Songs like Je préfère les choses après by Vincent Delerm
Based on a tempo of (+/- 10%) and a similar genre
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Vincent Delerm
Tous les acteurs s'appellent Terence
140 bpm • F Maj • 03:55 • -7.46db
15% Popularity • 51% Danceability • 60% Energy • 37% Liveness
17% Instrumentalness • 52% Positiveness
15% Popularity • 51% Danceability • 60% Energy • 37% Liveness
17% Instrumentalness • 52% Positiveness
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Daphné
Déclaration à celui
140 bpm • G# min • 03:33 • -11.22db
8% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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HK
P'tits Papiers
140 bpm • A min • 03:10 • -4.6db
13% Popularity • 69% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 69% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Michel Berger
La petite de Calmette - Remasterisé en ...
140 bpm • D min • 04:20 • -10.2db
26% Popularity • 70% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
26% Popularity • 70% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Têtes Raides
L'an demain
140 bpm • B min • 03:22 • -12.81db
14% Popularity • 45% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 45% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jean Ferrat
L'embellie
141 bpm • B min • 03:51 • -15.6db
14% Popularity • 38% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 38% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Vincent Delerm
Allan et Louise
140 bpm • D min • 03:44 • -10.83db
13% Popularity • 66% Danceability • 38% Energy • 22% Liveness
17% Instrumentalness • 70% Positiveness
13% Popularity • 66% Danceability • 38% Energy • 22% Liveness
17% Instrumentalness • 70% Positiveness
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Gaëtan Roussel
Le responsable
141 bpm • E Maj • 02:49 • -4.29db
25% Popularity • 61% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 61% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Florent Marchet
Nicolas
138 bpm • D min • 03:06 • -11.46db
11% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Michel Berger
Je reviens de loin - Remasterisé en 200...
139 bpm • E min • 02:36 • -9.59db
18% Popularity • 40% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 40% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
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Boby Lapointe
Lena
141 bpm • C Maj • 01:33 • -8db
30% Popularity • 65% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 65% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Thomas Fersen
Chez toi
138 bpm • G Maj • 03:19 • -12.25db
18% Popularity • 53% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 53% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Vincent Delerm
Je préfère les choses après
140 bpm • E min • 01:13 • -9.42db
16% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Soan
De mémoire d'enfant
138 bpm • F# min • 02:56 • -5.43db
10% Popularity • 46% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 46% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine Deneuve
Je Ne Peux Vivre Sans T'Aimer
138 bpm • G# min • 03:48 • -12.64db
19% Popularity • 45% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
19% Popularity • 45% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Jeanne Cherhal
Un couple normal
138 bpm • D Maj • 04:45 • -9.03db
24% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Pauline Croze
T'es beau
138 bpm • C# min • 02:43 • -10.19db
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Thomas Fersen
Envie de ne rien faire
138 bpm • D Maj • 02:44 • -11db
29% Popularity • 75% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 75% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Dominique A
Le twenty two bar
138 bpm • E min • 03:41 • -9.29db
34% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Clara Ysé
Lettre à M
137 bpm • A# min • 02:22 • -10.41db
47% Popularity • 58% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 58% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jacques Brel
Le lion
138 bpm • D Maj • 03:29 • -6.52db
17% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Vincent Delerm
Et la fois où tu as
143 bpm • G min • 02:00 • -18.59db
20% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Daphné
Mourir d'un oeil
137 bpm • G min • 03:49 • -12.5db
9% Popularity • 61% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 61% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Mathias Malzieu
Morning Song
137 bpm • C Maj • 01:20 • -15.05db
29% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Fersen
Diane de Poitiers
136 bpm • G min • 03:06 • -9db
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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L (Raphaële Lannadère)
Petite
144 bpm • D min • 04:37 • -10.66db
20% Popularity • 46% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 46% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Les Frères Jacques
La confiture
144 bpm • A min • 03:38 • -16.03db
16% Popularity • 46% Danceability • 35% Energy • 94% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 46% Danceability • 35% Energy • 94% Liveness
0% Instrumentalness • 83% Positiveness
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Vincent Delerm
Super Bowl
136 bpm • G Maj • 01:34 • -12.29db
10% Popularity • 83% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
10% Popularity • 83% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Clio
Haussmann à l'envers
144 bpm • C Maj • 02:39 • -11db
38% Popularity • 48% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 48% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Alain Chamfort
Les salamandres
136 bpm • G Maj • 02:49 • -10.84db
15% Popularity • 67% Danceability • 43% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
15% Popularity • 67% Danceability • 43% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
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Thomas Fersen
Les papillons
136 bpm • G# Maj • 04:05 • -8.47db
24% Popularity • 80% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 80% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Arthur H
La beauté de l'amour
136 bpm • A# min • 03:22 • -5.73db
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Daphné
Göttingen (Avec Jean-Louis Aubert)
145 bpm • A min • 02:11 • -11.85db
35% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Vincent Delerm
Les amants parallèles
144 bpm • A Maj • 01:40 • -11db
40% Popularity • 87% Danceability • 33% Energy • 10% Liveness
44% Instrumentalness • 74% Positiveness
40% Popularity • 87% Danceability • 33% Energy • 10% Liveness
44% Instrumentalness • 74% Positiveness
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Thomas Dutronc
Aragon
135 bpm • D min • 03:56 • -6.16db
26% Popularity • 64% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
26% Popularity • 64% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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Aldebert
La norme et la marge
145 bpm • A min • 02:52 • -8.33db
9% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Thomas Fersen
Un parapluie pour deux
136 bpm • E Maj • 02:56 • -12.46db
35% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Bazbaz
Le professionnel
135 bpm • C# Maj • 02:32 • -12db
21% Popularity • 72% Danceability • 30% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 30% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Jeanne Cherhal
Comme Je T'Attends
135 bpm • F# Maj • 02:38 • -17db
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Peter von Poehl
Marine
135 bpm • D Maj • 03:56 • -10.07db
19% Popularity • 49% Danceability • 68% Energy • 71% Liveness
60% Instrumentalness • 44% Positiveness
19% Popularity • 49% Danceability • 68% Energy • 71% Liveness
60% Instrumentalness • 44% Positiveness
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Anne Sylvestre
Comment je m'appelle
135 bpm • A min • 03:47 • -13.67db
24% Popularity • 64% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 64% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Les Croquants
Le petit bonheur
146 bpm • E Maj • 02:49 • -8.6db
26% Popularity • 44% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 44% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 90% Positiveness
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Louis Chedid
Chaque jour est une vie
146 bpm • F min • 04:37 • -11.36db
10% Popularity • 64% Danceability • 49% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 49% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
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Les Ogres De Barback
Pour toi
134 bpm • E Maj • 03:16 • -13.49db
15% Popularity • 55% Danceability • 28% Energy • 63% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 55% Danceability • 28% Energy • 63% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Auteuil
Si vous voulez que j'aime encore
146 bpm • C Maj • 03:41 • -9.44db
24% Popularity • 44% Danceability • 66% Energy • 7% Liveness
6% Instrumentalness • 45% Positiveness
24% Popularity • 44% Danceability • 66% Energy • 7% Liveness
6% Instrumentalness • 45% Positiveness
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Vincent Delerm
Shea stadium
134 bpm • F# Maj • 01:54 • -9.04db
15% Popularity • 60% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
15% Popularity • 60% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Michel Berger
À moitié, à demi, pas du tout - Remas...
146 bpm • B Maj • 02:11 • -14.25db
22% Popularity • 60% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Jeanne Cherhal
Douze fois par an
134 bpm • A min • 02:32 • -13db
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
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Jean Pierre Darroussin
J’ai rendez-vous avec vous
134 bpm • A Maj • 02:00 • -10db
14% Popularity • 72% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 72% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Camille
Que je t'aime
134 bpm • G min • 03:43 • -15db
54% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Les Ogres De Barback
Le délire des deux alcooliques - Chant
134 bpm • G min • 03:34 • -8.73db
11% Popularity • 40% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 40% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Dick Annegarn
Bruxelles
134 bpm • E Maj • 02:28 • -11db
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Yves Duteil
Si j'étais ton chemin
147 bpm • A min • 04:39 • -12.33db
23% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Agnès Bihl
La plus belle c'est ma mère
134 bpm • F# min • 03:23 • -11db
29% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Anne Sylvestre
Que vous êtes beaux
133 bpm • C# Maj • 02:04 • -8db
24% Popularity • 69% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 69% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Christophe
La non-demande en mariage
147 bpm • F min • 04:08 • -12.91db
17% Popularity • 68% Danceability • 54% Energy • 97% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 68% Danceability • 54% Energy • 97% Liveness
0% Instrumentalness • 80% Positiveness
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Vincent Delerm
Le monologue shakespearien
133 bpm • C Maj • 03:45 • -9.12db
25% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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JP Nataf
Escobar
133 bpm • C# Maj • 04:16 • -9.19db
8% Popularity • 59% Danceability • 73% Energy • 21% Liveness
3% Instrumentalness • 58% Positiveness
8% Popularity • 59% Danceability • 73% Energy • 21% Liveness
3% Instrumentalness • 58% Positiveness
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Yves Duteil
Jusqu'où je t'aime
133 bpm • D Maj • 02:52 • -13.28db
30% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Aldebert
Le bébé
133 bpm • B min • 03:51 • -7.17db
10% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Miossec
La facture d'électricité
132 bpm • A min • 03:15 • -6db
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Véronique Sanson
Vole - Version 2020
132 bpm • A min • 03:13 • -5.65db
44% Popularity • 69% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 69% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Vincent Delerm
North Avenue
133 bpm • G Maj • 03:32 • -12.82db
8% Popularity • 50% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
8% Popularity • 50% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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Mickey 3d
La mort du peuple
132 bpm • B min • 03:43 • -7.79db
28% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Michel Berger
Pour me comprendre - Remasterisé en 200...
132 bpm • E min • 03:37 • -8.31db
33% Popularity • 41% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
33% Popularity • 41% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Clarika
Lâche-Moi
132 bpm • G min • 03:20 • -9.14db
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Helena Noguerra
Les Mots De Rien
131 bpm • A# Maj • 02:02 • -10.49db
6% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
6% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Peter von Poehl
Marine
131 bpm • D Maj • 03:50 • -10.2db
19% Popularity • 67% Danceability • 50% Energy • 10% Liveness
45% Instrumentalness • 44% Positiveness
19% Popularity • 67% Danceability • 50% Energy • 10% Liveness
45% Instrumentalness • 44% Positiveness
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Vincent Delerm
C'était bien
132 bpm • D min • 04:11 • -11.14db
15% Popularity • 42% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 42% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Charlelie Couture
Partie sans rien dire
131 bpm • C min • 03:29 • -15db
25% Popularity • 56% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
25% Popularity • 56% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Mickey 3d
La vallée
132 bpm • C Maj • 03:38 • -8.46db
14% Popularity • 63% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
14% Popularity • 63% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Le Soldat Rose
Petit rat
150 bpm • A# Maj • 04:10 • -5.12db
16% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Louise Attaque
Est-ce que tu m'aimes encore ?
151 bpm • A min • 02:58 • -8.88db
31% Popularity • 68% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 68% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Yves Simon
Une pierre qui roule
150 bpm • C Maj • 02:36 • -25.56db
9% Popularity • 53% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 53% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Vincent Delerm
À présent
131 bpm • G# min • 02:51 • -11.11db
18% Popularity • 64% Danceability • 43% Energy • 32% Liveness
4% Instrumentalness • 42% Positiveness
18% Popularity • 64% Danceability • 43% Energy • 32% Liveness
4% Instrumentalness • 42% Positiveness
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Claude Nougaro
Île de Ré
130 bpm • D min • 04:52 • -11db
25% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mickey 3d
Personne n'est parfait
132 bpm • A min • 04:19 • -6.68db
18% Popularity • 82% Danceability • 65% Energy • 10% Liveness
45% Instrumentalness • 92% Positiveness
18% Popularity • 82% Danceability • 65% Energy • 10% Liveness
45% Instrumentalness • 92% Positiveness
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Ridan
Le petit prince
130 bpm • D# min • 03:22 • -6.37db
16% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Alain Souchon
Vole (2 générations chantent pour la 3...
130 bpm • A min • 03:18 • -7db
27% Popularity • 69% Danceability • 68% Energy • 16% Liveness
7% Instrumentalness • 86% Positiveness
27% Popularity • 69% Danceability • 68% Energy • 16% Liveness
7% Instrumentalness • 86% Positiveness
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Michel Berger
Chanson pour une fan - Remasterisé en 2...
130 bpm • F Maj • 03:03 • -13.22db
20% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jeanne Cherhal
Canicule
130 bpm • C# min • 03:04 • -17.02db
27% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Buridane
Vice et vertu
151 bpm • F# min • 03:48 • -12.02db
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Mickey 3d
Chanson de rien du tout
131 bpm • A min • 02:53 • -14.19db
24% Popularity • 70% Danceability • 26% Energy • 32% Liveness
41% Instrumentalness • 23% Positiveness
24% Popularity • 70% Danceability • 26% Energy • 32% Liveness
41% Instrumentalness • 23% Positiveness
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Rose
La liste
130 bpm • A# Maj • 03:13 • -6.71db
52% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jean Ferrat
J'entends, J'entends
129 bpm • A Maj • 02:48 • -7.09db
28% Popularity • 44% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 44% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Michel Berger
Si tu t'en vas - Remasterisé en 2002
129 bpm • D Maj • 02:44 • -10.68db
13% Popularity • 37% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
13% Popularity • 37% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
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Louis Garrel
Reims
152 bpm • F# Maj • 03:19 • -8.03db
12% Popularity • 49% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
12% Popularity • 49% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Sandrine Kiberlain
Loin derrière
152 bpm • G# Maj • 03:22 • -9.38db
20% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mickey 3d
La Footballeuse de Sherbrooke
152 bpm • C min • 02:58 • -11.33db
11% Popularity • 79% Danceability • 45% Energy • 21% Liveness
42% Instrumentalness • 70% Positiveness
11% Popularity • 79% Danceability • 45% Energy • 21% Liveness
42% Instrumentalness • 70% Positiveness
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Têtes Raides
Oublie cette chanson
152 bpm • A# min • 02:24 • -11.95db
20% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Vincent Delerm
Cosmopolitan
128 bpm • F min • 04:35 • -12.64db
19% Popularity • 43% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 43% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Michel Berger
Message personnel - Remasterisé en 2002
129 bpm • C Maj • 02:37 • -16db
40% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Karpatt
Des gnons pour des pelles
128 bpm • D Maj • 02:16 • -12.32db
26% Popularity • 86% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 86% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Françoiz Breut
Ville nouvelle
128 bpm • G min • 02:56 • -17.61db
9% Popularity • 70% Danceability • 14% Energy • 13% Liveness
11% Instrumentalness • 18% Positiveness
9% Popularity • 70% Danceability • 14% Energy • 13% Liveness
11% Instrumentalness • 18% Positiveness
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Leila Huissoud
Chianteuse
128 bpm • C Maj • 02:24 • -9.73db
17% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Serge Lama
La fille dans l'église
128 bpm • E min • 03:07 • -10.66db
17% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Monsieur Roux
J'habite une rue
128 bpm • E Maj • 01:59 • -9.38db
22% Popularity • 73% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 73% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Aldebert
Marabout
128 bpm • A min • 03:12 • -8.73db
8% Popularity • 69% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 69% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
