Songs like I've Got a Crush On You by Steve Tyrell
Based on a tempo of (+/- 10%) and a similar genre
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Steve Tyrell
I've Got a Crush On You
79 bpm • G Maj • 02:32 • -9.17db
54% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kat Edmonson
What a Wonderful World
79 bpm • G# Maj • 02:44 • -15db
44% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
44% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Dean Martin
I've Grown Accustomed To Her Face - Rema...
79 bpm • C Maj • 02:42 • -16db
52% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Heather Rigdon
My Mother Would Like You
78 bpm • B min • 04:05 • -12.05db
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Malene Mortensen
The Look of Love
79 bpm • G Maj • 03:55 • -13db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Kevin Mahogany
Wild Honey
78 bpm • D Maj • 04:49 • -14.45db
18% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Erin Boheme
Someone To Love
80 bpm • B Maj • 04:05 • -17.12db
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jeff Cascaro
Ma Babe
80 bpm • F min • 02:57 • -13.28db
48% Popularity • 65% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 65% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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John Stevens
I Only Have Eyes for You
80 bpm • A# Maj • 04:05 • -13db
14% Popularity • 30% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Kandace Springs
The Nearness Of You
80 bpm • C Maj • 03:36 • -12db
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sylvia Bennett
C’est magnifique
80 bpm • C Maj • 02:53 • -8.61db
19% Popularity • 73% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 73% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Eliane Elias
Little Paradise
80 bpm • F min • 04:59 • -15.42db
52% Popularity • 40% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
52% Popularity • 40% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
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Jimmy Durante
As Time Goes By
80 bpm • D Maj • 02:28 • -11.19db
44% Popularity • 41% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
44% Popularity • 41% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
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Janet Seidel
Twilight Time
81 bpm • C Maj • 03:25 • -13.64db
30% Popularity • 80% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 80% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Anita O'Day
I Love You
81 bpm • B min • 01:59 • -10.79db
38% Popularity • 38% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 38% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Norah Jones
The Nearness Of You
81 bpm • C Maj • 03:07 • -14.72db
60% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
60% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Curtis Stigers
Love Is Here To Stay
81 bpm • G min • 04:19 • -13.32db
47% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tony Bennett
'S Wonderful
77 bpm • G min • 02:50 • -12.52db
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Bria Skonberg
Dance Me to the End of Love
81 bpm • E min • 05:36 • -17.72db
42% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Malene Mortensen
Que Sera Sera
81 bpm • A Maj • 03:14 • -8db
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Anita O'Day
Waiter, Make Mine Blues
81 bpm • G# Maj • 03:20 • -17db
39% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Melody Gardot
Your Heart Is As Black As Night
77 bpm • C min • 02:42 • -10.49db
53% Popularity • 37% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
53% Popularity • 37% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Lyambiko
I Got Rhythm
82 bpm • G# Maj • 03:25 • -10.21db
20% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Laura Fygi
La vie en rose
82 bpm • D# Maj • 03:47 • -12.64db
52% Popularity • 50% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 50% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bria Skonberg
L.O.V.E.
77 bpm • G min • 02:34 • -5.41db
28% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Steve Tyrell
All The Way
76 bpm • G# Maj • 03:41 • -11.3db
18% Popularity • 19% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 14% Positiveness
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Karrin Allyson
Everytime We Say Goodbye
76 bpm • C# Maj • 06:01 • -11.57db
45% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Natalie Cole
The Very Thought Of You
76 bpm • C min • 04:16 • -16db
46% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Renee Olstead
A Love That Will Last
82 bpm • B min • 03:32 • -11.03db
57% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Katharine McPhee
All the Way
76 bpm • F# min • 03:55 • -12.14db
44% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Suss von Ahn
Alone Again, Naturally
82 bpm • G min • 03:07 • -10db
42% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Eartha Kitt
C'est Si Bon
76 bpm • F min • 02:59 • -15.77db
46% Popularity • 54% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 54% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jill Barber
Be My Man
76 bpm • A Maj • 03:00 • -11db
55% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Karrin Allyson
How Long Has This Been Going On?
76 bpm • A# min • 05:39 • -21.29db
43% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
43% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Dinah Shore
It Had To Be You
83 bpm • G min • 03:23 • -15.36db
27% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Kat Edmonson
Oh My Love
82 bpm • B min • 02:46 • -11.56db
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Vic Damone
All the Things You Are
83 bpm • G# Maj • 03:27 • -10.85db
31% Popularity • 19% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 19% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Lisa Bassenge
Three Cigarettes in an Ashtray
83 bpm • F Maj • 03:07 • -11db
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Ray Charles
It Had to Be You
83 bpm • D# Maj • 02:44 • -13db
51% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Malene Mortensen
You Belong to Me
75 bpm • F Maj • 03:48 • -11.97db
35% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
36% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Natalie Cole
Route 66
75 bpm • F Maj • 03:01 • -16.28db
47% Popularity • 67% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 67% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Heather Rigdon
Heartbroken Me
75 bpm • G min • 02:50 • -13.97db
57% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Erin Boheme
Teach Me Tonight
75 bpm • G Maj • 04:40 • -14.85db
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Grant
We've Only Just Begun
75 bpm • C# Maj • 03:12 • -9.68db
17% Popularity • 27% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 27% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Malene Mortensen
Another Day
83 bpm • G min • 04:09 • -13db
39% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Melody Gardot
Worrisome Heart
75 bpm • D min • 04:21 • -14db
56% Popularity • 37% Danceability • 28% Energy • 18% Liveness
15% Instrumentalness • 21% Positiveness
56% Popularity • 37% Danceability • 28% Energy • 18% Liveness
15% Instrumentalness • 21% Positiveness
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Jeri Southern
Smoke Gets In Your Eyes
75 bpm • G Maj • 03:51 • -16.27db
30% Popularity • 26% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 26% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Holiday
April In Paris
75 bpm • C Maj • 03:05 • -14.21db
58% Popularity • 50% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 50% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Cecilia Dale
How High the Moon - Bossa Version
75 bpm • E min • 02:46 • -13.96db
17% Popularity • 62% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 55% Positiveness
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Steve Tyrell
I'll Be Seeing You
75 bpm • C# Maj • 04:22 • -11.93db
18% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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The Manhattan Transfer
Scotch And Soda
84 bpm • F# min • 03:00 • -18.25db
31% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Chet Baker
The More I See You
74 bpm • D Maj • 03:06 • -11db
52% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Renee Olstead
What a Difference a Day Makes
84 bpm • C Maj • 03:28 • -13.28db
48% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Veronica Swift
Prisoner of Love
74 bpm • C# Maj • 04:16 • -12.57db
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Flora MartÃnez
Good Morning Heartache
74 bpm • D# min • 03:13 • -9.03db
37% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Isabella Taviani
(They Long To Be) Close To You
85 bpm • F Maj • 03:31 • -11.96db
48% Popularity • 68% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
48% Popularity • 68% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Bryan Ferry
As Time Goes By
85 bpm • C# Maj • 02:34 • -14.63db
49% Popularity • 50% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 50% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Steve Tyrell
As Time Goes By
73 bpm • C Maj • 03:57 • -11.96db
21% Popularity • 60% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 60% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Roberta Gambarini
Porgy, I's Your Woman Now/I Loves You , ...
85 bpm • C min • 07:24 • -15.44db
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Natalie Cole
Unforgettable
86 bpm • F Maj • 03:30 • -13.37db
62% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
62% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Delicatessen
I love the way you're breaking my heart
86 bpm • F Maj • 02:08 • -15.99db
42% Popularity • 61% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 61% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Haden Quartet West
If I'm Lucky
72 bpm • D# Maj • 05:39 • -13db
28% Popularity • 27% Danceability • 30% Energy • 23% Liveness
2% Instrumentalness • 17% Positiveness
28% Popularity • 27% Danceability • 30% Energy • 23% Liveness
2% Instrumentalness • 17% Positiveness
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Harold Mabern
Don't Misunderstand
72 bpm • G# Maj • 04:22 • -13.52db
33% Popularity • 51% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 15% Positiveness
33% Popularity • 51% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 15% Positiveness
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Joe Sample
One Day I Fly Away
86 bpm • A Maj • 04:00 • -12.97db
45% Popularity • 77% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 67% Positiveness
45% Popularity • 77% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 67% Positiveness
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Roberta Gambarini
You Are There
73 bpm • C Maj • 02:48 • -17.59db
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Glenn Frey
For Sentimental Reasons
72 bpm • C# Maj • 03:03 • -16.84db
47% Popularity • 36% Danceability • 20% Energy • 11% Liveness
20% Instrumentalness • 36% Positiveness
47% Popularity • 36% Danceability • 20% Energy • 11% Liveness
20% Instrumentalness • 36% Positiveness
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Steve Tyrell
At Last
72 bpm • G min • 03:52 • -8.1db
20% Popularity • 28% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 28% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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June Christy
Something Cool - Mono
72 bpm • A# min • 04:18 • -9.92db
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Bria Skonberg
You're Getting to Be a Habit with Me
72 bpm • A# Maj • 03:38 • -14.47db
33% Popularity • 66% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 66% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Madeleine Peyroux
Smile
87 bpm • B Maj • 03:57 • -15.59db
51% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Katharine McPhee
It Never Entered My Mind
71 bpm • C# Maj • 04:28 • -12.38db
36% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lizz Wright
I'm Confessin'
87 bpm • C# Maj • 02:58 • -16db
48% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Dinah Shore
My Funny Valentine
71 bpm • G min • 03:33 • -15.22db
22% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Molly Johnson
You've Changed
88 bpm • A# min • 04:30 • -10.94db
41% Popularity • 36% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 36% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Erin Boheme
Let's Do It
71 bpm • D# Maj • 05:08 • -15.53db
30% Popularity • 43% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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melissa elliotte
It Must Be Love
71 bpm • F min • 03:13 • -11.22db
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Steve Tyrell
The Very Thought of You
88 bpm • G Maj • 03:32 • -11.31db
24% Popularity • 63% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 63% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Eartha Kitt
Je Cherche Un Homme
88 bpm • C# Maj • 02:52 • -10.49db
52% Popularity • 56% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 56% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Madeleine Peyroux
To Love You All Over Again
89 bpm • B Maj • 03:57 • -12db
50% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Laura Fygi
Dream A Little Dream
88 bpm • C Maj • 03:37 • -15.22db
52% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Susannah McCorkle
I Don't Want To Set The World On Fire
89 bpm • A# min • 03:27 • -14db
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Andy James
Autumn In New York
70 bpm • C# Maj • 04:23 • -9.33db
41% Popularity • 39% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 16% Positiveness
41% Popularity • 39% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 16% Positiveness
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Steve Tyrell
The Nearness Of You
88 bpm • F Maj • 04:00 • -10.54db
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Buddy Greco
My Kind Of Girl
70 bpm • F Maj • 02:40 • -12.67db
43% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Kevin Mahogany
Teach Me Tonight
70 bpm • C Maj • 04:24 • -16.81db
30% Popularity • 48% Danceability • 22% Energy • 13% Liveness
19% Instrumentalness • 16% Positiveness
30% Popularity • 48% Danceability • 22% Energy • 13% Liveness
19% Instrumentalness • 16% Positiveness
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John Stevens
Someone to Watch over Me
70 bpm • D min • 04:44 • -11.28db
12% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Angelina Jordan
What a Difference a Day Makes
70 bpm • C Maj • 02:22 • -12.89db
47% Popularity • 64% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 64% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Lizz Wright
Stars Fell On Alabama
90 bpm • D Maj • 03:52 • -14.39db
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Steve Tyrell
Nevertheless (I'm In Love With You)
71 bpm • A# Maj • 04:15 • -9.06db
19% Popularity • 51% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 51% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Billie Holiday
As Time Goes By
69 bpm • E min • 03:14 • -15.21db
55% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Katharine McPhee
Night and Day
90 bpm • A Maj • 05:08 • -15.21db
29% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Natalie Cole
Our Love Is Here To Stay
69 bpm • C Maj • 03:29 • -14.97db
50% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
