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Jeeva Banda Bombeyu
Songs like
Jeeva Banda Bombeyu (From "Asambhava")
by
K. J. Yesudas
Based on a tempo of (+/- 10%) and a similar genre
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S.A. Rajkumar
Kadhal Vennila (Sad)
117 bpm • E min • 04:02 • -14.29db
47% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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D. Imman
Oruthi Maelae
118 bpm • G min • 04:23 • -5.14db
44% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Yesudas
Mazhavillin Malar Thedi
116 bpm • C Maj • 04:44 • -5db
37% Popularity • 58% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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G Venugopal
Karutharavinte Kannikidavu
118 bpm • E Maj • 04:37 • -10db
34% Popularity • 86% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Vidyasagar
Karale Nin Kai
118 bpm • C Maj • 06:12 • -9.52db
30% Popularity • 66% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Ranjith Govind
Adi Rakkamma
118 bpm • D Maj • 04:23 • -4.42db
51% Popularity • 93% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Johnson
Manassin Madiyile - Version, 1
116 bpm • E Maj • 04:12 • -7.86db
44% Popularity • 73% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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S. P. Venkatesh
Chandana Kaate - Version, 1
118 bpm • F min • 05:07 • -4db
26% Popularity • 56% Danceability • 80% Energy • 10% Liveness
7% Instrumentalness • 51% Positiveness
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K. J. Yesudas
Vaakapoo Maram
115 bpm • D min • 03:26 • -9.97db
17% Popularity • 62% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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A. T. Ummer
Etho Pranaya Manthram
115 bpm • F Maj • 04:05 • -11.75db
19% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Sathyaprakash
Saayaali
115 bpm • D Maj • 05:08 • -6db
49% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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M. M. Keeravani
Tharalitharaavil - Version, 1
115 bpm • C min • 04:54 • -7.05db
39% Popularity • 80% Danceability • 46% Energy • 11% Liveness
8% Instrumentalness • 82% Positiveness
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Vijay Yesudas
Kannukkul Yedho
115 bpm • G min • 04:14 • -11.05db
34% Popularity • 84% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Uttam Singh
Kaathil Velli Chittu Chaarthum
115 bpm • B min • 05:10 • -8.99db
31% Popularity • 61% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Mohan Sithara
Maayaa Sandhye
115 bpm • C Maj • 05:54 • -10.56db
12% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Bijibal
Mazhanila
115 bpm • F min • 03:58 • -11.82db
48% Popularity • 77% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Vidyasagar
Oru Chik Chik Chik Chik - Version, 1
115 bpm • B min • 05:14 • -8.57db
38% Popularity • 79% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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A.R. Rahman
Nenje Nenje
115 bpm • A min • 05:44 • -8.64db
37% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Srikanth Deva
Ennai Theendi Vittai
115 bpm • G min • 03:26 • -5.87db
32% Popularity • 69% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Anirudh Ravichander
Kadhalaada
115 bpm • E Maj • 04:16 • -8db
47% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Ekanthan
Agayam Bhoomi
115 bpm • G min • 05:06 • -11.06db
9% Popularity • 74% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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M. M. Keeravani
Tharalitha Raavil - Male Version
115 bpm • C min • 04:56 • -7.93db
22% Popularity • 81% Danceability • 42% Energy • 8% Liveness
19% Instrumentalness • 81% Positiveness
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Ouseppachan
Panchavarnakkulire
120 bpm • G min • 04:37 • -9.51db
44% Popularity • 72% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Swarnalatha
Aattama Therottama
120 bpm • A# Maj • 05:14 • -12.22db
57% Popularity • 82% Danceability • 47% Energy • 15% Liveness
20% Instrumentalness • 60% Positiveness
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Bombay Ravi
Poroo (Ennodothunarunna)
120 bpm • D min • 04:36 • -5.59db
21% Popularity • 66% Danceability • 59% Energy • 16% Liveness
2% Instrumentalness • 84% Positiveness
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A.R. Rahman
Manapennin Sathiyam
120 bpm • F Maj • 03:58 • -12db
43% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Bharadwaj
Unai Nenaikave
120 bpm • F min • 04:40 • -12.53db
51% Popularity • 74% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Yuvan Shankar Raja
Balle Lakka
120 bpm • B min • 05:15 • -6.65db
52% Popularity • 91% Danceability • 88% Energy • 8% Liveness
15% Instrumentalness • 85% Positiveness
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Anuradha Sriram
Enna Nenatche ("From Chokkathangam" )
120 bpm • A# min • 04:51 • -6.13db
47% Popularity • 74% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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D. Imman
Yaeley Yaeley Maruthu
120 bpm • A min • 04:39 • -5.28db
45% Popularity • 84% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Madhu Balakrishnan
Ravereyaay
120 bpm • G# Maj • 04:58 • -6.5db
44% Popularity • 64% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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C. Sathya
Chotta Chotta
120 bpm • C min • 04:26 • -6db
51% Popularity • 84% Danceability • 66% Energy • 10% Liveness
58% Instrumentalness • 72% Positiveness
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K. J. Yesudas
Innale Ente Nenjile
120 bpm • A min • 04:52 • -12.69db
46% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Yuvan Shankar Raja
Aanandha Yaazhai
120 bpm • A# Maj • 03:37 • -8.13db
39% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Rimi Tomy
Chenkathaly
114 bpm • G Maj • 04:27 • -3.4db
37% Popularity • 83% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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D. Imman
Odi Odi Vilayada
114 bpm • C# Maj • 04:02 • -3.62db
53% Popularity • 62% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Madhu Balakrishnan
Perunthil Nee Enakku
120 bpm • E min • 04:45 • -11.67db
33% Popularity • 79% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Satish Chakravarthy
Oru Kili Oru Kili
114 bpm • C Maj • 05:41 • -7.09db
48% Popularity • 60% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Harris Jayaraj
Kaal Mulaitha Poovae
114 bpm • D min • 05:31 • -7db
50% Popularity • 78% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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P. Jayachandran
Neeyoru Puzhayayi
114 bpm • A min • 03:50 • -11db
53% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bharadwaj
Paathukkulle
114 bpm • C# Maj • 05:28 • -9.8db
45% Popularity • 76% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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KK
Okariki Okarye
120 bpm • E min • 04:29 • -5.39db
38% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Deva
April Maathathil
114 bpm • A# min • 05:12 • -15.51db
55% Popularity • 77% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Gayathri
Ghanashyama
113 bpm • A# min • 04:42 • -15db
35% Popularity • 77% Danceability • 42% Energy • 12% Liveness
6% Instrumentalness • 89% Positiveness
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Harris Jayaraj
Kaadhal Oru
114 bpm • G min • 06:07 • -8.96db
31% Popularity • 84% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Vidyasagar
Vaa Vaa En Devadhai
113 bpm • B min • 04:49 • -6.58db
50% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ouseppachan
O Priye
113 bpm • D min • 05:15 • -13.23db
26% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Berny-Ignatius
Akale Akale
122 bpm • A min • 04:28 • -7.41db
33% Popularity • 48% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Swarnalatha
Yamunna Thatilo
122 bpm • B Maj • 01:18 • -8db
49% Popularity • 61% Danceability • 30% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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K. J. Yesudas
Kathodu Kathoram
113 bpm • G min • 04:37 • -7.41db
42% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Harris Jayaraj
Unakkul Naane
113 bpm • G min • 04:41 • -9.04db
42% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sreekumaran Thampi
Allahu Akbar
122 bpm • C Maj • 05:27 • -7.53db
14% Popularity • 68% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Ouseppachan
O Priye
113 bpm • D min • 05:24 • -14.54db
13% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ilaiyaraaja
Thendral Vandhu
113 bpm • A Maj • 04:16 • -13.32db
46% Popularity • 77% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Srinivas
Priya
122 bpm • F min • 05:32 • -6db
55% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Kaithapram
Kanne Urangurangu
112 bpm • E Maj • 05:42 • -7.52db
46% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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M. G. Sreekumar
Nilavinte
122 bpm • E Maj • 04:34 • -10db
54% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Vineeth Sreenivasan
Neela Kuvala
112 bpm • A Maj • 03:48 • -6.61db
36% Popularity • 68% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Ouseppachan
Ee Mannu Nammude Mannu
113 bpm • A Maj • 03:32 • -12.24db
14% Popularity • 58% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Raveendran
Sayandhanam (Male)
122 bpm • C Maj • 04:52 • -7.88db
17% Popularity • 74% Danceability • 48% Energy • 23% Liveness
4% Instrumentalness • 66% Positiveness
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Venugopal
Kinavinte Koodin
112 bpm • E Maj • 04:50 • -5.21db
35% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Salil Chowdhury
Kaathil Thenmazhayaay (Male)
112 bpm • D# Maj • 04:55 • -17.66db
18% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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G. Devarajan
Sundari Nin Thumbu Kettiyitta
111 bpm • G min • 04:41 • -13.68db
29% Popularity • 52% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Jency Anthony
Aayiram Malargale
123 bpm • B min • 05:22 • -7db
27% Popularity • 38% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Ilaiyaraaja
Un Paarvayil
111 bpm • C Maj • 04:03 • -9.35db
25% Popularity • 50% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Vidyasagar
Mizhiyariyaathe - Version, 1
111 bpm • D Maj • 05:50 • -11.29db
57% Popularity • 77% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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G Venugopal
Shyamavaaniletho
123 bpm • A# min • 05:47 • -9.24db
45% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Harris Jayaraj
Mudhal Mudhalai
124 bpm • F min • 05:29 • -9.1db
36% Popularity • 80% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Raveendran
Manjakkiliyude Moolippaatunde
124 bpm • G min • 05:21 • -7.08db
43% Popularity • 70% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Suresh Peters
Raavinte Devahridayathin (Male)
124 bpm • A min • 04:33 • -9.81db
5% Popularity • 84% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Paul
Kai Niraye Venna Tharam
110 bpm • A min • 04:45 • -6.06db
36% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Vidyasagar
Machan Meesai
124 bpm • A min • 04:51 • -8.12db
54% Popularity • 77% Danceability • 83% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
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K. J. Yesudas
Njanoru Pattu Padam
110 bpm • F min • 03:58 • -12.63db
35% Popularity • 85% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Yuvan Shankar Raja
Kodi Paarum Pooramalle
110 bpm • C Maj • 04:51 • -5.72db
44% Popularity • 84% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Karthik
Mele Vellithinkal
110 bpm • D Maj • 04:38 • -11.58db
43% Popularity • 71% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Harris Jayaraj
Othayilae
110 bpm • D Maj • 04:14 • -9.2db
49% Popularity • 78% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Srinivas
Ye Chilipi
110 bpm • A min • 05:15 • -7.34db
57% Popularity • 64% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Johnson
Chandana Cholayil
125 bpm • F Maj • 05:26 • -12.61db
45% Popularity • 66% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Devan Ekambaram
Macarina Macarina
125 bpm • A# Maj • 06:39 • -12db
42% Popularity • 85% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Najim Arshad
Chenthengin
125 bpm • C Maj • 04:07 • -9db
51% Popularity • 88% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
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Velmurugan
Pottadhu Pathala
125 bpm • D Maj • 04:52 • -6.27db
48% Popularity • 86% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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K. J. Yesudas
Melle Melle
109 bpm • A min • 04:36 • -8.31db
43% Popularity • 69% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Mohan Sithara
Raavin Nilaakaayal - Version, 1
109 bpm • F Maj • 06:37 • -10.74db
43% Popularity • 70% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Johnson
Kollengottu Thookkam - Version, 1
109 bpm • G Maj • 03:55 • -15db
32% Popularity • 78% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Johnson
Manchadi Mani Kondu
126 bpm • A min • 04:48 • -8.21db
17% Popularity • 80% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Najim Arshad
Thotte Thotte
125 bpm • G Maj • 04:43 • -4.08db
53% Popularity • 77% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Deva
Oru Pen Pura
108 bpm • A Maj • 05:11 • -9.85db
14% Popularity • 72% Danceability • 55% Energy • 9% Liveness
3% Instrumentalness • 74% Positiveness
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K. J. Yesudas
Anuragini
109 bpm • B Maj • 04:45 • -10.15db
44% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Hari Haran, sujatha
Premante Yemitante
126 bpm • D min • 05:03 • -6db
50% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Mohan Sithara
Maanathe Velli Vithaanicha Kottaaram
126 bpm • A# Maj • 04:07 • -6.9db
27% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Srikanth Deva
Chennai Sentamizh
108 bpm • C Maj • 04:17 • -5.4db
50% Popularity • 80% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Rajkumar
Anuraga Yenaythu
108 bpm • G# min • 04:06 • -5db
34% Popularity • 50% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Vijay
Nilave Nilave
127 bpm • C min • 05:30 • -8.55db
41% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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P. Jayachandran
Elam Manhin - Male Version
108 bpm • C Maj • 04:50 • -8.13db
43% Popularity • 63% Danceability • 39% Energy • 24% Liveness
6% Instrumentalness • 48% Positiveness
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Anirudh Ravichander
Nee Yaaro
127 bpm • E Maj • 03:55 • -6.92db
44% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Mohan Sithara
Nee Arinjo (Male)
128 bpm • F Maj • 04:23 • -9.07db
20% Popularity • 72% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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G. V. Prakash
Yedhedho Pennae
107 bpm • A min • 04:39 • -8.37db
52% Popularity • 47% Danceability • 37% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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D. Imman
Yeppa Maama Treatu?
128 bpm • C Maj • 04:25 • -3.9db
51% Popularity • 82% Danceability • 94% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
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Vijay Antony
Ippadi Mazhai
128 bpm • G min • 04:24 • -9.64db
51% Popularity • 79% Danceability • 55% Energy • 10% Liveness
39% Instrumentalness • 69% Positiveness
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Reghu Kumar
Kaikkudanna Niraye
129 bpm • A# Maj • 04:45 • -10.08db
42% Popularity • 71% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Jeeva Banda Bombeyu