Songs like Jagerner Jubelmarsch by Mnozil Brass
Based on a tempo of (+/- 10%) and a similar genre
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Original Tiroler Kaiserjägermusik
Prager Gassen
113 bpm • G# Maj • 03:25 • -8.95db
11% Popularity • 41% Danceability • 43% Energy • 6% Liveness
92% Instrumentalness • 43% Positiveness
11% Popularity • 41% Danceability • 43% Energy • 6% Liveness
92% Instrumentalness • 43% Positiveness
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Die Innsbrucker Böhmische
Amsel Polka
113 bpm • A# Maj • 02:48 • -8.03db
26% Popularity • 64% Danceability • 57% Energy • 7% Liveness
90% Instrumentalness • 67% Positiveness
26% Popularity • 64% Danceability • 57% Energy • 7% Liveness
90% Instrumentalness • 67% Positiveness
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Orchester Holger Mück
Abel Tasman
113 bpm • D# Maj • 04:44 • -9db
40% Popularity • 59% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 79% Positiveness
40% Popularity • 59% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 79% Positiveness
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Mnozil Brass
Tango
113 bpm • D Maj • 03:23 • -21.48db
9% Popularity • 22% Danceability • 15% Energy • 65% Liveness
92% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 15% Energy • 65% Liveness
92% Instrumentalness • 9% Positiveness
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MaChlast
Weintrinker Marsch
113 bpm • F Maj • 02:39 • -7db
29% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Oberammergauer Blasmusik
Mars der Medici
113 bpm • C# Maj • 04:15 • -8.69db
26% Popularity • 52% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
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Sunnseit Brass
Schiane Tage
112 bpm • D# Maj • 03:24 • -12.81db
15% Popularity • 39% Danceability • 26% Energy • 25% Liveness
87% Instrumentalness • 43% Positiveness
15% Popularity • 39% Danceability • 26% Energy • 25% Liveness
87% Instrumentalness • 43% Positiveness
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Kaiser Musikanten
Hoch Heidecksburg
112 bpm • D# Maj • 03:04 • -7.76db
26% Popularity • 62% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
26% Popularity • 62% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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JPT
Hochachtungsmarsch
114 bpm • A# Maj • 02:48 • -6db
23% Popularity • 88% Danceability • 46% Energy • 5% Liveness
94% Instrumentalness • 96% Positiveness
23% Popularity • 88% Danceability • 46% Energy • 5% Liveness
94% Instrumentalness • 96% Positiveness
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Mnozil Brass
Jagerner Jubelmarsch
113 bpm • D# Maj • 02:59 • -9.9db
9% Popularity • 68% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 52% Positiveness
9% Popularity • 68% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 52% Positiveness
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MaChlast
Für Mimi
113 bpm • A# Maj • 04:02 • -12.13db
25% Popularity • 70% Danceability • 26% Energy • 5% Liveness
81% Instrumentalness • 63% Positiveness
25% Popularity • 70% Danceability • 26% Energy • 5% Liveness
81% Instrumentalness • 63% Positiveness
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Brauhaus Musikanten
Weinkeller Polka
112 bpm • C# Maj • 03:39 • -8.35db
20% Popularity • 53% Danceability • 30% Energy • 28% Liveness
78% Instrumentalness • 74% Positiveness
20% Popularity • 53% Danceability • 30% Energy • 28% Liveness
78% Instrumentalness • 74% Positiveness
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Musikverein Stadtkapelle Sachsenheim
The Best of Beatles
112 bpm • A# Maj • 08:36 • -10.84db
12% Popularity • 53% Danceability • 32% Energy • 17% Liveness
80% Instrumentalness • 44% Positiveness
12% Popularity • 53% Danceability • 32% Energy • 17% Liveness
80% Instrumentalness • 44% Positiveness
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Die Fegerländer
Wir leben Blasmusik
112 bpm • C# Maj • 03:04 • -9.3db
25% Popularity • 45% Danceability • 27% Energy • 7% Liveness
93% Instrumentalness • 47% Positiveness
25% Popularity • 45% Danceability • 27% Energy • 7% Liveness
93% Instrumentalness • 47% Positiveness
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Bullhorns
Highway to Hell
114 bpm • D Maj • 03:35 • -3.59db
19% Popularity • 77% Danceability • 72% Energy • 19% Liveness
78% Instrumentalness • 56% Positiveness
19% Popularity • 77% Danceability • 72% Energy • 19% Liveness
78% Instrumentalness • 56% Positiveness
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Mnozil Brass
Fingerwärmerpolka
113 bpm • D# Maj • 02:52 • -13.25db
11% Popularity • 65% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 81% Positiveness
11% Popularity • 65% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 81% Positiveness
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Kaiser Musikanten
Kaiser Polka
112 bpm • D# Maj • 03:34 • -8.98db
25% Popularity • 53% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 35% Positiveness
25% Popularity • 53% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 35% Positiveness
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Musikkapelle Stams
New York Ouverture
114 bpm • F min • 09:38 • -17db
10% Popularity • 40% Danceability • 18% Energy • 8% Liveness
31% Instrumentalness • 15% Positiveness
10% Popularity • 40% Danceability • 18% Energy • 8% Liveness
31% Instrumentalness • 15% Positiveness
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Militärmusik Oberösterreich
Im Eilschritt nach Sankt Peter
112 bpm • C# Maj • 03:55 • -16.89db
10% Popularity • 47% Danceability • 17% Energy • 31% Liveness
85% Instrumentalness • 41% Positiveness
10% Popularity • 47% Danceability • 17% Energy • 31% Liveness
85% Instrumentalness • 41% Positiveness
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Brauhaus Musikanten
Bei mir bist du scheen - Modern
112 bpm • A Maj • 02:52 • -7.97db
14% Popularity • 74% Danceability • 56% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
14% Popularity • 74% Danceability • 56% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
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Bullhorns
Black Poetti
114 bpm • C Maj • 03:15 • -6.82db
13% Popularity • 83% Danceability • 79% Energy • 25% Liveness
1% Instrumentalness • 90% Positiveness
13% Popularity • 83% Danceability • 79% Energy • 25% Liveness
1% Instrumentalness • 90% Positiveness
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Berthold Schick Und Seine Allgäu 6
Carrickfergus
112 bpm • F Maj • 03:45 • -13.27db
22% Popularity • 28% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 18% Positiveness
22% Popularity • 28% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 18% Positiveness
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JPT
Children of Sanchez
115 bpm • D min • 02:41 • -6.5db
24% Popularity • 77% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
24% Popularity • 77% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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MaChlast
Hochachtungsmarsch
115 bpm • A# Maj • 02:49 • -12db
34% Popularity • 80% Danceability • 30% Energy • 4% Liveness
81% Instrumentalness • 93% Positiveness
34% Popularity • 80% Danceability • 30% Energy • 4% Liveness
81% Instrumentalness • 93% Positiveness
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Blaskapelle Mährische Freunde
Slavonicka Polka
111 bpm • G# Maj • 02:59 • -12.08db
34% Popularity • 74% Danceability • 24% Energy • 7% Liveness
87% Instrumentalness • 70% Positiveness
34% Popularity • 74% Danceability • 24% Energy • 7% Liveness
87% Instrumentalness • 70% Positiveness
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Cory Band
Cry Me a River
111 bpm • D min • 04:19 • -11db
8% Popularity • 36% Danceability • 27% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
8% Popularity • 36% Danceability • 27% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
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Otto M. Schwarz
Glory Fanfare
115 bpm • A# Maj • 03:00 • -11.33db
15% Popularity • 35% Danceability • 57% Energy • 73% Liveness
94% Instrumentalness • 26% Positiveness
15% Popularity • 35% Danceability • 57% Energy • 73% Liveness
94% Instrumentalness • 26% Positiveness
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Szeged Trombone Ensemble
Uptown Funk (Arr. for Trombone Ensemble)
115 bpm • G min • 03:19 • -12.39db
13% Popularity • 72% Danceability • 40% Energy • 7% Liveness
98% Instrumentalness • 60% Positiveness
13% Popularity • 72% Danceability • 40% Energy • 7% Liveness
98% Instrumentalness • 60% Positiveness
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JPT
We Go Bananas
115 bpm • F min • 03:14 • -7.49db
15% Popularity • 59% Danceability • 53% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
15% Popularity • 59% Danceability • 53% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
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Musikatzen (Solo: Martin Stadler
Brooklyn
111 bpm • G# Maj • 05:53 • -8.76db
13% Popularity • 60% Danceability • 68% Energy • 10% Liveness
83% Instrumentalness • 84% Positiveness
13% Popularity • 60% Danceability • 68% Energy • 10% Liveness
83% Instrumentalness • 84% Positiveness
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Bullhorns
Black or White
115 bpm • C Maj • 03:32 • -6.72db
27% Popularity • 71% Danceability • 86% Energy • 22% Liveness
79% Instrumentalness • 97% Positiveness
27% Popularity • 71% Danceability • 86% Energy • 22% Liveness
79% Instrumentalness • 97% Positiveness
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Preetzer Blasorchester
In Harmonie vereint
111 bpm • G# Maj • 03:10 • -10db
16% Popularity • 66% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 77% Positiveness
16% Popularity • 66% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 77% Positiveness
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Blech Brass Brothers
Von f bis Ces
115 bpm • C# Maj • 03:14 • -10db
13% Popularity • 56% Danceability • 21% Energy • 14% Liveness
92% Instrumentalness • 77% Positiveness
13% Popularity • 56% Danceability • 21% Energy • 14% Liveness
92% Instrumentalness • 77% Positiveness
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Philharmenka - Die Nürnberger Böhmische
Ich hol vom Himmel dir die Sterne
111 bpm • G min • 03:37 • -11.96db
16% Popularity • 38% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
16% Popularity • 38% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Peter Schad und seine Oberschwäbischen Dorfmusikanten
Kuschel-Polka
115 bpm • D# Maj • 03:22 • -11.64db
36% Popularity • 47% Danceability • 25% Energy • 16% Liveness
91% Instrumentalness • 60% Positiveness
36% Popularity • 47% Danceability • 25% Energy • 16% Liveness
91% Instrumentalness • 60% Positiveness
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Blechschaden
Mein Heimatland
116 bpm • C Maj • 02:14 • -11db
19% Popularity • 73% Danceability • 47% Energy • 20% Liveness
92% Instrumentalness • 94% Positiveness
19% Popularity • 73% Danceability • 47% Energy • 20% Liveness
92% Instrumentalness • 94% Positiveness
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Kaiser Musikanten
Eine letzte Runde
116 bpm • A# Maj • 03:55 • -10.58db
28% Popularity • 37% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 37% Positiveness
28% Popularity • 37% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 37% Positiveness
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Viera Blech
Euphoria
116 bpm • G# Maj • 03:41 • -8.57db
34% Popularity • 57% Danceability • 45% Energy • 6% Liveness
82% Instrumentalness • 63% Positiveness
34% Popularity • 57% Danceability • 45% Energy • 6% Liveness
82% Instrumentalness • 63% Positiveness
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Dallas Brass
Pink Panther Theme
116 bpm • F min • 03:07 • -12.13db
18% Popularity • 70% Danceability • 32% Energy • 5% Liveness
40% Instrumentalness • 26% Positiveness
18% Popularity • 70% Danceability • 32% Energy • 5% Liveness
40% Instrumentalness • 26% Positiveness
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Meeblech
Wir Musikanten
110 bpm • A# Maj • 03:21 • -11db
19% Popularity • 58% Danceability • 29% Energy • 16% Liveness
91% Instrumentalness • 61% Positiveness
19% Popularity • 58% Danceability • 29% Energy • 16% Liveness
91% Instrumentalness • 61% Positiveness
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Primus Brass
Tschässmittwoch
116 bpm • A# Maj • 02:46 • -10.22db
19% Popularity • 81% Danceability • 38% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
19% Popularity • 81% Danceability • 38% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
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Brassaranka
Rauschende Feste
110 bpm • D# Maj • 04:08 • -9.78db
26% Popularity • 54% Danceability • 38% Energy • 34% Liveness
83% Instrumentalness • 78% Positiveness
26% Popularity • 54% Danceability • 38% Energy • 34% Liveness
83% Instrumentalness • 78% Positiveness
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Kaiser Musikanten
Almtaler Polka
110 bpm • D# Maj • 03:13 • -9.59db
35% Popularity • 51% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 71% Positiveness
35% Popularity • 51% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 71% Positiveness
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Pro Solist´y
Die Sonne geht auf
116 bpm • D# Maj • 04:11 • -9.36db
15% Popularity • 70% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
15% Popularity • 70% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
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Die Brasserie
Thrift Shop
110 bpm • F Maj • 02:37 • -7.73db
31% Popularity • 77% Danceability • 50% Energy • 15% Liveness
10% Instrumentalness • 89% Positiveness
31% Popularity • 77% Danceability • 50% Energy • 15% Liveness
10% Instrumentalness • 89% Positiveness
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"Echt" Bšöhmisch
Sir Duke
116 bpm • A# Maj • 03:07 • -7.12db
27% Popularity • 91% Danceability • 76% Energy • 11% Liveness
94% Instrumentalness • 88% Positiveness
27% Popularity • 91% Danceability • 76% Energy • 11% Liveness
94% Instrumentalness • 88% Positiveness
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Günther E. Koch
Europa Unita (Konzertmarsch)
110 bpm • C# Maj • 04:07 • -9.63db
8% Popularity • 63% Danceability • 38% Energy • 5% Liveness
75% Instrumentalness • 57% Positiveness
8% Popularity • 63% Danceability • 38% Energy • 5% Liveness
75% Instrumentalness • 57% Positiveness
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Quattro Poly
Number Funky
110 bpm • G min • 03:16 • -13.08db
18% Popularity • 94% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
18% Popularity • 94% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
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Kaiser Musikanten
Egerländer Musikantenmarsch
116 bpm • D# Maj • 02:36 • -8db
31% Popularity • 66% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 52% Positiveness
31% Popularity • 66% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 52% Positiveness
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PRO BRASS
Badinerie
116 bpm • G min • 02:44 • -19.5db
11% Popularity • 65% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 51% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 51% Positiveness
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Die Innsbrucker Böhmische
Unter dem Doppeladler
116 bpm • D# Maj • 03:25 • -5.1db
21% Popularity • 70% Danceability • 55% Energy • 8% Liveness
90% Instrumentalness • 81% Positiveness
21% Popularity • 70% Danceability • 55% Energy • 8% Liveness
90% Instrumentalness • 81% Positiveness
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Hergolshäuser Musikanten
Wir Musikanten
110 bpm • A# Maj • 03:15 • -9db
41% Popularity • 40% Danceability • 21% Energy • 9% Liveness
37% Instrumentalness • 55% Positiveness
41% Popularity • 40% Danceability • 21% Energy • 9% Liveness
37% Instrumentalness • 55% Positiveness
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Philharmenka - Die Nürnberger Böhmische
Wir sind Kinder von Sanchez
110 bpm • D min • 07:16 • -12.58db
10% Popularity • 50% Danceability • 34% Energy • 21% Liveness
94% Instrumentalness • 24% Positiveness
10% Popularity • 50% Danceability • 34% Energy • 21% Liveness
94% Instrumentalness • 24% Positiveness
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Michael Klostermann & Seine Musikanten
Bayrische Polka
110 bpm • F Maj • 02:38 • -11.09db
25% Popularity • 57% Danceability • 37% Energy • 15% Liveness
96% Instrumentalness • 76% Positiveness
25% Popularity • 57% Danceability • 37% Energy • 15% Liveness
96% Instrumentalness • 76% Positiveness
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Kaiser Musikanten
Eine letzte Runde
116 bpm • A# Maj • 03:55 • -11db
37% Popularity • 39% Danceability • 28% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
37% Popularity • 39% Danceability • 28% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Musikkapelle Mils Conductor Oswald Klingler
Ruetz Marsch
110 bpm • G# Maj • 02:42 • -9.62db
36% Popularity • 60% Danceability • 43% Energy • 23% Liveness
88% Instrumentalness • 65% Positiveness
36% Popularity • 60% Danceability • 43% Energy • 23% Liveness
88% Instrumentalness • 65% Positiveness
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JPT
Schöne Steiermark
116 bpm • D# Maj • 02:25 • -8db
17% Popularity • 74% Danceability • 61% Energy • 6% Liveness
96% Instrumentalness • 85% Positiveness
17% Popularity • 74% Danceability • 61% Energy • 6% Liveness
96% Instrumentalness • 85% Positiveness
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Militärmusik Salzburg
Alte Kameraden Swing
117 bpm • D# Maj • 04:28 • -3.85db
18% Popularity • 51% Danceability • 80% Energy • 49% Liveness
1% Instrumentalness • 76% Positiveness
18% Popularity • 51% Danceability • 80% Energy • 49% Liveness
1% Instrumentalness • 76% Positiveness
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Erich Wolfgang Korngold
The Seahawk
117 bpm • A# Maj • 07:56 • -11.1db
9% Popularity • 45% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
9% Popularity • 45% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Michael Klostermann
REGIMENTSKINDER (Marsch)
117 bpm • D# Maj • 03:11 • -9.73db
15% Popularity • 45% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
15% Popularity • 45% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
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Kaiser Musikanten
Dorffest der Blasmusik
110 bpm • G# Maj • 03:48 • -9db
24% Popularity • 47% Danceability • 34% Energy • 19% Liveness
85% Instrumentalness • 41% Positiveness
24% Popularity • 47% Danceability • 34% Energy • 19% Liveness
85% Instrumentalness • 41% Positiveness
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Goff Richards
Confection for Brass
117 bpm • A# Maj • 03:07 • -16db
12% Popularity • 58% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
12% Popularity • 58% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
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Canadian Brass
Je Me Souviens
117 bpm • C min • 02:49 • -15.45db
15% Popularity • 35% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
15% Popularity • 35% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Boston Brass
Brazil
109 bpm • C# Maj • 03:29 • -14.42db
11% Popularity • 79% Danceability • 41% Energy • 6% Liveness
49% Instrumentalness • 80% Positiveness
11% Popularity • 79% Danceability • 41% Energy • 6% Liveness
49% Instrumentalness • 80% Positiveness
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Blaskapelle Gehörsturz
Uptown Funk
117 bpm • C Maj • 04:25 • -7.37db
23% Popularity • 91% Danceability • 71% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 91% Danceability • 71% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Southbrass
Carrickfergus
117 bpm • F Maj • 03:31 • -11.84db
22% Popularity • 30% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
22% Popularity • 30% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Kaiser Musikanten
Im Eilschritt nach St. Peter
117 bpm • G# Maj • 04:14 • -10.54db
34% Popularity • 47% Danceability • 31% Energy • 28% Liveness
91% Instrumentalness • 34% Positiveness
34% Popularity • 47% Danceability • 31% Energy • 28% Liveness
91% Instrumentalness • 34% Positiveness
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MaChlast
Woodstock Der Blasmusik
117 bpm • D# Maj • 02:33 • -6.58db
34% Popularity • 68% Danceability • 58% Energy • 4% Liveness
35% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 58% Energy • 4% Liveness
35% Instrumentalness • 94% Positiveness
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Militärmusik Oberösterreich
Schönfeld Marsch
117 bpm • D# Maj • 02:24 • -10.15db
12% Popularity • 83% Danceability • 30% Energy • 21% Liveness
4% Instrumentalness • 87% Positiveness
12% Popularity • 83% Danceability • 30% Energy • 21% Liveness
4% Instrumentalness • 87% Positiveness
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Quattro Poly
Allerhand Polka
118 bpm • D# Maj • 02:28 • -12db
21% Popularity • 56% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 81% Positiveness
21% Popularity • 56% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 81% Positiveness
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Otto M. Schwarz
The last call
118 bpm • G# Maj • 04:59 • -11db
17% Popularity • 52% Danceability • 68% Energy • 84% Liveness
96% Instrumentalness • 71% Positiveness
17% Popularity • 52% Danceability • 68% Energy • 84% Liveness
96% Instrumentalness • 71% Positiveness
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Maablosn
Deutschmeister Regimentsmarsch
108 bpm • A# Maj • 02:41 • -9db
36% Popularity • 64% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 84% Positiveness
36% Popularity • 64% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 84% Positiveness
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Kaiser Musikanten
Im Eilschritt nach St. Peter
117 bpm • C# Maj • 04:15 • -10.15db
25% Popularity • 51% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
25% Popularity • 51% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Die Fexer
Englishman in New York
108 bpm • C min • 04:16 • -11.83db
21% Popularity • 72% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 86% Positiveness
21% Popularity • 72% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 86% Positiveness
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Militärmusik Oberösterreich
Unter dem Doppeladler
118 bpm • D# Maj • 03:25 • -12.28db
20% Popularity • 66% Danceability • 31% Energy • 9% Liveness
79% Instrumentalness • 93% Positiveness
20% Popularity • 66% Danceability • 31% Energy • 9% Liveness
79% Instrumentalness • 93% Positiveness
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W. Joseph
Rumisberger Marsch
118 bpm • D# Maj • 02:24 • -12db
15% Popularity • 60% Danceability • 49% Energy • 27% Liveness
96% Instrumentalness • 80% Positiveness
15% Popularity • 60% Danceability • 49% Energy • 27% Liveness
96% Instrumentalness • 80% Positiveness
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Brassaranka
The Flood
108 bpm • B min • 03:52 • -8.71db
21% Popularity • 47% Danceability • 46% Energy • 8% Liveness
94% Instrumentalness • 17% Positiveness
21% Popularity • 47% Danceability • 46% Energy • 8% Liveness
94% Instrumentalness • 17% Positiveness
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da Blechhauf'n XXL
Leckmicha Marsch
108 bpm • G# Maj • 03:01 • -6db
13% Popularity • 91% Danceability • 82% Energy • 11% Liveness
91% Instrumentalness • 93% Positiveness
13% Popularity • 91% Danceability • 82% Energy • 11% Liveness
91% Instrumentalness • 93% Positiveness
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Kaiser Musikanten
Lebensgeister
118 bpm • G# Maj • 03:25 • -9db
29% Popularity • 54% Danceability • 34% Energy • 16% Liveness
81% Instrumentalness • 58% Positiveness
29% Popularity • 54% Danceability • 34% Energy • 16% Liveness
81% Instrumentalness • 58% Positiveness
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Blech Brass Brothers
Die Sonne geht auf
108 bpm • D# Maj • 04:03 • -11.14db
10% Popularity • 59% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 71% Positiveness
10% Popularity • 59% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 71% Positiveness
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Primus Brass
Maraba Blue
108 bpm • F Maj • 04:20 • -17db
12% Popularity • 58% Danceability • 12% Energy • 27% Liveness
44% Instrumentalness • 53% Positiveness
12% Popularity • 58% Danceability • 12% Energy • 27% Liveness
44% Instrumentalness • 53% Positiveness
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Mnozil Brass
Out of My Dreams
108 bpm • F Maj • 02:10 • -10.84db
7% Popularity • 40% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 29% Positiveness
7% Popularity • 40% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 29% Positiveness
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Bodenseeperlen
Ein Halbes Jahrhundert
108 bpm • A# Maj • 03:56 • -10.59db
38% Popularity • 56% Danceability • 15% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
38% Popularity • 56% Danceability • 15% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
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Wieder, Gansch & Paul
Faith
119 bpm • C Maj • 05:01 • -16.02db
10% Popularity • 62% Danceability • 39% Energy • 5% Liveness
93% Instrumentalness • 52% Positiveness
10% Popularity • 62% Danceability • 39% Energy • 5% Liveness
93% Instrumentalness • 52% Positiveness
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Kaiser Musikanten
In der Schleifmühlgasse - Funkhaus Sess...
118 bpm • G# Maj • 02:46 • -8.54db
29% Popularity • 68% Danceability • 47% Energy • 29% Liveness
85% Instrumentalness • 59% Positiveness
29% Popularity • 68% Danceability • 47% Energy • 29% Liveness
85% Instrumentalness • 59% Positiveness
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Die Innsbrucker Böhmische
Williams Polka
119 bpm • A# Maj • 03:34 • -5.69db
22% Popularity • 52% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 43% Positiveness
22% Popularity • 52% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 43% Positiveness
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Louis Prima
Sing Sing Sing
107 bpm • E min • 02:47 • -15db
13% Popularity • 53% Danceability • 30% Energy • 6% Liveness
77% Instrumentalness • 62% Positiveness
13% Popularity • 53% Danceability • 30% Energy • 6% Liveness
77% Instrumentalness • 62% Positiveness
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Musikatzen
Bud & Terence
107 bpm • A# Maj • 09:51 • -11.39db
26% Popularity • 64% Danceability • 33% Energy • 15% Liveness
59% Instrumentalness • 68% Positiveness
26% Popularity • 64% Danceability • 33% Energy • 15% Liveness
59% Instrumentalness • 68% Positiveness
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Jan van der Roost
Arsenal
107 bpm • G# Maj • 03:38 • -17db
27% Popularity • 30% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 46% Positiveness
27% Popularity • 30% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 46% Positiveness
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Militärmusik Oberösterreich
Alte Kameraden
119 bpm • C# Maj • 04:29 • -11.79db
13% Popularity • 69% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 84% Positiveness
13% Popularity • 69% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 84% Positiveness
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Otto M. Schwarz
Funk Attack
119 bpm • G min • 06:18 • -17.24db
10% Popularity • 37% Danceability • 49% Energy • 24% Liveness
91% Instrumentalness • 53% Positiveness
10% Popularity • 37% Danceability • 49% Energy • 24% Liveness
91% Instrumentalness • 53% Positiveness
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Blechschaden
Amazing Grace
119 bpm • A# Maj • 03:04 • -14.95db
9% Popularity • 25% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 25% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Die Egerländer Rebellen
Kaiserin Sissi
119 bpm • F Maj • 03:59 • -7.78db
35% Popularity • 44% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
35% Popularity • 44% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
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Musikatzen
St. Elmo's Fire
119 bpm • G# Maj • 03:29 • -9.97db
22% Popularity • 73% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 69% Positiveness
22% Popularity • 73% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 69% Positiveness
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Berthold Schick Und Seine Allgäu 6
Under the Boardwalk
120 bpm • C# Maj • 02:26 • -9.29db
18% Popularity • 63% Danceability • 38% Energy • 7% Liveness
87% Instrumentalness • 59% Positiveness
18% Popularity • 63% Danceability • 38% Energy • 7% Liveness
87% Instrumentalness • 59% Positiveness
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Polizeimusik Zürich-Stadt
The Blues Brothers Revue
120 bpm • A# Maj • 04:07 • -13db
17% Popularity • 52% Danceability • 42% Energy • 8% Liveness
73% Instrumentalness • 65% Positiveness
17% Popularity • 52% Danceability • 42% Energy • 8% Liveness
73% Instrumentalness • 65% Positiveness
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Die Innsbrucker Böhmische
Seyffertitz Marsch
120 bpm • G# Maj • 02:17 • -4.86db
25% Popularity • 70% Danceability • 59% Energy • 4% Liveness
88% Instrumentalness • 87% Positiveness
25% Popularity • 70% Danceability • 59% Energy • 4% Liveness
88% Instrumentalness • 87% Positiveness
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Holzfrei Böhmische
Playing with fire
120 bpm • E min • 03:04 • -8.44db
16% Popularity • 79% Danceability • 65% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
16% Popularity • 79% Danceability • 65% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
