Songs like Jag har en vän by Gordon E. Hooker
Based on a tempo of (+/- 10%) and a similar genre
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Sickan Carlsson
Om jag bara finge dansa genom livet
81 bpm • D# Maj • 03:16 • -12db
7% Popularity • 64% Danceability • 22% Energy • 31% Liveness
2% Instrumentalness • 65% Positiveness
7% Popularity • 64% Danceability • 22% Energy • 31% Liveness
2% Instrumentalness • 65% Positiveness
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Sven-Bertil Taube
Dansen på Sunnanö
81 bpm • D Maj • 04:01 • -4.47db
22% Popularity • 38% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 38% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Gordon E. Hooker
Jag har en vän
81 bpm • E Maj • 03:30 • -10.43db
0% Popularity • 25% Danceability • 25% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
0% Popularity • 25% Danceability • 25% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
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Börge Ring
När Den Evigt Klara Morgonen Gryr
81 bpm • G Maj • 02:32 • -12db
10% Popularity • 30% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 30% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Carl Anton
Överbyvals
81 bpm • C# Maj • 03:46 • -10db
17% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Edvard Persson
Vända Och Sy Om
82 bpm • F Maj • 02:50 • -12db
8% Popularity • 70% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 70% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Gunstein Draugedalen
Hjemme I Himmelen
80 bpm • F Maj • 03:36 • -9db
13% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ann-Louise Hanson
Han stannar här
82 bpm • A# Maj • 02:43 • -12db
1% Popularity • 38% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
1% Popularity • 38% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Mats Paulson
Visa vid vindens ängar
82 bpm • E Maj • 03:29 • -20.56db
13% Popularity • 36% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 36% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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杨德富
松花江上
82 bpm • C Maj • 02:35 • -16.52db
8% Popularity • 28% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 28% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Zarah Leander
Det började med ett glas champagne
80 bpm • C Maj • 03:16 • -6.95db
7% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Osvald Helmuth
Ølhunden
80 bpm • A Maj • 03:13 • -17.66db
8% Popularity • 46% Danceability • 10% Energy • 31% Liveness
2% Instrumentalness • 34% Positiveness
8% Popularity • 46% Danceability • 10% Energy • 31% Liveness
2% Instrumentalness • 34% Positiveness
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Barbro Hörberg
Vaggvisa för vakna
82 bpm • G Maj • 04:19 • -21db
13% Popularity • 56% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Anders Andersson
Jag är främling
80 bpm • F Maj • 02:52 • -12.63db
8% Popularity • 22% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 22% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Dalarnas Spelmansförbund
Gärdebylåten
82 bpm • D Maj • 03:15 • -11db
24% Popularity • 35% Danceability • 36% Energy • 15% Liveness
96% Instrumentalness • 70% Positiveness
24% Popularity • 35% Danceability • 36% Energy • 15% Liveness
96% Instrumentalness • 70% Positiveness
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Paul Robeson
My Old Kentucky Home
82 bpm • F# Maj • 03:19 • -16.45db
9% Popularity • 28% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
9% Popularity • 28% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Harry Brandelius
Krogen i Uddevalla
82 bpm • D Maj • 03:00 • -9db
9% Popularity • 75% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 75% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Benny Anderssons Orkester
Vår sista dans
80 bpm • F Maj • 04:49 • -12db
26% Popularity • 22% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 22% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bertil Boo
Violer till mor
83 bpm • D Maj • 03:26 • -14db
14% Popularity • 32% Danceability • 17% Energy • 42% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 32% Danceability • 17% Energy • 42% Liveness
1% Instrumentalness • 40% Positiveness
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Ernst Rolf
Jag är ute när gumman min är Inne
83 bpm • B min • 02:48 • -7db
13% Popularity • 69% Danceability • 56% Energy • 23% Liveness
1% Instrumentalness • 70% Positiveness
13% Popularity • 69% Danceability • 56% Energy • 23% Liveness
1% Instrumentalness • 70% Positiveness
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The Ivor Cutler Trio
I'm Going in a Field
79 bpm • D Maj • 02:09 • -19.87db
18% Popularity • 27% Danceability • 11% Energy • 13% Liveness
10% Instrumentalness • 24% Positiveness
18% Popularity • 27% Danceability • 11% Energy • 13% Liveness
10% Instrumentalness • 24% Positiveness
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Orfeón de Miravalles
Dóminus pascit me (salmo 22)
79 bpm • C Maj • 02:04 • -12.82db
10% Popularity • 27% Danceability • 24% Energy • 11% Liveness
38% Instrumentalness • 24% Positiveness
10% Popularity • 27% Danceability • 24% Energy • 11% Liveness
38% Instrumentalness • 24% Positiveness
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Harry Brandelius
Det har kommit en bat med bananer
83 bpm • F Maj • 02:51 • -10.28db
11% Popularity • 51% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 51% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Oddvar Tangen
Tømmerkoievise
79 bpm • C Maj • 03:04 • -12.18db
10% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Erik Bye
Så Spiller Vi Harmonica
83 bpm • D min • 01:41 • -14db
20% Popularity • 40% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 40% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Artur Erikson
Närmare Gud till dig
79 bpm • F Maj • 02:26 • -14db
9% Popularity • 18% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Allan Edwall
Lilla Ester
83 bpm • G Maj • 03:18 • -18.13db
8% Popularity • 32% Danceability • 13% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
8% Popularity • 32% Danceability • 13% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
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Henning Sommerro
Sullabullyam
79 bpm • C Maj • 02:39 • -11.91db
10% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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August Söderman
Ett bondbröllop : II. I kyrkan
79 bpm • A# Maj • 03:14 • -19.71db
8% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Kaláka
A Medve Töprengése
79 bpm • G Maj • 01:15 • -15.9db
16% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Friedrich Kuhlau
Majsång - O hur härligt majsol ler
83 bpm • D# Maj • 01:45 • -30.18db
22% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Edvard Persson
En fattig trubadur
79 bpm • G Maj • 03:18 • -6.33db
12% Popularity • 36% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 36% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Erna Tauro
Snusmumrikens vårvisa
83 bpm • G Maj • 01:17 • -26.09db
8% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Flick Flock
Verbotener gesang
83 bpm • D# min • 03:26 • -10.46db
8% Popularity • 26% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 26% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
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Artur Erikson
Jag har hört om en stad
83 bpm • G Maj • 04:26 • -8.86db
10% Popularity • 25% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 25% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Edmund Simon Lorenz
Jag är främling, jag är en pilgrim
83 bpm • E Maj • 03:25 • -11db
14% Popularity • 23% Danceability • 39% Energy • 35% Liveness
42% Instrumentalness • 19% Positiveness
14% Popularity • 23% Danceability • 39% Energy • 35% Liveness
42% Instrumentalness • 19% Positiveness
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Willi Ostermann
Och wat wor dat fröher schön doch en C...
84 bpm • G# Maj • 03:21 • -10db
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Ivar Ruste
Ole Lukkøye
79 bpm • C Maj • 03:01 • -15db
3% Popularity • 38% Danceability • 16% Energy • 12% Liveness
13% Instrumentalness • 36% Positiveness
3% Popularity • 38% Danceability • 16% Energy • 12% Liveness
13% Instrumentalness • 36% Positiveness
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Thorstein Bergman
En liten konstnär
78 bpm • D Maj • 02:32 • -12.6db
7% Popularity • 40% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 40% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Stig Olin
En gång jag seglar i hamn
78 bpm • G Maj • 02:43 • -7.81db
21% Popularity • 43% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 43% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Alf Robertson
En liten flicka med långa flätor
84 bpm • A Maj • 02:42 • -15.29db
1% Popularity • 54% Danceability • 24% Energy • 13% Liveness
25% Instrumentalness • 45% Positiveness
1% Popularity • 54% Danceability • 24% Energy • 13% Liveness
25% Instrumentalness • 45% Positiveness
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Dalarnas Spelmansförbund
Rättvikarnas gånglåt
84 bpm • D Maj • 03:57 • -12.8db
12% Popularity • 33% Danceability • 33% Energy • 14% Liveness
95% Instrumentalness • 47% Positiveness
12% Popularity • 33% Danceability • 33% Energy • 14% Liveness
95% Instrumentalness • 47% Positiveness
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Harry Brandelius
Barndomshemmet
78 bpm • G# Maj • 03:22 • -9.65db
20% Popularity • 42% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 42% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Andrea Bocelli
Lara - De "Doctor Zhivago"
78 bpm • G# Maj • 03:15 • -11.37db
24% Popularity • 28% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 28% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Thorstein Bergman
Till Min Syster
78 bpm • G Maj • 01:56 • -16.46db
14% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kenneth McKellar
The Star o Rabbie Burns (Bonus Track)
84 bpm • G# Maj • 02:57 • -6.28db
17% Popularity • 32% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 32% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sven-Bertil Taube
Inbjudan till Bohuslän
78 bpm • D Maj • 05:26 • -12db
22% Popularity • 35% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 35% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Benny Andersson
Lottis Schottis
78 bpm • G Maj • 01:58 • -17db
16% Popularity • 37% Danceability • 21% Energy • 14% Liveness
96% Instrumentalness • 44% Positiveness
16% Popularity • 37% Danceability • 21% Energy • 14% Liveness
96% Instrumentalness • 44% Positiveness
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Johann Christian Friedrich Haeffner
Under Svea banér
78 bpm • C Maj • 01:44 • -20.76db
11% Popularity • 52% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 52% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jack Black
He Touched Me
85 bpm • F Maj • 00:57 • -11.64db
25% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Carli Tornehave
Under ekars djupa grönska
85 bpm • G# Maj • 02:34 • -9db
14% Popularity • 19% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 19% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Edvard Persson
Där jag lekte som barn
77 bpm • G# Maj • 03:12 • -7db
11% Popularity • 51% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 51% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Erik Bye
Håvard Hedde
85 bpm • D min • 04:03 • -15.65db
10% Popularity • 36% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 36% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Louiguy
La Vie En Rose
85 bpm • D Maj • 04:12 • -14.33db
9% Popularity • 22% Danceability • 23% Energy • 20% Liveness
1% Instrumentalness • 22% Positiveness
9% Popularity • 22% Danceability • 23% Energy • 20% Liveness
1% Instrumentalness • 22% Positiveness
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Alf Prøysen
Du Skal Få En Dag I Mårå
85 bpm • A min • 03:34 • -11.33db
35% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Benny Andersson
Vill du inte gifta dig med mig
85 bpm • A# Maj • 03:19 • -16.05db
14% Popularity • 25% Danceability • 19% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
14% Popularity • 25% Danceability • 19% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
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Sven-Bertil Taube
Rosemarie vid Nämdö fjärd
77 bpm • D# Maj • 03:47 • -9.73db
11% Popularity • 27% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 27% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Artur Erikson
Han har öppnat pärleporten
85 bpm • G# Maj • 02:55 • -8.98db
14% Popularity • 44% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 44% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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ARNAUD KIENTZ
God Save the King
77 bpm • F Maj • 00:56 • -11db
13% Popularity • 37% Danceability • 13% Energy • 58% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 37% Danceability • 13% Energy • 58% Liveness
0% Instrumentalness • 48% Positiveness
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Public Domain
God Save the Queen
77 bpm • F Maj • 00:57 • -10db
8% Popularity • 39% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 39% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
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André-Ernest-Modeste Grétry
Norges Skaal
76 bpm • D Maj • 02:02 • -25.66db
14% Popularity • 49% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 49% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Arja Saijonmaa
Höstvisan
76 bpm • A min • 03:42 • -12.03db
18% Popularity • 43% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Gunnar Wiklund
Den flickan ska bära mitt efternamn - 2...
86 bpm • F# Maj • 02:56 • -12db
15% Popularity • 32% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
15% Popularity • 32% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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Carl Anton
Om maskros och tjärdoft
76 bpm • D Maj • 02:39 • -8db
10% Popularity • 43% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 43% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jan Sparring
För sent
86 bpm • C# Maj • 03:48 • -17db
8% Popularity • 28% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Thorstein Bergman
Till min syster
76 bpm • G Maj • 02:07 • -18db
23% Popularity • 37% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 37% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Jesús Sevillano
Fúlgida Luna
76 bpm • G Maj • 04:04 • -16.6db
7% Popularity • 21% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
7% Popularity • 21% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Allan Edwall
När små fåglar dör
76 bpm • C Maj • 04:49 • -14.3db
15% Popularity • 27% Danceability • 22% Energy • 16% Liveness
20% Instrumentalness • 29% Positiveness
15% Popularity • 27% Danceability • 22% Energy • 16% Liveness
20% Instrumentalness • 29% Positiveness
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Sigge Fürst
Bullfest
87 bpm • A Maj • 02:52 • -11.07db
24% Popularity • 80% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 80% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Alice Babs
Gunga i en hammock - 1999 Remastered Ver...
87 bpm • G Maj • 03:12 • -13.23db
10% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jens Book-Jenssen
Blåklokker
75 bpm • A# Maj • 03:11 • -15db
8% Popularity • 34% Danceability • 16% Energy • 40% Liveness
9% Instrumentalness • 46% Positiveness
8% Popularity • 34% Danceability • 16% Energy • 40% Liveness
9% Instrumentalness • 46% Positiveness
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Thorstein Bergman
Gammal visa
87 bpm • A# min • 02:30 • -11.87db
14% Popularity • 47% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 47% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
87 bpm • G Maj • 03:07 • -13.27db
7% Popularity • 12% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Jussi Björling
Nämnar Du Sverige
75 bpm • C# Maj • 03:09 • -10db
8% Popularity • 30% Danceability • 38% Energy • 72% Liveness
26% Instrumentalness • 32% Positiveness
8% Popularity • 30% Danceability • 38% Energy • 72% Liveness
26% Instrumentalness • 32% Positiveness
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Nils F. Nygren
Nåd över allt förnuft
87 bpm • F Maj • 03:51 • -15.21db
11% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Henning Sommerro
Breimostjernå
87 bpm • F Maj • 02:49 • -18db
8% Popularity • 30% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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N.T. Vilma
Min syster, en strippa
75 bpm • F min • 02:20 • -34db
10% Popularity • 51% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 51% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Torkel Selin
Pärleporten
87 bpm • A Maj • 02:35 • -15.59db
11% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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May Schjörlien
Minnet
87 bpm • G# Maj • 03:48 • -15.68db
10% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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白虹
紡棉花
75 bpm • F Maj • 02:21 • -13db
9% Popularity • 71% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 75% Positiveness
9% Popularity • 71% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 75% Positiveness
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Sven-Bertil Taube
Epistel no. 81 - 'Märk hur vår skugga'...
88 bpm • D min • 03:31 • -24.23db
8% Popularity • 47% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 47% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Thorstein Bergman
Balladen om kråkguldet
75 bpm • D min • 01:40 • -15.33db
23% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Staffan Percy
Än brinner var våg (Det mörknar)
75 bpm • C Maj • 03:50 • -15.72db
18% Popularity • 39% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 39% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Kurt Weill
Street Scene: Lonely House
88 bpm • G# Maj • 03:37 • -12db
12% Popularity • 26% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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彭康亮
神圣的殿堂
88 bpm • E Maj • 03:48 • -22.75db
14% Popularity • 27% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 27% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Lisbeth Bodin
I min lilla värld av blommor
88 bpm • C# Maj • 03:19 • -14.52db
15% Popularity • 34% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 34% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sven-Bertil Taube
Sommarnatt
88 bpm • F Maj • 02:43 • -12db
8% Popularity • 45% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
8% Popularity • 45% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Alice Babs
Tula hem och tula vall
88 bpm • C Maj • 02:15 • -19.06db
37% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ernst Rolf
Bättre och bättre dag för dag
74 bpm • F# Maj • 02:34 • -5db
15% Popularity • 61% Danceability • 48% Energy • 10% Liveness
43% Instrumentalness • 73% Positiveness
15% Popularity • 61% Danceability • 48% Energy • 10% Liveness
43% Instrumentalness • 73% Positiveness
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Allan Edwall
Aftonro
88 bpm • C Maj • 02:29 • -7.4db
7% Popularity • 39% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 39% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Lars Lönndahl
Hej du glada sommar - 2003 Remaster
88 bpm • D Maj • 03:23 • -8db
14% Popularity • 67% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 67% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Artur Erikson
Morgon mellan fjällen
74 bpm • A# Maj • 02:05 • -14.34db
11% Popularity • 34% Danceability • 26% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
11% Popularity • 34% Danceability • 26% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
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Hugo Alfvén
Sveriges flagga (Sweden's Flag)
89 bpm • D# Maj • 02:05 • -19db
14% Popularity • 25% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 25% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Thorstein Bergman
Till min längtan
89 bpm • D Maj • 04:41 • -17db
14% Popularity • 32% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sonya Hedenbratt
Knö dig in
89 bpm • G min • 02:34 • -13db
27% Popularity • 48% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 48% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Stolz
Der Favorit, Op. 122: Du sollst der Kais...
89 bpm • A Maj • 02:51 • -10.31db
13% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Benny Anderssons Orkester
Midnattsdans
74 bpm • A# Maj • 03:39 • -14.59db
12% Popularity • 36% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 36% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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L.T. Humma
Jag kan va din himmel
74 bpm • A min • 00:52 • -31db
12% Popularity • 49% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 49% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
