Songs like Je vais t'aimer by Michel Sardou
Based on a tempo of (+/- 10%) and a similar genre
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Raphaël
Sur la route
131 bpm • D min • 03:52 • -11db
51% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mylène Farmer
Sans contrefaçon - Mix 2001
131 bpm • A Maj • 04:16 • -4.7db
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Alain Souchon
La ballade de Jim
131 bpm • D# Maj • 04:25 • -12db
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jean-Pierre Mader
Macumba
131 bpm • E min • 03:39 • -8.14db
57% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
57% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Gilbert Montagné
On va s'aimer
131 bpm • A min • 04:06 • -6.97db
62% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Patrick Bruel
Place des grands hommes
131 bpm • A Maj • 04:28 • -7.39db
58% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Yves Duteil
Prendre un enfant
130 bpm • D# Maj • 04:18 • -17.51db
50% Popularity • 43% Danceability • 9% Energy • 14% Liveness
42% Instrumentalness • 33% Positiveness
50% Popularity • 43% Danceability • 9% Energy • 14% Liveness
42% Instrumentalness • 33% Positiveness
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Michel Sardou
Je vais t'aimer
131 bpm • A min • 05:27 • -14db
55% Popularity • 29% Danceability • 27% Energy • 58% Liveness
1% Instrumentalness • 15% Positiveness
55% Popularity • 29% Danceability • 27% Energy • 58% Liveness
1% Instrumentalness • 15% Positiveness
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Alain Chamfort
Manureva
132 bpm • E min • 06:43 • -5.71db
43% Popularity • 62% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 62% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Michel Berger
Pour me comprendre - Remasterisé en 200...
132 bpm • E min • 03:37 • -8.31db
33% Popularity • 41% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
33% Popularity • 41% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Grégory Lemarchal
De temps en temps
132 bpm • G Maj • 03:55 • -7db
44% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Hélène Ségara
Il y a trop de gens qui t'aiment
132 bpm • G min • 04:27 • -13.25db
48% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
48% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jenifer
Donne-moi le temps
132 bpm • E min • 04:13 • -7.72db
48% Popularity • 52% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Soldat Louis
Du rhum des femmes
130 bpm • G Maj • 03:04 • -14.5db
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Pierre Perret
Lily
130 bpm • C Maj • 03:00 • -10.49db
47% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Calogero
Un jour au mauvais endroit
132 bpm • B min • 04:54 • -8.15db
53% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
61% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Christophe
Daisy
132 bpm • C Maj • 04:11 • -5.24db
31% Popularity • 37% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 37% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Michel Jonasz
Les vacances au bord de la mer
132 bpm • D# Maj • 02:51 • -13.92db
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Elsa
Quelque chose dans mon coeur
132 bpm • A# min • 03:29 • -20db
46% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jacques Brel
Ces gens-lÃ
130 bpm • G# min • 04:38 • -18.45db
48% Popularity • 53% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 53% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Michel Sardou
Rouge
130 bpm • C# min • 04:12 • -8.91db
47% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Brant
Toi mon enfant
129 bpm • F# Maj • 03:29 • -9.12db
34% Popularity • 36% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Georges Brassens
Les amoureux des bancs publics
133 bpm • C min • 03:00 • -14.78db
47% Popularity • 81% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 81% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Laurent Voulzy
Rockollection
129 bpm • C Maj • 04:07 • -3db
46% Popularity • 76% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 76% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Thierry Hazard
Le Jerk
133 bpm • A# Maj • 03:55 • -9.92db
55% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Pascal Obispo
Lucie
133 bpm • G min • 04:15 • -13.31db
55% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Michel Sardou
Les yeux d'un animal
130 bpm • C Maj • 03:48 • -15db
41% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Michel Berger
Message personnel - Remasterisé en 2002
129 bpm • C Maj • 02:37 • -16db
40% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Eddy Mitchell
Le cimetière des éléphants - New York...
133 bpm • F Maj • 04:07 • -14.56db
39% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Marie Laforêt
La tendresse - Version stéréo
128 bpm • F# min • 02:18 • -13.29db
49% Popularity • 55% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 55% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Jean Ferrat
La matinée
128 bpm • C# Maj • 02:53 • -8db
35% Popularity • 23% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 23% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Calogero
Yalla
134 bpm • C Maj • 04:48 • -7db
46% Popularity • 50% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 50% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Michel Sardou
Loin
128 bpm • D min • 03:23 • -5.65db
26% Popularity • 54% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 54% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Mike Brant
Serre les poings et bats-toi
128 bpm • A Maj • 03:31 • -5.37db
36% Popularity • 58% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 58% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Les Dix Commandements
L'envie d'aimer
134 bpm • B Maj • 06:28 • -8db
58% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Anthony
Amoureux de ma femme
134 bpm • G min • 02:43 • -6.05db
47% Popularity • 61% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 61% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Patrick Bruel
J'te l'dis quand même
128 bpm • G Maj • 03:39 • -14.64db
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Francis Cabrel
Petite Marie - Remastered
128 bpm • B min • 03:27 • -9.3db
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Maxime Le Forestier
Éducation sentimentale
135 bpm • C Maj • 02:30 • -15db
46% Popularity • 53% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 53% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Diane Tell
Si j'étais un homme
135 bpm • F# Maj • 04:49 • -8.91db
50% Popularity • 40% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 40% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Françoise Hardy
Message personnel - Remasterisé en 2013
127 bpm • G min • 04:16 • -11.12db
51% Popularity • 37% Danceability • 41% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
51% Popularity • 37% Danceability • 41% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
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Michel Berger
Lumière du jour - Remasterisé en 2002
135 bpm • F min • 03:54 • -12.18db
38% Popularity • 56% Danceability • 40% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
38% Popularity • 56% Danceability • 40% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Gilbert Bécaud
Nathalie - Remasterisé en 2011
135 bpm • A min • 04:05 • -7.12db
54% Popularity • 42% Danceability • 63% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 42% Danceability • 63% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
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Michel Polnareff
Lettre à France
127 bpm • G min • 04:50 • -7.86db
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Hervé Cristiani
Il Est Libre Max
135 bpm • A# min • 03:14 • -13db
47% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Mireille Mathieu
Bravo tu as gagné
127 bpm • G Maj • 04:36 • -4.18db
45% Popularity • 37% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 37% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Bibie
Tout simplement (tout doucement)
136 bpm • F Maj • 04:11 • -5.32db
38% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Gilbert Montagné
Les sunlights des tropiques
126 bpm • A# Maj • 03:57 • -6.84db
58% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Carmel
J'oublierai ton nom
127 bpm • G Maj • 04:37 • -2db
39% Popularity • 59% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 59% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Michel Polnareff
Une simple mélodie
126 bpm • G min • 03:36 • -8.11db
34% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Andrea Bocelli
Je vis pour elle
136 bpm • E Maj • 04:25 • -7db
54% Popularity • 47% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 47% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Maxime Le Forestier
San Francisco
126 bpm • C# Maj • 02:45 • -15.48db
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Stephan Eicher
Déjeuner en paix
126 bpm • B min • 03:56 • -5.48db
58% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Francis Lalanne
Reste Avec Moi
136 bpm • A min • 04:53 • -5.15db
41% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Michel Sardou
Le privilège
126 bpm • C Maj • 04:07 • -12.17db
37% Popularity • 59% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Michel Polnareff
On ira tous au paradis
126 bpm • G Maj • 04:33 • -7db
47% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Mylène Farmer
Désenchantée
126 bpm • A# min • 05:22 • -11.74db
61% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
61% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
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Nicolas Peyrac
Je pars - Le vol de nuit s'en va
126 bpm • C# Maj • 03:36 • -13db
48% Popularity • 80% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 80% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Gilbert Bécaud
Et maintenant
126 bpm • F Maj • 03:45 • -7db
52% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Louise Attaque
J't'emmène au vent
137 bpm • F# Maj • 03:04 • -5.58db
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Andre Bourvil
La tendresse
137 bpm • E Maj • 03:09 • -14.73db
42% Popularity • 54% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 54% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Natasha St-Pier
Mourir demain
137 bpm • D# Maj • 03:37 • -7db
51% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Clara Luciani
Bravo tu as gagné
125 bpm • E Maj • 03:15 • -8db
56% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Indochine
Trois nuits par semaine
137 bpm • A min • 05:12 • -13.73db
59% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Michel Sardou
Les deux écoles
137 bpm • A Maj • 03:48 • -10.88db
42% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jenifer
Les choses simples
125 bpm • G# Maj • 03:31 • -7.21db
56% Popularity • 64% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
56% Popularity • 64% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Maxime Le Forestier
Restons amants
125 bpm • B min • 02:37 • -9.51db
37% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Gérard Lenorman
La ballade des gens heureux
125 bpm • F Maj • 03:17 • -10.5db
38% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Michel Polnareff
La poupée qui fait non
125 bpm • A Maj • 03:13 • -7.78db
50% Popularity • 51% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
50% Popularity • 51% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Daniel Balavoine
Le chanteur
125 bpm • A Maj • 03:54 • -10.44db
61% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Maurane
Sur un prélude de Bach
125 bpm • A# Maj • 04:50 • -21db
45% Popularity • 37% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 37% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Gilbert Montagné
J'ai le blues de toi
138 bpm • G min • 04:02 • -6.82db
48% Popularity • 65% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 65% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Indochine
Trois nuits par semaine
138 bpm • A min • 04:49 • -10.77db
51% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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La Compagnie Créole
Ça fait rire les oiseaux
124 bpm • F Maj • 03:43 • -8.28db
52% Popularity • 53% Danceability • 87% Energy • 45% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 53% Danceability • 87% Energy • 45% Liveness
0% Instrumentalness • 90% Positiveness
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Jeanne Mas
Johnny, Johnny
124 bpm • E min • 04:24 • -11.8db
45% Popularity • 79% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 79% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Florent Pagny
Savoir aimer
138 bpm • F# min • 04:41 • -8db
56% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
56% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Michel Jonasz
Je voulais te dire que je t'attends
124 bpm • C Maj • 04:21 • -6db
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Christophe
Les mots bleus
138 bpm • B Maj • 04:10 • -4.41db
57% Popularity • 34% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 34% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
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Michel Sardou
Le rire du sergent
124 bpm • E Maj • 03:06 • -10.17db
40% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
40% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Dave
Vanina (Runaway)
139 bpm • B Maj • 03:12 • -7db
49% Popularity • 63% Danceability • 80% Energy • 72% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 63% Danceability • 80% Energy • 72% Liveness
0% Instrumentalness • 96% Positiveness
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Daniel Balavoine
L'Aziza
124 bpm • C min • 04:20 • -9.43db
59% Popularity • 67% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 67% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Calogero
Les feux d'artifice
139 bpm • A Maj • 06:34 • -12db
43% Popularity • 32% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 32% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Mylène Farmer
Rêver
124 bpm • C Maj • 05:21 • -10db
43% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
43% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Marie Laforêt
Il a neigé sur Yesterday
139 bpm • G Maj • 03:18 • -7.76db
36% Popularity • 54% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 54% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Michel Sardou
J'accuse
139 bpm • A min • 03:59 • -11.99db
41% Popularity • 55% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 55% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Téléphone
Ça (c'est vraiment toi) - Remasterisé ...
139 bpm • A Maj • 04:28 • -3.49db
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Eddy Mitchell
Couleur menthe à l'eau
140 bpm • A min • 03:39 • -7.58db
47% Popularity • 62% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 62% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Calogero
Le portrait
123 bpm • C Maj • 03:01 • -9db
59% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Claude-Michel Schönberg
Le Premier Pas
140 bpm • C Maj • 04:50 • -13db
39% Popularity • 36% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
39% Popularity • 36% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Sylvie Vartan
L'amour c'est comme une cigarette
123 bpm • D# Maj • 03:22 • -11.58db
48% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Michel Sardou
Les yeux de mon père
140 bpm • G min • 03:41 • -5.92db
17% Popularity • 47% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 47% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jacques Dutronc
Il est cinq heures, Paris s'éveille
140 bpm • A Maj • 02:55 • -10.17db
54% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Michel Berger
Le paradis blanc - Remasterisé en 2002
140 bpm • A# min • 06:36 • -11.32db
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
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Calogero
En apesanteur - Single Version
140 bpm • C# min • 03:23 • -6.83db
59% Popularity • 50% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 50% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Christophe
La dolce vita
123 bpm • G# Maj • 04:35 • -7.11db
33% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Emmanuel Moire
Etre à la hauteur
140 bpm • C min • 03:58 • -7.69db
40% Popularity • 48% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 48% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
