Songs like Je n'ai Qu'un Amour, C'est Toi by Marthe Coiffier
Based on a tempo of (+/- 10%) and a similar genre
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Lola Guardiola
La Rabalera
73 bpm • A# Maj • 02:42 • -16db
9% Popularity • 38% Danceability • 19% Energy • 13% Liveness
59% Instrumentalness • 48% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 13% Liveness
59% Instrumentalness • 48% Positiveness
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Enrico Caruso
La Traviata, Act I: Libiamo Ne' Lieti Ca...
73 bpm • A# Maj • 03:05 • -11.51db
11% Popularity • 49% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 49% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Γιάννη Yang
Hai Gia Vinta La Causa
73 bpm • D Maj • 04:39 • -7.03db
12% Popularity • 29% Danceability • 40% Energy • 49% Liveness
5% Instrumentalness • 38% Positiveness
12% Popularity • 29% Danceability • 40% Energy • 49% Liveness
5% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
Aida: Act IV: Vedi? ... di morte l'angel...
73 bpm • C# Maj • 00:59 • -24.92db
14% Popularity • 37% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 37% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Manolo Caracol
Lamento
73 bpm • D# Maj • 02:17 • -10.96db
5% Popularity • 31% Danceability • 26% Energy • 26% Liveness
31% Instrumentalness • 32% Positiveness
5% Popularity • 31% Danceability • 26% Energy • 26% Liveness
31% Instrumentalness • 32% Positiveness
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Marthe Coiffier
Je n'ai Qu'un Amour, C'est Toi
73 bpm • F min • 03:26 • -10.71db
0% Popularity • 36% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 36% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Professor van Dusen
Teil 13 - Folge 34: Professor van Dusen ...
73 bpm • B min • 03:01 • -17.95db
15% Popularity • 72% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 72% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Théodore Dubois
Chansons de Marjolie: No. 7, En paradis
73 bpm • C Maj • 02:41 • -21.21db
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Lehár
La vedova allegra (Tace il Labbro)
73 bpm • G Maj • 03:01 • -19.54db
7% Popularity • 30% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 30% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Orfeón de Miravalles
Audi Deus (salmo 60)
73 bpm • A min • 02:28 • -10db
12% Popularity • 29% Danceability • 25% Energy • 20% Liveness
29% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 25% Energy • 20% Liveness
29% Instrumentalness • 16% Positiveness
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Coros Cantores De Madrid
La Rosa del Azafrán: "Juan Pedro, Sagra...
73 bpm • F# min • 05:32 • -7.35db
7% Popularity • 29% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 29% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 3: "Sous le ciel to...
74 bpm • C min • 02:46 • -27.77db
8% Popularity • 25% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
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Bemby Gusti
Bengawan Solo
72 bpm • F# Maj • 10:49 • -15.8db
22% Popularity • 32% Danceability • 21% Energy • 8% Liveness
71% Instrumentalness • 19% Positiveness
22% Popularity • 32% Danceability • 21% Energy • 8% Liveness
71% Instrumentalness • 19% Positiveness
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Guðmundur Guðjónsson
Í gróandanum
72 bpm • D Maj • 01:58 • -12.11db
11% Popularity • 39% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Endo Rivera
La donna é mobile
72 bpm • B Maj • 01:59 • -9.45db
9% Popularity • 42% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 42% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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幸福男聲合唱團
歸來吧蘇瀾多
74 bpm • E Maj • 03:29 • -13.8db
4% Popularity • 21% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 21% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Γιάννη Yang
Mondnacht
72 bpm • C# Maj • 03:16 • -6.14db
17% Popularity • 30% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Brian Greene
The Happy Ending / Guys and Dolls Finale
72 bpm • D# Maj • 02:13 • -13.92db
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 51% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 51% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena final, I parte: ...
74 bpm • C# Maj • 04:02 • -17.43db
9% Popularity • 31% Danceability • 10% Energy • 20% Liveness
6% Instrumentalness • 27% Positiveness
9% Popularity • 31% Danceability • 10% Energy • 20% Liveness
6% Instrumentalness • 27% Positiveness
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Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Julián De La Chica
Soledad
74 bpm • G# min • 04:54 • -9.59db
24% Popularity • 30% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 30% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Aimons-nous
74 bpm • A# Maj • 03:36 • -18.05db
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Ángeles Ottein
Que la lea prima Rosa
74 bpm • D Maj • 03:14 • -10db
8% Popularity • 25% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
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Ralph Benatzky
Im weissen Rossl (White Horse Inn): Act ...
74 bpm • G# Maj • 02:48 • -11db
10% Popularity • 36% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 36% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Національний український народний хор ім. Григория Верьовки
Ой, там за Дунаєм
75 bpm • G Maj • 01:34 • -13.75db
11% Popularity • 32% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 32% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Maurice Ravel
Ravel: L'enfant et les sortilèges, M. 7...
75 bpm • D min • 09:02 • -19.73db
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
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Kalmár Pál
Szép vagy, gyönyörű vagy magyarorsz�...
75 bpm • F# Maj • 02:56 • -15.6db
10% Popularity • 27% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
10% Popularity • 27% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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Paul Lincke
Frau Luna: Ouvertüre
75 bpm • A Maj • 04:30 • -11db
15% Popularity • 21% Danceability • 40% Energy • 24% Liveness
89% Instrumentalness • 33% Positiveness
15% Popularity • 21% Danceability • 40% Energy • 24% Liveness
89% Instrumentalness • 33% Positiveness
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Ofelia Nieto
Mírate en el espejo
71 bpm • G Maj • 02:36 • -12db
12% Popularity • 36% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
12% Popularity • 36% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Franz Lehár
Das Land des Lächelns / Act 1: Freunder...
75 bpm • F Maj • 01:09 • -16.91db
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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環球合唱團
安妮羅莉
75 bpm • D Maj • 02:54 • -21db
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
75 bpm • G Maj • 03:35 • -8.05db
10% Popularity • 26% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 26% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
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Vicente Celestino
Coração Materno
75 bpm • C# Maj • 03:07 • -6.4db
8% Popularity • 48% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 48% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Luis Fernández de Sevilla
Golondrina de Madrid: "Sopló Furioso el...
75 bpm • F# Maj • 03:43 • -9.23db
1% Popularity • 23% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 23% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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SFR Yugoslavia
Communist Party, My Dear
71 bpm • F Maj • 02:28 • -10.07db
9% Popularity • 28% Danceability • 26% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
9% Popularity • 28% Danceability • 26% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
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Carl Millöcker
Der Bettelstudent - operetta in 3 Acts: ...
75 bpm • E Maj • 01:48 • -13db
10% Popularity • 25% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 25% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
76 bpm • D# Maj • 03:03 • -12db
9% Popularity • 30% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 30% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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José Ramos Martín
Los Gavilanes, Acto I: El Dinero Que Ate...
76 bpm • C min • 03:09 • -6.63db
8% Popularity • 35% Danceability • 34% Energy • 7% Liveness
7% Instrumentalness • 58% Positiveness
8% Popularity • 35% Danceability • 34% Energy • 7% Liveness
7% Instrumentalness • 58% Positiveness
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Gaspare Spontini
La vestale, Act I: Scène. Grands dieux ...
70 bpm • D min • 01:24 • -15.07db
13% Popularity • 34% Danceability • 32% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 34% Danceability • 32% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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Wiener Operettenorchester
Im Salzkammergut da kann man gut
76 bpm • C Maj • 02:07 • -9db
14% Popularity • 60% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 70% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Cuarteto: La dimisi�...
76 bpm • E Maj • 02:18 • -11.19db
8% Popularity • 47% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 47% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Rafael Sanchez Cestero
Martha
76 bpm • A# Maj • 03:15 • -12.14db
13% Popularity • 16% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 16% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 10% Positiveness
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Alfredo Silvestri
Kom, det skymmer re'n (Toselli's serenat...
70 bpm • D# Maj • 02:29 • -10.78db
11% Popularity • 22% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 22% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Hugo Avendaño
Tu, Tu y Tu
70 bpm • D# Maj • 02:59 • -12.16db
8% Popularity • 24% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
8% Popularity • 24% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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環球合唱團
握別
70 bpm • E Maj • 03:44 • -21.56db
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jules Massenet
Le Cid: Allez en paix, vous que l’on a...
76 bpm • A# Maj • 01:45 • -14.64db
11% Popularity • 26% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 26% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Señor Alcalde" - Re...
76 bpm • D min • 01:19 • -9.57db
9% Popularity • 25% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 25% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Tomás Bretón
La Verbena de la Paloma, Act I: Mazurka ...
76 bpm • D Maj • 02:23 • -17.01db
13% Popularity • 51% Danceability • 23% Energy • 19% Liveness
31% Instrumentalness • 42% Positiveness
13% Popularity • 51% Danceability • 23% Energy • 19% Liveness
31% Instrumentalness • 42% Positiveness
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Mathe Altéry
J'ai confiance en moi
70 bpm • A Maj • 03:27 • -12.05db
12% Popularity • 50% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 50% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
77 bpm • C min • 04:45 • -15.61db
8% Popularity • 23% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Francesco Cavalli
Il Giasone, Act 1 Scene 14: Dell'antro m...
69 bpm • D min • 02:15 • -16.33db
11% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
69 bpm • G Maj • 02:17 • -30db
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
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The Red Army Choir
Моя Родина
77 bpm • G Maj • 03:19 • -11.01db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, I parte: "Pantomima"
69 bpm • F Maj • 03:58 • -13db
10% Popularity • 26% Danceability • 24% Energy • 51% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 24% Energy • 51% Liveness
2% Instrumentalness • 7% Positiveness
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Marcos Redondo
Molinos de Viento: Concertante
77 bpm • E Maj • 08:17 • -12db
11% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Deunov
A nice day
78 bpm • C Maj • 02:56 • -18.53db
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 3: "O dolci mani man...
69 bpm • C Maj • 02:58 • -17.15db
10% Popularity • 36% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 36% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Γιάννη Yang
Let Beauty Awake
78 bpm • C# min • 01:46 • -4.32db
12% Popularity • 27% Danceability • 52% Energy • 11% Liveness
10% Instrumentalness • 16% Positiveness
12% Popularity • 27% Danceability • 52% Energy • 11% Liveness
10% Instrumentalness • 16% Positiveness
► Preview
Ángeles Ottein
Escena final - Primer acto, Pt. 3
69 bpm • F Maj • 03:29 • -9db
11% Popularity • 34% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 34% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 41% Positiveness
► Preview
Bedřich Smetana
The Prague Carnival. Introduction and Po...
69 bpm • A Maj • 05:57 • -15.52db
19% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
19% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Alberto Lizzio
La forza del destino: Overture
78 bpm • E min • 07:04 • -19.9db
10% Popularity • 16% Danceability • 21% Energy • 12% Liveness
69% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 21% Energy • 12% Liveness
69% Instrumentalness • 13% Positiveness
► Preview
Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena 1ª, II parte: "...
69 bpm • F# Maj • 04:10 • -9.46db
9% Popularity • 40% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 40% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Sarita Montiel
La Violetera
78 bpm • C Maj • 03:45 • -18.49db
11% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Alessandro Simonetto
Danza della Moldavia
78 bpm • B Maj • 03:38 • -12.29db
20% Popularity • 34% Danceability • 32% Energy • 11% Liveness
44% Instrumentalness • 39% Positiveness
20% Popularity • 34% Danceability • 32% Energy • 11% Liveness
44% Instrumentalness • 39% Positiveness
► Preview
Ángeles Ottein
Dúo de Rosa y Rufo, Pt. 2
78 bpm • B Maj • 03:01 • -10db
9% Popularity • 35% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Charlotte Hoather
La Boheme, Act II: “Quando me’n vo�...
78 bpm • E Maj • 02:22 • -13db
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor, Act II: Chi mi fren...
78 bpm • C# Maj • 03:39 • -12.27db
8% Popularity • 24% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 24% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Ro...
78 bpm • G Maj • 01:52 • -21db
10% Popularity • 56% Danceability • 21% Energy • 46% Liveness
21% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 21% Energy • 46% Liveness
21% Instrumentalness • 85% Positiveness
► Preview
Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena 2ª: "Caminar"
68 bpm • G Maj • 03:53 • -11db
10% Popularity • 28% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 28% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Richard Tauber
Dein ist mein ganzes Herz
68 bpm • C# Maj • 03:16 • -11db
18% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
18% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
► Preview
Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
78 bpm • F Maj • 03:17 • -15.35db
10% Popularity • 39% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 39% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Miguel Ramos Carrión
El Rey Que Rabió: "Duetto: Mientras con...
79 bpm • A Maj • 03:43 • -12.24db
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Francesco Cilea
Adriana Lecouvreur Act II, Scene 2: L'an...
79 bpm • B min • 01:53 • -19.93db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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New Concert Orchestra
Spring Promenade
79 bpm • G Maj • 03:46 • -12db
9% Popularity • 31% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 42% Positiveness
9% Popularity • 31% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 42% Positiveness
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Luis Sagi Vela
Maravilla: "Millonario de ilusión"
79 bpm • G min • 03:10 • -10.2db
7% Popularity • 34% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 34% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jacques Offenbach
Offenbach : La Périchole : Act 1 "Vous ...
79 bpm • E Maj • 02:26 • -17.02db
12% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act III: Duet...
80 bpm • A# Maj • 02:38 • -20.84db
11% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Kölner Rundfunkorchester
Musikanten sind da: " Ganz leise, kommt ...
67 bpm • B min • 01:07 • -19.61db
16% Popularity • 44% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 44% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
80 bpm • G Maj • 02:32 • -15.72db
8% Popularity • 34% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 34% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Vittorio Sbordone
Le Rêve
80 bpm • D Maj • 02:42 • -10db
15% Popularity • 31% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
15% Popularity • 31% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Luca Lupoli
Santa Lucia luntana
80 bpm • F Maj • 05:55 • -11.41db
9% Popularity • 13% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 10% Positiveness
9% Popularity • 13% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 10% Positiveness
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Alessandro Simonetto
Czardas ungherese
80 bpm • D min • 05:10 • -14.8db
15% Popularity • 28% Danceability • 35% Energy • 7% Liveness
41% Instrumentalness • 26% Positiveness
15% Popularity • 28% Danceability • 35% Energy • 7% Liveness
41% Instrumentalness • 26% Positiveness
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Angel Mahler
Paquette y Claudio / Plaza de la Greve /...
80 bpm • E min • 09:25 • -11.61db
11% Popularity • 36% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Marthe Coiffier
Au temps des merveilleuses
80 bpm • G Maj • 08:40 • -10.64db
0% Popularity • 37% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 37% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Marcos Redondo
Molinos de Viento: Dúo y serenata: ¿Qu...
66 bpm • C min • 04:00 • -14db
12% Popularity • 36% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 36% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jules Massenet
Massenet: Werther, Act 1: "Alors, c'est ...
80 bpm • G Maj • 04:29 • -12.85db
11% Popularity • 21% Danceability • 23% Energy • 48% Liveness
12% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 23% Energy • 48% Liveness
12% Instrumentalness • 7% Positiveness
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Pastora Imperio
Trianeras
81 bpm • C Maj • 02:24 • -12db
8% Popularity • 74% Danceability • 26% Energy • 12% Liveness
30% Instrumentalness • 55% Positiveness
8% Popularity • 74% Danceability • 26% Energy • 12% Liveness
30% Instrumentalness • 55% Positiveness
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Midnight Masquerade Ensemble
Twisted Hallways of Imagination
81 bpm • D min • 01:10 • -10.04db
10% Popularity • 40% Danceability • 44% Energy • 40% Liveness
78% Instrumentalness • 18% Positiveness
10% Popularity • 40% Danceability • 44% Energy • 40% Liveness
78% Instrumentalness • 18% Positiveness
► Preview
Franz Lehár
Lehár: Eva: "Wär es auch nichts als ei...
81 bpm • E Maj • 04:36 • -17.94db
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Terra e mare, SC 73 (Arr. for Voice & Or...
66 bpm • C# Maj • 01:20 • -19.91db
18% Popularity • 42% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
18% Popularity • 42% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
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O. Nieto
Escena fina - Primer acto, Pt. 1
81 bpm • F Maj • 03:52 • -10.11db
8% Popularity • 39% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 39% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
81 bpm • F Maj • 03:21 • -14.39db
8% Popularity • 24% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 24% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Arrigo Boito
Mefistofele, Act I, Scene 2: Dai campi, ...
81 bpm • F Maj • 02:06 • -18.06db
11% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Anneliese Rothenberger
Die Juliska Aus Budapest (aus Maske In B...
81 bpm • A min • 01:47 • -12db
14% Popularity • 52% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 52% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Carl Millöcker
Gasparone: "Auch ich war einst ein junge...
81 bpm • C Maj • 01:46 • -16.52db
12% Popularity • 51% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 51% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Nikolai Rimsky-Korsakov
Sadko, Scene 4: Song of the Hindu Mercha...
81 bpm • C Maj • 04:10 • -23db
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
12% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
12% Instrumentalness • 5% Positiveness