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I've Got a Feelin'I'm Fallin'
Songs like
I've Got a Feelin'I'm Fallin'
by
Paul Posnak
Based on a tempo of (+/- 10%) and a similar genre
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Paul Creston
Saxophone Sonata, Op. 19: II. With tranq...
77 bpm • D Maj • 05:28 • -19.03db
13% Popularity • 17% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
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Paul Chihara
Concerto-Fantasy: I. Dolce Cantabile - A...
77 bpm • F Maj • 05:30 • -26.92db
8% Popularity • 17% Danceability • 6% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Nikolai Kapustin
24 Preludes, Op. 53: No. 5 in D Major
77 bpm • D# Maj • 01:47 • -18.97db
7% Popularity • 39% Danceability • 11% Energy • 18% Liveness
94% Instrumentalness • 17% Positiveness
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Winfred Jeremiah
I Love The Portrait
77 bpm • A# Maj • 03:05 • -15.98db
26% Popularity • 14% Danceability • 15% Energy • 33% Liveness
66% Instrumentalness • 10% Positiveness
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Florent Schmitt
La Tragédie de Salomé, Op. 50: V. Quat...
77 bpm • E Maj • 02:33 • -25.61db
13% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
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Paul Posnak
Mazurka in F (Chopin)
77 bpm • C# Maj • 02:46 • -22.65db
0% Popularity • 23% Danceability • 23% Energy • 14% Liveness
85% Instrumentalness • 35% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme: Don...
77 bpm • F Maj • 00:58 • -26.09db
8% Popularity • 20% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Knocky Parker
The Nonpareil
77 bpm • D# Maj • 01:25 • -20.46db
11% Popularity • 52% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 72% Positiveness
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Johnny Pearson
Lovers and Friends - 60 Second Edit
77 bpm • B min • 01:03 • -24.92db
11% Popularity • 33% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
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Charles Wakefield Cadman
Piano Trio in D Major, Op. 56: II. Andan...
76 bpm • G Maj • 09:08 • -26.54db
0% Popularity • 14% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
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Aaron Copland
Vitebsk
78 bpm • C min • 12:03 • -24.23db
0% Popularity • 29% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Paul Posnak
Mazurka in B-Flat (Chopin)
78 bpm • A# Maj • 02:23 • -20.53db
0% Popularity • 38% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 50% Positiveness
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Andrew Grenci
Two Rags for Bass Clarinet and Piano: I....
76 bpm • A Maj • 05:45 • -23.66db
10% Popularity • 25% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Schmuzick Productions
Mouret: Rondeau
78 bpm • D Maj • 01:51 • -11.08db
14% Popularity • 66% Danceability • 30% Energy • 23% Liveness
86% Instrumentalness • 68% Positiveness
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Kåre Chr. Vestrheim
Svalbard in 8mm
78 bpm • C Maj • 01:12 • -16.59db
8% Popularity • 43% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
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The Gerst Ensemble
Piano Music for Big and Small, Op. 53: N...
79 bpm • G Maj • 01:43 • -29.78db
16% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
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John Alden Carpenter
Piano Quintet: II. Andante
79 bpm • F# Maj • 07:42 • -26.83db
0% Popularity • 11% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
76 bpm • A min • 01:07 • -25.03db
9% Popularity • 69% Danceability • 0% Energy • 10% Liveness
76% Instrumentalness • 66% Positiveness
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Gabriel de Paula Machado
Valsa Triste
75 bpm • G# min • 05:05 • -26.22db
8% Popularity • 31% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Aurelio Scotto
Riflessi trasfigurati
79 bpm • A# Maj • 03:30 • -23.26db
12% Popularity • 32% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Aaron Copland
Four Piano Blues (1926-48): 1. Freely Po...
79 bpm • F Maj • 02:09 • -29.48db
4% Popularity • 40% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Samuel Barber
Souvenirs, Op. 28: III. Pas de deux
75 bpm • C Maj • 03:35 • -29.58db
20% Popularity • 36% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Alfred Schnittke
The Glass Harmonica Suite (arr. F. Strob...
75 bpm • G min • 01:22 • -30.33db
10% Popularity • 22% Danceability • 2% Energy • 60% Liveness
80% Instrumentalness • 10% Positiveness
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Paul Posnak
Alligator Crawl
79 bpm • C Maj • 02:46 • -18.58db
8% Popularity • 51% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61 (1...
75 bpm • E Maj • 01:25 • -27db
17% Popularity • 21% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Michele Mangani
Blues from An American in Paris
75 bpm • G# Maj • 03:48 • -15.57db
8% Popularity • 26% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 31% Positiveness
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Dmitri Shostakovich
Shostakovich: Concerto for Piano, Trumpe...
79 bpm • C min • 06:49 • -17.07db
1% Popularity • 39% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
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William Grant Still
Afro-American Symphony: I. Moderato assa...
79 bpm • G# Maj • 07:24 • -19.1db
10% Popularity • 19% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Etudes-Tableaux, Op. 39: No. 6 in A Mino...
79 bpm • A min • 02:47 • -17.67db
9% Popularity • 37% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Massimo Colombo
Barchette
79 bpm • D min • 01:15 • -16.84db
12% Popularity • 32% Danceability • 22% Energy • 18% Liveness
84% Instrumentalness • 15% Positiveness
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Max Morath
Top Liner Rag
79 bpm • G# Maj • 03:53 • -20.97db
15% Popularity • 45% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 67% Positiveness
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John Alden Carpenter
Piano Quintet: I. Moderato
80 bpm • D Maj • 10:25 • -23.97db
0% Popularity • 25% Danceability • 7% Energy • 13% Liveness
71% Instrumentalness • 6% Positiveness
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Edvard Grieg
Norwegian Peasant Dances, Op. 72: No. 14...
80 bpm • G Maj • 02:14 • -27.04db
10% Popularity • 34% Danceability • 6% Energy • 6% Liveness
90% Instrumentalness • 13% Positiveness
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Enrique Granados
Goyescas, Op. 11, Book 1: No. 1, Los req...
74 bpm • D# Maj • 10:20 • -23.02db
9% Popularity • 30% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Preludes Op.23: Preludes, Op. 23: No.4 i...
74 bpm • D Maj • 05:20 • -27.92db
13% Popularity • 28% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Holido
Illusion
80 bpm • D# min • 01:15 • -23.41db
11% Popularity • 70% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Frédéric Chopin
Chopin: Polonaise in A-Flat Major, Op. 5...
80 bpm • G# Maj • 07:00 • -15.06db
2% Popularity • 39% Danceability • 29% Energy • 10% Liveness
82% Instrumentalness • 34% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Nikolai Kapustin
Concerto for Violin & Piano, Op. 105: II...
81 bpm • G min • 07:16 • -20.88db
9% Popularity • 33% Danceability • 9% Energy • 18% Liveness
23% Instrumentalness • 7% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": I. Long...
81 bpm • G# Maj • 07:33 • -28db
19% Popularity • 14% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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James Hubert Blake
Dictys on 7th Avenue
81 bpm • G# Maj • 03:14 • -23.67db
10% Popularity • 46% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Stephen Perillo
Piano Trio: II. Andante
81 bpm • D min • 06:47 • -16.85db
0% Popularity • 24% Danceability • 7% Energy • 8% Liveness
54% Instrumentalness • 13% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410 (Arr. A. Grü...
73 bpm • D# Maj • 03:59 • -26.37db
9% Popularity • 44% Danceability • 13% Energy • 35% Liveness
47% Instrumentalness • 52% Positiveness
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Samuel Coleridge-Taylor
Valse Suite, Op. 71 “Three-Fours”: I...
73 bpm • G# Maj • 03:20 • -27.87db
15% Popularity • 43% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Nikolai Kapustin
24 Preludes, Op. 53: No. 23 in F Major
81 bpm • F Maj • 01:50 • -12.81db
12% Popularity • 29% Danceability • 40% Energy • 21% Liveness
87% Instrumentalness • 42% Positiveness
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Claudio Constantini
Summertime Variations: Var. 1
81 bpm • E min • 01:02 • -31.35db
18% Popularity • 29% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Ivor Novello
If Only He'd Looked My Way [Arr. S. Mul...
81 bpm • C Maj • 02:46 • -21.16db
10% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Sergei Rachmaninoff
Six Moments musicaux Op. 16: No. 5, Adag...
73 bpm • C# Maj • 04:06 • -34.31db
12% Popularity • 27% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Rodgers
Where or When
73 bpm • C# Maj • 05:33 • -33db
7% Popularity • 16% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Clara Schumann
4 Pièces fugitives, Op. 15: No. 1, Larg...
73 bpm • F Maj • 03:09 • -27.94db
8% Popularity • 37% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Gabrieli String Quartet
John Hector McFarlane and His Mother (Th...
73 bpm • F min • 02:01 • -32db
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
73 bpm • C Maj • 02:39 • -22.76db
11% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 21 in B...
73 bpm • A# Maj • 02:06 • -21.12db
20% Popularity • 40% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Schmuzick Productions
Puccini: Nessun Dorma, from Turandot
73 bpm • D Maj • 02:07 • -13.41db
14% Popularity • 52% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
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Charles Wakefield Cadman
Violin Sonata in G Major: II. Andante gr...
73 bpm • E min • 11:42 • -25.87db
0% Popularity • 15% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Alexandre Tharaud
Tharaud: Valse improvisée dans le style...
81 bpm • C Maj • 02:16 • -28.25db
16% Popularity • 38% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120: II. ...
81 bpm • A min • 04:06 • -28.43db
7% Popularity • 15% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Moritz Moszkowski
4 Morceaux, Op. 68: II. Minuetto
73 bpm • F Maj • 04:32 • -24.72db
7% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
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Paul Posnak
Summertime
82 bpm • A# min • 02:36 • -23.45db
0% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Jerome Kern
Look for the Silver Lining (Arr. T. Post...
82 bpm • E Maj • 02:11 • -19.9db
12% Popularity • 24% Danceability • 15% Energy • 15% Liveness
95% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
Étude-Tableau in A minor, Op. 39, No. 6
82 bpm • G min • 02:51 • -21.68db
13% Popularity • 46% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Michel Legrand
Concerto pour violoncelle et orchestre: ...
82 bpm • C Maj • 02:55 • -20.3db
10% Popularity • 44% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 31% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": I. Mode...
82 bpm • G# Maj • 07:26 • -23.97db
9% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Agathe Backer Grøndahl
Norske folkeviser og folkedanse, Op. 33 ...
73 bpm • A Maj • 01:11 • -23.47db
18% Popularity • 36% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 37% Positiveness
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Paul Posnak
'Swonderful / Funny Face
82 bpm • G min • 03:30 • -18.14db
0% Popularity • 53% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 24% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
82 bpm • E Maj • 04:40 • -25.54db
0% Popularity • 12% Danceability • 5% Energy • 13% Liveness
73% Instrumentalness • 9% Positiveness
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Miikka Lehtoaho
Thank to Thee
72 bpm • F min • 05:57 • -17.79db
11% Popularity • 22% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: No. 1, Etude
72 bpm • C# min • 02:29 • -32.26db
16% Popularity • 44% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 11% Positiveness
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Hershy Kay
Who Cares? (after Gershwin): My One and ...
82 bpm • A# Maj • 02:27 • -19.06db
8% Popularity • 30% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 27% Positiveness
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Sonia Cugini
Melody 18
72 bpm • C min • 01:36 • -14.31db
11% Popularity • 58% Danceability • 50% Energy • 10% Liveness
91% Instrumentalness • 42% Positiveness
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Laurent Courbier
About Spring
72 bpm • D# Maj • 01:54 • -25.74db
16% Popularity • 41% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 49% Positiveness
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Nikolai Kapustin
Concerto No. 2, Op. 14: III. Rondo-tocca...
72 bpm • F min • 05:03 • -18.14db
12% Popularity • 28% Danceability • 37% Energy • 20% Liveness
90% Instrumentalness • 52% Positiveness
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Gabriel Fauré
Nocturne No. 6 in D-Flat, Op. 63
72 bpm • C# Maj • 08:37 • -22.69db
8% Popularity • 30% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Aleksandr Spendiaryan
Crimean Sketches, Series 1, Op. 9 (Arr. ...
82 bpm • G Maj • 01:31 • -19.8db
16% Popularity • 31% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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Bill Withers
Just the Two of Us (Arr. For piano by Ma...
72 bpm • C# Maj • 01:38 • -29.28db
7% Popularity • 32% Danceability • 4% Energy • 8% Liveness
81% Instrumentalness • 18% Positiveness
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Christian Schittenhelm
Five Flowers
82 bpm • C# Maj • 01:31 • -20.44db
10% Popularity • 41% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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蔡榮吉
世界名曲:幽默曲
72 bpm • F# Maj • 03:16 • -18.42db
8% Popularity • 47% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
Concert Phantasy on 'Le coq d'or': The T...
72 bpm • G# Maj • 01:11 • -22db
14% Popularity • 32% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Ernesto Lecuona
Ante el Escorial
72 bpm • D# min • 04:44 • -23.48db
8% Popularity • 43% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Teddy Abrams
Piano Concerto: II. Cadenza I
83 bpm • G# Maj • 05:29 • -19.75db
19% Popularity • 31% Danceability • 29% Energy • 65% Liveness
87% Instrumentalness • 19% Positiveness
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Liberace with Paul Weston and His Orchestra
Rachmaninoff Fantasia
83 bpm • D Maj • 06:33 • -24.36db
10% Popularity • 27% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Edward Chang Violin
The Promise of the World (Howl's Moving ...
83 bpm • C Maj • 04:58 • -16.98db
13% Popularity • 27% Danceability • 27% Energy • 12% Liveness
26% Instrumentalness • 29% Positiveness
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Christopher Norton
New Kid
83 bpm • F Maj • 01:51 • -20.45db
8% Popularity • 65% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 57% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: Valse
71 bpm • C Maj • 05:22 • -28.92db
13% Popularity • 11% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Ernesto Cavallini
Adagio e tarantella per clarinetto e pia...
83 bpm • F Maj • 05:33 • -22.47db
8% Popularity • 29% Danceability • 10% Energy • 19% Liveness
47% Instrumentalness • 23% Positiveness
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Paul Posnak
Short Story
83 bpm • G Maj • 03:16 • -18.07db
0% Popularity • 41% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Irving Berlin
The Jazz Singer: Blue Skies (arr. D. Hym...
83 bpm • C# Maj • 01:21 • -27.79db
8% Popularity • 40% Danceability • 4% Energy • 14% Liveness
92% Instrumentalness • 27% Positiveness
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Winfred Jeremiah
A Fascinating Night
83 bpm • A# Maj • 02:13 • -17.87db
26% Popularity • 25% Danceability • 15% Energy • 19% Liveness
54% Instrumentalness • 17% Positiveness
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Lyle Chan
The Perfumed Calyx
71 bpm • A Maj • 07:32 • -15.63db
9% Popularity • 20% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Madeleine Dring
Colour Suite: IV. Blue air
84 bpm • G min • 02:49 • -21.61db
14% Popularity • 46% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 21 in B-Flat Ma...
71 bpm • A# Maj • 01:52 • -28.91db
18% Popularity • 29% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Paul Posnak
The Man I Love
83 bpm • F min • 02:51 • -20.63db
0% Popularity • 44% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Enrique Granados
A La Cubana, Habanera, Op. 36 - Duo-Art ...
71 bpm • D# Maj • 03:24 • -25.66db
14% Popularity • 41% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Cyril Scott
Notturno, Op. 54, No. 5
71 bpm • F Maj • 03:20 • -28.23db
9% Popularity • 44% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Aaron Copland
Violin Sonata: II. Lento
84 bpm • G Maj • 04:57 • -34.81db
1% Popularity • 16% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaylord Yost
4 American Indian Songs, Op. 45: No. 1. ...
84 bpm • G Maj • 02:31 • -29.14db
0% Popularity • 20% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Percy Grainger
Country Gardens (Handkerchief Dance) - A...
84 bpm • D# Maj • 02:11 • -15.03db
10% Popularity • 42% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 61% Positiveness
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Hershy Kay
Who Cares? (after Gershwin): 'S Wonderfu...
84 bpm • D Maj • 03:37 • -21.34db
9% Popularity • 28% Danceability • 13% Energy • 28% Liveness
94% Instrumentalness • 12% Positiveness
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Walter Kaufmann
Concerto for Piano and Orchestra No. 3: ...
84 bpm • F min • 09:44 • -24.3db
7% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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I've Got a Feelin'I'm Fallin'