Songs like Jabuka, Act II: Dialog 9 (Joschko, Jelka, Petrija, Mirko) by Johann Strauss II
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
149 bpm • G min • 02:53 • -15.39db
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Giuseppe Verdi
Aida / Act 2: Marcia
148 bpm • F min • 06:03 • -15.98db
25% Popularity • 32% Danceability • 33% Energy • 59% Liveness
91% Instrumentalness • 27% Positiveness
25% Popularity • 32% Danceability • 33% Energy • 59% Liveness
91% Instrumentalness • 27% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act I: No. 2 C...
148 bpm • C Maj • 04:58 • -15.22db
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
151 bpm • F min • 03:29 • -25.1db
58% Popularity • 44% Danceability • 10% Energy • 8% Liveness
58% Instrumentalness • 34% Positiveness
58% Popularity • 44% Danceability • 10% Energy • 8% Liveness
58% Instrumentalness • 34% Positiveness
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Jacques Offenbach
Orphee aux enfers (Orpheus in the Underw...
151 bpm • D Maj • 02:25 • -18.37db
39% Popularity • 62% Danceability • 25% Energy • 22% Liveness
91% Instrumentalness • 80% Positiveness
39% Popularity • 62% Danceability • 25% Energy • 22% Liveness
91% Instrumentalness • 80% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 2 in G Mi...
147 bpm • G min • 05:22 • -18.46db
43% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Iii ...
145 bpm • D# Maj • 04:25 • -17.45db
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
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Eduard Strauss
Unter der Enns - Polka Op. 121
153 bpm • D Maj • 02:05 • -19.26db
15% Popularity • 51% Danceability • 35% Energy • 7% Liveness
92% Instrumentalness • 92% Positiveness
15% Popularity • 51% Danceability • 35% Energy • 7% Liveness
92% Instrumentalness • 92% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
144 bpm • G min • 02:15 • -15.95db
57% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
57% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5: Overture
154 bpm • E min • 05:16 • -24db
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
147 bpm • C Maj • 03:34 • -20db
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 8 in G Major, Op....
154 bpm • G Maj • 06:08 • -24.89db
15% Popularity • 18% Danceability • 7% Energy • 37% Liveness
90% Instrumentalness • 25% Positiveness
15% Popularity • 18% Danceability • 7% Energy • 37% Liveness
90% Instrumentalness • 25% Positiveness
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Johann Strauss II
Tritsch-Tratsch Polka, Op. 214
154 bpm • A Maj • 02:50 • -22db
15% Popularity • 59% Danceability • 24% Energy • 15% Liveness
5% Instrumentalness • 88% Positiveness
15% Popularity • 59% Danceability • 24% Energy • 15% Liveness
5% Instrumentalness • 88% Positiveness
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Anonymous
Rigoletto, Act IV: La donna e mobile (ar...
155 bpm • A# Maj • 01:45 • -17db
44% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
44% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 6...
144 bpm • E Maj • 01:19 • -21db
34% Popularity • 54% Danceability • 24% Energy • 41% Liveness
19% Instrumentalness • 97% Positiveness
34% Popularity • 54% Danceability • 24% Energy • 41% Liveness
19% Instrumentalness • 97% Positiveness
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Antonio Vivaldi
III. Presto
152 bpm • G Maj • 02:41 • -16.35db
47% Popularity • 38% Danceability • 35% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
47% Popularity • 38% Danceability • 35% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
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Léo Delibes
Delibes: Coppélia, Act I: No. 1, Valse
143 bpm • D# Maj • 02:45 • -19db
26% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
26% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
41% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
41% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Johann Strauss II
Tritsch-Tratsch-Polka, Op. 214
155 bpm • A Maj • 02:45 • -14.14db
11% Popularity • 45% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 45% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
142 bpm • G Maj • 02:45 • -21db
25% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
25% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
157 bpm • F# min • 07:41 • -24.19db
49% Popularity • 29% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
49% Popularity • 29% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Léo Delibes
Sylvia, Suite: 3. Pizzicati
142 bpm • C min • 02:08 • -31db
33% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
33% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Gopak from Sorochinsky Fair
157 bpm • G Maj • 01:28 • -21db
26% Popularity • 44% Danceability • 20% Energy • 6% Liveness
79% Instrumentalness • 64% Positiveness
26% Popularity • 44% Danceability • 20% Energy • 6% Liveness
79% Instrumentalness • 64% Positiveness
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Ludwig Minkus
Paquita: Variation 5: Allegro non troppo...
140 bpm • E min • 01:05 • -23.2db
59% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
59% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
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Johann Strauss II
Champagne Polka Op. 211
140 bpm • D# Maj • 02:15 • -22.19db
26% Popularity • 57% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
26% Popularity • 57% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
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Leonard Bernstein
Overture Candide
159 bpm • D# Maj • 04:13 • -11.92db
18% Popularity • 28% Danceability • 43% Energy • 11% Liveness
51% Instrumentalness • 48% Positiveness
18% Popularity • 28% Danceability • 43% Energy • 11% Liveness
51% Instrumentalness • 48% Positiveness
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Antonio Vivaldi
Violin Concerto No. 2 in G Minor, RV 315...
158 bpm • C min • 02:37 • -13.49db
19% Popularity • 36% Danceability • 37% Energy • 19% Liveness
79% Instrumentalness • 52% Positiveness
19% Popularity • 36% Danceability • 37% Energy • 19% Liveness
79% Instrumentalness • 52% Positiveness
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Léo Delibes
Sylvia: Pizzicato
159 bpm • D# Maj • 01:45 • -39.22db
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
36% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
36% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Felix Mendelssohn
Overture "A Midsummer Night's Dream", Op...
139 bpm • E Maj • 11:55 • -19.29db
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Hans Christian Lumbye
Salut For August Bournonville, Galop (18...
161 bpm • D Maj • 02:00 • -16db
35% Popularity • 31% Danceability • 32% Energy • 17% Liveness
84% Instrumentalness • 77% Positiveness
35% Popularity • 31% Danceability • 32% Energy • 17% Liveness
84% Instrumentalness • 77% Positiveness
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Jacques Offenbach
La belle Hélène: Overture
138 bpm • E Maj • 08:31 • -19.19db
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: 3....
139 bpm • D# Maj • 04:25 • -19db
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Johann Strauss II
Die Fledermaus: Act III: Spiel' ich die ...
137 bpm • G Maj • 04:29 • -17db
17% Popularity • 48% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 48% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
51% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
136 bpm • C# Maj • 07:21 • -15.08db
27% Popularity • 40% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 34% Positiveness
27% Popularity • 40% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 34% Positiveness
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Giuseppe Verdi
Rigoletto, Atto III, Canzone: "La donna ...
136 bpm • B Maj • 02:21 • -14.38db
40% Popularity • 39% Danceability • 23% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
40% Popularity • 39% Danceability • 23% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Edvard Grieg
Wedding Day at Troldhaugen
136 bpm • G Maj • 05:51 • -17.78db
15% Popularity • 33% Danceability • 13% Energy • 17% Liveness
73% Instrumentalness • 16% Positiveness
15% Popularity • 33% Danceability • 13% Energy • 17% Liveness
73% Instrumentalness • 16% Positiveness
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Andre Kostelanetz
Carmen: Habanera - Instrumental
136 bpm • D Maj • 01:54 • -15db
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
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Richard Wagner
Tannhauser, Act III: Begluckt darf nun d...
164 bpm • D# Maj • 03:49 • -23db
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Johann Strauss II
Vienna Blood, Op. 354
165 bpm • C Maj • 07:36 • -22.49db
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
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Eric Coates
By the Sleepy Lagoon
135 bpm • C Maj • 03:57 • -29.36db
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
42% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
42% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
135 bpm • E min • 11:39 • -18db
17% Popularity • 27% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
17% Popularity • 27% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Johann Strauss II
Tritsch-Tratsch-Polka, Op. 214
165 bpm • A Maj • 02:36 • -18.01db
16% Popularity • 40% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 40% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14, H. 48: II...
165 bpm • A Maj • 06:34 • -25db
19% Popularity • 21% Danceability • 6% Energy • 6% Liveness
71% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 6% Energy • 6% Liveness
71% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
135 bpm • E Maj • 03:53 • -24db
17% Popularity • 16% Danceability • 2% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 2% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
► Preview
Johann Strauss II
Die Fledermaus, Act II: No. 7, Couplet. ...
134 bpm • C# Maj • 03:02 • -19.6db
16% Popularity • 47% Danceability • 14% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 47% Danceability • 14% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Camille Saint-Saëns
The Carnival of the Animals, R. 125: VII...
134 bpm • A min • 02:24 • -17.17db
22% Popularity • 27% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
22% Popularity • 27% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
35% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
35% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
► Preview
Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko
Hunting (Fast Polka), Op. 373
167 bpm • A Maj • 02:19 • -17.54db
16% Popularity • 46% Danceability • 32% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
16% Popularity • 46% Danceability • 32% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act III: Quiteria's Variati...
167 bpm • C Maj • 01:00 • -21db
38% Popularity • 40% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
38% Popularity • 40% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
► Preview
Johann Strauss II
Leichtes Blut ,Polka
167 bpm • C Maj • 02:46 • -14.03db
21% Popularity • 42% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
21% Popularity • 42% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
132 bpm • E min • 07:41 • -21db
9% Popularity • 35% Danceability • 8% Energy • 10% Liveness
63% Instrumentalness • 20% Positiveness
9% Popularity • 35% Danceability • 8% Energy • 10% Liveness
63% Instrumentalness • 20% Positiveness
► Preview
Franz Schubert
Military March No. 1 in D Major, D. 733
132 bpm • D Maj • 04:39 • -19db
17% Popularity • 49% Danceability • 35% Energy • 85% Liveness
91% Instrumentalness • 28% Positiveness
17% Popularity • 49% Danceability • 35% Energy • 85% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
15% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
15% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
► Preview
George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
► Preview
Johann Strauss II
Die Fledermaus, Act II: No. 8a, Couplet....
133 bpm • G Maj • 03:24 • -13db
22% Popularity • 46% Danceability • 20% Energy • 66% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 46% Danceability • 20% Energy • 66% Liveness
0% Instrumentalness • 29% Positiveness
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Gioachino Rossini
William Tell Overture
169 bpm • E Maj • 03:04 • -13.45db
38% Popularity • 34% Danceability • 65% Energy • 9% Liveness
40% Instrumentalness • 66% Positiveness
38% Popularity • 34% Danceability • 65% Energy • 9% Liveness
40% Instrumentalness • 66% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
131 bpm • B min • 01:30 • -21.86db
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
42% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
42% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Johann Strauss II
Die Fledermaus, Act I: No. 4, Trio. So m...
131 bpm • C Maj • 03:46 • -14.63db
25% Popularity • 40% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 40% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Barcarolle
171 bpm • D Maj • 03:43 • -23db
38% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Edward Elgar
Chanson de matin
171 bpm • G Maj • 03:00 • -20db
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Vedi! le fosche n...
130 bpm • G Maj • 02:50 • -13.47db
39% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
39% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Richard Wagner
Tannhauser, Act II: Einzug der Gaste auf...
130 bpm • B Maj • 06:38 • -19.62db
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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Johann Strauss II
Der Zigeunerbaron: Act I: Als flotter Ge...
169 bpm • C Maj • 02:56 • -21db
21% Popularity • 36% Danceability • 16% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
21% Popularity • 36% Danceability • 16% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
171 bpm • E Maj • 07:46 • -24.15db
37% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
37% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
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Franz von Suppé
Light Cavalry
130 bpm • A Maj • 06:59 • -13db
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Ferdinand Hérold
La fille mal gardée (Rev. Lanchbery), A...
130 bpm • G min • 02:11 • -20.98db
28% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
28% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Johann Strauss II
Kaiserwalzer, Op. 437 - Remastered 2024
170 bpm • C Maj • 08:32 • -16.1db
7% Popularity • 24% Danceability • 14% Energy • 21% Liveness
90% Instrumentalness • 15% Positiveness
7% Popularity • 24% Danceability • 14% Energy • 21% Liveness
90% Instrumentalness • 15% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
129 bpm • A# Maj • 04:08 • -25.68db
45% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
45% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Il Trovatore: Act II: Scene 1: Vedi! Le ...
129 bpm • G Maj • 02:58 • -12.43db
8% Popularity • 42% Danceability • 38% Energy • 66% Liveness
5% Instrumentalness • 43% Positiveness
8% Popularity • 42% Danceability • 38% Energy • 66% Liveness
5% Instrumentalness • 43% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
172 bpm • F min • 03:15 • -18db
42% Popularity • 34% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 30% Positiveness
42% Popularity • 34% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 30% Positiveness
► Preview
Ludwig van Beethoven
Egmont, Op. 84: Overture
173 bpm • F min • 09:00 • -18db
42% Popularity • 24% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 10% Positiveness
42% Popularity • 24% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 10% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
