Songs like J'aime les moches by Max Boublil
Based on a tempo of (+/- 10%) and a similar genre
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Colonel Reyel
Dis-moi oui
130 bpm • F# Maj • 04:01 • -5.29db
45% Popularity • 81% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 81% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Calogero
Un Jour Au Mauvais Endroit - TYP Remix
130 bpm • B min • 03:52 • -7.53db
32% Popularity • 70% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 70% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Helmut Fritz
Ça m'énerve - Radio Edit
130 bpm • C Maj • 03:37 • -5.99db
53% Popularity • 66% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 66% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Max Boublil
Chatroulette
130 bpm • E min • 03:01 • -7.55db
41% Popularity • 71% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 71% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Wazoo
Ici c'est Montferrand
130 bpm • D min • 03:18 • -5.29db
27% Popularity • 53% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 53% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Soldat Louis
Du rhum des femmes
130 bpm • G Maj • 03:04 • -14.5db
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ilona Mitrecey
Un monde parfait
130 bpm • E min • 03:07 • -5db
45% Popularity • 75% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
45% Popularity • 75% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Helmut Fritz
Ça m'énerve 2020
130 bpm • C Maj • 03:34 • -7db
35% Popularity • 67% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 67% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Max Boublil
J'aime les moches
130 bpm • C Maj • 03:02 • -4.99db
46% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Magic System
Tu es fou
130 bpm • A# Maj • 03:18 • -3.54db
49% Popularity • 67% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 67% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Camping Orchestra
Les aléas de l'amour
130 bpm • A Maj • 03:22 • -10.61db
27% Popularity • 89% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 89% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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La Compagnie Créole
Ça fait rire les oiseaux
130 bpm • F Maj • 03:07 • -5db
33% Popularity • 71% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 71% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Defer et s'n'orchess'
Les pouces en avant - Et tchic et tchac ...
130 bpm • B min • 03:22 • -7db
42% Popularity • 85% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 85% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Collectif Métissé
C'est la vie
130 bpm • D# Maj • 03:49 • -5.78db
42% Popularity • 76% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 76% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Max Boublil
Susan Boyle
130 bpm • B Maj • 03:25 • -4db
28% Popularity • 72% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 72% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Albert Tawil
Matuvu
130 bpm • C# Maj • 02:50 • -8.29db
32% Popularity • 84% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 84% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Camping Orchestra
La farandole des cochonnes
130 bpm • F Maj • 03:10 • -7.92db
13% Popularity • 77% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 77% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
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Sébastien Patoche
Le panard
130 bpm • G# min • 03:13 • -4.51db
20% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Mozart Opera Rock
L'Assasymphonie
130 bpm • C# min • 03:50 • -5.41db
58% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
58% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Jean-Jacques Goldman
Tournent les violons
130 bpm • C# min • 04:38 • -7db
41% Popularity • 34% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 34% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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AL KAN
La vodka et la baise
130 bpm • F# min • 02:50 • -5.98db
39% Popularity • 85% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 85% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Lujipeka
Poupée Russe
130 bpm • G min • 02:39 • -6.95db
54% Popularity • 83% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 83% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Leo Roi
Dimanche
130 bpm • C# Maj • 02:13 • -9db
43% Popularity • 85% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 85% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Guillaume Grand
Toi et moi
130 bpm • F# min • 03:46 • -10.99db
56% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Pierre Bachelet
Les corons
129 bpm • F# min • 04:14 • -12db
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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BB Brunes
Dis-moi
130 bpm • D Maj • 02:24 • -4.87db
62% Popularity • 58% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 58% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Jean-Pierre Mader
Macumba
131 bpm • E min • 03:39 • -8.14db
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Pzk
Comme ça
131 bpm • B Maj • 03:27 • -5db
31% Popularity • 70% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 70% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 82% Positiveness
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Daniel Balavoine
Je ne suis pas un héros
129 bpm • D# Maj • 05:13 • -9.99db
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Annie Cordy
Tata Yoyo
131 bpm • G# Maj • 02:32 • -7.46db
39% Popularity • 65% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 65% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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La Bande à Basile
La chenille
129 bpm • B Maj • 03:35 • -4db
42% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Gilbert Montagné
On va s'aimer
131 bpm • A min • 04:06 • -6.97db
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Magic System
Ambiance à l'africaine
132 bpm • A min • 03:03 • -5.16db
53% Popularity • 85% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 85% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Jean-Jacques Goldman
Encore un matin
128 bpm • B min • 04:11 • -3.54db
48% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Wazoo
Agriculteurs
128 bpm • G Maj • 02:56 • -4.4db
31% Popularity • 72% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 72% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Grégory Lemarchal
De temps en temps
132 bpm • G Maj • 03:55 • -7db
43% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Sébastien Patoche
Emplacement numéro 10
128 bpm • D Maj • 02:42 • -3.46db
16% Popularity • 82% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 82% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Big Ali
WatiBigali
128 bpm • G# min • 04:05 • -2.6db
50% Popularity • 74% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 74% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Camping Orchestra
La branlette espagnole
132 bpm • B Maj • 03:09 • -11.84db
16% Popularity • 86% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 86% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Natoo
Je sais pas danser
128 bpm • C# min • 03:22 • -6db
36% Popularity • 88% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 88% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Collectif Métissé
Laisse tomber tes problèmes - Radio Edi...
128 bpm • G# Maj • 03:16 • -5db
46% Popularity • 81% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 81% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Trois Cafés Gourmands
On t'emmène
132 bpm • C Maj • 03:06 • -6db
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Calogero
Un jour au mauvais endroit
132 bpm • B min • 04:54 • -8.15db
52% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Téo Lavabo
Chipolata
132 bpm • D# min • 02:31 • -7.14db
40% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Camping Orchestra
Les gros nichons
132 bpm • A Maj • 03:15 • -7db
38% Popularity • 71% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 71% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Pzk
Chuis Bo!
128 bpm • A# min • 03:31 • -3.19db
56% Popularity • 70% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 70% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Louise Attaque
Les nuits parisiennes
128 bpm • B min • 02:31 • -6.74db
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Jali
Española
128 bpm • E min • 03:38 • -6.16db
35% Popularity • 82% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 82% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Louisette
Mieux
128 bpm • C# Maj • 02:49 • -5.28db
46% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Sébastien Patoche
Beau black - Sébastien Patoche présent...
128 bpm • C# Maj • 03:17 • -6.49db
28% Popularity • 88% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 88% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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iambillies
One Life
128 bpm • D Maj • 02:03 • -5.67db
44% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Pzk
La loi de la jungle
128 bpm • C min • 03:55 • -0.98db
24% Popularity • 70% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 70% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Jean-Jacques Goldman
Quand la musique est bonne
128 bpm • G min • 03:52 • -5.97db
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Florent Pagny
Les murs porteurs
132 bpm • F# min • 04:45 • -8.01db
45% Popularity • 47% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 47% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Lorenzo
Coco
133 bpm • F# Maj • 02:44 • -7.78db
57% Popularity • 71% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 71% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Max Boublil
Tous des mythos
127 bpm • A# min • 03:06 • -5.02db
24% Popularity • 75% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 75% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Pzk
Money Money
128 bpm • F# min • 03:11 • -3db
32% Popularity • 79% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 79% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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justine sainte
Un monde sans danger
127 bpm • F Maj • 03:31 • -3.79db
43% Popularity • 71% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 71% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Jean-Jacques Goldman
Je marche seul
133 bpm • D Maj • 04:03 • -2.12db
51% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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Charles Ludig
Besoin de chanter (Simplement Dan)
133 bpm • G Maj • 02:49 • -9db
38% Popularity • 74% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 74% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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RIDSA
LÃ c'est die
127 bpm • E min • 03:15 • -5.53db
52% Popularity • 82% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 82% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Mozart Opera Rock
C'est bientôt la fin
127 bpm • F# min • 03:46 • -5.35db
46% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Pzk
Le dernier jour
128 bpm • C# min • 03:30 • -1.5db
12% Popularity • 78% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 78% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Céphaz
On a mangé le soleil
127 bpm • C# min • 02:45 • -2.77db
52% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Jean-Jacques Goldman
Au bout de mes rêves
127 bpm • E Maj • 03:54 • -6.48db
56% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Gilbert Montagné
Les sunlights des tropiques
126 bpm • A# Maj • 03:57 • -6.84db
57% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Fatal Bazooka
Ce matin va être une pure soirée
134 bpm • F# min • 03:33 • -3.75db
54% Popularity • 75% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 75% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 31% Positiveness
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Thierry Hazard
Le Jerk
133 bpm • A# Maj • 03:55 • -9.92db
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Pzk
Sexto
128 bpm • G Maj • 03:35 • -2.32db
14% Popularity • 83% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 83% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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PALMASHOW
Nostalgiques (Trois Cafés Sans Filtre)
134 bpm • A# Maj • 01:16 • -11db
38% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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La Chanson Du Dimanche
Comme Un Lundi
134 bpm • E Maj • 02:55 • -3.71db
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Wazoo
Apérophilie
134 bpm • F Maj • 03:03 • -7.18db
27% Popularity • 66% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 66% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Camping Orchestra
Paillardes party (medley)
134 bpm • G Maj • 06:02 • -10db
25% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Sébastien Patoche
On va la foutre au fond
134 bpm • C# Maj • 04:10 • -3.71db
24% Popularity • 42% Danceability • 86% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 42% Danceability • 86% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
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Pzk
Les filles adorent
128 bpm • A Maj • 03:04 • -4.22db
51% Popularity • 82% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 82% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Phenomenal Club
Il est vraiment phénoménal
134 bpm • C Maj • 03:20 • -8.24db
37% Popularity • 83% Danceability • 96% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
37% Popularity • 83% Danceability • 96% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
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MIKA
Elle me dit
126 bpm • A# Maj • 03:36 • -3.72db
53% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Camping Orchestra
La danse du Q
126 bpm • F Maj • 05:22 • -10.74db
17% Popularity • 79% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 79% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Le trottoir
Les bons vivants
134 bpm • C Maj • 03:58 • -7.96db
35% Popularity • 38% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 38% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Pzk
Chieuse (Remix)
127 bpm • G# min • 03:20 • -6.33db
27% Popularity • 78% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 78% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Les Dix Commandements
L'envie d'aimer
134 bpm • B Maj • 06:28 • -8db
57% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Renaud
Dès que le vent soufflera
125 bpm • D Maj • 04:27 • -5.85db
53% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Zephyr 21
Sous le soleil des tropiques
135 bpm • C# Maj • 02:57 • -3.79db
15% Popularity • 59% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 59% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Camping Orchestra
Un curé de campagne
126 bpm • F# Maj • 03:12 • -6.99db
17% Popularity • 79% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 79% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 97% Positiveness
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Mylène Farmer
Oui mais... Non
135 bpm • D# min • 04:20 • -6.01db
47% Popularity • 75% Danceability • 66% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
47% Popularity • 75% Danceability • 66% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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Gary Fico
Le Même Que Moi
135 bpm • A min • 03:06 • -1.25db
38% Popularity • 74% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 74% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Les Musclés
Merguez partie
135 bpm • D Maj • 04:12 • -7.42db
27% Popularity • 64% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 96% Positiveness
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Sans Prétention
Sans prétention
135 bpm • B min • 03:22 • -6db
31% Popularity • 68% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 68% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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La Pig chenilliste
La Chenille Synchro (La Cheu-Cheu)
135 bpm • E min • 03:23 • -3.46db
55% Popularity • 75% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 75% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Camping Orchestra
Il est des nôtres
135 bpm • C Maj • 03:31 • -9.6db
19% Popularity • 72% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Fatal Bazooka
Ce soir sans mon sexe
125 bpm • D min • 03:43 • -4db
31% Popularity • 81% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 81% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sexion d'Assaut
Wati House
125 bpm • F min • 04:16 • -4db
56% Popularity • 95% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 95% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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PALMASHOW
Rappeurs sensibles (PLM)
125 bpm • A min • 01:27 • -11db
30% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jena Lee
US Boy
125 bpm • F Maj • 03:37 • -4.52db
42% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Pzk
School Boy
125 bpm • A min • 03:39 • -4.44db
21% Popularity • 79% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 79% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness