Songs like I've Found Someone Of My Own by Cal Smith
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Rich
I Can't Even Drink It Away
97 bpm • C Maj • 03:14 • -13.88db
31% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tommy Collins
Poor, Broke, Mixed up Mess of a Heart
97 bpm • G Maj • 02:09 • -14.9db
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Mel Tillis
Southern Rains
97 bpm • G Maj • 02:33 • -12.15db
27% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Walker
Matamoros
97 bpm • D Maj • 03:38 • -14.18db
24% Popularity • 61% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 61% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Cal Smith
I've Found Someone Of My Own
97 bpm • A# Maj • 03:24 • -14.91db
34% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Rodriguez
I Just Can't Get Her Out Of My Mind
97 bpm • F Maj • 02:36 • -10.18db
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Kitty Wells
I Can't Stop Loving You - 1958 Single Ve...
97 bpm • F# Maj • 02:16 • -12.84db
34% Popularity • 54% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 54% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Buck Owens And His Buckaroos
You'll Never Miss the Water (Till the We...
97 bpm • A Maj • 02:28 • -8.33db
16% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Dick Curless
Hard, Hard Traveling Man
98 bpm • G Maj • 02:33 • -8db
29% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
29% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
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Cal Smith
Country Bumpkin
96 bpm • G Maj • 03:00 • -9.27db
20% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Red Sovine
Lay Down Sally
96 bpm • D Maj • 02:45 • -11.9db
29% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Stampley
Whiskey Chasin'
96 bpm • G# Maj • 02:47 • -11.89db
27% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Country Side Of Harmonica Sam
Broken Bottle, Broken Heart
96 bpm • G Maj • 02:52 • -11.79db
29% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Mel McDaniel
Maximum Living On A Minimum Wage
98 bpm • C# Maj • 02:57 • -7.47db
36% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Eddy Arnold
Carry Me Back to the Lone Prairie
96 bpm • D Maj • 02:18 • -14.39db
37% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Red Simpson
Awful Lot To Learn About Truck Drivin'
96 bpm • A Maj • 02:52 • -6.66db
15% Popularity • 60% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 60% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 95% Positiveness
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Stonewall Jackson
Trouble and Me
98 bpm • D# Maj • 02:14 • -9.67db
29% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Stampley
I'm Gonna Love You Back to Loving Me Aga...
98 bpm • B Maj • 02:13 • -13db
23% Popularity • 75% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 75% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Nat Stuckey
Don't Pay the Ransom
98 bpm • G# Maj • 02:08 • -6db
19% Popularity • 66% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
19% Popularity • 66% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Cal Smith
Country Bumpkin
98 bpm • G Maj • 03:31 • -15.41db
10% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Rodriguez
That's The Way Love Goes
98 bpm • G Maj • 01:51 • -11db
44% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jim Ed Brown
Southern Loving
99 bpm • F Maj • 02:13 • -10.54db
24% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Tommy Cash
The Ramblin' Kind
98 bpm • B min • 02:13 • -8db
21% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Ernest Tubb
Waltz Across Texas
99 bpm • A Maj • 02:39 • -7.98db
10% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Mel McDaniel
Goodbye Marie
95 bpm • D# Maj • 02:56 • -7.83db
36% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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MEL STREET
I Met A Friend Of Yours Today
99 bpm • E Maj • 03:12 • -11db
29% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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T.G. Sheppard
Only One You
95 bpm • E min • 03:22 • -12.45db
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
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Cal Smith
Bring Me My Memories In Person
95 bpm • G Maj • 03:00 • -16.15db
8% Popularity • 60% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 60% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Eddy Arnold
Tennessee Stud - Remastered
95 bpm • F Maj • 03:06 • -15.68db
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Ernest Tubb
Mr. Jukebox
95 bpm • A Maj • 02:10 • -15.44db
21% Popularity • 56% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
21% Popularity • 56% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
35% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Watson
Speak Softly (You're Talking To My Heart...
99 bpm • C Maj • 02:06 • -6.26db
33% Popularity • 62% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 62% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Rich
Rollin' With The Flow
95 bpm • D Maj • 02:40 • -11.42db
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Hank Thompson
On Tap, In The Can Or In The Bottle
95 bpm • A# Maj • 02:27 • -13db
20% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Cal Smith
Country Bumpkin
95 bpm • G Maj • 03:49 • -9.89db
1% Popularity • 50% Danceability • 50% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 50% Danceability • 50% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
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Jessi Colter
That's the Chance I'll Have to Take
94 bpm • A# Maj • 02:01 • -14db
31% Popularity • 68% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 68% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Roy Drusky
Long Long Texas Road
100 bpm • E Maj • 02:23 • -11.65db
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Watson
Pick The Wildwood Flower
94 bpm • G Maj • 02:21 • -8.66db
36% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Vern Gosdin
I'm Still Crazy
94 bpm • G Maj • 02:46 • -12.94db
36% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Eddy Arnold
The Wayward Wind
101 bpm • C# Maj • 03:06 • -15.86db
32% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Cal Smith
Today I Started Loving You Again
94 bpm • F Maj • 02:18 • -11.99db
0% Popularity • 43% Danceability • 24% Energy • 10% Liveness
6% Instrumentalness • 56% Positiveness
0% Popularity • 43% Danceability • 24% Energy • 10% Liveness
6% Instrumentalness • 56% Positiveness
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Hank Thompson
Rub-A-Dub-Dub
101 bpm • A Maj • 02:10 • -15db
15% Popularity • 79% Danceability • 42% Energy • 12% Liveness
4% Instrumentalness • 85% Positiveness
15% Popularity • 79% Danceability • 42% Energy • 12% Liveness
4% Instrumentalness • 85% Positiveness
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Tommy Cash
The Long Black Veil
94 bpm • E Maj • 02:28 • -10db
18% Popularity • 65% Danceability • 60% Energy • 11% Liveness
15% Instrumentalness • 81% Positiveness
18% Popularity • 65% Danceability • 60% Energy • 11% Liveness
15% Instrumentalness • 81% Positiveness
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Gene Watson
Raisin' Cane In Texas
94 bpm • D Maj • 02:39 • -7db
37% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Rodriguez
Pass Me By
101 bpm • G Maj • 02:37 • -6.51db
33% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Hank Thompson And His Brazos Valley Boys
Squaws Along The Yukon
101 bpm • C Maj • 02:31 • -7.05db
28% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Cal Smith
Have You Ever Been Lonely
100 bpm • G Maj • 02:55 • -11.66db
5% Popularity • 51% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
5% Popularity • 51% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
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Junior Brown
Venom Wearin' Denim
101 bpm • A Maj • 02:37 • -9.33db
29% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Bill Anderson
Three A.M.
101 bpm • D# Maj • 02:40 • -18.11db
29% Popularity • 66% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 66% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Gene Watson
Cowboys Don't Get Lucky All The Time
101 bpm • C Maj • 02:34 • -11db
36% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Porter Wagoner
The Carroll County Accident
93 bpm • G Maj • 02:48 • -13db
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Ernest Tubb
Half My Hearts In Texas
93 bpm • D Maj • 02:12 • -15.3db
25% Popularity • 74% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Cal Smith
Country Bumpkin
94 bpm • G Maj • 03:41 • -17.59db
24% Popularity • 68% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 68% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Faron Young
Hello Walls
101 bpm • C Maj • 02:26 • -10db
54% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jack Greene
There Goes My Everything
93 bpm • A# Maj • 02:23 • -12.23db
35% Popularity • 40% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 40% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Martin Murphey
Cowboy Pride
102 bpm • B Maj • 02:51 • -7.73db
21% Popularity • 73% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 73% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Vern Gosdin
That Just About Does It
102 bpm • C# Maj • 03:59 • -15db
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ernest Tubb
Drivin' Nails In My Coffin
102 bpm • G Maj • 02:48 • -5.63db
6% Popularity • 68% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
6% Popularity • 68% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Cal Smith
Drinking Champagne
93 bpm • C Maj • 03:29 • -14.42db
24% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Eddy Arnold
Leanin' on the Old Top Rail
102 bpm • A# Maj • 02:05 • -14db
35% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Buck Owens & The Buckaroos
Love's Gonna Live Here - Mono Single Ver...
92 bpm • G# Maj • 02:01 • -6.17db
47% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
47% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
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Billy Walker
Cross the Brazos at Waco
92 bpm • C# Maj • 02:50 • -14.05db
24% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Ronnie Milsap
Back On My Mind Again
92 bpm • D Maj • 03:15 • -14.51db
44% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Ernest Tubb
Soldiers Last Letter
102 bpm • G Maj • 03:26 • -7.46db
4% Popularity • 58% Danceability • 61% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
4% Popularity • 58% Danceability • 61% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Henson Cargill
Ruben James
92 bpm • G Maj • 03:25 • -10.83db
16% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Cal Smith
Wrong Road Again
92 bpm • G Maj • 02:06 • -11.42db
20% Popularity • 68% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 68% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Kitty Wells
Making Believe - 1955 Single Version
103 bpm • A# Maj • 02:55 • -11db
39% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Johnny Russell
She Burnt the Little Roadside Tavern Dow...
103 bpm • E Maj • 02:37 • -8db
28% Popularity • 68% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Joe Stampley
If You've Got Ten Minutes (Let's Fall In...
103 bpm • E Maj • 03:15 • -12.36db
19% Popularity • 53% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 53% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Tanya Tucker
The Man That Turned My Mama On
91 bpm • C Maj • 02:53 • -14.25db
21% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Mel McDaniel
Countryfied
91 bpm • D Maj • 02:38 • -7.56db
47% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Cal Smith
Arizona Whiz
92 bpm • A Maj • 03:15 • -17.91db
12% Popularity • 56% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 56% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Wynn Stewart
Another Day, Another Dollar
91 bpm • E Maj • 02:32 • -11db
19% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Rodriguez
Down On The Rio Grande
103 bpm • A Maj • 03:34 • -13db
31% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Red Simpson
A Tombstone Every Mile
104 bpm • C Maj • 02:31 • -8.16db
21% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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George Hamilton IV
Truck Driving Man
104 bpm • E Maj • 02:28 • -10.54db
30% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Charlie Walker
I Wouldn't Take Her to a Dogfight
103 bpm • A Maj • 02:13 • -8.66db
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Cal Smith
Drinking Champagne
103 bpm • F Maj • 02:40 • -17db
16% Popularity • 62% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 62% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Mel McDaniel
Hello Daddy, Good Morning Darling
104 bpm • C Maj • 03:27 • -9.14db
38% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
38% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
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Tom T. Hall
I Miss A Lot Of Trains
104 bpm • E Maj • 02:50 • -16db
26% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Hawkshaw Hawkins
Twenty Miles From Shore
91 bpm • E Maj • 01:56 • -13.98db
25% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmy C. Newman
Alligator Man
91 bpm • A Maj • 02:11 • -9db
29% Popularity • 54% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 54% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Charlie Louvin
Think I'll Go Somewhere And Cry Myself T...
104 bpm • E Maj • 03:12 • -16.87db
18% Popularity • 52% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 52% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Cal Smith
19 Years And 1800 Miles
91 bpm • A Maj • 02:59 • -11.51db
7% Popularity • 61% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 61% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Ernest Tubb
Walkin the Floor
104 bpm • C Maj • 02:05 • -7.58db
21% Popularity • 75% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
21% Popularity • 75% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
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Henson Cargill
Black Jack County Chain
90 bpm • G Maj • 02:06 • -14.99db
19% Popularity • 55% Danceability • 37% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
19% Popularity • 55% Danceability • 37% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Dale Watson
Feelin' Haggard
104 bpm • A Maj • 03:44 • -9.97db
32% Popularity • 62% Danceability • 44% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
32% Popularity • 62% Danceability • 44% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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Johnny Rodriguez
How Could I Love Her So Much
104 bpm • D Maj • 03:14 • -13db
33% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Little Jimmy Dickens
May the Bird of Paradise Fly up Your Nos...
104 bpm • E Maj • 02:31 • -8db
40% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
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Cal Smith
The Ghost Of Jim Bob Wilson
91 bpm • G Maj • 02:57 • -12.89db
4% Popularity • 69% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
4% Popularity • 69% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Earl Scruggs
Song of the South
90 bpm • D Maj • 02:51 • -8.07db
28% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Hank Snow
Miller's Cave
90 bpm • G Maj • 02:37 • -7.4db
23% Popularity • 46% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 46% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Tom T. Hall
Who's Gonna Feed Them Hogs
105 bpm • G Maj • 02:36 • -11db
39% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Rodriguez
Pass Me By (If You're Only Passing Throu...
104 bpm • G# Maj • 02:29 • -9.29db
36% Popularity • 55% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 55% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Hank Thompson
The Older The Violin, The Sweeter The Mu...
105 bpm • E Maj • 02:20 • -13.48db
17% Popularity • 67% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 67% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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MEL STREET
Borrowed Angel
105 bpm • E Maj • 03:13 • -13db
33% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness