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I've Got To Go Back Home
Songs like
I've Got To Go Back Home
by
Marcia Griffiths
Based on a tempo of (+/- 10%) and a similar genre
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The Jamaicans
Ba Ba Boom
152 bpm • D# Maj • 03:21 • -11.36db
44% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Delano Stewart
Tell Me Baby
151 bpm • A# min • 02:43 • -10.17db
17% Popularity • 64% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Slim Smith
Everybody Needs Love
153 bpm • F min • 02:19 • -8.3db
14% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Tenor Saw
I Got To Be There (Roll Call)
151 bpm • G Maj • 03:48 • -4db
22% Popularity • 70% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Lester Sterling
Afrikaan Beat
153 bpm • B Maj • 02:56 • -8db
27% Popularity • 77% Danceability • 64% Energy • 18% Liveness
89% Instrumentalness • 84% Positiveness
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Max Romeo
Valley Of Jehosaphat - Version
153 bpm • B min • 05:02 • -8.04db
32% Popularity • 75% Danceability • 60% Energy • 6% Liveness
14% Instrumentalness • 69% Positiveness
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Pluto Shervington
Ramgoat Liver
150 bpm • A Maj • 03:05 • -14.52db
25% Popularity • 85% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Roland Alphonso
1000 Tons of Megaton
154 bpm • F min • 02:14 • -3db
22% Popularity • 54% Danceability • 87% Energy • 18% Liveness
51% Instrumentalness • 96% Positiveness
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Slim Smith
Everybody Needs Love
153 bpm • F min • 02:15 • -5db
32% Popularity • 53% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Chosen Few
Everybody Plays the Fool
150 bpm • A# Maj • 03:26 • -7.31db
9% Popularity • 66% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Lester Sterling
Bangarang
154 bpm • F min • 03:10 • -7.46db
29% Popularity • 67% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
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The Congos
Don't Blame It On I
155 bpm • C Maj • 04:07 • -7db
31% Popularity • 64% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Dubblestandart
Holding You Close - Silly Walks Discothe...
150 bpm • D min • 05:08 • -4.86db
7% Popularity • 73% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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The Abyssinians
Jah Loves - Remastered 2002
155 bpm • A Maj • 04:06 • -10.35db
32% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Max Romeo
Wet Dream
155 bpm • F Maj • 02:42 • -6.76db
34% Popularity • 72% Danceability • 63% Energy • 16% Liveness
77% Instrumentalness • 96% Positiveness
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Bunny Wailer
Blackheart Man
148 bpm • D Maj • 06:21 • -15.47db
33% Popularity • 79% Danceability • 39% Energy • 40% Liveness
2% Instrumentalness • 81% Positiveness
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Joe Higgs
Devotion
149 bpm • C Maj • 04:39 • -7.71db
18% Popularity • 70% Danceability • 66% Energy • 5% Liveness
19% Instrumentalness • 91% Positiveness
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Marcia Griffiths
Don't Let Me Down
157 bpm • E Maj • 03:22 • -7.86db
20% Popularity • 70% Danceability • 76% Energy • 19% Liveness
42% Instrumentalness • 87% Positiveness
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Rosalyn Sweat
Blackbird Singing
147 bpm • G Maj • 02:34 • -5.52db
45% Popularity • 79% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Prince Buster
All My Loving
157 bpm • C min • 01:50 • -5.84db
55% Popularity • 77% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Ernie Smith
Duppy Gun Man
146 bpm • G Maj • 03:20 • -2.55db
15% Popularity • 86% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Bunny Wailer
Armagideon (Armagedon)
146 bpm • A min • 06:46 • -14.36db
35% Popularity • 71% Danceability • 43% Energy • 3% Liveness
26% Instrumentalness • 72% Positiveness
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Josey Wales
It A Fi Burn
146 bpm • G# Maj • 03:17 • -15db
35% Popularity • 78% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Marcia Griffiths
Don't Let Me Down
157 bpm • E Maj • 03:24 • -10.05db
47% Popularity • 69% Danceability • 66% Energy • 46% Liveness
1% Instrumentalness • 95% Positiveness
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Larry Marshall
Thelma
146 bpm • C Maj • 02:46 • -13db
19% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Higgs
There's A Reward
146 bpm • G Maj • 04:11 • -11.2db
30% Popularity • 81% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Tenor Saw
Lone Ranger And Tonto
159 bpm • F Maj • 03:49 • -5db
20% Popularity • 69% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Susan Cadogan
Hurt so Good
145 bpm • A# Maj • 03:05 • -6.37db
44% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Junior Byles
A Place Called Africa
145 bpm • C Maj • 02:41 • -11.63db
27% Popularity • 80% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Marcia Griffiths
Play Me, Pt. 2
145 bpm • A# Maj • 03:12 • -11.66db
8% Popularity • 74% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Leroy Smart
Balistic Affair
145 bpm • B min • 03:03 • -9.88db
32% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Wailing Souls
Jah Give Us Life
145 bpm • D min • 03:52 • -12.17db
54% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Half Pint
Greetings
144 bpm • F min • 03:39 • -15db
38% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Susan Cadogan
Hurt so Good
145 bpm • A# Maj • 03:21 • -7.88db
30% Popularity • 68% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Frightnrs
I'd Rather Go Blind
144 bpm • A Maj • 03:36 • -8.14db
53% Popularity • 68% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Marcia Griffiths
Play Me
145 bpm • A# Maj • 03:05 • -11.51db
12% Popularity • 77% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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The Abyssinians
This Land Is For Everyone - Remastered 2...
144 bpm • G Maj • 03:55 • -5.93db
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Itals
Don't Wake The Lion
144 bpm • C Maj • 02:28 • -5.95db
30% Popularity • 83% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Junior Murvin
False Teachin'
143 bpm • B min • 04:06 • -13db
29% Popularity • 76% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Leroy Smart
Pride & Ambition
144 bpm • B min • 02:39 • -6.84db
26% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Sister Nancy
One Two
143 bpm • F min • 03:36 • -6.19db
44% Popularity • 78% Danceability • 66% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Rebel
Loving Jah
143 bpm • F# min • 03:45 • -11.65db
8% Popularity • 85% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Heptones
Book Of Rules
142 bpm • F# Maj • 03:31 • -14.15db
53% Popularity • 78% Danceability • 53% Energy • 13% Liveness
16% Instrumentalness • 94% Positiveness
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Pinchers
I'm a Don - Remastered
162 bpm • D# min • 03:27 • -5.64db
32% Popularity • 82% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Meditations
Tricked
142 bpm • D Maj • 03:11 • -11.35db
28% Popularity • 75% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ken Parker
My Whole World Is Falling Down
142 bpm • C Maj • 02:57 • -12.92db
32% Popularity • 63% Danceability • 48% Energy • 18% Liveness
81% Instrumentalness • 78% Positiveness
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The Chantells
Eva
142 bpm • A# Maj • 02:31 • -5.48db
29% Popularity • 76% Danceability • 73% Energy • 20% Liveness
13% Instrumentalness • 95% Positiveness
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Slim Smith
Watch This Sound
142 bpm • E Maj • 02:37 • -9.31db
21% Popularity • 83% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Lynn Taitt & The Jets
Napoleon Solo
163 bpm • G Maj • 02:30 • -15db
23% Popularity • 84% Danceability • 37% Energy • 19% Liveness
86% Instrumentalness • 90% Positiveness
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Big Youth
Hit the Road Jack
142 bpm • A# min • 03:10 • -9.96db
35% Popularity • 60% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
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Junior Byles
Da Da
142 bpm • A# Maj • 02:51 • -4.64db
30% Popularity • 87% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Ken Parker
It's Alright
142 bpm • C Maj • 02:54 • -10.9db
23% Popularity • 68% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 90% Positiveness
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The Gatherers
Words of My Mouth
141 bpm • A min • 03:36 • -7.33db
32% Popularity • 87% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Marcia Griffiths
Mark My Word
141 bpm • C Maj • 02:54 • -10.8db
10% Popularity • 86% Danceability • 39% Energy • 5% Liveness
5% Instrumentalness • 79% Positiveness
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Cutty Ranks
Half Idiot
164 bpm • G Maj • 03:36 • -6.1db
21% Popularity • 74% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Hortense Ellis
Jah Created the World
141 bpm • B min • 03:28 • -6.04db
13% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Beres Hammond
Live On - Remix
165 bpm • E min • 03:34 • -8.36db
6% Popularity • 72% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
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Junior Byles
Fever
141 bpm • D# min • 02:54 • -12.97db
38% Popularity • 84% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
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The Abyssinians
Declaration of Rights
140 bpm • E Maj • 03:33 • -12.77db
31% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Marcia Griffiths
Gypsy Man
165 bpm • C Maj • 03:45 • -12.18db
23% Popularity • 69% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Joe Higgs
World Is Spinning Around
140 bpm • A Maj • 02:51 • -12.79db
20% Popularity • 86% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Big Youth
The Killer
140 bpm • G min • 03:25 • -7.15db
22% Popularity • 89% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Beres Hammond
Live On
165 bpm • D Maj • 03:42 • -13.35db
17% Popularity • 75% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Bunny Wailer
Fig Tree
140 bpm • B Maj • 03:08 • -14.96db
32% Popularity • 79% Danceability • 28% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
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Third World
Cool Meditation
140 bpm • B min • 03:34 • -15.15db
31% Popularity • 74% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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The In Crowd
His Majesty Is Coming
140 bpm • G Maj • 03:16 • -7.53db
22% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Clancy Eccles
Ganja Free
140 bpm • F Maj • 02:56 • -11.29db
19% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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上江洌.清作&The BK Sounds!!
十九の春
140 bpm • E Maj • 04:00 • -5.6db
5% Popularity • 70% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Dubblestandart
Holding You Close
140 bpm • C Maj • 05:12 • -7.6db
5% Popularity • 77% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Althea And Donna
Sorry - Remastered 2001
140 bpm • C Maj • 03:57 • -7db
39% Popularity • 91% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Meditations
Carpenter Rebuild
140 bpm • A min • 03:48 • -10.93db
27% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Marcia Griffiths
Sweet Bitter Love
166 bpm • F Maj • 03:12 • -10.22db
17% Popularity • 59% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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I-Roy
Welding
139 bpm • B min • 04:21 • -6.79db
14% Popularity • 78% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Hortense Ellis
I'm Still in Love
139 bpm • A Maj • 03:57 • -8.93db
24% Popularity • 78% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
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Dubblestandart
Holding You Close - Dubblestandart Versi...
140 bpm • C Maj • 05:37 • -7.58db
5% Popularity • 79% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Slickers
Johnny Too Bad
166 bpm • G Maj • 03:03 • -8.75db
51% Popularity • 76% Danceability • 61% Energy • 27% Liveness
18% Instrumentalness • 72% Positiveness
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Dandy Livingstone
Suzanne Beware of the Devil
166 bpm • A# Maj • 02:35 • -7.52db
45% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Marcia Griffiths
Tell Me Now
139 bpm • D Maj • 03:36 • -12.54db
11% Popularity • 79% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Luciano
Hold On Natty
166 bpm • F Maj • 03:49 • -8.69db
2% Popularity • 77% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Tommy McCook
Dancing Version
166 bpm • A# Maj • 02:22 • -8db
36% Popularity • 53% Danceability • 62% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
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Junior Byles
Curly Locks
138 bpm • G Maj • 03:01 • -11.3db
45% Popularity • 82% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Joe Higgs
You Hurt My Soul
167 bpm • A# Maj • 01:57 • -7.09db
18% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Hinds
Sinners
167 bpm • G Maj • 03:05 • -11.79db
18% Popularity • 64% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Marcia Griffiths
Feel Like Jumping
139 bpm • F Maj • 03:57 • -11.67db
34% Popularity • 85% Danceability • 46% Energy • 32% Liveness
75% Instrumentalness • 94% Positiveness
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Lizzy
Love Is a Treasure
168 bpm • A# Maj • 02:38 • -3.76db
33% Popularity • 75% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Dennis Alcapone
Teach the Children
168 bpm • G# Maj • 02:24 • -10.15db
27% Popularity • 77% Danceability • 50% Energy • 13% Liveness
18% Instrumentalness • 93% Positiveness
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Carlton & The Shoes
Better Days
168 bpm • A# Maj • 03:28 • -5.62db
19% Popularity • 62% Danceability • 82% Energy • 24% Liveness
33% Instrumentalness • 84% Positiveness
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The Ethiopians
The Ring
137 bpm • D Maj • 01:54 • -11.64db
31% Popularity • 85% Danceability • 42% Energy • 20% Liveness
4% Instrumentalness • 70% Positiveness
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Jimmy Cliff
Hard Road To Travel
169 bpm • C Maj • 02:37 • -16db
48% Popularity • 79% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Marcia Griffiths
There's No Me Without You
139 bpm • C min • 03:12 • -12.06db
16% Popularity • 76% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Cutty Ranks
Loving You
169 bpm • C# Maj • 03:44 • -5.2db
6% Popularity • 76% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Culture
Two Sevens Clash
136 bpm • A min • 03:29 • -6.61db
41% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Larry Marshall
I Admire You
136 bpm • F# Maj • 02:47 • -6.91db
17% Popularity • 86% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Brent Dowe
Down Here In Babylon
136 bpm • G Maj • 03:37 • -6.16db
13% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Krafty Kuts
Feel Like Jumpin
136 bpm • C Maj • 05:08 • -3.4db
3% Popularity • 49% Danceability • 88% Energy • 5% Liveness
41% Instrumentalness • 53% Positiveness
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Marcia Griffiths
Mark My Word
139 bpm • C Maj • 02:58 • -14.68db
8% Popularity • 87% Danceability • 25% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
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The Tennors
Run Come
136 bpm • A# min • 02:34 • -7.76db
22% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Prince Alla
Bucket Bottom
136 bpm • F# Maj • 02:26 • -9db
38% Popularity • 88% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bunny Wailer
Dancing Shoes
136 bpm • F# Maj • 03:47 • -14.43db
32% Popularity • 80% Danceability • 49% Energy • 8% Liveness
50% Instrumentalness • 92% Positiveness
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Max Romeo
Three Blind Mice
135 bpm • C Maj • 02:56 • -6.85db
31% Popularity • 90% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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I've Got To Go Back Home