Songs like Jamie - JT Sears by JT Sears
Based on a tempo of (+/- 10%) and a similar genre
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Ike & Tina Turner
Such A Fool For You
136 bpm • G# Maj • 02:40 • -4.9db
13% Popularity • 62% Danceability • 87% Energy • 14% Liveness
15% Instrumentalness • 90% Positiveness
13% Popularity • 62% Danceability • 87% Energy • 14% Liveness
15% Instrumentalness • 90% Positiveness
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Darrell Banks
Angel Baby (Don't You Ever Leave Me)
136 bpm • C Maj • 02:56 • -9db
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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JT Sears
Jamie - JT Sears
136 bpm • E Maj • 02:30 • -6.85db
0% Popularity • 60% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 60% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Jeanie Tracy
Making New Friends
136 bpm • G# Maj • 01:59 • -8db
16% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Astors
Daddy Didn't Tell Me
136 bpm • F Maj • 02:34 • -10db
8% Popularity • 70% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 70% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Wilson Pickett
Let Me Be Your Boy
136 bpm • B min • 02:47 • -14.88db
10% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Vontastics
Never Let Your Love Grow Cold
136 bpm • C Maj • 02:44 • -7.49db
10% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Patty & The Emblems
Gonna Love You A Long, Long Time
136 bpm • F Maj • 02:15 • -11.27db
13% Popularity • 63% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 63% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Eula Cooper
Let Our Love Grow Higher
136 bpm • A min • 02:40 • -8db
20% Popularity • 62% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
20% Popularity • 62% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
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Stormy
I Won't Stop to Cry
135 bpm • G Maj • 02:52 • -6.13db
11% Popularity • 54% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 54% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Yvonne Elliman
Everything's Alright
135 bpm • E Maj • 03:34 • -10.63db
44% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Tomangoes
I Really Love You
135 bpm • D min • 02:08 • -6.14db
13% Popularity • 62% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 62% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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Joe Jama
My Life
137 bpm • D Maj • 02:41 • -4.3db
15% Popularity • 41% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 41% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Betty Davis
My Soul is Tired
137 bpm • F Maj • 02:07 • -11.2db
15% Popularity • 58% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 58% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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The Showstoppers
Ain't Nothin But A Houseparty
135 bpm • C# Maj • 02:38 • -9db
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Temprees
Explain It To Her Mama
137 bpm • E Maj • 02:59 • -13db
16% Popularity • 78% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 78% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Darrow Fletcher
What Good Am I Without You
135 bpm • C min • 02:24 • -6.9db
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Gloria Jones
Come Go With Me
135 bpm • G# Maj • 01:53 • -8.01db
18% Popularity • 58% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Sly & The Family Stone
I Ain't Got Nobody (For Real)
135 bpm • C Maj • 04:25 • -11.32db
22% Popularity • 40% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 62% Positiveness
22% Popularity • 40% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 62% Positiveness
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The Eptones
A Love That’s Real
135 bpm • A min • 02:28 • -5db
14% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Sidney Barnes
I Hurt on the Other Side (2019 Remaster)
137 bpm • G Maj • 02:56 • -10.97db
10% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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The Cowsills
Troubled Roses
138 bpm • G# Maj • 02:10 • -10.41db
7% Popularity • 71% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 71% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The Soul Twins
It's Not What You Do, It's the Way That ...
134 bpm • F Maj • 02:40 • -9.73db
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Don Gardner
Cheatin' Kind
134 bpm • E min • 01:56 • -4.08db
11% Popularity • 46% Danceability • 67% Energy • 16% Liveness
89% Instrumentalness • 78% Positiveness
11% Popularity • 46% Danceability • 67% Energy • 16% Liveness
89% Instrumentalness • 78% Positiveness
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Toni & The Showmen
Try My Love
134 bpm • A min • 02:52 • -8db
10% Popularity • 73% Danceability • 92% Energy • 24% Liveness
20% Instrumentalness • 87% Positiveness
10% Popularity • 73% Danceability • 92% Energy • 24% Liveness
20% Instrumentalness • 87% Positiveness
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The Osmonds
Yo-Yo
138 bpm • D Maj • 03:15 • -5.8db
27% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Wright
Love Is Expensive
139 bpm • B min • 03:44 • -7.04db
13% Popularity • 76% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 76% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ann Sexton
I Still Love You
139 bpm • C Maj • 02:47 • -7.46db
11% Popularity • 75% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 83% Positiveness
11% Popularity • 75% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 83% Positiveness
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Earth, Wind & Fire
Help Somebody
133 bpm • F min • 04:02 • -11.47db
20% Popularity • 61% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 61% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
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Canarios
Get on Your Knees
133 bpm • F min • 02:39 • -7.25db
29% Popularity • 66% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
29% Popularity • 66% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
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Major Lance
You Don't Want Me No More
133 bpm • A min • 02:12 • -9db
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Everett
I Don’t Hurt Anymore
139 bpm • G# Maj • 02:45 • -2.23db
8% Popularity • 43% Danceability • 74% Energy • 31% Liveness
1% Instrumentalness • 74% Positiveness
8% Popularity • 43% Danceability • 74% Energy • 31% Liveness
1% Instrumentalness • 74% Positiveness
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Fuller Brothers
Time's a Wasting
133 bpm • G min • 02:32 • -6.01db
16% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Carlton
Competition Ain't Nothin' - Single Versi...
139 bpm • F# Maj • 02:32 • -8.78db
15% Popularity • 79% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 79% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Trinikas
Black Is Beautiful
139 bpm • G Maj • 02:48 • -7.15db
13% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Darrow Fletcher
The Pain Gets a Little Deeper
139 bpm • E min • 02:24 • -8.54db
14% Popularity • 73% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 73% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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The Shirelles
A Last Minute Miracle
139 bpm • E Maj • 02:59 • -9.44db
9% Popularity • 56% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 56% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 52% Positiveness
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Morris Chestnut
Too Darn Soulful
133 bpm • A# min • 02:33 • -5.55db
20% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Edwin Starr
Time
133 bpm • A# Maj • 02:54 • -11.54db
36% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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William Bell
Happy
133 bpm • C Maj • 02:32 • -13.57db
36% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Harvey Averne Dozen
Think It Over
140 bpm • A Maj • 02:37 • -10.11db
23% Popularity • 50% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 50% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny K. Killens & The Dynamites
I Don't Need Help
132 bpm • C Maj • 02:09 • -5.55db
8% Popularity • 46% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 46% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Menahan Street Band
Tommy Don't
140 bpm • E min • 01:44 • -6.14db
40% Popularity • 54% Danceability • 67% Energy • 7% Liveness
8% Instrumentalness • 97% Positiveness
40% Popularity • 54% Danceability • 67% Energy • 7% Liveness
8% Instrumentalness • 97% Positiveness
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Ann Sexton
You've Been Gone Too Long
132 bpm • D# Maj • 02:18 • -16.35db
18% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Brand New Faces
Brand New Faces
132 bpm • F Maj • 02:30 • -7.98db
11% Popularity • 67% Danceability • 58% Energy • 37% Liveness
36% Instrumentalness • 77% Positiveness
11% Popularity • 67% Danceability • 58% Energy • 37% Liveness
36% Instrumentalness • 77% Positiveness
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B.B. Carter
Cool It Baby
132 bpm • D# Maj • 02:29 • -6.85db
11% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Blue Sky Effect
I Wanna Hear You Say It
132 bpm • G Maj • 02:59 • -12.39db
15% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Barbara George
I Know (You Don't Love Me No More)
132 bpm • C# Maj • 02:15 • -5.06db
8% Popularity • 70% Danceability • 80% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
8% Popularity • 70% Danceability • 80% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
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The Epitome Of Sound
You Don't Love Me
132 bpm • C# Maj • 02:44 • -11.01db
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
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The Chantells with The Aqua Lads
I'll Never Know
140 bpm • A# Maj • 02:23 • -3.88db
7% Popularity • 50% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 50% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
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Al Williams
I Am Nothing
140 bpm • C Maj • 02:08 • -10.05db
22% Popularity • 60% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 81% Positiveness
22% Popularity • 60% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 81% Positiveness
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Sonny Rhodes
You Better Stop
132 bpm • G# Maj • 02:38 • -7.45db
24% Popularity • 79% Danceability • 62% Energy • 13% Liveness
4% Instrumentalness • 97% Positiveness
24% Popularity • 79% Danceability • 62% Energy • 13% Liveness
4% Instrumentalness • 97% Positiveness
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Anna King
Mama's Got a Bag of Her Own End
132 bpm • D Maj • 02:40 • -9.34db
12% Popularity • 71% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 71% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Betty Wright
Good Lovin'
140 bpm • C# min • 02:45 • -6.61db
14% Popularity • 43% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 43% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Cornelius Brothers & Sister Rose
Treat Her Like A Lady
131 bpm • B min • 02:40 • -8.54db
45% Popularity • 78% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 78% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Little Ann
Sweep It out in the Shed
131 bpm • G min • 03:02 • -5db
20% Popularity • 58% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 58% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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Bunny Sigler
Sunny Sunday
132 bpm • G# Maj • 02:15 • -6db
12% Popularity • 70% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 70% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
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The Dynamics
Bingo
131 bpm • C# Maj • 02:07 • -5.89db
8% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Thee Midniters
Land of a Thousand Dances
141 bpm • G# Maj • 02:27 • -6.89db
12% Popularity • 40% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 40% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Dorsey
Love Lots of Lovin'
131 bpm • D# Maj • 02:59 • -7.55db
10% Popularity • 71% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 71% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Sly & The Family Stone
Plastic Jim
131 bpm • A# Maj • 03:29 • -7.07db
12% Popularity • 56% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 56% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Chandler
I Can Take Care of Myself
131 bpm • F Maj • 02:34 • -9.28db
12% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Perk Badger
Burning Up For Your Love
131 bpm • A Maj • 02:24 • -8.62db
14% Popularity • 47% Danceability • 59% Energy • 13% Liveness
14% Instrumentalness • 78% Positiveness
14% Popularity • 47% Danceability • 59% Energy • 13% Liveness
14% Instrumentalness • 78% Positiveness
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Clarence Murray
Don't Talk Like That (2018 Remaster)
141 bpm • A Maj • 02:27 • -11.74db
23% Popularity • 67% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 67% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Herb Ward
Strange Change
131 bpm • C Maj • 02:29 • -4.53db
11% Popularity • 58% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 58% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Little Ann
Sweep It out in the Shed - Master Tape
131 bpm • G min • 02:47 • -9.43db
9% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Homer Banks
Aint That A Lot Of Love
131 bpm • A# Maj • 02:37 • -6.62db
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Ohio Players
Love Slipped Through My Fingers
131 bpm • D# min • 02:17 • -10db
12% Popularity • 47% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 47% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Little Jewel
I Want To
141 bpm • F Maj • 02:42 • -3.49db
10% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
10% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
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The Royal Imperials
This Heart of Mine
131 bpm • A Maj • 02:29 • -6.69db
12% Popularity • 56% Danceability • 70% Energy • 30% Liveness
4% Instrumentalness • 87% Positiveness
12% Popularity • 56% Danceability • 70% Energy • 30% Liveness
4% Instrumentalness • 87% Positiveness
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The Jackson 5
You Have Changed
141 bpm • C Maj • 03:18 • -13.05db
11% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Kelly Finnigan
Santa's Watching You
142 bpm • D# Maj • 02:42 • -6.59db
24% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Junior Mccants
Try Me For Your New Love
130 bpm • A Maj • 02:45 • -13.68db
7% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Five Stairsteps
Playgirl's Love - Buddha Remastered 2001
130 bpm • D Maj • 02:12 • -7.05db
14% Popularity • 52% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 52% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 69% Positiveness
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Sharon Jones & The Dap-Kings
Little by Little
130 bpm • C Maj • 02:39 • -4.92db
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Darrow Fletcher
What Have I Got Now
130 bpm • F min • 02:29 • -8db
12% Popularity • 51% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 51% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Barbara Lynn
You Left the Water Running
130 bpm • A min • 02:11 • -8.5db
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Hodges
You've Got the Love I Need
130 bpm • E Maj • 02:19 • -5.57db
9% Popularity • 67% Danceability • 59% Energy • 11% Liveness
65% Instrumentalness • 78% Positiveness
9% Popularity • 67% Danceability • 59% Energy • 11% Liveness
65% Instrumentalness • 78% Positiveness
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The Commands
A Way to Love Me
130 bpm • A# Maj • 02:26 • -6.25db
8% Popularity • 67% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Damon Fox
Packing Up
142 bpm • C Maj • 01:53 • -8.57db
12% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Parker
I'm Gone
130 bpm • C min • 02:43 • -11.91db
26% Popularity • 55% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 55% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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The Edge Of Daybreak
I Wanna Dance With You
130 bpm • F Maj • 04:58 • -7.01db
26% Popularity • 62% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 62% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Frankie Valli & The Four Seasons
Beggin'
130 bpm • D min • 02:50 • -14.66db
59% Popularity • 59% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 59% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Dyson's Faces
Were Two Fools In Love
130 bpm • G# Maj • 02:51 • -6db
10% Popularity • 52% Danceability • 91% Energy • 89% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 52% Danceability • 91% Energy • 89% Liveness
0% Instrumentalness • 84% Positiveness
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The Tempests
Someday
129 bpm • D min • 02:30 • -8db
20% Popularity • 38% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 38% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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The Pointer Sisters
Send Him Back
129 bpm • F min • 02:38 • -7db
25% Popularity • 73% Danceability • 80% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
25% Popularity • 73% Danceability • 80% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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The Isley Brothers
I Must Be Losing My Touch
129 bpm • A min • 02:02 • -8.12db
9% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Bill Wright
You Got a Spell On Me
129 bpm • E Maj • 02:14 • -9.55db
12% Popularity • 56% Danceability • 60% Energy • 20% Liveness
71% Instrumentalness • 82% Positiveness
12% Popularity • 56% Danceability • 60% Energy • 20% Liveness
71% Instrumentalness • 82% Positiveness
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The Chi-Lites
I Heard It Through The Grapevine
129 bpm • A# min • 03:08 • -6.24db
13% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Skull Snaps
My Hang up Is You - Remastered
129 bpm • A# Maj • 03:57 • -7.63db
16% Popularity • 67% Danceability • 73% Energy • 37% Liveness
3% Instrumentalness • 72% Positiveness
16% Popularity • 67% Danceability • 73% Energy • 37% Liveness
3% Instrumentalness • 72% Positiveness
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Ann Sexton
You've Been Gone Too Long (2019 Remaster...
129 bpm • A min • 02:21 • -8.49db
12% Popularity • 85% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 85% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Freddie Chavez
They'll Never Know Why
129 bpm • C Maj • 02:51 • -5db
33% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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The Incredibles
There's Nothing Else to Say
129 bpm • A# Maj • 02:28 • -7db
20% Popularity • 58% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
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Marie "Queenie" Lyons
Fever
129 bpm • A# min • 03:03 • -11.6db
16% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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The Attractions
Destination You
129 bpm • C Maj • 02:57 • -5.74db
16% Popularity • 69% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 69% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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The Whispers
I Can Remember
129 bpm • A Maj • 02:32 • -8.92db
9% Popularity • 64% Danceability • 57% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 64% Danceability • 57% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
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Koko Taylor
I Don't Care Who Knows - Single Version
129 bpm • C Maj • 02:14 • -6.43db
19% Popularity • 68% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 68% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Ann Sexton
You've Been Gone Too Long
129 bpm • D Maj • 02:18 • -8.73db
33% Popularity • 82% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 82% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
