Songs like Jak to jest (feat. O.S.T.R., Falcon1) by Miętha
Based on a tempo of (+/- 10%) and a similar genre
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Taco Hemingway
Grubo-chude psy
91 bpm • C Maj • 02:49 • -11.15db
48% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Meek, Oh Why?
Latawce
91 bpm • C min • 04:15 • -9.22db
39% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Lordofon
04:35
91 bpm • G Maj • 02:29 • -10db
36% Popularity • 61% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 61% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Paluch
Od Do
91 bpm • C min • 03:00 • -6db
40% Popularity • 79% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 79% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Sokół
Mały człowieczek
91 bpm • A# min • 03:48 • -6.91db
23% Popularity • 39% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 39% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Rasmentalism
Nowe Kino
91 bpm • C# Maj • 02:47 • -5.54db
29% Popularity • 63% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 63% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
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Miętha
Jak to jest
91 bpm • D Maj • 04:13 • -5.59db
12% Popularity • 52% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 52% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Quebonafide
Ile mogłem
90 bpm • G Maj • 02:52 • -5.78db
43% Popularity • 49% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 49% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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VBS
Amnesia
91 bpm • D min • 03:01 • -8.63db
27% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Meek, Oh Why?
Nów
90 bpm • G min • 03:35 • -9.76db
36% Popularity • 62% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 62% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
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shhieda
Zestaw
92 bpm • B min • 03:05 • -10.36db
26% Popularity • 78% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 78% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hodak
5AM WWA
90 bpm • F min • 02:56 • -14.21db
24% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jan-Rapowanie
GŁÓWNY
90 bpm • A# min • 02:40 • -7.89db
33% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Zalia
biegnę
92 bpm • G# Maj • 03:23 • -7.95db
30% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Szymi Szyms
BIAŁY ROOM
92 bpm • D Maj • 03:13 • -7.48db
33% Popularity • 84% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 84% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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Meek, Oh Why?
Księżniczka i Buc
90 bpm • G Maj • 03:33 • -7.71db
24% Popularity • 50% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 50% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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UNDADASEA
(+48) NIC NA SIŁĘ
90 bpm • F min • 03:20 • -8.86db
26% Popularity • 65% Danceability • 64% Energy • 86% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 65% Danceability • 64% Energy • 86% Liveness
0% Instrumentalness • 59% Positiveness
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Miętha
Statek
92 bpm • D# Maj • 03:42 • -6.33db
14% Popularity • 87% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 87% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Taco Hemingway
WUJEK DOBRA RADA
92 bpm • F# min • 02:53 • -5.03db
46% Popularity • 87% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 87% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Guzior
HILL BOMB
90 bpm • C# Maj • 04:32 • -5.08db
66% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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LOWPASS
Raj Dla Poetów
90 bpm • F min • 03:07 • -7.37db
22% Popularity • 83% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 83% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Szczyl
Dinozaury
90 bpm • E min • 03:44 • -6db
38% Popularity • 85% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 85% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Kuba Knap
Jestem u siebie
90 bpm • B Maj • 03:44 • -9db
27% Popularity • 73% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 73% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Łona
Piękny dzień by zadzwonić
92 bpm • G Maj • 03:07 • -8.26db
35% Popularity • 69% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 69% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Kacperczyk
H4R1BO
90 bpm • E min • 02:45 • -5.9db
28% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rasmentalism
Fast Food
92 bpm • C Maj • 04:03 • -7.03db
35% Popularity • 77% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 77% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Lordofon
Oz
92 bpm • F Maj • 03:05 • -6.79db
35% Popularity • 63% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 63% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Taco Hemingway
Toskania Outro
90 bpm • G# min • 05:07 • -9.59db
45% Popularity • 64% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 64% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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LOWPASS
Synaptyczny Bend
92 bpm • F min • 03:10 • -6db
23% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Piekielny
Zadzwoń do mnie za kilka lat
92 bpm • B min • 03:29 • -10.58db
24% Popularity • 75% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 75% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Kacperczyk
Manekin
90 bpm • C# min • 02:33 • -7.66db
39% Popularity • 61% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 61% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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Arne
Wyciągnij swą dłoń
93 bpm • F Maj • 02:55 • -11.15db
32% Popularity • 74% Danceability • 38% Energy • 60% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 74% Danceability • 38% Energy • 60% Liveness
0% Instrumentalness • 54% Positiveness
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Rasmentalism
9 Żyć
93 bpm • G# min • 03:08 • -6.13db
23% Popularity • 68% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 68% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Taco Hemingway
Karimata (Mute)
93 bpm • B min • 05:06 • -9.48db
42% Popularity • 73% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 73% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Meek, Oh Why?
Planety
93 bpm • G min • 04:06 • -9.54db
20% Popularity • 64% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
20% Popularity • 64% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Szczyl
Szczyle Mają W Łapach Cały Świat
89 bpm • F Maj • 02:44 • -8.74db
36% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sara James
Dziś mnie mija cały świat
89 bpm • B min • 02:48 • -4.97db
47% Popularity • 72% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 72% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Miętha
Star$
89 bpm • A# min • 03:16 • -7.33db
28% Popularity • 70% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 70% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Grubson
Właściwy Kurs
89 bpm • F# Maj • 06:24 • -8.94db
37% Popularity • 50% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 50% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Zalia
sierpień
89 bpm • G# Maj • 02:45 • -9db
35% Popularity • 82% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 82% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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UNDADASEA
RANNE PTASZKI
89 bpm • A min • 03:51 • -9db
20% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Quebonafide
AJETLAGTOMÓJNOWYDRAG
93 bpm • F# Maj • 04:31 • -8.27db
44% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Flexxip
List
89 bpm • C Maj • 03:39 • -7.6db
42% Popularity • 59% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 59% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Deemz
Rose
89 bpm • F Maj • 03:43 • -8.07db
22% Popularity • 56% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 56% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Meek, Oh Why?
Zachód
89 bpm • A# min • 03:48 • -8.17db
39% Popularity • 42% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 42% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kuban
Było, nie minęło
94 bpm • C Maj • 03:26 • -6.2db
44% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Jacuś
Igrzyska
94 bpm • A Maj • 02:58 • -6db
44% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Szczyl
Gdybym
94 bpm • F# min • 02:33 • -9.94db
38% Popularity • 89% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 89% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Miętha
Tyrael
94 bpm • G min • 03:29 • -8.38db
26% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Essex
Mala Mi
88 bpm • F# min • 03:00 • -10db
44% Popularity • 34% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 34% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Błażej Król
Przyszedłem tu...
88 bpm • C# Maj • 03:31 • -7db
32% Popularity • 68% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 68% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Piekielny
Mogłaś tam być
88 bpm • E min • 03:48 • -8.74db
26% Popularity • 77% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 77% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Siwers
Tylko Ty wiesz
88 bpm • A min • 03:43 • -7db
27% Popularity • 82% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 82% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sokół
Spierdalaj
88 bpm • D Maj • 04:09 • -8.12db
42% Popularity • 76% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 76% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Taco Hemingway
Nie Ufam Sobie Sam
94 bpm • C min • 02:35 • -8.6db
47% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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INDEB
Jak w dziewięćdziesiątych
88 bpm • A# min • 02:55 • -8.07db
31% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Arab
Buch w płuca
88 bpm • C# Maj • 02:45 • -9.28db
20% Popularity • 81% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 81% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Miętha
Odejdź
94 bpm • C# Maj • 03:37 • -8.44db
18% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Grubson
EMOJI (SKIT)
88 bpm • B min • 01:27 • -8.12db
16% Popularity • 54% Danceability • 75% Energy • 59% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 54% Danceability • 75% Energy • 59% Liveness
0% Instrumentalness • 22% Positiveness
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Hodak
4 marca
94 bpm • A Maj • 02:37 • -6.46db
32% Popularity • 57% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 57% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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VNM
Co u Ciebie?
88 bpm • G Maj • 02:47 • -6.16db
25% Popularity • 61% Danceability • 78% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 61% Danceability • 78% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
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Ten Typ Mes
Wjaazd!
88 bpm • C# Maj • 04:09 • -7.27db
33% Popularity • 70% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 70% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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WCK
Lubię pachnieć Tobą
87 bpm • G Maj • 03:47 • -7db
33% Popularity • 79% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 79% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Meek, Oh Why?
Eurobiznes
87 bpm • B Maj • 01:29 • -12db
24% Popularity • 37% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 37% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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TACONAFIDE
Intro
88 bpm • B min • 02:27 • -8.95db
45% Popularity • 65% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 65% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Michał Anioł
Bez żadnych szans
87 bpm • B min • 02:16 • -7.48db
25% Popularity • 57% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 57% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kiełas
Ja będę tam
95 bpm • G# min • 03:10 • -7.19db
28% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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BSK
LACYY!
95 bpm • F min • 02:16 • -6.13db
36% Popularity • 75% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 75% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Arne
Dyktando
95 bpm • G Maj • 02:49 • -6.34db
24% Popularity • 75% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 75% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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KęKę
Jednorożec
87 bpm • B min • 02:33 • -5.76db
42% Popularity • 56% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 56% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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SB Maffija
LBN WNW
95 bpm • C# Maj • 02:34 • -9db
40% Popularity • 83% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 83% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Hodak
Vice City
95 bpm • A min • 02:23 • -15.05db
34% Popularity • 53% Danceability • 34% Energy • 16% Liveness
39% Instrumentalness • 24% Positiveness
34% Popularity • 53% Danceability • 34% Energy • 16% Liveness
39% Instrumentalness • 24% Positiveness
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Odys
BAM BAM
95 bpm • A# min • 02:58 • -4.44db
17% Popularity • 85% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 85% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Miętha
Czeka na mnie
95 bpm • C Maj • 03:37 • -8.14db
26% Popularity • 81% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 81% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Kacperczyk
Chwile
95 bpm • D min • 03:05 • -7.87db
26% Popularity • 76% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 76% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Kosma Król
Słońce
95 bpm • A# min • 03:45 • -8.73db
25% Popularity • 91% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 91% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Meek, Oh Why?
Nocne Niebo
87 bpm • G# Maj • 03:20 • -12.16db
31% Popularity • 57% Danceability • 53% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
31% Popularity • 57% Danceability • 53% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
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Białas
Złamane skrzydło
87 bpm • G min • 04:40 • -6.55db
25% Popularity • 52% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 52% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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TACONAFIDE
Leonardo
95 bpm • F# min • 02:54 • -11db
45% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Kuban
outro
96 bpm • F Maj • 01:04 • -6db
41% Popularity • 64% Danceability • 70% Energy • 21% Liveness
3% Instrumentalness • 26% Positiveness
41% Popularity • 64% Danceability • 70% Energy • 21% Liveness
3% Instrumentalness • 26% Positiveness
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Taco Hemingway
1000 Dni Freestyle
96 bpm • G Maj • 01:37 • -9.38db
54% Popularity • 75% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 75% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Deys
Sajko
96 bpm • G Maj • 03:56 • -7.64db
31% Popularity • 59% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 59% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Miętha
Wino
96 bpm • D Maj • 03:03 • -8.09db
31% Popularity • 65% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 65% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Dominika Płonka
po co ten stres?
96 bpm • C min • 02:32 • -7db
30% Popularity • 66% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 66% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Laikike1
Mój Dyspstryk
96 bpm • C# min • 02:30 • -6db
37% Popularity • 79% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 79% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Jan-Rapowanie
Jutro
96 bpm • F# Maj • 02:42 • -11db
38% Popularity • 90% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 90% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Zeus
Kwiaty dla J.
96 bpm • D# min • 03:27 • -6.77db
32% Popularity • 77% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 77% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Szczyl
Zawsze Za Mało
96 bpm • G min • 02:52 • -6.04db
33% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Meek, Oh Why?
Offline
96 bpm • E min • 02:40 • -10.62db
22% Popularity • 61% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
22% Popularity • 61% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Quebonafide
COJESTMAŁPY
96 bpm • G min • 03:00 • -5.86db
42% Popularity • 70% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 70% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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HuczuHucz
Przemoknięte Serca Miast
86 bpm • D# Maj • 02:47 • -6.66db
32% Popularity • 73% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 73% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Skrubol
Baza Nasy
86 bpm • F# Maj • 03:33 • -6.59db
22% Popularity • 68% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 68% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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Miętha
Ideał
86 bpm • F# min • 03:14 • -10.44db
19% Popularity • 53% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 53% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Lordofon
Zoo
97 bpm • E Maj • 01:09 • -6.4db
36% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Arne
Ganges
97 bpm • G# Maj • 02:38 • -7.29db
31% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Quebonafide
JESIEŃ
97 bpm • A Maj • 03:32 • -6.74db
47% Popularity • 81% Danceability • 61% Energy • 18% Liveness
1% Instrumentalness • 37% Positiveness
47% Popularity • 81% Danceability • 61% Energy • 18% Liveness
1% Instrumentalness • 37% Positiveness
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Zdechły Osa
ELO
97 bpm • G Maj • 02:53 • -4.23db
33% Popularity • 64% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 64% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Kuban
Za młodu
97 bpm • F Maj • 03:40 • -7.33db
33% Popularity • 79% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 79% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
