Songs like Jabuka, Act I: Dialog 6 (Jelka, Mirko) by Johann Strauss II
Based on a tempo of (+/- 10%) and a similar genre
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Johann Strauss II
Die Fledermaus, Act I: No. 1, Introducti...
50 bpm • G Maj • 03:14 • -21.56db
24% Popularity • 48% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 48% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Fibich
Poeme, Op. 41, No. 6
51 bpm • C# Maj • 02:23 • -26.29db
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: I. Prelude, A...
47 bpm • G min • 01:22 • -20.85db
42% Popularity • 18% Danceability • 7% Energy • 16% Liveness
70% Instrumentalness • 7% Positiveness
42% Popularity • 18% Danceability • 7% Energy • 16% Liveness
70% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation for male da...
61 bpm • G# Maj • 01:10 • -27db
46% Popularity • 48% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
46% Popularity • 48% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Richard Strauss
Don Quixote, Op. 35: Theme - Don Quixote...
63 bpm • F Maj • 01:05 • -26db
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Vb. Songe ...
63 bpm • G min • 01:49 • -21.43db
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
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Johann Strauss II
Die Fledermaus, Act I: No. 1a, Duet. Ach...
51 bpm • D min • 00:56 • -18.86db
30% Popularity • 27% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 27% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: III. The Young Pri...
65 bpm • G Maj • 11:00 • -24.55db
22% Popularity • 9% Danceability • 8% Energy • 4% Liveness
74% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 8% Energy • 4% Liveness
74% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
67 bpm • C# Maj • 04:46 • -27.2db
30% Popularity • 6% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
30% Popularity • 6% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle - Excerpt
68 bpm • D Maj • 02:02 • -24.39db
24% Popularity • 16% Danceability • 6% Energy • 48% Liveness
27% Instrumentalness • 13% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 48% Liveness
27% Instrumentalness • 13% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
68 bpm • A# Maj • 02:18 • -35.12db
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Symphony Orchestra of the Russian State TV & Radio Centre
Eugene Onegin - Waltz
70 bpm • D Maj • 06:37 • -17db
14% Popularity • 28% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
14% Popularity • 28% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
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Douglas Gamley
The Trout, D. 550
69 bpm • D Maj • 03:25 • -13.12db
14% Popularity • 31% Danceability • 25% Energy • 13% Liveness
68% Instrumentalness • 31% Positiveness
14% Popularity • 31% Danceability • 25% Energy • 13% Liveness
68% Instrumentalness • 31% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude
70 bpm • G Maj • 02:47 • -18.4db
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
72 bpm • G# Maj • 09:58 • -22db
14% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
14% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Songs Without Words: Frühlingslied, Op....
73 bpm • A Maj • 02:05 • -17db
23% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Jacques Offenbach
The Tales of Hoffmann: Barcarolle
73 bpm • D Maj • 03:34 • -25db
22% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
22% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 3 in F Ma...
73 bpm • C Maj • 03:35 • -17.59db
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
20% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
20% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Io sono docile
74 bpm • F Maj • 03:52 • -9.96db
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Felix Mendelssohn
Midsummer Night's Dream, Incidental Musi...
74 bpm • C Maj • 05:06 • -12db
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
21% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
21% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Beethoven: Egmont, Op. 84: Overture
75 bpm • F min • 08:40 • -18.44db
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
36% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
36% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
75 bpm • C Maj • 08:19 • -21.66db
13% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
13% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: La donna è mobile
76 bpm • F# Maj • 02:08 • -16.4db
30% Popularity • 37% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 37% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in F Minor: Allegr...
76 bpm • G min • 02:23 • -17db
27% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
27% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Jacques Offenbach
Overture Orpheus in the Underworld
76 bpm • D Maj • 09:18 • -19.21db
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
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Bedřich Smetana
Dance Of The Comedians
76 bpm • C Maj • 05:27 • -14.49db
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Arthur Fiedler
Le barbier de Séville Largo al factotum...
77 bpm • C Maj • 04:23 • -12db
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
78 bpm • A Maj • 02:23 • -23.28db
28% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
78 bpm • C Maj • 04:58 • -17.76db
13% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Annen Polka, Op. 117
79 bpm • D Maj • 03:10 • -22db
29% Popularity • 56% Danceability • 5% Energy • 10% Liveness
16% Instrumentalness • 52% Positiveness
29% Popularity • 56% Danceability • 5% Energy • 10% Liveness
16% Instrumentalness • 52% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 7. Valse
79 bpm • C# min • 04:21 • -23.87db
23% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
48% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
48% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko
Neva Polka, Op. 288
80 bpm • D# Maj • 03:49 • -10db
12% Popularity • 44% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
12% Popularity • 44% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
► Preview
Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66: Panorama
80 bpm • G Maj • 02:59 • -26.41db
39% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
39% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
► Preview
Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
► Preview
Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Waltz of the Flowers
80 bpm • D Maj • 06:25 • -16.48db
38% Popularity • 21% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 14% Positiveness
38% Popularity • 21% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 14% Positiveness
► Preview
Giuseppe Verdi
La forza del destino: Overture (Sinfonia...
80 bpm • E min • 07:21 • -15.07db
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
► Preview
Philharmonische Vereinigung Arte Sinfonica
" Faust " , Ballettmusik: Nr. 5 Moderato...
80 bpm • A Maj • 02:33 • -31.47db
26% Popularity • 17% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
26% Popularity • 17% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Johann Strauss II
On the Beautiful Blue Danube - Waltz Op....
81 bpm • D Maj • 09:34 • -24.92db
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
19% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
19% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
Shostakovich: Suite for Jazz Orchestra N...
81 bpm • D# Maj • 02:42 • -34db
33% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
33% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 3: "Di quella pira"
80 bpm • C Maj • 03:23 • -11.64db
38% Popularity • 36% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 36% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
Dvořák: 8 Slavonic Dances, Op. 72, B. ...
81 bpm • C Maj • 02:36 • -19.56db
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
33% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
33% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Johann Strauss II
Die Fledermaus, Act III: No. 16, Finale....
81 bpm • D Maj • 02:39 • -16.21db
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
25% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
25% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
35% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
35% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Franz von Suppé
Poet and Peasant: Overture
82 bpm • D Maj • 09:24 • -13.07db
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
82 bpm • C Maj • 04:43 • -15.95db
13% Popularity • 38% Danceability • 19% Energy • 7% Liveness
77% Instrumentalness • 16% Positiveness
13% Popularity • 38% Danceability • 19% Energy • 7% Liveness
77% Instrumentalness • 16% Positiveness
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Ludwig van Beethoven
Symphony No. 3 in E-Flat Major, Op. 55 "...
82 bpm • D# Maj • 06:06 • -22.5db
12% Popularity • 43% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Henry VIII: Danse de la gypsy
82 bpm • D min • 02:12 • -25db
34% Popularity • 41% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 41% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Johann Strauss II
Die Fledermaus / Act II: "Genug damit, g...
82 bpm • G Maj • 04:07 • -14.85db
19% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Léo Delibes
Coppelia: Act I - Mazurka
82 bpm • G Maj • 04:08 • -20.01db
28% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
28% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
