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J. S. Bach: Orchestral Suite n.4 BWV 1069 (Bourré...
Songs like
J. S. Bach: Orchestral Suite n.4 BWV 1069 (Bourrée I&II)
by
Aurelio Scotto
Based on a tempo of (+/- 10%) and a similar genre
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Juan Pablo Fernández Ramos
Las tres culturas: 1. Las mil y una noch...
179 bpm • A min • 07:23 • -27.25db
13% Popularity • 14% Danceability • 5% Energy • 28% Liveness
93% Instrumentalness • 8% Positiveness
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Arnold Rosner
6 Pastoral Dances, Op. 40: No. 2. Waltz
178 bpm • A min • 02:09 • -28.59db
9% Popularity • 24% Danceability • 1% Energy • 10% Liveness
60% Instrumentalness • 13% Positiveness
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Olive the Otter Dog
It's Contrary to Etiquette
180 bpm • C Maj • 02:33 • -31.71db
17% Popularity • 63% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Fredell caparon
dancing alone
178 bpm • G min • 02:20 • -19.53db
9% Popularity • 51% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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loncho brabo
me gusta moverlo
180 bpm • F Maj • 01:59 • -21.44db
8% Popularity • 43% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Amy Beach
Canoeing, Op. 119 No. 3
182 bpm • C Maj • 01:10 • -34.75db
24% Popularity • 10% Danceability • 3% Energy • 7% Liveness
98% Instrumentalness • 27% Positiveness
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Aurelio Scotto
Cats on the piano
176 bpm • F Maj • 01:25 • -21.41db
18% Popularity • 36% Danceability • 14% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
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Return Of Dream
Made Of Dreams
175 bpm • C Maj • 02:13 • -50.01db
11% Popularity • 9% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 8% Positiveness
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George Frideric Handel
Trio Sonata in G Minor, HWV 393 I. Andan...
172 bpm • G min • 03:30 • -19.42db
21% Popularity • 21% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 32% Positiveness
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Jason Solowsky
Doorway to a Past Life
173 bpm • G# Maj • 05:31 • -15db
10% Popularity • 36% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
172 bpm • A# Maj • 03:06 • -13.43db
7% Popularity • 17% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
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Erik Satie
Gymnopédie No. 1
172 bpm • G Maj • 02:44 • -20.29db
8% Popularity • 12% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Aurelio Scotto
Emma at school (I. Playing)
173 bpm • D Maj • 01:31 • -20.45db
13% Popularity • 14% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Wolfgang Richter
Wie ein Vogel zu fliegen
170 bpm • F Maj • 02:12 • -11.9db
11% Popularity • 13% Danceability • 30% Energy • 10% Liveness
20% Instrumentalness • 14% Positiveness
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Clara Schumann
3 Romances: Andante molto
170 bpm • C# Maj • 02:56 • -22.92db
15% Popularity • 16% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Dick Walter
Mini Humoresque
169 bpm • F# Maj • 01:01 • -19.68db
20% Popularity • 31% Danceability • 17% Energy • 41% Liveness
14% Instrumentalness • 60% Positiveness
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Richard Percival
The Oily Rag
168 bpm • E min • 02:14 • -14.45db
8% Popularity • 48% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 61% Positiveness
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Daniel Auber
Couvin, S. 2: Act II Prelude
167 bpm • C Maj • 01:27 • -34db
24% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
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Aurelio Scotto
Ein feste Burg ist unser Gott
173 bpm • C Maj • 01:02 • -24.19db
5% Popularity • 8% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Nocturne No. 9 in B Minor, Op. 97
166 bpm • D Maj • 05:09 • -30.26db
10% Popularity • 32% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Jules Massenet
Les Érinnyes: Invocation
166 bpm • E min • 02:06 • -26.72db
22% Popularity • 9% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Olive the Otter Dog
I Was Once a Very Abandoned Person
168 bpm • D# Maj • 03:27 • -31.53db
17% Popularity • 72% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
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Franz Schubert
Piano Quintet in A Major, Op. 114, D. 66...
165 bpm • D Maj • 01:11 • -23.46db
22% Popularity • 27% Danceability • 6% Energy • 16% Liveness
74% Instrumentalness • 73% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
197 bpm • G Maj • 01:17 • -47.02db
16% Popularity • 32% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 89% Positiveness
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Aurelio Scotto
Jesu, meines lebens leben
172 bpm • D min • 01:19 • -21.06db
0% Popularity • 8% Danceability • 1% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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loncho brabo
ella ama ella esta loca
160 bpm • F min • 01:59 • -20.94db
11% Popularity • 54% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Felix Klieser
Hedwig's Theme
154 bpm • A min • 04:11 • -22.51db
26% Popularity • 27% Danceability • 7% Energy • 6% Liveness
7% Instrumentalness • 12% Positiveness
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Olive the Otter Dog
Here's a How-De-Do
160 bpm • E Maj • 01:02 • -27.33db
18% Popularity • 49% Danceability • 11% Energy • 15% Liveness
94% Instrumentalness • 30% Positiveness
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Vintage Realm
Mordecai's Dance
152 bpm • E Maj • 02:56 • -22.05db
14% Popularity • 35% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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アンリ・ヴュータン
アメリカの思い出(ヤンキー・...
153 bpm • A Maj • 05:17 • -18.43db
8% Popularity • 42% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 55% Positiveness
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Olive the Otter Dog
When I Went to the Bar
200 bpm • A Maj • 01:49 • -28.26db
18% Popularity • 53% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 83% Positiveness
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Olive the Otter Dog
We Sail the Ocean Blue
212 bpm • G# Maj • 01:15 • -20.75db
17% Popularity • 51% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 79% Positiveness
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J. S. Bach: Orchestral Suite n.4 BWV 1069 (Bourré...