Songs like Janine by Kingdom Come
Based on a tempo of (+/- 10%) and a similar genre
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Hartmann
Don't Want Back Down
128 bpm • G Maj • 05:20 • -7.63db
27% Popularity • 53% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 53% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Labyrinth
Falling Rain
128 bpm • D# min • 06:24 • -9db
24% Popularity • 44% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 44% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kingdom Come
Janine
128 bpm • D min • 04:23 • -6.71db
38% Popularity • 46% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 46% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Axxis
Tears Of The Trees
128 bpm • A min • 04:10 • -9.52db
19% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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STEELHEART
All Your Love
127 bpm • C# Maj • 06:52 • -8.37db
30% Popularity • 32% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 32% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Pink Cream 69
I Only Wanna Be For You
127 bpm • D min • 03:59 • -13.18db
16% Popularity • 56% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 56% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
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Doc Holliday
Dead Man's Road
129 bpm • A min • 06:01 • -5.09db
34% Popularity • 54% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
34% Popularity • 54% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Michael Schenker Fest
Take Me to the Church
129 bpm • B min • 04:46 • -5.09db
17% Popularity • 56% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 56% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Kingdom Come
Janine - Unplugged
128 bpm • C Maj • 04:01 • -8.17db
8% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Lynch Mob
Believers of the Day
127 bpm • C# Maj • 05:52 • -3.32db
28% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Wishbone Ash
Persephone
129 bpm • E min • 06:58 • -15.75db
37% Popularity • 58% Danceability • 45% Energy • 31% Liveness
10% Instrumentalness • 59% Positiveness
37% Popularity • 58% Danceability • 45% Energy • 31% Liveness
10% Instrumentalness • 59% Positiveness
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Alcatrazz
Jet to Jet
127 bpm • B min • 04:27 • -6.76db
30% Popularity • 38% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 38% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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White Lion
Broken Heart
127 bpm • G Maj • 03:31 • -4.86db
43% Popularity • 30% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 30% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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W.A.S.P.
The Idol
127 bpm • D# min • 08:43 • -13.23db
38% Popularity • 32% Danceability • 55% Energy • 74% Liveness
10% Instrumentalness • 18% Positiveness
38% Popularity • 32% Danceability • 55% Energy • 74% Liveness
10% Instrumentalness • 18% Positiveness
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Kingdom Come
What Love Can Be
128 bpm • A# min • 05:14 • -14.19db
45% Popularity • 30% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 30% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Queensrÿche
Someone Else? - Remastered
127 bpm • G# min • 05:00 • -6.36db
32% Popularity • 47% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 47% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Victor Peraino
Demon of Love
129 bpm • G Maj • 04:05 • -4.73db
0% Popularity • 44% Danceability • 94% Energy • 8% Liveness
22% Instrumentalness • 44% Positiveness
0% Popularity • 44% Danceability • 94% Energy • 8% Liveness
22% Instrumentalness • 44% Positiveness
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Helloween
Your Turn
130 bpm • A Maj • 05:38 • -9.21db
32% Popularity • 52% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 52% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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UFO
Belladonna - 2007 Remaster
130 bpm • A min • 04:32 • -10db
46% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Anathema
Fragile Dreams
130 bpm • G min • 05:30 • -9.66db
34% Popularity • 25% Danceability • 31% Energy • 11% Liveness
34% Instrumentalness • 8% Positiveness
34% Popularity • 25% Danceability • 31% Energy • 11% Liveness
34% Instrumentalness • 8% Positiveness
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Kingdom Come
What Love Can Be - Single Edit
127 bpm • A# min • 04:45 • -7.74db
12% Popularity • 29% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 29% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ozzy Osbourne
Nothing Feels Right
130 bpm • C# min • 05:35 • -4.44db
43% Popularity • 24% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 24% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pink Cream 69
One Step Into Paradise
126 bpm • A Maj • 03:51 • -15.11db
26% Popularity • 55% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 55% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Motörhead
One More Fucking Time
126 bpm • C# Maj • 06:46 • -9.53db
36% Popularity • 49% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 49% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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UFO
Heartful of Soul
130 bpm • F# min • 03:09 • -6.87db
19% Popularity • 55% Danceability • 70% Energy • 12% Liveness
44% Instrumentalness • 50% Positiveness
19% Popularity • 55% Danceability • 70% Energy • 12% Liveness
44% Instrumentalness • 50% Positiveness
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Therion
Seawinds
126 bpm • C Maj • 04:23 • -5db
28% Popularity • 50% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 50% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Kingdom Come
What Love Can Be - Radio One Edit
129 bpm • A# min • 05:14 • -9.16db
9% Popularity • 29% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 29% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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DEER FROM SPACE
Burn Baby
130 bpm • B min • 03:49 • -9.67db
11% Popularity • 50% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 50% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Cem Köksal
Stalkers in the Night
130 bpm • C min • 05:14 • -2.81db
16% Popularity • 50% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 50% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Allen Lande
Master Of Sorrow
130 bpm • A min • 05:54 • -4.53db
36% Popularity • 49% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 49% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Murder King
Wake Up - Canlı Akustik
130 bpm • C min • 03:19 • -10.77db
12% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Victor Peraino
Future
130 bpm • A min • 06:16 • -5.03db
0% Popularity • 41% Danceability • 80% Energy • 10% Liveness
28% Instrumentalness • 22% Positiveness
0% Popularity • 41% Danceability • 80% Energy • 10% Liveness
28% Instrumentalness • 22% Positiveness
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Kingdom Come
Get Up My Friend
127 bpm • G Maj • 03:53 • -5.9db
23% Popularity • 62% Danceability • 90% Energy • 12% Liveness
3% Instrumentalness • 82% Positiveness
23% Popularity • 62% Danceability • 90% Energy • 12% Liveness
3% Instrumentalness • 82% Positiveness
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Sebastian Bach
Push Away
130 bpm • G Maj • 05:20 • -3.24db
18% Popularity • 50% Danceability • 91% Energy • 5% Liveness
8% Instrumentalness • 37% Positiveness
18% Popularity • 50% Danceability • 91% Energy • 5% Liveness
8% Instrumentalness • 37% Positiveness
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Cem Köksal
Men Made of Iron
126 bpm • D# min • 04:30 • -5.62db
9% Popularity • 49% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 49% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Threshold
The Shire, Pt. 1
130 bpm • A Maj • 02:03 • -13.15db
34% Popularity • 56% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 56% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 12% Positiveness
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Sentenced
Mourn
130 bpm • E min • 04:44 • -8.11db
41% Popularity • 45% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
41% Popularity • 45% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Crimson Glory
The Other Side of Midnight
130 bpm • G# Maj • 04:29 • -6.33db
16% Popularity • 42% Danceability • 32% Energy • 14% Liveness
4% Instrumentalness • 56% Positiveness
16% Popularity • 42% Danceability • 32% Energy • 14% Liveness
4% Instrumentalness • 56% Positiveness
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Kingdom Come
Stargazer
127 bpm • G min • 05:13 • -12db
38% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Hartmann
Alive Again
130 bpm • F Maj • 04:12 • -3.91db
33% Popularity • 46% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 46% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Cem Köksal
Blood on Blood
130 bpm • G# min • 05:11 • -5.08db
17% Popularity • 53% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 53% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Pain of Salvation
Second Love
130 bpm • A min • 04:21 • -5.54db
32% Popularity • 47% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 47% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Heavy Water
Tree in the Wind
130 bpm • E Maj • 04:13 • -7.44db
10% Popularity • 49% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 49% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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John Norum
Resurrection Time
130 bpm • F# Maj • 05:05 • -5.43db
16% Popularity • 47% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 47% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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XYZ
Rainy Days With Bobby Peiper
126 bpm • G Maj • 04:07 • -9.48db
12% Popularity • 40% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 40% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 27% Positiveness
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The Snakes
Showdown
126 bpm • G Maj • 03:57 • -11.83db
11% Popularity • 65% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 65% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Skid Row
Quicksand Jesus
126 bpm • E min • 05:24 • -7.85db
51% Popularity • 25% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 25% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Motörhead
Don't Let Daddy Kiss Me
130 bpm • D# min • 04:07 • -9.43db
32% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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McAuley Schenker Group
Nightmare
126 bpm • C# Maj • 06:26 • -13.43db
39% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Bonfire
You Make Me Feel - 2008 Version
126 bpm • F min • 04:33 • -6db
31% Popularity • 47% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 47% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Zakk Wylde
Throwin' It All Away
131 bpm • E min • 05:47 • -6.66db
12% Popularity • 24% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 24% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 20% Positiveness
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UFO
Martian Landscape - 2007 Remaster
125 bpm • E min • 05:11 • -8.9db
24% Popularity • 35% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 35% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Pink Cream 69
Keep Your Eye on the Twisted
131 bpm • A# min • 03:29 • -8.04db
19% Popularity • 71% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 71% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Motörhead
Love Me Forever
126 bpm • C# min • 05:27 • -7.45db
50% Popularity • 23% Danceability • 71% Energy • 16% Liveness
1% Instrumentalness • 26% Positiveness
50% Popularity • 23% Danceability • 71% Energy • 16% Liveness
1% Instrumentalness • 26% Positiveness
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Izzy Stradlin
sweet caress
125 bpm • F# min • 03:37 • -8db
30% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Allen Lande
When Time Doesn't Heal
125 bpm • B min • 06:13 • -4.95db
26% Popularity • 43% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 43% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Bonfire
You Make Me Feel
125 bpm • F# min • 04:44 • -7db
41% Popularity • 46% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
41% Popularity • 46% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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Kingdom Come
What Love Can Be - Live
125 bpm • A min • 05:14 • -10.78db
13% Popularity • 34% Danceability • 57% Energy • 87% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 34% Danceability • 57% Energy • 87% Liveness
0% Instrumentalness • 22% Positiveness
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Avantasia
Lucifer
131 bpm • E min • 03:48 • -8.3db
44% Popularity • 27% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 27% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Megadeth
Time: The Beginning - Remastered
132 bpm • E min • 03:10 • -7db
32% Popularity • 38% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 38% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Queensrÿche
Anybody Listening? - Remastered 2003
132 bpm • D Maj • 07:58 • -5.26db
43% Popularity • 36% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Thunder
River of Pain
124 bpm • D Maj • 03:38 • -6.43db
29% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Marty Friedman
Valley of Eternity
132 bpm • G Maj • 08:15 • -10.64db
28% Popularity • 36% Danceability • 46% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
28% Popularity • 36% Danceability • 46% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
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Kingdom Come
Can't Fake Affection
131 bpm • E min • 06:38 • -9.12db
29% Popularity • 64% Danceability • 53% Energy • 7% Liveness
17% Instrumentalness • 22% Positiveness
29% Popularity • 64% Danceability • 53% Energy • 7% Liveness
17% Instrumentalness • 22% Positiveness
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Victor Peraino
Don't Let Me Be Misunderstood
124 bpm • A min • 04:47 • -5.96db
1% Popularity • 52% Danceability • 68% Energy • 25% Liveness
37% Instrumentalness • 56% Positiveness
1% Popularity • 52% Danceability • 68% Energy • 25% Liveness
37% Instrumentalness • 56% Positiveness
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Junkyard Drive
The Wonderland Of Temptations
124 bpm • G# min • 05:02 • -9.24db
28% Popularity • 30% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 30% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Shamrain
A Woeful Song
132 bpm • A min • 03:06 • -5.67db
27% Popularity • 40% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 40% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Stratovarius
Mother Gaia
132 bpm • D# min • 08:18 • -5.07db
32% Popularity • 40% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
32% Popularity • 40% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Don Dokken
When Love Finds A Fool
124 bpm • E min • 05:36 • -13db
20% Popularity • 52% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 52% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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Hartmann
Brazen
124 bpm • C# min • 04:44 • -5.61db
18% Popularity • 28% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 28% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Victor Peraino
We Only Come to Help You
124 bpm • C Maj • 05:45 • -4.51db
1% Popularity • 40% Danceability • 78% Energy • 11% Liveness
57% Instrumentalness • 38% Positiveness
1% Popularity • 40% Danceability • 78% Energy • 11% Liveness
57% Instrumentalness • 38% Positiveness
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Queensrÿche
Best I Can - Remastered 2003
132 bpm • D Maj • 05:34 • -4.45db
45% Popularity • 60% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 60% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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XYZ
Face Down In The Gutter
124 bpm • B Maj • 04:11 • -7.29db
40% Popularity • 57% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
40% Popularity • 57% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
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Fates Warning
We Only Say Goodbye
132 bpm • E min • 04:55 • -7.67db
12% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Richie Sambora
Rosie
123 bpm • D Maj • 04:50 • -9.13db
30% Popularity • 44% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 44% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Skid Row
Little Wing
133 bpm • G Maj • 03:19 • -7.76db
46% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
46% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
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Victor Peraino
Journey in Time
124 bpm • A min • 05:19 • -4.32db
0% Popularity • 38% Danceability • 84% Energy • 28% Liveness
83% Instrumentalness • 23% Positiveness
0% Popularity • 38% Danceability • 84% Energy • 28% Liveness
83% Instrumentalness • 23% Positiveness
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Judas Priest
Prisoner of Your Eyes
123 bpm • B min • 07:10 • -7.44db
46% Popularity • 35% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 35% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Krokus
Rockin' in the Free World
133 bpm • A Maj • 03:49 • -4.29db
35% Popularity • 55% Danceability • 95% Energy • 13% Liveness
40% Instrumentalness • 69% Positiveness
35% Popularity • 55% Danceability • 95% Energy • 13% Liveness
40% Instrumentalness • 69% Positiveness
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Queensrÿche
Welcome to the Machine
133 bpm • E min • 04:54 • -4db
25% Popularity • 42% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 42% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Copperhead
Long Way From Home
133 bpm • G Maj • 08:15 • -8.7db
35% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Iced Earth
A Question of Heaven
133 bpm • D# min • 07:48 • -11db
37% Popularity • 32% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
37% Popularity • 32% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Stratovarius
Coming Home
133 bpm • D# min • 05:36 • -8.42db
41% Popularity • 40% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 40% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Axe
Battles
134 bpm • D min • 06:13 • -10db
23% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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John Norum
Night Buzz
122 bpm • C# Maj • 03:22 • -7.54db
22% Popularity • 51% Danceability • 83% Energy • 17% Liveness
26% Instrumentalness • 76% Positiveness
22% Popularity • 51% Danceability • 83% Energy • 17% Liveness
26% Instrumentalness • 76% Positiveness
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Kingdom Come
Break Down the Wall
134 bpm • C Maj • 04:22 • -3.06db
23% Popularity • 39% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 39% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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HammerFall
Always Will Be
134 bpm • B Maj • 04:49 • -9.18db
48% Popularity • 49% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 49% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cem Köksal
Awakened One
134 bpm • A Maj • 05:20 • -3db
25% Popularity • 60% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 60% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Hogjaw
I Will Remain
134 bpm • D Maj • 08:33 • -6.89db
27% Popularity • 57% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 57% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Saints 'N' Sinners
As Above So Below
122 bpm • D# Maj • 05:42 • -5.29db
11% Popularity • 58% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 58% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Blue Öyster Cult
Astronomy
134 bpm • E min • 06:55 • -8.25db
25% Popularity • 37% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 37% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kingdom Come
Thank You All
122 bpm • A Maj • 03:55 • -6.36db
16% Popularity • 44% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 44% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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UFO
High Flyer - 2007 Remaster
134 bpm • G Maj • 04:08 • -8.35db
39% Popularity • 50% Danceability • 38% Energy • 6% Liveness
1% Instrumentalness • 37% Positiveness
39% Popularity • 50% Danceability • 38% Energy • 6% Liveness
1% Instrumentalness • 37% Positiveness
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Opeth
Soldier of Fortune
134 bpm • G min • 03:28 • -8.68db
51% Popularity • 48% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 48% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Roger Glover
Sitting in a Dream
122 bpm • A min • 03:40 • -15db
24% Popularity • 54% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 54% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Bonfire
You Make Me Feel
122 bpm • F min • 05:33 • -8db
38% Popularity • 50% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 50% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
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Lake Of Tears
In Gloom
135 bpm • F Maj • 03:33 • -15.07db
32% Popularity • 57% Danceability • 36% Energy • 9% Liveness
17% Instrumentalness • 30% Positiveness
32% Popularity • 57% Danceability • 36% Energy • 9% Liveness
17% Instrumentalness • 30% Positiveness
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Armored Saint
Last Train Home
135 bpm • C# min • 05:19 • -4.83db
28% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
