Songs like Je rêve d'ailleurs by Lady Sir
Based on a tempo of (+/- 10%) and a similar genre
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Claire Denamur
Rien à me foutre en l'air - En duo ave...
148 bpm • A min • 03:05 • -11.43db
13% Popularity • 68% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 54% Positiveness
13% Popularity • 68% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 54% Positiveness
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Camille
Allez allez allez
148 bpm • D Maj • 03:38 • -8.7db
30% Popularity • 66% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 66% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Lady Sir
Je rêve d'ailleurs
148 bpm • E Maj • 04:04 • -10.13db
37% Popularity • 57% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 31% Positiveness
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Sanseverino
Johnny tu n'es pas un ange
148 bpm • E min • 03:24 • -7.45db
16% Popularity • 49% Danceability • 77% Energy • 26% Liveness
8% Instrumentalness • 80% Positiveness
16% Popularity • 49% Danceability • 77% Energy • 26% Liveness
8% Instrumentalness • 80% Positiveness
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Pauline Croze
Baiser d'adieu
148 bpm • C min • 03:35 • -12.58db
22% Popularity • 53% Danceability • 36% Energy • 12% Liveness
10% Instrumentalness • 38% Positiveness
22% Popularity • 53% Danceability • 36% Energy • 12% Liveness
10% Instrumentalness • 38% Positiveness
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Constance Amiot
Rendez-vous de novembre
148 bpm • A min • 02:37 • -14.11db
39% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Christophe
La non-demande en mariage
147 bpm • F min • 04:08 • -12.91db
16% Popularity • 68% Danceability • 54% Energy • 97% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 68% Danceability • 54% Energy • 97% Liveness
0% Instrumentalness • 80% Positiveness
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Zaz
Il est cinq heures, Paris s'eveille
149 bpm • A# min • 02:49 • -7db
39% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Debout Sur Le Zinc
La tendresse
147 bpm • G# min • 03:08 • -9db
30% Popularity • 52% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Juliette
Procrastination
149 bpm • G Maj • 04:20 • -12db
24% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dick Annegarn
Sacré géranium
147 bpm • C Maj • 02:42 • -15db
33% Popularity • 58% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 58% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel Auteuil
Si vous m'aviez connu
149 bpm • A Maj • 03:55 • -8.49db
29% Popularity • 52% Danceability • 56% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
29% Popularity • 52% Danceability • 56% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
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Serge Gainsbourg
Variations sur Marilou
149 bpm • G Maj • 07:39 • -17.1db
30% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Jean-Louis Aubert
Dis quand reviendras-tu ?
149 bpm • C Maj • 04:29 • -6db
31% Popularity • 44% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 44% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Bertrand Belin
Requin
150 bpm • B min • 03:39 • -11.1db
24% Popularity • 72% Danceability • 52% Energy • 15% Liveness
57% Instrumentalness • 40% Positiveness
24% Popularity • 72% Danceability • 52% Energy • 15% Liveness
57% Instrumentalness • 40% Positiveness
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Da Silva
Les plus belles lettres
150 bpm • C min • 03:00 • -7.17db
35% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Les Innocents
Love qui peut
146 bpm • F Maj • 03:40 • -8db
20% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Daniel Auteuil
Si vous voulez que j'aime encore
146 bpm • C Maj • 03:41 • -9.44db
24% Popularity • 44% Danceability • 66% Energy • 7% Liveness
6% Instrumentalness • 45% Positiveness
24% Popularity • 44% Danceability • 66% Energy • 7% Liveness
6% Instrumentalness • 45% Positiveness
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Bazbaz
Comment t'oublier
150 bpm • A min • 02:49 • -7.39db
19% Popularity • 76% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 76% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Buridane
Vice et vertu
151 bpm • F# min • 03:48 • -12.02db
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Bertrand Belin
D’une dune
150 bpm • F# min • 04:10 • -10.74db
9% Popularity • 62% Danceability • 66% Energy • 13% Liveness
76% Instrumentalness • 59% Positiveness
9% Popularity • 62% Danceability • 66% Energy • 13% Liveness
76% Instrumentalness • 59% Positiveness
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Daniel Darc
La taille de mon âme
144 bpm • A min • 03:44 • -13.41db
20% Popularity • 28% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 28% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Fabulous Trobadors
Demain, demain
152 bpm • A min • 03:50 • -10.74db
33% Popularity • 80% Danceability • 78% Energy • 8% Liveness
12% Instrumentalness • 98% Positiveness
33% Popularity • 80% Danceability • 78% Energy • 8% Liveness
12% Instrumentalness • 98% Positiveness
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L (Raphaële Lannadère)
Petite
144 bpm • D min • 04:37 • -10.66db
20% Popularity • 46% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 46% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Sandrine Kiberlain
Loin derrière
152 bpm • G# Maj • 03:22 • -9.38db
20% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bernard Lavilliers
Vivre encore
144 bpm • D min • 03:55 • -7.53db
30% Popularity • 65% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
30% Popularity • 65% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
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Bertrand Belin
La bicyclette
145 bpm • E min • 03:20 • -10db
31% Popularity • 63% Danceability • 48% Energy • 9% Liveness
12% Instrumentalness • 80% Positiveness
31% Popularity • 63% Danceability • 48% Energy • 9% Liveness
12% Instrumentalness • 80% Positiveness
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Ours
La Cafard des fanfares
144 bpm • B min • 04:18 • -9db
14% Popularity • 75% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 75% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Dominique A
Au revoir mon amour
144 bpm • B Maj • 03:07 • -11.96db
40% Popularity • 48% Danceability • 38% Energy • 12% Liveness
23% Instrumentalness • 32% Positiveness
40% Popularity • 48% Danceability • 38% Energy • 12% Liveness
23% Instrumentalness • 32% Positiveness
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David Lafore
Un baiser, une bombe
153 bpm • G min • 03:41 • -8db
24% Popularity • 58% Danceability • 73% Energy • 8% Liveness
6% Instrumentalness • 56% Positiveness
24% Popularity • 58% Danceability • 73% Energy • 8% Liveness
6% Instrumentalness • 56% Positiveness
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Miossec
Après le bonheur
143 bpm • A min • 02:58 • -11.36db
15% Popularity • 65% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 65% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Fersen
La chauve-souris
143 bpm • A min • 03:37 • -9.03db
42% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Bertrand Belin
Un déluge
145 bpm • B Maj • 04:01 • -11db
33% Popularity • 77% Danceability • 64% Energy • 10% Liveness
80% Instrumentalness • 94% Positiveness
33% Popularity • 77% Danceability • 64% Energy • 10% Liveness
80% Instrumentalness • 94% Positiveness
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Greg Houben
Pourvu qu'elles soient douces
154 bpm • C# Maj • 03:37 • -10.46db
16% Popularity • 86% Danceability • 49% Energy • 11% Liveness
13% Instrumentalness • 81% Positiveness
16% Popularity • 86% Danceability • 49% Energy • 11% Liveness
13% Instrumentalness • 81% Positiveness
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Dick Annegarn
Bébé élephant
143 bpm • D Maj • 02:36 • -12db
33% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Da Silva
L'indécision
142 bpm • B min • 03:05 • -5.45db
55% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
55% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Camille
Je ne mâche pas mes mots
142 bpm • C Maj • 02:37 • -9.52db
33% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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L (Raphaële Lannadère)
Tant pis
142 bpm • B min • 03:44 • -16.28db
9% Popularity • 48% Danceability • 30% Energy • 12% Liveness
41% Instrumentalness • 13% Positiveness
9% Popularity • 48% Danceability • 30% Energy • 12% Liveness
41% Instrumentalness • 13% Positiveness
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Feu! Chatterton
Sari d'Orcino
154 bpm • E min • 05:52 • -7.19db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Lady Sir
Je ne me souviens pas
142 bpm • G Maj • 03:41 • -6.9db
16% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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La Maison Tellier
J'ai rêvé d'avalanches
156 bpm • A min • 03:27 • -7.74db
22% Popularity • 46% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 46% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Louis-Jean Cormier
Faire semblant
141 bpm • G# min • 03:44 • -8.69db
21% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Les Rita Mitsouko
Communiqueur d'amour
156 bpm • E min • 03:46 • -5db
28% Popularity • 56% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
28% Popularity • 56% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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Les Innocents
J'ai couru
156 bpm • F# min • 03:05 • -7db
19% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Têtes Raides
L'an demain
140 bpm • B min • 03:22 • -12.81db
13% Popularity • 45% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 45% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Bernard Lavilliers
L'été
156 bpm • A min • 04:11 • -7db
35% Popularity • 71% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 71% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Daphné
Rocambolesque Morocco
140 bpm • F Maj • 03:46 • -9.69db
12% Popularity • 54% Danceability • 34% Energy • 13% Liveness
6% Instrumentalness • 14% Positiveness
12% Popularity • 54% Danceability • 34% Energy • 13% Liveness
6% Instrumentalness • 14% Positiveness
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Bertrand Belin
Lentement
140 bpm • E Maj • 04:29 • -10.23db
26% Popularity • 78% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
26% Popularity • 78% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
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Barbara Carlotti
Message personnel
140 bpm • A# min • 04:00 • -8db
21% Popularity • 55% Danceability • 69% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
21% Popularity • 55% Danceability • 69% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
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Anaïs
DRH (Radio Edit)
140 bpm • G# Maj • 03:24 • -8.64db
19% Popularity • 92% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 92% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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William Sheller
Comme je m'ennuie de toi
140 bpm • C Maj • 02:35 • -9db
27% Popularity • 37% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Weepers Circus
La renarde - Version longue
140 bpm • C min • 04:39 • -16.3db
30% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Bertrand Belin
Glissé redressé
140 bpm • B Maj • 03:43 • -15.59db
31% Popularity • 66% Danceability • 22% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
31% Popularity • 66% Danceability • 22% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Bazbaz
Sur le bout de la langue
140 bpm • A# Maj • 03:38 • -7db
39% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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La Bronze
Formidable
140 bpm • G min • 03:26 • -8.6db
30% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Clara Luciani
Eddy
138 bpm • E Maj • 03:34 • -8.67db
28% Popularity • 64% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 64% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Rosemary Standley
La Nuit, je mens
157 bpm • E min • 02:28 • -17db
28% Popularity • 42% Danceability • 15% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
28% Popularity • 42% Danceability • 15% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Da Silva
Se fendre les joues
138 bpm • F# min • 02:32 • -6.88db
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Dominique A
Rendez-nous la lumière
138 bpm • A# Maj • 03:09 • -5.49db
29% Popularity • 55% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Pauline Croze
T'es beau
138 bpm • C# min • 02:43 • -10.19db
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Emily Loizeau
Vole Le Chagrin Des Oiseaux
138 bpm • F# min • 03:31 • -15.43db
11% Popularity • 67% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 67% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Tarmac
Tordu Tour Du Monde
137 bpm • G Maj • 02:23 • -21.22db
30% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
30% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Fredda
Siestes anciennes
138 bpm • F# Maj • 03:21 • -7.88db
21% Popularity • 60% Danceability • 59% Energy • 31% Liveness
3% Instrumentalness • 47% Positiveness
21% Popularity • 60% Danceability • 59% Energy • 31% Liveness
3% Instrumentalness • 47% Positiveness
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Alain Chamfort
Les microsillons
137 bpm • A Maj • 03:55 • -17db
20% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Dominique A
Le twenty two bar
138 bpm • E min • 03:41 • -9.29db
33% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Arno
Quelqu'un a touché ma femme
160 bpm • C min • 03:07 • -14.25db
19% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Dick Annegarn
Les Tchèques
137 bpm • A min • 02:44 • -12db
22% Popularity • 77% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 89% Positiveness
22% Popularity • 77% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 89% Positiveness
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Thomas Fersen
Diane de Poitiers
136 bpm • G min • 03:06 • -9db
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Christophe
Océan d'amour
136 bpm • C# min • 04:17 • -8.56db
29% Popularity • 49% Danceability • 61% Energy • 34% Liveness
8% Instrumentalness • 16% Positiveness
29% Popularity • 49% Danceability • 61% Energy • 34% Liveness
8% Instrumentalness • 16% Positiveness
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Magyd Cherfi
Les gens tristes
136 bpm • A min • 03:57 • -7.45db
15% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Buridane
Pas fragile
136 bpm • G Maj • 03:20 • -6.55db
24% Popularity • 71% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 71% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Da Silva
Les couleurs
135 bpm • D min • 02:41 • -9db
34% Popularity • 81% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 81% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Bazbaz
Le professionnel
135 bpm • C# Maj • 02:32 • -12db
21% Popularity • 72% Danceability • 30% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 30% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Thomas Fersen
Encore cassé
136 bpm • E Maj • 04:01 • -7.65db
15% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Juliette Armanet
Alexandre
134 bpm • G Maj • 02:34 • -13db
40% Popularity • 64% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 64% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Bertrand Cantat
Anthracitéor
134 bpm • A min • 03:53 • -9.41db
24% Popularity • 57% Danceability • 28% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 57% Danceability • 28% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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An Pierlé
(IL Est 5 Heures) Paris S'éveille
134 bpm • A# min • 03:57 • -6db
29% Popularity • 65% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 65% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Miossec
Nous sommes
134 bpm • G min • 02:53 • -10db
12% Popularity • 59% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
12% Popularity • 59% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Christophe
Lita
134 bpm • A# min • 05:28 • -15.89db
8% Popularity • 43% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 43% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Fersen
Un parapluie pour deux
136 bpm • E Maj • 02:56 • -12.46db
33% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Yves Jamait
Dimanche (Caresse-moi)
134 bpm • B min • 05:36 • -6.16db
34% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dick Annegarn
Bruxelles
134 bpm • E Maj • 02:28 • -11db
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Brigitte Fontaine
Le Nougat
164 bpm • E min • 03:33 • -5.41db
29% Popularity • 62% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 62% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Miossec
Non non non non (Je ne suis plus saoul)
133 bpm • G Maj • 02:26 • -8db
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
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Dominique A
La poésie
133 bpm • C min • 04:03 • -9.62db
21% Popularity • 52% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
21% Popularity • 52% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Da Silva
La traversée
132 bpm • A min • 01:54 • -11.22db
38% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Maissiat
Soûle
165 bpm • G# min • 03:29 • -13db
8% Popularity • 36% Danceability • 29% Energy • 10% Liveness
10% Instrumentalness • 34% Positiveness
8% Popularity • 36% Danceability • 29% Energy • 10% Liveness
10% Instrumentalness • 34% Positiveness
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Marie-Flore
Passade digitale
132 bpm • D min • 03:41 • -8.39db
25% Popularity • 66% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 66% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Yves Jamait
Le temps emporte tout
132 bpm • G min • 04:33 • -6.53db
18% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Miossec
La facture d'électricité
132 bpm • A min • 03:15 • -6db
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Zaza Fournier
Regarde-moi
132 bpm • G# Maj • 03:33 • -6.8db
12% Popularity • 61% Danceability • 72% Energy • 19% Liveness
42% Instrumentalness • 53% Positiveness
12% Popularity • 61% Danceability • 72% Energy • 19% Liveness
42% Instrumentalness • 53% Positiveness
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Da Silva
Tout va pour le mieux
132 bpm • F# Maj • 03:11 • -9.25db
39% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
39% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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Georges Moustaki
Les Mères juives
132 bpm • C min • 04:34 • -11.25db
11% Popularity • 45% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 45% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Bazbaz
Tout ce que tu veux
166 bpm • C min • 04:17 • -5db
23% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Thomas Fersen
Bijou
131 bpm • G Maj • 03:29 • -11.12db
30% Popularity • 89% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
30% Popularity • 89% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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Christophe
Lucie
131 bpm • G Maj • 04:45 • -8.9db
9% Popularity • 37% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 37% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Izïa
La ballade de Jim
131 bpm • C Maj • 04:07 • -11.38db
31% Popularity • 81% Danceability • 42% Energy • 20% Liveness
29% Instrumentalness • 33% Positiveness
31% Popularity • 81% Danceability • 42% Energy • 20% Liveness
29% Instrumentalness • 33% Positiveness
