Songs like Jack In by Jack DeJohnette
Based on a tempo of (+/- 10%) and a similar genre
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Mal Waldron
Left Alone
99 bpm • D min • 06:07 • -17.89db
23% Popularity • 48% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 48% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bill Evans
You Go To My Head
99 bpm • G# Maj • 04:58 • -18.37db
16% Popularity • 49% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
16% Popularity • 49% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Victor Young
When I Fall In Love - Live At Philharmon...
99 bpm • A# Maj • 08:22 • -23.94db
19% Popularity • 40% Danceability • 13% Energy • 70% Liveness
1% Instrumentalness • 18% Positiveness
19% Popularity • 40% Danceability • 13% Energy • 70% Liveness
1% Instrumentalness • 18% Positiveness
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Abdullah Ibrahim
Dreamtime
99 bpm • A# min • 04:05 • -19.5db
34% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
34% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
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Shai Maestro
In a Sentimental Mood
99 bpm • C Maj • 05:47 • -19db
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
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Stanley Turrentine
Journey Into The Melody
98 bpm • F Maj • 04:58 • -21db
39% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
39% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
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Jaki Byard
Garr
100 bpm • F min • 03:21 • -18.43db
23% Popularity • 30% Danceability • 34% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
23% Popularity • 30% Danceability • 34% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Jack DeJohnette
Rashied
100 bpm • F min • 05:48 • -13.25db
6% Popularity • 34% Danceability • 72% Energy • 9% Liveness
87% Instrumentalness • 64% Positiveness
6% Popularity • 34% Danceability • 72% Energy • 9% Liveness
87% Instrumentalness • 64% Positiveness
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Marc Copland
Spartacus Love Theme
98 bpm • A min • 07:53 • -25db
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
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Ralph Alessi
Oxide
100 bpm • E min • 05:38 • -23.99db
8% Popularity • 53% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
8% Popularity • 53% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Duke Pearson
Black Coffee
98 bpm • A# min • 04:31 • -14.14db
38% Popularity • 56% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 10% Positiveness
38% Popularity • 56% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 10% Positiveness
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Keith Jarrett Trio
It Could Happen To You
98 bpm • A min • 11:38 • -23.84db
21% Popularity • 51% Danceability • 27% Energy • 90% Liveness
70% Instrumentalness • 30% Positiveness
21% Popularity • 51% Danceability • 27% Energy • 90% Liveness
70% Instrumentalness • 30% Positiveness
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Peter Bernstein Trio
Metamorphosis
100 bpm • F min • 09:01 • -14db
18% Popularity • 52% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 50% Positiveness
18% Popularity • 52% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 50% Positiveness
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Kenny Barron Trio
Cook's Bay
100 bpm • G Maj • 06:00 • -12.87db
32% Popularity • 41% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
32% Popularity • 41% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Chris Potter
Sonic Anomaly
98 bpm • A# min • 05:34 • -16.05db
20% Popularity • 70% Danceability • 35% Energy • 8% Liveness
48% Instrumentalness • 43% Positiveness
20% Popularity • 70% Danceability • 35% Energy • 8% Liveness
48% Instrumentalness • 43% Positiveness
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Junior Mance
Jubilation
100 bpm • C Maj • 03:29 • -18.09db
44% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
44% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
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Immanuel Wilkins
Grace And Mercy
98 bpm • G Maj • 06:49 • -11db
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
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Enrico Rava
You can't go home again
100 bpm • C# Maj • 07:37 • -14.87db
26% Popularity • 51% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 51% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bud Powell
Polka Dots And Moonbeams - 1994 Remaster
101 bpm • D min • 04:03 • -17.63db
46% Popularity • 56% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
46% Popularity • 56% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Keith Jarrett
The Masquerade Is Over
101 bpm • D# Maj • 05:57 • -18.23db
17% Popularity • 50% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
17% Popularity • 50% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
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The Bad Plus
Variation d'Apollon
97 bpm • C Maj • 04:35 • -12.9db
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Gilad Hekselman
Last Train Home
97 bpm • A# Maj • 05:28 • -20db
23% Popularity • 57% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
23% Popularity • 57% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
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Eberhard Weber
Cambridge
97 bpm • F Maj • 04:16 • -24db
22% Popularity • 43% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
22% Popularity • 43% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Horace Silver
Cherry Blossom
101 bpm • D# Maj • 06:12 • -17.22db
8% Popularity • 56% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 9% Positiveness
8% Popularity • 56% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 9% Positiveness
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Keith Jarrett Trio
I Thought About You
101 bpm • F Maj • 04:01 • -28.32db
37% Popularity • 34% Danceability • 3% Energy • 18% Liveness
32% Instrumentalness • 8% Positiveness
37% Popularity • 34% Danceability • 3% Energy • 18% Liveness
32% Instrumentalness • 8% Positiveness
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Keith Jarrett
Four
101 bpm • D min • 09:09 • -13.56db
17% Popularity • 49% Danceability • 58% Energy • 75% Liveness
76% Instrumentalness • 72% Positiveness
17% Popularity • 49% Danceability • 58% Energy • 75% Liveness
76% Instrumentalness • 72% Positiveness
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Matthew Stevens
ACE - Reprise
97 bpm • A# min • 01:52 • -13.76db
30% Popularity • 44% Danceability • 13% Energy • 11% Liveness
55% Instrumentalness • 51% Positiveness
30% Popularity • 44% Danceability • 13% Energy • 11% Liveness
55% Instrumentalness • 51% Positiveness
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Jason Moran
Body And Soul
101 bpm • C# Maj • 03:46 • -22.15db
34% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
34% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Coleman Hawkins Quartet
Put On Your Old Grey Bonnet
101 bpm • D# Maj • 09:50 • -12.48db
25% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
25% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Richard Rodgers
Falling In Love With Love
102 bpm • F Maj • 08:41 • -17.16db
14% Popularity • 42% Danceability • 45% Energy • 84% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 42% Danceability • 45% Energy • 84% Liveness
0% Instrumentalness • 42% Positiveness
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Don Pullen
Jana's Delight
96 bpm • C# Maj • 05:58 • -22db
11% Popularity • 65% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 58% Positiveness
11% Popularity • 65% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 58% Positiveness
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Keith Jarrett
Scrapple From The Apple - Live
97 bpm • A min • 08:46 • -18.35db
15% Popularity • 46% Danceability • 38% Energy • 67% Liveness
15% Instrumentalness • 60% Positiveness
15% Popularity • 46% Danceability • 38% Energy • 67% Liveness
15% Instrumentalness • 60% Positiveness
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Hank Mobley
Soul Station - Remastered 1999/Rudy Van ...
102 bpm • G# Maj • 09:07 • -9.3db
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Larry Grenadier
Pettiford
97 bpm • G# Maj • 03:41 • -28.49db
16% Popularity • 51% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
16% Popularity • 51% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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Larry Goldings
Don't Ever Call Me Again
96 bpm • D Maj • 06:10 • -20.65db
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
72% Instrumentalness • 62% Positiveness
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
72% Instrumentalness • 62% Positiveness
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Richard Beirach
Pendulum
96 bpm • F# min • 06:37 • -16.87db
6% Popularity • 53% Danceability • 38% Energy • 8% Liveness
5% Instrumentalness • 58% Positiveness
6% Popularity • 53% Danceability • 38% Energy • 8% Liveness
5% Instrumentalness • 58% Positiveness
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Ornette Coleman
Round Trip
96 bpm • F min • 06:18 • -18db
12% Popularity • 40% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 40% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Lage Lund
Aquanaut
96 bpm • C min • 07:35 • -13.87db
12% Popularity • 32% Danceability • 50% Energy • 9% Liveness
86% Instrumentalness • 42% Positiveness
12% Popularity • 32% Danceability • 50% Energy • 9% Liveness
86% Instrumentalness • 42% Positiveness
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Chris Potter
The Source
102 bpm • F# min • 06:37 • -11.94db
24% Popularity • 64% Danceability • 49% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
24% Popularity • 64% Danceability • 49% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
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Shai Maestro
Hank and Charlie
102 bpm • D Maj • 04:41 • -28.37db
17% Popularity • 35% Danceability • 6% Energy • 26% Liveness
76% Instrumentalness • 10% Positiveness
17% Popularity • 35% Danceability • 6% Energy • 26% Liveness
76% Instrumentalness • 10% Positiveness
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Gene Ammons
Here's That Rainy Day
96 bpm • F Maj • 06:07 • -15db
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Miroslav Vitous
Maya
96 bpm • D min • 06:17 • -20.89db
15% Popularity • 22% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 22% Positiveness
15% Popularity • 22% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 22% Positiveness
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Marc Johnson
Swept Away
102 bpm • E min • 06:18 • -25db
40% Popularity • 37% Danceability • 12% Energy • 33% Liveness
93% Instrumentalness • 19% Positiveness
40% Popularity • 37% Danceability • 12% Energy • 33% Liveness
93% Instrumentalness • 19% Positiveness
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Tommy Flanagan Trio
Dalarna
102 bpm • D Maj • 04:39 • -11.08db
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Curtis Fuller Quintet
Undecided
96 bpm • F min • 07:12 • -18.14db
17% Popularity • 60% Danceability • 27% Energy • 9% Liveness
30% Instrumentalness • 70% Positiveness
17% Popularity • 60% Danceability • 27% Energy • 9% Liveness
30% Instrumentalness • 70% Positiveness
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Ornette Coleman
Broad Way Blues
96 bpm • D# Maj • 08:43 • -18db
30% Popularity • 51% Danceability • 25% Energy • 12% Liveness
25% Instrumentalness • 58% Positiveness
30% Popularity • 51% Danceability • 25% Energy • 12% Liveness
25% Instrumentalness • 58% Positiveness
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Aldo Romano
Rosario
95 bpm • C min • 03:19 • -17db
44% Popularity • 42% Danceability • 27% Energy • 7% Liveness
26% Instrumentalness • 37% Positiveness
44% Popularity • 42% Danceability • 27% Energy • 7% Liveness
26% Instrumentalness • 37% Positiveness
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Lage Lund
Hard Eights
95 bpm • F# Maj • 07:06 • -14.21db
15% Popularity • 29% Danceability • 41% Energy • 23% Liveness
93% Instrumentalness • 31% Positiveness
15% Popularity • 29% Danceability • 41% Energy • 23% Liveness
93% Instrumentalness • 31% Positiveness
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Joshua Redman Quartet
The Oneness of Two - In Three
95 bpm • G min • 05:12 • -15.14db
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
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Cyrus Chestnut
Gymnopédie No. 3
95 bpm • A min • 04:06 • -19.97db
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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John Abercrombie
Unshielded Desire
95 bpm • C# min • 04:49 • -12.06db
11% Popularity • 30% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 30% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Carmell Jones
I'm Gonna Go Fishin'
95 bpm • C Maj • 11:16 • -10.14db
11% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Mark Turner
I Loves You Porgy
95 bpm • C Maj • 05:42 • -16.72db
11% Popularity • 40% Danceability • 9% Energy • 9% Liveness
35% Instrumentalness • 25% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 9% Liveness
35% Instrumentalness • 25% Positiveness
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Immanuel Wilkins
The Dreamer
95 bpm • D# Maj • 03:37 • -18.13db
45% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
45% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
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Gary Peacock
Vignette
95 bpm • B Maj • 07:03 • -21.77db
14% Popularity • 30% Danceability • 27% Energy • 22% Liveness
89% Instrumentalness • 19% Positiveness
14% Popularity • 30% Danceability • 27% Energy • 22% Liveness
89% Instrumentalness • 19% Positiveness
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Kenny Barron, Dave Holland & Daniel Humair
Quiet Times
94 bpm • G# Maj • 05:32 • -29.76db
13% Popularity • 38% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
13% Popularity • 38% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Coleman Hawkins Quartet
Go Li'l Liza
104 bpm • F Maj • 06:23 • -14db
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
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Marc Copland
And I Love Her
104 bpm • F min • 06:43 • -23.22db
31% Popularity • 46% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 33% Positiveness
31% Popularity • 46% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 33% Positiveness
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Manu Katché
Take Off And Land
94 bpm • C# Maj • 03:59 • -14db
33% Popularity • 77% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
33% Popularity • 77% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
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Paul Chambers Quintet
Minor Run-Down - Rudy Van Gelder Edition...
94 bpm • A# min • 07:40 • -9db
21% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Bud Powell Trio
Off Minor - 1990 Remaster
94 bpm • D# Maj • 02:23 • -17db
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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Fred Nardin Trio
Colours
104 bpm • A# min • 04:05 • -9.89db
33% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
33% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
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Enrico Rava
Parks
94 bpm • G# Maj • 01:45 • -21db
30% Popularity • 38% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
30% Popularity • 38% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Roy Hargrove Quintet
When We Were One
105 bpm • F min • 05:54 • -21.52db
15% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
15% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
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Bill Evans
It Could Happen To You
94 bpm • G Maj • 03:59 • -18.57db
20% Popularity • 45% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
20% Popularity • 45% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Red Garland
Almost Like Being In Love
94 bpm • C min • 04:50 • -12.6db
56% Popularity • 56% Danceability • 35% Energy • 10% Liveness
40% Instrumentalness • 70% Positiveness
56% Popularity • 56% Danceability • 35% Energy • 10% Liveness
40% Instrumentalness • 70% Positiveness
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Gary Burton
Blue in Green
105 bpm • D min • 03:39 • -12.45db
35% Popularity • 40% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
35% Popularity • 40% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Horace Silver
Peace
93 bpm • D# min • 06:02 • -14.47db
32% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
32% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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John Surman
The Buccaneers
105 bpm • C# min • 04:01 • -18.49db
5% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Morgan
Most Like Lee
93 bpm • C min • 06:49 • -12.66db
22% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Bill Evans
What Kind Of Fool Am I?
94 bpm • G# Maj • 05:21 • -19.22db
14% Popularity • 40% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
14% Popularity • 40% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Ralph Towner
Chiaroscuro
93 bpm • B min • 06:30 • -16db
15% Popularity • 56% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
15% Popularity • 56% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
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Tommy Flanagan
A Blue Time
105 bpm • F Maj • 06:14 • -21.95db
33% Popularity • 55% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 55% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Aaron Parks
Riddle Me This
105 bpm • A# min • 02:43 • -13.37db
35% Popularity • 69% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
35% Popularity • 69% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Art Blakey
Ne Chuchote Pas - BOF "Des Femmes Dispar...
105 bpm • C min • 01:25 • -16.72db
39% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lee Morgan
Melancholee - Remastered 2000/Rudy Van G...
105 bpm • F min • 06:14 • -16db
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Bill Evans
You’re Gonna Hear from Me
105 bpm • F Maj • 04:35 • -10.38db
12% Popularity • 46% Danceability • 54% Energy • 70% Liveness
4% Instrumentalness • 40% Positiveness
12% Popularity • 46% Danceability • 54% Energy • 70% Liveness
4% Instrumentalness • 40% Positiveness
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Horace Silver
Lonely Woman - Remastered 1999/Rudy Van ...
105 bpm • F# Maj • 07:02 • -16db
43% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
43% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Jack DeJohnette
Two Jimmys
93 bpm • F Maj • 08:14 • -19.93db
11% Popularity • 48% Danceability • 38% Energy • 6% Liveness
88% Instrumentalness • 57% Positiveness
11% Popularity • 48% Danceability • 38% Energy • 6% Liveness
88% Instrumentalness • 57% Positiveness
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Nathan Davis
Sconsolato
106 bpm • G min • 03:28 • -12.61db
19% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Cedar Walton
Without A Song
106 bpm • G# Maj • 04:00 • -21.2db
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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Eric Legnini
Introspection #2
92 bpm • C min • 01:29 • -16db
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Paul Bley
There Will Never Be Another You
106 bpm • F Maj • 05:48 • -10.95db
15% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
15% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
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Ferenc Snétberger
Cou Cou
92 bpm • G Maj • 02:55 • -22db
31% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
31% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Jack DeJohnette
Picture 1
93 bpm • D min • 04:48 • -23.12db
5% Popularity • 52% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
5% Popularity • 52% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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Richard Beirach
Ki
106 bpm • C# Maj • 05:10 • -20.73db
5% Popularity • 32% Danceability • 24% Energy • 12% Liveness
48% Instrumentalness • 18% Positiveness
5% Popularity • 32% Danceability • 24% Energy • 12% Liveness
48% Instrumentalness • 18% Positiveness
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Marc Johnson
One Thousand And One Nights
92 bpm • F Maj • 08:16 • -16.37db
9% Popularity • 42% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
9% Popularity • 42% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
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Tord Gustavsen Trio
Stream
92 bpm • G# Maj • 07:03 • -34db
34% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
34% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Yusef Lateef
Road Runner
92 bpm • D min • 04:44 • -8.21db
23% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Terje Rypdal
Sunrise
107 bpm • F Maj • 08:26 • -20.34db
14% Popularity • 33% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
14% Popularity • 33% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Ron Carter
Ahmad the Terrible
107 bpm • G Maj • 07:36 • -16.03db
9% Popularity • 47% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
9% Popularity • 47% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Benny Green
Summer Nights
107 bpm • A min • 05:00 • -32.69db
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
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Avishai Cohen
Life And Death
107 bpm • A min • 09:18 • -22db
40% Popularity • 37% Danceability • 7% Energy • 29% Liveness
11% Instrumentalness • 13% Positiveness
40% Popularity • 37% Danceability • 7% Energy • 29% Liveness
11% Instrumentalness • 13% Positiveness
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Keith Jarrett Trio
Pretty Ballad
107 bpm • B min • 03:30 • -26.46db
24% Popularity • 40% Danceability • 6% Energy • 70% Liveness
90% Instrumentalness • 17% Positiveness
24% Popularity • 40% Danceability • 6% Energy • 70% Liveness
90% Instrumentalness • 17% Positiveness
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Anouar Brahem
Bom Dia Rio
92 bpm • A min • 09:23 • -24.73db
23% Popularity • 54% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
23% Popularity • 54% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Joshua Redman Quartet
Rejoice
92 bpm • F min • 11:12 • -15db
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
