Songs like I've Never Been In Love Before by Ted Lightfoot
Based on a tempo of (+/- 10%) and a similar genre
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Ted Lightfoot
I've Never Been In Love Before
103 bpm • A# Maj • 04:26 • -20.92db
29% Popularity • 59% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
29% Popularity • 59% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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LaSalle Street Trio
Everything Happens To Me
103 bpm • A# Maj • 02:41 • -22.27db
46% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
46% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
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Daniel Rhodes Trio
Smile
103 bpm • C Maj • 04:19 • -20.86db
32% Popularity • 51% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
32% Popularity • 51% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
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Holborns
Walking on Clouds
102 bpm • F Maj • 02:02 • -14.75db
47% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
47% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Burt Mitchell
A Certain Sadness
104 bpm • C# Maj • 05:15 • -23.38db
32% Popularity • 45% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
32% Popularity • 45% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
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The Uptown Players
What about us?
103 bpm • D# Maj • 02:49 • -18.41db
53% Popularity • 51% Danceability • 16% Energy • 9% Liveness
45% Instrumentalness • 22% Positiveness
53% Popularity • 51% Danceability • 16% Energy • 9% Liveness
45% Instrumentalness • 22% Positiveness
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Hara Noda
Field
102 bpm • G min • 02:17 • -8.18db
44% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
44% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
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Portraits in Jazz
Largo
104 bpm • G min • 04:22 • -16.72db
46% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
46% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
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Long Island Quartet
Alfie
102 bpm • G Maj • 03:37 • -16.5db
31% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
31% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
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Magnus Ringblom Quartet
Just For A While
104 bpm • A# Maj • 02:58 • -14.33db
27% Popularity • 72% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
27% Popularity • 72% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
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Gustav Scheringer Duo
What Kind Of Fool I Am
102 bpm • C min • 05:22 • -17.19db
17% Popularity • 56% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
17% Popularity • 56% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Grove Street Quartet
April In Paris
102 bpm • C Maj • 03:59 • -21.06db
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Tom Bates
Just a fool
102 bpm • C min • 05:01 • -19.21db
24% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
24% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Eli Starr Trio
I Mean You
105 bpm • C Maj • 03:29 • -16.12db
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Alan Perlman Band
Stolen Moments
101 bpm • C min • 03:14 • -11.5db
30% Popularity • 64% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 27% Positiveness
30% Popularity • 64% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 27% Positiveness
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Paul Moretti Trio
You Go To My Head
102 bpm • D# Maj • 03:55 • -19.92db
38% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
38% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
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Gustav Scheringer Duo
Ill Wind
104 bpm • D min • 05:26 • -14.9db
32% Popularity • 62% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
32% Popularity • 62% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Lauren Richardson
Isfahan
105 bpm • G# Maj • 03:42 • -12.88db
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
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Art Hirahara
Ascent
101 bpm • D min • 04:10 • -23.37db
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Vernon Sanders
Everytime around
105 bpm • F min • 05:25 • -19.39db
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
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William Carter Band
Peace
101 bpm • A# Maj • 03:13 • -17.51db
36% Popularity • 50% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Long Island Quartet
Here´s That Rainy Day
101 bpm • F min • 03:54 • -16.78db
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
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Gustav Scheringer Duo
Old Folks
105 bpm • F Maj • 06:30 • -12.83db
19% Popularity • 52% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
19% Popularity • 52% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
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Geeder
Waltz for Viggo
101 bpm • F min • 03:50 • -16.2db
28% Popularity • 38% Danceability • 24% Energy • 22% Liveness
69% Instrumentalness • 20% Positiveness
28% Popularity • 38% Danceability • 24% Energy • 22% Liveness
69% Instrumentalness • 20% Positiveness
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Peter Sandberg
My Heart Is For You
106 bpm • C# Maj • 05:34 • -19.83db
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
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Old Town Trio
Day by Day
106 bpm • E min • 03:50 • -18.44db
32% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
32% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
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Henry Lindon
First Season
101 bpm • C min • 03:22 • -22.84db
37% Popularity • 53% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Eugene Lambert
House Of Jade
106 bpm • F min • 05:40 • -9.7db
23% Popularity • 52% Danceability • 43% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 43% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
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Red Stairs Jazz Quartet
Easy Living
100 bpm • F Maj • 04:43 • -19.56db
23% Popularity • 42% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 9% Positiveness
23% Popularity • 42% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 9% Positiveness
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Lauren Richardson
A Flower is a Lonesome Thing
100 bpm • F# Maj • 05:26 • -15.62db
15% Popularity • 44% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 44% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Eli Starr Trio
Gone with the Wind
100 bpm • F min • 05:40 • -17.45db
20% Popularity • 53% Danceability • 10% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
20% Popularity • 53% Danceability • 10% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
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Davide Day Trio
As Time Goes By
106 bpm • D# Maj • 05:14 • -18.86db
18% Popularity • 45% Danceability • 19% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
18% Popularity • 45% Danceability • 19% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Hudson Harris & Haim
Who Is It?
100 bpm • D min • 03:04 • -23.18db
23% Popularity • 51% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
23% Popularity • 51% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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The Andy Love Band
In The Wee Small Hours of the Morning
100 bpm • C Maj • 04:22 • -21.78db
29% Popularity • 45% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
29% Popularity • 45% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
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The Jazz Cultivators
I Fall In Love Too Easily
100 bpm • C min • 03:58 • -19.22db
35% Popularity • 37% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
35% Popularity • 37% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Gustav Scheringer Duo
Spring Can Really Hang You Up The Most
106 bpm • C Maj • 06:20 • -18db
29% Popularity • 52% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
29% Popularity • 52% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Tim Donnelly Band
Mercy, Mercy, Mercy
100 bpm • D# Maj • 02:31 • -20.74db
32% Popularity • 64% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
32% Popularity • 64% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
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Morris Valentin
Going Places
100 bpm • F min • 04:18 • -14.14db
22% Popularity • 55% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 55% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Charlie James-Walker
At Charlie's
100 bpm • G# Maj • 02:18 • -9.38db
43% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
43% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
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No Cover Jazz Quartet
Watermelon Man
107 bpm • C min • 04:55 • -14.77db
20% Popularity • 68% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
20% Popularity • 68% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
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Lia Riggs Trio
Somewhere Over the Rainbow
99 bpm • F min • 02:57 • -23.53db
35% Popularity • 52% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
35% Popularity • 52% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Gustav Scheringer Duo
Martin the Machine
107 bpm • D Maj • 04:24 • -18.73db
13% Popularity • 39% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 38% Positiveness
13% Popularity • 39% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 38% Positiveness
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Kuipers & Winter
Maybe We'll Meet Again
107 bpm • F Maj • 03:37 • -11.48db
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Mitchell Jackson Quartet
Alfie
107 bpm • C Maj • 03:21 • -15.87db
31% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
31% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Sonny Knight
Billie's Bounce
107 bpm • A# Maj • 02:41 • -14db
33% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
33% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Sunset Cafe Jazz Band
Body and Soul
99 bpm • A# min • 05:29 • -16.48db
18% Popularity • 41% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
18% Popularity • 41% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Tom Lewis Band
Dream A Little Dream
107 bpm • G Maj • 03:44 • -14.2db
35% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
35% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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Emil Brandqvist
I Miss You
107 bpm • G min • 04:18 • -17.22db
41% Popularity • 45% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
41% Popularity • 45% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
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The Gold Lounge Band
Angel Eyes
107 bpm • C min • 05:37 • -15.03db
29% Popularity • 48% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
29% Popularity • 48% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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4th Street Trio
I Fall in Love Too Easily
107 bpm • A min • 03:56 • -18.99db
20% Popularity • 47% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
20% Popularity • 47% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Lia Riggs Trio
Some Other Time
99 bpm • C Maj • 03:11 • -23db
43% Popularity • 56% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
43% Popularity • 56% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Joseph Lawrence
Skylark
108 bpm • C min • 07:18 • -13.5db
37% Popularity • 42% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
37% Popularity • 42% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
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Fulton Street Players
Easy
107 bpm • A min • 02:19 • -17.75db
43% Popularity • 64% Danceability • 19% Energy • 12% Liveness
76% Instrumentalness • 29% Positiveness
43% Popularity • 64% Danceability • 19% Energy • 12% Liveness
76% Instrumentalness • 29% Positiveness
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Danny Mandalay
Mandalay Bay
99 bpm • C Maj • 02:37 • -14db
30% Popularity • 50% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 49% Positiveness
30% Popularity • 50% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 49% Positiveness
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Hara Noda
Years
108 bpm • F Maj • 03:17 • -11.44db
30% Popularity • 51% Danceability • 9% Energy • 13% Liveness
29% Instrumentalness • 19% Positiveness
30% Popularity • 51% Danceability • 9% Energy • 13% Liveness
29% Instrumentalness • 19% Positiveness
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Brooklyn Smith
Beautiful Love
108 bpm • D min • 02:36 • -16.92db
37% Popularity • 54% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
37% Popularity • 54% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
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Sonny Knight
Just Friends
108 bpm • G# Maj • 03:43 • -20db
30% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
30% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Gustav Scheringer Duo
Isfahan
98 bpm • F min • 04:08 • -19db
13% Popularity • 62% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
13% Popularity • 62% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Lydia Baskow Trio
Nuages ​​Creux
98 bpm • C Maj • 02:37 • -21.25db
40% Popularity • 28% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
40% Popularity • 28% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Stephen Stevens Quartet
All Of Me
98 bpm • C Maj • 04:02 • -18.43db
27% Popularity • 60% Danceability • 14% Energy • 9% Liveness
32% Instrumentalness • 21% Positiveness
27% Popularity • 60% Danceability • 14% Energy • 9% Liveness
32% Instrumentalness • 21% Positiveness
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Pedro Santos
Corcovado (Quiet Nights Of Quiet Stars)
108 bpm • A min • 04:56 • -19db
28% Popularity • 44% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
28% Popularity • 44% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Magpie Jazz Trio
Blue Moon
108 bpm • F min • 04:54 • -19db
41% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
41% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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The Blue Green
Some Other Time
108 bpm • C Maj • 05:16 • -19db
22% Popularity • 56% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
22% Popularity • 56% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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SE-Quartet
Song for Paris
98 bpm • G Maj • 05:12 • -18.28db
34% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
34% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
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James Jackson Jazz Trio
On a Clear Day (You Can See Forever)
109 bpm • G Maj • 03:25 • -15.68db
39% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
39% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Tate Jackson Trio
Like Someone in Love
109 bpm • G# Maj • 03:35 • -24db
34% Popularity • 48% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
34% Popularity • 48% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Ennio Máno
A Stones Throw
98 bpm • A# Maj • 03:45 • -11db
35% Popularity • 44% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 12% Positiveness
35% Popularity • 44% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 12% Positiveness
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Eric Rowland
Flamingo
109 bpm • G# Maj • 05:48 • -12db
20% Popularity • 52% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
20% Popularity • 52% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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CMC 3
Star Eyes
109 bpm • C Maj • 05:18 • -15db
21% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
21% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
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Fat Cats Jazz Band
Doxy
98 bpm • A# Maj • 02:54 • -13.23db
13% Popularity • 53% Danceability • 33% Energy • 20% Liveness
28% Instrumentalness • 24% Positiveness
13% Popularity • 53% Danceability • 33% Energy • 20% Liveness
28% Instrumentalness • 24% Positiveness
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Alexis Cohen
Infant Eyes
97 bpm • F# Maj • 04:33 • -20.76db
33% Popularity • 56% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
33% Popularity • 56% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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The Red Robin Quartet
Come Rain or Come Shine
97 bpm • A min • 04:17 • -18.44db
36% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
36% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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The Golden Hour Quartet
Michelle
97 bpm • F min • 02:40 • -19.68db
31% Popularity • 54% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
31% Popularity • 54% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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The Central Park North
All the Time
97 bpm • G Maj • 02:55 • -22.71db
35% Popularity • 51% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
35% Popularity • 51% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
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Sara Florence
Blue In Green
97 bpm • D min • 02:47 • -18.37db
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Paul Booth
Seattle Fall
97 bpm • G# Maj • 07:38 • -16.87db
11% Popularity • 37% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
11% Popularity • 37% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Jacob Schwarz Trio
Lush Life
110 bpm • D# min • 03:26 • -18.7db
24% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
24% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Long Island Quartet
I Remember Clifford
110 bpm • C min • 03:03 • -18db
36% Popularity • 45% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 27% Positiveness
36% Popularity • 45% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 27% Positiveness
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Dennis Roland
The Way You Look Tonight
110 bpm • F min • 03:35 • -16.64db
32% Popularity • 70% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
32% Popularity • 70% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
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Carl Bagge Trio
Con Alma
96 bpm • F# Maj • 05:30 • -18.5db
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
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Joachim Kühn
Love and Peace
110 bpm • G# Maj • 01:59 • -14.71db
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
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Tom Bates
Yet another dream
110 bpm • G# Maj • 04:46 • -18.83db
37% Popularity • 44% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 13% Positiveness
37% Popularity • 44% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 13% Positiveness
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Sixth Street Quartet
Good Morning Heartache
110 bpm • G min • 04:56 • -19.51db
28% Popularity • 50% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 12% Positiveness
28% Popularity • 50% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 12% Positiveness
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Alfio Origlio
Absyrations
110 bpm • C Maj • 05:44 • -21.86db
40% Popularity • 42% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 16% Positiveness
40% Popularity • 42% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 16% Positiveness
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Brooklyn Smith
Peace
96 bpm • E Maj • 03:25 • -17.79db
11% Popularity • 44% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 44% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Collier
Naima
111 bpm • G# Maj • 05:38 • -16.12db
9% Popularity • 37% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 14% Positiveness
9% Popularity • 37% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 14% Positiveness
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Magnus Ringblom Quartet
As Life Turns Around
111 bpm • C Maj • 03:08 • -9.8db
30% Popularity • 51% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
30% Popularity • 51% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
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Eli Starr Trio
Autumn in New York
111 bpm • D min • 05:13 • -19.23db
42% Popularity • 46% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 46% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Oakwood Station
For Better Times
111 bpm • A min • 03:51 • -13.53db
35% Popularity • 49% Danceability • 15% Energy • 30% Liveness
3% Instrumentalness • 11% Positiveness
35% Popularity • 49% Danceability • 15% Energy • 30% Liveness
3% Instrumentalness • 11% Positiveness
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Renee Rosnes
The Winter of My Discontent
111 bpm • D min • 07:20 • -12.39db
33% Popularity • 49% Danceability • 26% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 49% Danceability • 26% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Vernon Sanders
Cherie
111 bpm • F Maj • 04:08 • -23.05db
30% Popularity • 38% Danceability • 8% Energy • 18% Liveness
61% Instrumentalness • 7% Positiveness
30% Popularity • 38% Danceability • 8% Energy • 18% Liveness
61% Instrumentalness • 7% Positiveness
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Juraj Stanik Trio
Soul Eyes
111 bpm • F min • 04:43 • -24.97db
36% Popularity • 46% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 46% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Aaron Goldberg
When You Are Near
111 bpm • A min • 08:22 • -23.43db
24% Popularity • 42% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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The Tealeaf Jazz Trio
Moonglow
112 bpm • D Maj • 04:59 • -15.84db
20% Popularity • 67% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
20% Popularity • 67% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Joel Lyssarides
Meditation
95 bpm • E min • 04:53 • -24.31db
27% Popularity • 32% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 5% Positiveness
27% Popularity • 32% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 5% Positiveness
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Louis Silva Band
Pretty Ballad
95 bpm • D Maj • 03:26 • -15.43db
42% Popularity • 42% Danceability • 17% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
42% Popularity • 42% Danceability • 17% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
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MEGTARO
In Thoughtful
95 bpm • A# Maj • 04:02 • -23.33db
33% Popularity • 49% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 24% Positiveness
33% Popularity • 49% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 24% Positiveness
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Red Rose Jazz Trio
My Romance
95 bpm • A# Maj • 06:32 • -15.41db
38% Popularity • 43% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
38% Popularity • 43% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness