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Jailhouse Trouble Blues
Songs like
Jailhouse Trouble Blues
by
Memphis Minnie & Kansas Joe
Based on a tempo of (+/- 10%) and a similar genre
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Pink Anderson
My Baby Left Me This Morning
108 bpm • G Maj • 03:38 • -16.54db
9% Popularity • 69% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Memphis Minnie & Kansas Joe
Jailhouse Trouble Blues
108 bpm • B Maj • 03:16 • -20.23db
0% Popularity • 51% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Sylvester Weaver
Guitar Rag
108 bpm • D Maj • 03:06 • -13db
25% Popularity • 47% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
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Tampa Red
Boogie Woogie Dance
108 bpm • D# Maj • 03:14 • -9db
11% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
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Memphis Minnie
Good Biscuits
108 bpm • C Maj • 02:40 • -18.33db
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bo Carter
Pussy Cat Blues
108 bpm • E Maj • 02:54 • -11.64db
11% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me - Remastered 2003
108 bpm • D Maj • 02:21 • -11.89db
30% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Cannon's Jug Stompers
Going to Germany
107 bpm • G Maj • 02:31 • -13db
19% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
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Memphis Minnie & Kansas Joe
Somebody's GotTo Help You
107 bpm • F Maj • 03:22 • -15.95db
0% Popularity • 53% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Bukka White
Fixin' to Die Blues
109 bpm • B Maj • 02:51 • -10db
18% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
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Memphis Jug Band
He's In The Jail House Now
107 bpm • C Maj • 03:12 • -12.13db
12% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Blind Willie Johnson
Bye and Bye I'm Goin' to See the King
109 bpm • G Maj • 02:51 • -16.12db
17% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Charley Patton
Mississippi Boweavil Blues
109 bpm • F# Maj • 03:11 • -10.2db
12% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
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Big Joe Williams
Hellbound On My Trial
109 bpm • A Maj • 03:08 • -19.69db
14% Popularity • 57% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
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Memphis Minnie
Blues Everywhere
107 bpm • A# Maj • 02:49 • -10.83db
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Bukka White
High Fever Blues
107 bpm • A Maj • 02:50 • -12db
22% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
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J.B. Lenoir
Slow Down
107 bpm • A Maj • 01:34 • -11db
46% Popularity • 85% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Judy Henske
Good Old Wagon
109 bpm • G# Maj • 02:19 • -6.57db
17% Popularity • 50% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
107 bpm • F min • 02:56 • -13.86db
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
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Lonnie Johnson
Best Jockey in Town
106 bpm • A Maj • 02:57 • -16.11db
11% Popularity • 72% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Frank Stokes
I Got Mine
106 bpm • C# Maj • 03:06 • -12db
18% Popularity • 76% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Robert Wilkins
Rollin' Stone, Pt. 1
110 bpm • G# Maj • 02:53 • -14.96db
13% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Memphis Minnie & Kansas Joe
I Don't Want That Junk Out You
106 bpm • F# min • 02:26 • -15.14db
1% Popularity • 70% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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David "Honeyboy" Edwards
Big Fat Mama
110 bpm • A Maj • 02:58 • -16.62db
10% Popularity • 78% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
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J.B. Lenoir
The Whale Has Swallowed Me
110 bpm • G Maj • 02:25 • -8db
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Blind Willie McTell
Baby, It Must Be Love
106 bpm • A min • 01:44 • -11.53db
26% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Frank Stokes
'Tain't Nobody's Business If I Do, Pt. 1
110 bpm • D Maj • 03:16 • -16.85db
12% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Son House
Dead Letter Blues
106 bpm • G Maj • 03:31 • -7db
8% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Bukka White
Fixin' to Die Blues
110 bpm • B Maj • 02:48 • -11.71db
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
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Rev. Gary Davis
Lo, I Be With You Always
110 bpm • G Maj • 04:18 • -14.38db
12% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Skip James
I'm So Glad
110 bpm • A# Maj • 01:56 • -17db
34% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bo Carter
Let Me Roll Your Lemon
110 bpm • A Maj • 02:56 • -12.29db
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Warner Williams
Hey Bartender, There's a Big Bug in My B...
106 bpm • F Maj • 02:43 • -10db
14% Popularity • 82% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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Tampa Red
Anna Lou Blues
106 bpm • A# Maj • 02:54 • -8db
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
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Memphis Minnie & Kansas Joe
Stranger's Blues
110 bpm • D# min • 02:54 • -17.35db
0% Popularity • 49% Danceability • 24% Energy • 14% Liveness
11% Instrumentalness • 66% Positiveness
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Geeshie Wiley
Skinny Leg Blues
106 bpm • C Maj • 03:13 • -13.39db
8% Popularity • 49% Danceability • 25% Energy • 40% Liveness
30% Instrumentalness • 57% Positiveness
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Mississippi Sheiks
The Jazz Fiddler
106 bpm • D# Maj • 03:12 • -6db
11% Popularity • 75% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
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Furry Lewis
Judge Harsh Blues
105 bpm • D Maj • 03:05 • -11db
23% Popularity • 49% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Son House
Death Letter
111 bpm • D min • 05:51 • -8.65db
30% Popularity • 66% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Charley Patton
Shake It and Break It (But Don't Let It ...
111 bpm • F Maj • 03:09 • -12.31db
18% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
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Memphis Minnie & Kansas Joe
Today Today Blues
105 bpm • E Maj • 02:51 • -15.82db
0% Popularity • 60% Danceability • 16% Energy • 19% Liveness
15% Instrumentalness • 63% Positiveness
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Robert Wilkins
Fallin' Down Blues
105 bpm • G Maj • 02:38 • -12db
11% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Blind Willie Johnson
I Know His Blood Can Make Me Whole
105 bpm • C# min • 03:02 • -13.59db
16% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Bukka White
Aberdeen Mississippi Blues
111 bpm • D Maj • 04:10 • -11.23db
12% Popularity • 64% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Robert Petway
Rockin Chair Blues
111 bpm • D# Maj • 03:01 • -8db
12% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Blind Boy Fuller
Baby You Gotta Change Your Mind
105 bpm • F min • 03:12 • -11db
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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Casey Bill Weldon
Go Ahead, Buddy
105 bpm • C Maj • 02:44 • -14db
18% Popularity • 72% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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J.B. Lenoir
When I Am Drinking
111 bpm • F Maj • 02:39 • -12db
39% Popularity • 71% Danceability • 34% Energy • 28% Liveness
44% Instrumentalness • 85% Positiveness
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Skip James
Catfish Blues
105 bpm • G min • 04:37 • -20db
17% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Bukka White
Aberdeen Mississippi Blues
105 bpm • G# Maj • 02:35 • -14db
27% Popularity • 60% Danceability • 18% Energy • 10% Liveness
16% Instrumentalness • 60% Positiveness
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Furry Lewis
Good Morning Judge
111 bpm • A Maj • 05:31 • -7.3db
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Johnnie Temple
Lead Pencil Blues
105 bpm • B Maj • 03:07 • -11db
32% Popularity • 90% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
17% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Memphis Minnie & Kansas Joe
Preachers Blues
112 bpm • A# Maj • 03:15 • -13.59db
0% Popularity • 68% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 59% Positiveness
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Charley Patton
Revenue Man Blues
112 bpm • D min • 02:43 • -13.78db
12% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Jimmy Rogers
You're The One - Single Version
104 bpm • A# Maj • 02:32 • -13db
35% Popularity • 74% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Son House
Walking Blues
112 bpm • B Maj • 06:35 • -11.16db
16% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Chuck Berry
Blue Feeling
104 bpm • C Maj • 02:59 • -8.73db
18% Popularity • 58% Danceability • 46% Energy • 15% Liveness
3% Instrumentalness • 36% Positiveness
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Rev. Gary Davis
Twelve Gates To The City
104 bpm • A Maj • 03:09 • -13.24db
18% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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David "Honeyboy" Edwards
Further Up on the Road
112 bpm • A Maj • 04:20 • -15db
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Josh White
Black And Evil Blues
112 bpm • G# Maj • 03:12 • -14.7db
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Memphis Minnie & Kansas Joe
Georgia Skin Blues
112 bpm • A Maj • 03:27 • -13.81db
0% Popularity • 56% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Tampa Red
Seminole Blues
112 bpm • F Maj • 03:05 • -10.15db
15% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Skip James
Special Rider Blues
104 bpm • C# Maj • 05:09 • -21.13db
12% Popularity • 61% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Bessie Smith
Gimme a Pigfoot and a Bottle of Beer
104 bpm • G min • 03:27 • -11db
19% Popularity • 69% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Ishman Bracey
Saturday Blues
112 bpm • A# Maj • 03:29 • -17db
7% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Memphis Jug Band
Aunt Caroline Dyer Blues
112 bpm • F# Maj • 03:06 • -15.24db
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Memphis Minnie & Kansas Joe
Memphis Minnie-Jitis Blues (Take A)
104 bpm • A Maj • 03:24 • -14.74db
1% Popularity • 60% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 48% Positiveness
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Jazz Gillum
Reefer Head Woman
112 bpm • G Maj • 03:03 • -13.08db
14% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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J. B. Hutto
Speak My Mind
113 bpm • D Maj • 02:17 • -10.29db
21% Popularity • 60% Danceability • 66% Energy • 27% Liveness
12% Instrumentalness • 85% Positiveness
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Pink Anderson
You Don't Know My Mind
113 bpm • C# Maj • 02:39 • -17db
23% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Peetie Wheatstraw
Police Station Blues
103 bpm • G# Maj • 03:05 • -16.43db
9% Popularity • 69% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Blind Boy Fuller
Get Your Yas Yas Out
103 bpm • D Maj • 02:28 • -9.09db
16% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Memphis Minnie & Kansas Joe
Joliet Bound
112 bpm • C# Maj • 03:09 • -19.31db
0% Popularity • 63% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Uncle Dave Macon
Keep My Skillet Good and Greasy
103 bpm • A# min • 02:46 • -24.36db
17% Popularity • 63% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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Furry Lewis
Falling Down Blues
113 bpm • D Maj • 02:48 • -14db
16% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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B.B. King
Worry, Worry, Worry
103 bpm • C# Maj • 09:52 • -12.56db
27% Popularity • 53% Danceability • 31% Energy • 82% Liveness
0% Instrumentalness • 51% Positiveness
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Dock Boggs
Down South Blues
103 bpm • D min • 02:11 • -12.08db
19% Popularity • 80% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Blind Willie McTell
Broke Down Engine Blues
114 bpm • D# min • 02:45 • -14db
27% Popularity • 65% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Memphis Minnie & Kansas Joe
Bumble Bee - No. 2
103 bpm • A Maj • 02:54 • -14.73db
1% Popularity • 44% Danceability • 19% Energy • 22% Liveness
3% Instrumentalness • 46% Positiveness
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Skip James
Cypress Grove Blues
103 bpm • G Maj • 03:09 • -18.5db
26% Popularity • 60% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 57% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me
103 bpm • D Maj • 02:32 • -13db
19% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Bessie Smith
Black Mountain Blues
114 bpm • C Maj • 03:06 • -12db
15% Popularity • 69% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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King Solomon Hill
Whoopee Blues
102 bpm • F# min • 03:11 • -12.08db
24% Popularity • 62% Danceability • 26% Energy • 12% Liveness
24% Instrumentalness • 60% Positiveness
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Blind Willie McTell
Southern Can Is Mine
114 bpm • G# Maj • 03:13 • -25db
19% Popularity • 69% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Memphis Minnie & Kansas Joe
Beat It Right
114 bpm • A Maj • 03:28 • -12.25db
0% Popularity • 68% Danceability • 24% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Rev. Gary Davis
Let Us Get Together Right Down Here
102 bpm • G Maj • 03:09 • -14.37db
20% Popularity • 63% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
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Blind Boy Fuller
Money Spending Mama
114 bpm • F Maj • 02:50 • -2.92db
20% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Cannon's Jug Stompers
Minglewood Blues
114 bpm • G Maj • 03:40 • -11db
12% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
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Furry Lewis
I Will Turn Your Money Green (Alternate ...
102 bpm • C# Maj • 03:11 • -14.82db
10% Popularity • 47% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Blind Willie McTell
Mr. McTell Got the Blues - 2003 Remaster...
114 bpm • A# Maj • 02:17 • -14.1db
24% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Geeshie Wiley
Pick Poor Robin Clean
102 bpm • F# Maj • 03:14 • -11db
10% Popularity • 48% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Rev. Gary Davis
Samson And Delilah
114 bpm • G Maj • 04:03 • -13.9db
31% Popularity • 71% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Etta Baker
One Dime Blues
102 bpm • A Maj • 03:43 • -18.61db
19% Popularity • 46% Danceability • 32% Energy • 77% Liveness
88% Instrumentalness • 58% Positiveness
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Mamie Smith
Crazy Blues
114 bpm • F Maj • 03:22 • -10db
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
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Blind Boy Fuller
Homesick and Lonesome Blues
114 bpm • G# Maj • 03:09 • -12.02db
16% Popularity • 65% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Henry Thomas
When the Train Comes Along
114 bpm • F# Maj • 02:56 • -10db
13% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Casey Bill Weldon
The Twelves (The Dirty Dozens)
102 bpm • F# Maj • 03:11 • -11db
25% Popularity • 57% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Memphis Minnie & Kansas Joe
I Got To Have A Little More
102 bpm • G Maj • 03:19 • -12.03db
0% Popularity • 70% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Jimmy Rogers
Goin' Away Baby - Single Version
102 bpm • G Maj • 02:46 • -14.97db
28% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jailhouse Trouble Blues