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Je vivroie liement
Songs like
Je vivroie liement
by
Guillaume de Machaut
Based on a tempo of (+/- 10%) and a similar genre
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Bernart de Ventadorn
Can l'erba fresc'
94 bpm • D# min • 01:33 • -22.31db
22% Popularity • 30% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Alessandro Piccinini
Toccata VIII
94 bpm • F# min • 01:48 • -22.35db
25% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Robert Ballard
Branles de village
94 bpm • C Maj • 04:30 • -20.91db
31% Popularity • 52% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Guillaume de Machaut
Je vivroie liement
94 bpm • C# Maj • 03:05 • -20.52db
12% Popularity • 19% Danceability • 15% Energy • 9% Liveness
74% Instrumentalness • 25% Positiveness
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Piffaro
Was Wird Es Doch Des Wunders Noch (A 7)
94 bpm • C# Maj • 02:09 • -23.77db
17% Popularity • 37% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 48% Positiveness
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Thibaut de Champagne
Chançon ferai, que talenz m’en est pr...
94 bpm • C# Maj • 05:51 • -21db
8% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sirinu
If love now reynyd (version 2)
94 bpm • C min • 01:14 • -29db
9% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Richard I of England
Ja nus hons pris ne dira sa raison (Unde...
95 bpm • F Maj • 02:22 • -26.56db
17% Popularity • 23% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Praetorius
Dances from 'Terpsichore' (1974 Digital ...
95 bpm • C Maj • 01:24 • -35.96db
18% Popularity • 52% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 51% Positiveness
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Vincenzo Capirola
La villanella
95 bpm • G min • 01:28 • -30.79db
21% Popularity • 55% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 69% Positiveness
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Pierre Hamon
Tepulpai Theme II
93 bpm • D min • 00:46 • -9.64db
3% Popularity • 67% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Charles Tessier
Bansle de Lorraine
93 bpm • C min • 01:54 • -14.65db
11% Popularity • 35% Danceability • 31% Energy • 9% Liveness
82% Instrumentalness • 21% Positiveness
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John Dowland
Fortune my foe
93 bpm • C Maj • 02:17 • -39.57db
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
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Ensemble Discantus
Dominator Domine - Ecce ministerium - Do...
93 bpm • A min • 01:51 • -25.57db
3% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Girard de Beaulieu
Helas que me faut-il faire
93 bpm • C min • 02:36 • -19.6db
10% Popularity • 29% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Luis de Narváez
Fantasia
95 bpm • C min • 01:48 • -31db
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Guillaume de Machaut
Agnus dei
92 bpm • F# min • 03:32 • -21.73db
6% Popularity • 12% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Jacques Arcadelt
La pastorella mia
96 bpm • A min • 02:57 • -25db
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Anon
All in a garden green
93 bpm • G Maj • 01:44 • -26.7db
12% Popularity • 58% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 78% Positiveness
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Comtessa de Dia
A chantar m'er de so qu'eu no volria
92 bpm • A min • 05:48 • -19db
11% Popularity • 39% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Por no...
96 bpm • C Maj • 07:25 • -18.14db
21% Popularity • 27% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
23% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Béatrice Delpierre
Improvisació cornamusa & xeremia
92 bpm • G Maj • 00:49 • -17db
11% Popularity • 17% Danceability • 27% Energy • 17% Liveness
98% Instrumentalness • 30% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
32% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Hopkinson Smith
Lady Rich's Galliard
96 bpm • G Maj • 01:40 • -22.46db
26% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
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Guillaume de Machaut
Motet No. 3: Fine amour (Motetus-Instrum...
96 bpm • D# Maj • 02:46 • -16.85db
2% Popularity • 28% Danceability • 18% Energy • 26% Liveness
35% Instrumentalness • 16% Positiveness
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Francesco Spinacino
Recercare (I)
92 bpm • G min • 02:09 • -37.09db
34% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Vincenzo Capirola
Che farala che dirala
97 bpm • F min • 02:00 • -29.09db
28% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
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Pierre Attaingnant
Pavane
96 bpm • G min • 02:11 • -26db
30% Popularity • 70% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
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Marchetto Cara
Mal un muta per effecto
97 bpm • A min • 02:15 • -19.88db
24% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Guillaume de Machaut
Le jugement du roi de Navarre: "Et tout ...
97 bpm • E Maj • 01:54 • -36.4db
4% Popularity • 48% Danceability • 3% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Walther von der Vogelweide
Under der linden an der heide
97 bpm • A min • 04:35 • -23.88db
10% Popularity • 38% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Anonyme
Basse Danse "Jouyssance Vous Donneray"
91 bpm • G Maj • 02:25 • -15db
9% Popularity • 53% Danceability • 39% Energy • 15% Liveness
36% Instrumentalness • 88% Positiveness
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Tylman Susato
Passe and Medio / Den iersten gaillarde
97 bpm • G min • 03:07 • -21db
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Pierre Attaingnant
Tourdion
97 bpm • A min • 03:06 • -15.78db
4% Popularity • 55% Danceability • 17% Energy • 9% Liveness
13% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Toccata & Fugue in D minor, BWV565
91 bpm • E min • 08:45 • -20.66db
30% Popularity • 30% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Ensemble Discantus
Terribilis est locus iste - V: Cumque ev...
91 bpm • A min • 03:55 • -28.5db
3% Popularity • 14% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Michaël Grébil
Improvisació llaüt
97 bpm • C Maj • 00:57 • -30.23db
13% Popularity • 38% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 36% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 06:06 • -17.19db
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Gran Piadad' e ...
97 bpm • F min • 05:43 • -18.79db
3% Popularity • 44% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Pierre Attaingnant
Première Suytte de Branles d'Escosse
97 bpm • C Maj • 01:53 • -26.21db
11% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Michael Praetorius
Terpsichore*: Ballet du Roy
98 bpm • G min • 02:09 • -22db
22% Popularity • 33% Danceability • 9% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
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Baude Cordier
Tout par compas suy composés
90 bpm • E min • 02:11 • -24.4db
33% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
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Richard I of England
Ja nuns hons pris
98 bpm • F Maj • 05:53 • -22.82db
17% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Vincenzo Ruffo
La Gamba
90 bpm • F Maj • 01:24 • -26db
22% Popularity • 45% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Guillaume de Machaut
De Machaut: Douce dame jolie
98 bpm • G min • 02:21 • -9.84db
4% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Pierre Hamon
Village Dance
90 bpm • E min • 01:54 • -12.31db
5% Popularity • 88% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Michael Praetorius
Terpsichore*: a. Ballet des Baccanales b...
90 bpm • C Maj • 03:20 • -18.06db
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
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Eduardo Paniagua
Danza / Dit Le Burguygnon
90 bpm • D min • 02:49 • -15.5db
18% Popularity • 68% Danceability • 28% Energy • 10% Liveness
51% Instrumentalness • 43% Positiveness
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John Johnson
Greensleeves (II)
90 bpm • F Maj • 01:18 • -26.1db
16% Popularity • 60% Danceability • 11% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
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Sylvain Bergeron
Perceval la quete du Graal: La Bataille ...
99 bpm • G Maj • 01:04 • -40.01db
31% Popularity • 43% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
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Guillaume de Machaut
Epistulum: Lectio libri sapientiae
90 bpm • F Maj • 02:04 • -33.03db
6% Popularity • 32% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Gorzanis
Saltarello I & II
99 bpm • A# Maj • 03:24 • -32db
34% Popularity • 34% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
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Pierre Attaingnant
La Magdalena
99 bpm • D min • 03:28 • -14.03db
8% Popularity • 38% Danceability • 28% Energy • 29% Liveness
1% Instrumentalness • 31% Positiveness
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Adam de la Halle
De cueur pensieu
99 bpm • C Maj • 01:35 • -15.21db
11% Popularity • 76% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 96% Positiveness
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Joan Ambrosio Dalza
Calata ala spagnola
99 bpm • F Maj • 01:59 • -24db
21% Popularity • 48% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 38% Positiveness
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Viva Biancaluna Biffi
Improvisació viella
99 bpm • A min • 01:17 • -23.17db
15% Popularity • 20% Danceability • 18% Energy • 11% Liveness
56% Instrumentalness • 27% Positiveness
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Guillaume de Machaut
"Qui des couleurs"
100 bpm • G min • 01:36 • -36.23db
4% Popularity • 54% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Bernart de Vantadorn
Can vei la lauzeta
100 bpm • A# min • 05:16 • -20.93db
4% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Hildegard von Bingen
Audi chorum organicum (Sequentia)
100 bpm • G Maj • 05:51 • -23.94db
9% Popularity • 50% Danceability • 5% Energy • 9% Liveness
56% Instrumentalness • 19% Positiveness
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Musica calamus
Pavane Belle Qui Tiens Ma Vie
100 bpm • F Maj • 02:46 • -12.64db
16% Popularity • 42% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Pierre Hamon
Tepulpaï Theme
100 bpm • A min • 01:31 • -11.51db
7% Popularity • 69% Danceability • 48% Energy • 18% Liveness
5% Instrumentalness • 9% Positiveness
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John Dowland
The Earl of Essex Galliard
100 bpm • G min • 01:31 • -23db
12% Popularity • 28% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: U Alguen a Jesu...
100 bpm • C# Maj • 05:08 • -26.43db
4% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Chastelain de Couci
A vous, Amours
88 bpm • C# min • 05:50 • -25.38db
3% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Eduardo Paniagua
Danza / Wascha Mesa
88 bpm • D min • 03:39 • -17db
20% Popularity • 71% Danceability • 25% Energy • 7% Liveness
84% Instrumentalness • 66% Positiveness
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Hildegard von Bingen
Antiphona caritas abundat - Instrumental
88 bpm • A min • 03:39 • -31.98db
23% Popularity • 48% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 48% Positiveness
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László Czidra
Danserye: Basse danse: No. 1. Dont vient...
101 bpm • D min • 02:01 • -25.15db
21% Popularity • 62% Danceability • 9% Energy • 32% Liveness
91% Instrumentalness • 51% Positiveness
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Anonyme
Agniau dous
101 bpm • B min • 02:58 • -22.5db
13% Popularity • 55% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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Guillaume de Machaut
Motet No. 4: Speravi / Pui que la douce ...
101 bpm • A# min • 02:35 • -18.16db
1% Popularity • 20% Danceability • 10% Energy • 6% Liveness
11% Instrumentalness • 18% Positiveness
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Juan del Encina
Triste Espana (version 1)
88 bpm • G min • 01:19 • -21.21db
15% Popularity • 28% Danceability • 5% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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John Playford
A Trip to Killburn
101 bpm • E min • 04:07 • -22.94db
17% Popularity • 61% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Jacob Obrecht
Rompeltier
101 bpm • A min • 02:12 • -12db
14% Popularity • 66% Danceability • 27% Energy • 14% Liveness
65% Instrumentalness • 54% Positiveness
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Pierre Hamon
The Offering
101 bpm • A# Maj • 01:10 • -18.8db
3% Popularity • 40% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Anon
Lauda Novella (melody only)
101 bpm • D Maj • 01:15 • -21.3db
12% Popularity • 62% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 75% Positiveness
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Tylman Susato
Susato: 12 Dances from The Danserye: I. ...
87 bpm • C Maj • 01:15 • -9.67db
12% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
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Gasparo Zanetti
La Mantovana
101 bpm • A min • 02:16 • -16.84db
25% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Gace Brulé
Quant voi la flour boutener
87 bpm • C# Maj • 03:14 • -21.23db
11% Popularity • 12% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
22% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Ensemble Discantus
Chorus innocencium - In Bethleem Herodes...
87 bpm • F# min • 01:56 • -25.5db
2% Popularity • 16% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Anthony Holborne
The Fairy Round (Galliard)
102 bpm • F# Maj • 03:24 • -25db
32% Popularity • 40% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 51% Positiveness
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Francesco de la Torre
Danza alta, sobre "la Spagna"
102 bpm • A min • 03:22 • -16db
9% Popularity • 36% Danceability • 24% Energy • 11% Liveness
22% Instrumentalness • 21% Positiveness
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Charles Mouton
Suite in C Minor from Ms. Lobkowicz: V. ...
103 bpm • B min • 03:03 • -21.43db
31% Popularity • 44% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Hans Neusidler
Der Judentantz
86 bpm • A Maj • 01:07 • -21db
16% Popularity • 32% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 53% Positiveness
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Josquin des Prez
Obsecro Te
86 bpm • C min • 05:41 • -38.36db
34% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Vincenzo Capirola
Lute music - Italy: Ricercar XIII
86 bpm • A# Maj • 03:31 • -22.68db
23% Popularity • 47% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
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Rolf Lislevand
Tarantela II
103 bpm • C# Maj • 04:02 • -23.76db
23% Popularity • 34% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Guillaume de Machaut
Kyrie I
103 bpm • C Maj • 00:55 • -21.96db
23% Popularity • 25% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
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Pierre Hamon
Goodbye Village, Hello Kirkincho
86 bpm • G Maj • 00:51 • -18.61db
2% Popularity • 63% Danceability • 1% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Hans Neusidler
Welscher Tantz Wascha mesa - Hupfauff
86 bpm • C Maj • 01:31 • -23.09db
14% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
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Josquin des Prez
VI. 1557 Retiro en San Jerónimo de Yust...
104 bpm • A min • 03:02 • -33.48db
16% Popularity • 35% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Béatrice de Die
Plang
85 bpm • E min • 02:01 • -25db
17% Popularity • 32% Danceability • 4% Energy • 6% Liveness
34% Instrumentalness • 76% Positiveness
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Hildegard von Bingen
O frondens virga
104 bpm • D min • 05:28 • -21db
40% Popularity • 17% Danceability • 7% Energy • 5% Liveness
10% Instrumentalness • 12% Positiveness
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Pierre Hamon
The Shaman and Walumama
85 bpm • G min • 02:44 • -21.96db
7% Popularity • 27% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Ensemble Discantus
Regina celi letare
104 bpm • D Maj • 01:40 • -28.54db
3% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Je vivroie liement