • 45% Danceability • 27% Energy • 52% Liveness
76% Instrumentalness • 12% Positiveness
26% Popularity • 45% Danceability • 27% Energy • 52% Liveness
76% Instrumentalness • 12% Positiveness
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Bronski Beat
Love and Money
109 bpm • A# Maj • 05:11 • -9.32db
32% Popularity • 59% Danceability • 59% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
32% Popularity • 59% Danceability • 59% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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Womack & Womack
Night Rider
112 bpm • E min • 05:02 • -13.19db
20% Popularity • 74% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 74% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Julee Cruise
Everybody Knows
112 bpm • D Maj • 03:11 • -12.53db
19% Popularity • 76% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
19% Popularity • 76% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
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Kevin Ayers
May I? - 2003 Remaster
108 bpm • C Maj • 04:01 • -17db
30% Popularity • 54% Danceability • 35% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
30% Popularity • 54% Danceability • 35% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Grace Jones
Feel Up
108 bpm • A# Maj • 04:02 • -8.34db
30% Popularity • 76% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 96% Positiveness
30% Popularity • 76% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 96% Positiveness
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Roxy Music
Manifesto
108 bpm • E Maj • 05:29 • -8.1db
31% Popularity • 64% Danceability • 61% Energy • 69% Liveness
35% Instrumentalness • 56% Positiveness
31% Popularity • 64% Danceability • 61% Energy • 69% Liveness
35% Instrumentalness • 56% Positiveness
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Van Morrison
Rave on John Donne
112 bpm • G Maj • 05:19 • -12.06db
24% Popularity • 41% Danceability • 30% Energy • 9% Liveness
7% Instrumentalness • 14% Positiveness
24% Popularity • 41% Danceability • 30% Energy • 9% Liveness
7% Instrumentalness • 14% Positiveness
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Ben Watt
North Marine Drive
112 bpm • D Maj • 02:18 • -18db
32% Popularity • 60% Danceability • 13% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
32% Popularity • 60% Danceability • 13% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
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Lou Reed
Women
108 bpm • D Maj • 04:58 • -11.32db
28% Popularity • 66% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 35% Positiveness
28% Popularity • 66% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 35% Positiveness
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Karen Dalton
Ribbon Bow
113 bpm • D Maj • 03:01 • -27.97db
33% Popularity • 51% Danceability • 4% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
33% Popularity • 51% Danceability • 4% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Grace Jones
Warm Leatherette
107 bpm • G Maj • 04:28 • -12db
32% Popularity • 74% Danceability • 54% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 74% Danceability • 54% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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Roxy Music
The Main Thing
113 bpm • A# Maj • 03:54 • -8.11db
39% Popularity • 86% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 92% Positiveness
39% Popularity • 86% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 92% Positiveness
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Womack & Womack
I Am Love
107 bpm • C# min • 02:43 • -18.21db
32% Popularity • 86% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 86% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Tossini
If I Should Fall in Love
107 bpm • F min • 04:01 • -11.92db
13% Popularity • 76% Danceability • 34% Energy • 9% Liveness
18% Instrumentalness • 62% Positiveness
13% Popularity • 76% Danceability • 34% Energy • 9% Liveness
18% Instrumentalness • 62% Positiveness
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Anne Pigalle
Souvenir d’un Paris
113 bpm • G# min • 04:13 • -14.09db
10% Popularity • 74% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 74% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Talk Talk
Happiness Is Easy - 1997 Remaster
107 bpm • F min • 06:30 • -13db
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
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Grace Jones
Party Girl
107 bpm • C# min • 03:44 • -9.47db
20% Popularity • 77% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 77% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Sally Oldfield
Playing in the Flame
107 bpm • A# min • 04:54 • -9.72db
10% Popularity • 79% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 79% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Roxy Music
The Space Between
113 bpm • G# Maj • 04:30 • -7.34db
43% Popularity • 72% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 93% Positiveness
43% Popularity • 72% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 93% Positiveness
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Joe Jackson
Another World
107 bpm • C Maj • 04:04 • -6.11db
32% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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David Sylvian
Let The Happiness In
107 bpm • B Maj • 05:37 • -14.89db
30% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Tom Club
As Above So Below
114 bpm • C Maj • 05:23 • -12db
16% Popularity • 81% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
16% Popularity • 81% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
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Grace Jones
Victor Should Have Been A Jazz Musician
107 bpm • G# min • 04:43 • -13db
38% Popularity • 75% Danceability • 41% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
38% Popularity • 75% Danceability • 41% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
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Terry Callier
I'd Rather Be With You
114 bpm • A Maj • 06:38 • -14.48db
22% Popularity • 46% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 46% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Roxy Music
India
107 bpm • D Maj • 01:44 • -12.51db
44% Popularity • 66% Danceability • 44% Energy • 6% Liveness
92% Instrumentalness • 64% Positiveness
44% Popularity • 66% Danceability • 44% Energy • 6% Liveness
92% Instrumentalness • 64% Positiveness
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Ian Dury
Inbetweenies
106 bpm • E min • 05:20 • -9.58db
27% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Renee
Jimmy
106 bpm • F# min • 03:22 • -12.73db
15% Popularity • 90% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 90% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Japan
Ghosts - 2003 Digital Remaster
114 bpm • G# Maj • 04:36 • -15db
38% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Annette Peacock
My Mama Never Taught Me How to Cook
114 bpm • C Maj • 05:31 • -13.81db
18% Popularity • 59% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
18% Popularity • 59% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
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Marianne Faithfull
Why'd Ya Do It
114 bpm • B min • 06:48 • -10.87db
31% Popularity • 77% Danceability • 68% Energy • 19% Liveness
16% Instrumentalness • 97% Positiveness
31% Popularity • 77% Danceability • 68% Energy • 19% Liveness
16% Instrumentalness • 97% Positiveness
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Joan Armatrading
I'm Lucky
114 bpm • D# Maj • 03:07 • -13.56db
37% Popularity • 64% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 43% Positiveness
37% Popularity • 64% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 43% Positiveness
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Aphrodite's Child
Loud, Loud, Loud
114 bpm • C# Maj • 02:42 • -18.15db
31% Popularity • 41% Danceability • 14% Energy • 49% Liveness
2% Instrumentalness • 12% Positiveness
31% Popularity • 41% Danceability • 14% Energy • 49% Liveness
2% Instrumentalness • 12% Positiveness
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Carrie Cleveland
Love Will Set You Free
114 bpm • F min • 05:48 • -8.35db
33% Popularity • 81% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 81% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Joni Mitchell
The Tea Leaf Prophecy (Lay Down Your Arm...
106 bpm • A min • 04:50 • -19.97db
22% Popularity • 69% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 69% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Annette Peacock
Questions
106 bpm • G Maj • 02:53 • -18.69db
11% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Deee-Lite
Try Me On... I'm Very You
106 bpm • C Maj • 05:18 • -14db
28% Popularity • 80% Danceability • 63% Energy • 6% Liveness
7% Instrumentalness • 86% Positiveness
28% Popularity • 80% Danceability • 63% Energy • 6% Liveness
7% Instrumentalness • 86% Positiveness
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ESG
You're No Good
115 bpm • F# min • 03:11 • -11db
29% Popularity • 88% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
29% Popularity • 88% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
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Suzanne Menzel
I Feel It Starts Again
106 bpm • C Maj • 03:28 • -14.1db
18% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Style Council
It's A Very Deep Sea
105 bpm • A# Maj • 05:33 • -11db
33% Popularity • 36% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 36% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 24% Positiveness
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Joni Mitchell
Song for Sharon
106 bpm • G# Maj • 08:37 • -9.88db
38% Popularity • 64% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 64% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Annette Peacock
Too Much in the Skies
105 bpm • G min • 04:54 • -18.42db
9% Popularity • 60% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 60% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Grace Jones
I'm Crying (Mother's Tears)
115 bpm • C min • 04:34 • -9.44db
20% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Syreeta
I Love Every Little Thing About You
105 bpm • C# Maj • 04:56 • -8.49db
33% Popularity • 84% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 84% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Japan
Ghosts - Remix
105 bpm • G# min • 03:44 • -12.73db
20% Popularity • 44% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 44% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Arthur Russell
Make 1,2
105 bpm • G Maj • 02:49 • -9db
33% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
33% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
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China Crisis
The Soul Awakening
105 bpm • D# Maj • 04:35 • -19db
28% Popularity • 71% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
28% Popularity • 71% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Frank Harris
Loveroom
116 bpm • B min • 03:59 • -7.77db
32% Popularity • 78% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 78% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
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Grace Jones
The Hunter Gets Captured By The Game
115 bpm • A min • 03:51 • -12.28db
28% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Pete Brandt's Method
What You Are
105 bpm • G min • 03:35 • -10.85db
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Marianne Faithfull
Green Are Your Eyes
116 bpm • A# Maj • 02:56 • -17.2db
9% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Laurie Anderson
Sharkey's Day
116 bpm • A# Maj • 07:47 • -18db
24% Popularity • 58% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
24% Popularity • 58% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Joni Mitchell
Good Friends
116 bpm • A Maj • 04:28 • -14.26db
24% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Virginia Astley
Love's a Lonely Place to Be
116 bpm • D# Maj • 03:27 • -12.81db
11% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Grace Jones
Unlimited Capacity For Love
115 bpm • C Maj • 05:46 • -10.24db
27% Popularity • 78% Danceability • 65% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
27% Popularity • 78% Danceability • 65% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
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Saint Etienne
Girl VII
116 bpm • D Maj • 03:46 • -12.53db
28% Popularity • 61% Danceability • 72% Energy • 8% Liveness
72% Instrumentalness • 70% Positiveness
28% Popularity • 61% Danceability • 72% Energy • 8% Liveness
72% Instrumentalness • 70% Positiveness
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Eddie Chacon
My Mind Is Out of Its Mind
104 bpm • C min • 03:49 • -10.17db
22% Popularity • 76% Danceability • 48% Energy • 19% Liveness
12% Instrumentalness • 75% Positiveness
22% Popularity • 76% Danceability • 48% Energy • 19% Liveness
12% Instrumentalness • 75% Positiveness
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Kirsty MacColl
Walking Down Madison (6am Ambient Remix)
104 bpm • D min • 04:57 • -11.49db
8% Popularity • 62% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 62% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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The Style Council
The Gardener Of Eden (A Three Piece Suit...
104 bpm • A Maj • 10:27 • -12.44db
17% Popularity • 34% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
17% Popularity • 34% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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Paul Simon
The Rhythm of the Saints
116 bpm • F Maj • 04:12 • -15.75db
32% Popularity • 74% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 56% Positiveness
32% Popularity • 74% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 56% Positiveness
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Grace Jones
Williams Blood
104 bpm • F# min • 05:59 • -8db
33% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
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Fun Boy Three
Alone
116 bpm • A min • 03:01 • -13.18db
19% Popularity • 78% Danceability • 42% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
19% Popularity • 78% Danceability • 42% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
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Marianne Faithfull
Witches' Song
104 bpm • D Maj • 04:43 • -14.76db
30% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Betty Davis
You And I
117 bpm • B Maj • 02:45 • -12.87db
21% Popularity • 44% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 44% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Dolby
The Flat Earth
117 bpm • F# Maj • 06:41 • -13.74db
27% Popularity • 68% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 68% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Julee Cruise
Summer Kisses, Winter Tears
103 bpm • G min • 02:37 • -20.31db
40% Popularity • 51% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 51% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Grace Jones
The Hunter Gets Captured By The Game
117 bpm • A min • 06:43 • -9.94db
19% Popularity • 83% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 83% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
