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Jag mig gömmer uti klippan
Songs like
Jag mig gömmer uti klippan
by
George Hall
Based on a tempo of (+/- 10%) and a similar genre
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Fred Astaire
Drum Crazy
102 bpm • G# Maj • 04:01 • -16.25db
25% Popularity • 69% Danceability • 38% Energy • 9% Liveness
32% Instrumentalness • 61% Positiveness
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Petula Clark & The Warner Bros. Orchestra
Ent'acte (Look to the Rainbow)
102 bpm • A# Maj • 01:15 • -12.26db
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Here I Am
102 bpm • C min • 02:44 • -11.02db
29% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Kirby Ward
I Can't Be Bothered Now
102 bpm • D Maj • 04:14 • -18.47db
22% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Camarata Chorus and Orchestra
The Walrus and the Carpenter
101 bpm • C Maj • 01:42 • -11.1db
9% Popularity • 63% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Bloody Mary
Bali Ha'i -
101 bpm • C Maj • 03:39 • -14db
27% Popularity • 23% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Judy Holliday
The Party's Over
103 bpm • C# min • 02:39 • -15db
7% Popularity • 34% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Jessica Stone
Buddie Beware
103 bpm • G# Maj • 03:28 • -9.04db
24% Popularity • 48% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
103 bpm • C min • 01:09 • -11.03db
16% Popularity • 66% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Raul Julia
Only with You
103 bpm • D Maj • 03:25 • -14.38db
8% Popularity • 27% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Michael McGrath
Sign, Lily, Sign
101 bpm • C Maj • 06:11 • -10.35db
9% Popularity • 46% Danceability • 32% Energy • 42% Liveness
0% Instrumentalness • 28% Positiveness
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Lauren Bacall
The Grass is Always Greener
101 bpm • G Maj • 05:23 • -9.97db
12% Popularity • 49% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
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Loretta Ables Sayre
Bali Ha'i
100 bpm • C Maj • 03:51 • -19.29db
17% Popularity • 26% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Timothy Jerome
The Family Solicitor - Original Cast Rec...
100 bpm • D Maj • 03:02 • -17.63db
14% Popularity • 62% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Charles Strouse
Annie: Tomorrow (Reprise)
101 bpm • C# Maj • 02:23 • -13.84db
25% Popularity • 52% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Karen Akers
My Husband Makes Movies
100 bpm • G# Maj • 04:30 • -13.96db
9% Popularity • 44% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Alexandra Socha
How Can I Wait?
104 bpm • G# Maj • 04:04 • -9db
11% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Angela Lansbury
Miracle Song
104 bpm • D Maj • 04:27 • -8.4db
8% Popularity • 47% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 57% Positiveness
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Ruth Kobart
That Dirty Old Man
104 bpm • E min • 02:13 • -17.34db
4% Popularity • 43% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Karen Prunczik
We're in the Money
104 bpm • C Maj • 03:08 • -13db
24% Popularity • 54% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Karen Ziemba
Willing to Ride
105 bpm • F min • 03:04 • -10.29db
11% Popularity • 43% Danceability • 28% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Keith Carradine
Give a Man Enough Rope
105 bpm • D# Maj • 03:47 • -14.47db
9% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kirby Ward
Slap That Bass
99 bpm • A# min • 05:08 • -17db
22% Popularity • 65% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Shannon Bolin
A Man Doesn't Know
105 bpm • C Maj • 03:10 • -15.69db
9% Popularity • 37% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jane Connell
Song Of Hareford - Original Cast Recordi...
105 bpm • B min • 03:23 • -16db
12% Popularity • 54% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Jim Dale
The Colors of My Life (Reprise)
99 bpm • E Maj • 01:37 • -10.74db
9% Popularity • 41% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Brenda Pressley
The World Goes 'Round
105 bpm • B min • 04:08 • -18db
12% Popularity • 42% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Cady Huffman
Willamania
105 bpm • B min • 06:12 • -11.12db
14% Popularity • 68% Danceability • 55% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
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Gwen Verdon
Nowadays
99 bpm • C Maj • 04:47 • -17.29db
22% Popularity • 54% Danceability • 8% Energy • 49% Liveness
0% Instrumentalness • 28% Positiveness
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Joel Grey
Be Like the Blue Bird
98 bpm • D Maj • 03:33 • -18.27db
22% Popularity • 54% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Harry Guardino
Everybody Says Don't
106 bpm • C Maj • 02:17 • -10db
20% Popularity • 54% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Jane Powell
Wonderful, Wonderful Day
106 bpm • F Maj • 03:17 • -16db
26% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Frederick Loewe
My Fair Lady: I'm an Ordinary Man
106 bpm • A# Maj • 04:33 • -14.19db
10% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Robert Preston
The Sadder But Wiser Girl
106 bpm • G Maj • 01:49 • -13.87db
34% Popularity • 65% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Thoroughly Modern Millie Orchestra
The Nutty Cracker Suite
106 bpm • F Maj • 03:25 • -11.72db
17% Popularity • 52% Danceability • 31% Energy • 6% Liveness
23% Instrumentalness • 46% Positiveness
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My Fair Lady Ensemble
Ascot Gavotte
106 bpm • G Maj • 03:19 • -10db
16% Popularity • 53% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
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Jane Powell
When You're In Love
106 bpm • G# Maj • 02:12 • -18.06db
26% Popularity • 23% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Overture
98 bpm • F Maj • 02:43 • -15.41db
25% Popularity • 41% Danceability • 26% Energy • 21% Liveness
76% Instrumentalness • 32% Positiveness
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Fiddler on the Roof Orchestra
Wedding Dance
107 bpm • G Maj • 02:11 • -17db
19% Popularity • 34% Danceability • 33% Energy • 44% Liveness
75% Instrumentalness • 35% Positiveness
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Shirley Jones
Being In Love
98 bpm • B Maj • 03:48 • -10.94db
26% Popularity • 32% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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London Festival Orchestra
Annie Get Your Gun: Overture
107 bpm • D Maj • 04:40 • -12db
15% Popularity • 29% Danceability • 33% Energy • 9% Liveness
65% Instrumentalness • 23% Positiveness
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Jeffrey Schecter
I Can Do That
107 bpm • D# Maj • 01:26 • -7.2db
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Maryann Plunkett
Once You Lose Your Heart - Original Cast...
97 bpm • C# Maj • 03:33 • -20db
17% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Mary McCarty
Who's That Woman?
97 bpm • A Maj • 03:34 • -16.39db
10% Popularity • 48% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Ken Darby Singers
This Time of Year
108 bpm • A Maj • 02:15 • -12.95db
9% Popularity • 71% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Cast of Oh What A Lovely War
This Means War
108 bpm • C Maj • 01:08 • -14.13db
11% Popularity • 64% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Charles Strouse
Annie: Overture
97 bpm • D# Maj • 03:21 • -14.33db
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
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Louise and June
If Momma Was Married
97 bpm • G# Maj • 02:56 • -5.34db
21% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Adrian Scarborough
Painting By Heart
97 bpm • A# Maj • 05:07 • -12db
8% Popularity • 46% Danceability • 34% Energy • 76% Liveness
0% Instrumentalness • 32% Positiveness
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Sharon Lee Hill
Where Is the Warmth?
97 bpm • D Maj • 03:11 • -15.67db
7% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jerry Bock
The Diary of Adam and Eve: Feelings
108 bpm • C Maj • 01:21 • -15.83db
12% Popularity • 75% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Gwen Verdon
Funny Honey
97 bpm • G Maj • 03:26 • -18.32db
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Angela Lansbury
The Age Of Not Believing
108 bpm • G Maj • 03:17 • -18.44db
26% Popularity • 34% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Rose, Herbie and Louise
Together Wherever We Go
108 bpm • A min • 03:51 • -3.73db
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The M-G-M Studio Orchestra
Cyclone
96 bpm • C Maj • 02:18 • -14.04db
16% Popularity • 29% Danceability • 51% Energy • 59% Liveness
15% Instrumentalness • 36% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm
96 bpm • A Maj • 02:43 • -13db
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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June Bronhill
I Know Now - 1993 RemasterFrom 'Robert a...
108 bpm • E Maj • 02:25 • -13db
12% Popularity • 30% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Cy Coleman
Sweet Charity: You Should See Yourself
96 bpm • D Maj • 02:23 • -13.03db
15% Popularity • 66% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Camelot Original Soundtrack
Guenevere - Mixed Chorus
109 bpm • D Maj • 02:52 • -12.43db
15% Popularity • 48% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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John Cullum
Hurry! It's Lovely Up Here
109 bpm • C min • 04:04 • -14db
11% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Original Broadway Cast of 'Pal Joey'
You Mustn't Kick It Around
96 bpm • D# Maj • 02:53 • -6.94db
8% Popularity • 56% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Frank Sinatra & Gene Kelly
New York New York - On the Town, 1949
109 bpm • C Maj • 03:26 • -10.35db
15% Popularity • 51% Danceability • 61% Energy • 66% Liveness
1% Instrumentalness • 78% Positiveness
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Sherman Edwards
1776: Finale
95 bpm • G min • 01:34 • -13.08db
15% Popularity • 39% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Nellie Forbush
I'm In Love With A Wonderful Guy
95 bpm • C Maj • 03:20 • -12db
28% Popularity • 50% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Miyoshi Umeki
A Hundred Million Miracles - Original Ca...
109 bpm • C Maj • 04:24 • -14db
8% Popularity • 52% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Kirby Ward
They Can't Take That Away From Me
95 bpm • D# Maj • 02:37 • -26.06db
18% Popularity • 27% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Lottie
Tap Your Troubles Away
95 bpm • C min • 04:32 • -11.06db
13% Popularity • 61% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Harriet Harris
They Don't Know
110 bpm • G# Maj • 02:09 • -14.84db
21% Popularity • 66% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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The Charlottetown Festival
Humble Pie
110 bpm • C Maj • 02:09 • -15.08db
8% Popularity • 53% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Debbie Gravitte
The Deadwood Stage
110 bpm • D# Maj • 05:53 • -13.76db
10% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Maury Yeston
The Proposal / The Night Was Alive
110 bpm • A# Maj • 04:40 • -21db
26% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Scarlett Strallen
All I Do (Is Dream of You)
110 bpm • A# Maj • 01:25 • -7.33db
21% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Danny Carroll
Overture / Audition
94 bpm • F min • 04:43 • -13db
22% Popularity • 49% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 55% Positiveness
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Nine Ensemble
Overture delle Donne / Spa Music / Not S...
94 bpm • C Maj • 08:39 • -11.87db
9% Popularity • 45% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Original Broadway Cast of 'Zorba'
Life Is
110 bpm • F Maj • 05:15 • -17db
8% Popularity • 43% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Dona Massin
The Jitterbug - Choreography Rehearsal
111 bpm • G Maj • 03:24 • -24.16db
15% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Mary Louise Wilson
What Would You Do?
111 bpm • G# min • 03:29 • -12.65db
24% Popularity • 40% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Maureen O’Hara
For Now For Always
111 bpm • B min • 02:16 • -15.06db
19% Popularity • 38% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 31% Positiveness
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Paul Lynde
Kids
111 bpm • C Maj • 02:33 • -10db
20% Popularity • 65% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 91% Positiveness
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Carol Richards
Waitin' for My Dearie
94 bpm • G Maj • 03:00 • -15.46db
9% Popularity • 26% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Liliane Montevecchi
Folies Bergères
111 bpm • G Maj • 08:26 • -9.82db
9% Popularity • 52% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Ann-Margret
My Lovey-Dovey Baby
94 bpm • C Maj • 01:30 • -22.12db
28% Popularity • 65% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Richard M. Sherman
Father's Footsteps - Instrumental
111 bpm • D Maj • 01:16 • -23.5db
9% Popularity • 70% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 41% Positiveness
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Katherine Kingsley
What's Wrong with Me?
111 bpm • A# Maj • 02:44 • -12.73db
13% Popularity • 54% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sheryl Lee Ralph
Long as I'm Here with You
111 bpm • D Maj • 02:24 • -9db
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jane Summerhays
You Would If You Could - Original Cast R...
94 bpm • C Maj • 02:39 • -21.7db
13% Popularity • 56% Danceability • 8% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Gwen Verdon
Funny Honey
94 bpm • C# Maj • 03:10 • -12.26db
19% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ann-Margret
Rosie
111 bpm • D# Maj • 02:15 • -12.64db
17% Popularity • 36% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Jack Gilford
I'm Calm
94 bpm • B min • 02:50 • -19.55db
6% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Michele Pawk
Tomorrow Belongs to Me (Reprise)
111 bpm • A# Maj • 02:27 • -11.11db
27% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Kay Medford
Who Taught Her Everything?
111 bpm • C min • 03:05 • -11.13db
11% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Brown
Don't Forget 127Th Street
93 bpm • D# Maj • 05:46 • -12.02db
8% Popularity • 52% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Frederick Loewe
Camelot: Guenevere
112 bpm • G Maj • 03:19 • -13db
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Petula Clark & Fred Astaire
When I'm Not Near the Girl I Love
93 bpm • E min • 04:22 • -12.52db
13% Popularity • 38% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Jane Powell
When You're in Love
112 bpm • G# Maj • 02:54 • -15.83db
8% Popularity • 21% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Fred MacMurray
When a Man Has a Daughter / Reprise: Wha...
93 bpm • C# Maj • 01:15 • -21.26db
10% Popularity • 33% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Louise Gold
You Gotta Get a Gimmick
112 bpm • G Maj • 04:25 • -4.73db
13% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Jag mig gömmer uti klippan