Songs like Jeevithe mal by Sudath Nawalage
Based on a tempo of (+/- 10%) and a similar genre
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Kannur Shereef
Makalkkay
80 bpm • G Maj • 05:54 • -5.9db
10% Popularity • 67% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 67% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Rajesh Rajnish
Bajarang Bali Bajarang Bali
80 bpm • D Maj • 04:43 • -4.48db
17% Popularity • 62% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 62% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Naga Lakshmi
Gajjela Bandi
80 bpm • B min • 05:47 • -4.16db
22% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Gowri Arumugam
Amma Taayamma
80 bpm • G min • 05:28 • -2.48db
9% Popularity • 57% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 57% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Devakottai Abirami
Ayyanea Saranam
80 bpm • F min • 05:58 • -5.77db
9% Popularity • 71% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 71% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Sudath Nawalage
Jeevithe mal
80 bpm • G Maj • 03:43 • -9.29db
0% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Kapil Madduri
Simhamole Nadaka chudu
80 bpm • A min • 04:31 • -3.38db
21% Popularity • 64% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 64% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Uthara Unnikrishnan
Ashtalakshmi Stotram
80 bpm • E min • 08:19 • -4.61db
9% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Mamta Arya
Chup Ghungroo - Kumauni
80 bpm • A# Maj • 05:51 • -4.16db
14% Popularity • 44% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 44% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Takio Soki
Taamw Guma - Fairest Young Girl
80 bpm • F# Maj • 04:18 • -6.53db
10% Popularity • 75% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 75% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Devakottai Abirami
Kuthu Vilakku
80 bpm • G min • 04:45 • -3.1db
8% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Bikshu Naik
Nampalli Nunde Mallepalli
80 bpm • G# min • 04:56 • -5.74db
15% Popularity • 58% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 58% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Achurjya Borpatra
Sivasagar Nazira
81 bpm • D# min • 05:28 • -1.3db
13% Popularity • 44% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 44% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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Tanka Budathoki
Chauri Ko Chamro Chhurpi
79 bpm • F min • 06:19 • -6.2db
9% Popularity • 73% Danceability • 86% Energy • 74% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 73% Danceability • 86% Energy • 74% Liveness
0% Instrumentalness • 86% Positiveness
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Vinod
Rave Nu O Pori
81 bpm • F min • 05:52 • -0.15db
8% Popularity • 66% Danceability • 93% Energy • 43% Liveness
5% Instrumentalness • 83% Positiveness
8% Popularity • 66% Danceability • 93% Energy • 43% Liveness
5% Instrumentalness • 83% Positiveness
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Mamta Chandrakar
Khalkhala Ke Hasat He
81 bpm • C# Maj • 01:00 • -3.44db
13% Popularity • 58% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 58% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Devakottai Abirami
Aalamaram Vizhuthapola
80 bpm • F min • 03:41 • -3.97db
14% Popularity • 54% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 54% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Nilkamal Vaishnav
Hay Re Kareja Chani Mor - Best Cg Song
81 bpm • G# Maj • 04:47 • -10.31db
11% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Niroj Lama
Yeda Mhangri
81 bpm • C# Maj • 04:54 • -5.57db
7% Popularity • 43% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 43% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Tapu Mishra
Akhi Kholidele Tu
79 bpm • A# min • 04:16 • -6.74db
11% Popularity • 41% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 41% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Nizam Thaliparamba
Sundhari Pennu
79 bpm • E min • 06:07 • -11.34db
9% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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K. S. Chithra
Belliya Moda
81 bpm • E min • 05:00 • -7.22db
0% Popularity • 72% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 72% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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UMAKANT BARIK
Gala Bele Debri Hate
78 bpm • D Maj • 04:10 • -1.49db
23% Popularity • 36% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 36% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Gana Sarathi
Azhagana Devathai
82 bpm • B min • 05:13 • -2db
16% Popularity • 35% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 35% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Thajudheen Vadakara
Muthu Muthu Kuyile
82 bpm • G min • 06:57 • -8.19db
8% Popularity • 53% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 53% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Robina Kropi
Kanghon Amonjir
82 bpm • G Maj • 04:23 • -6.95db
9% Popularity • 52% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 52% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Ajay Chavhat
Hoti Hoti Pori
82 bpm • G Maj • 04:02 • -11.63db
7% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Ghantadi Krishna
Jaripotundi
82 bpm • C Maj • 04:51 • -14.27db
10% Popularity • 52% Danceability • 60% Energy • 13% Liveness
10% Instrumentalness • 92% Positiveness
10% Popularity • 52% Danceability • 60% Energy • 13% Liveness
10% Instrumentalness • 92% Positiveness
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King Johnson Victor
Thandri Baadha-God66Tv
78 bpm • E min • 06:01 • -9.5db
7% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Kumar Swamy
Cheruvu Loni Chepa Pilla
82 bpm • G# min • 06:44 • -2.21db
8% Popularity • 39% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 39% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Kapil Madduri
Katta Maisamma Thallave
82 bpm • D Maj • 05:04 • -3.32db
20% Popularity • 59% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 59% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Charan Arjun
Chiru Sanjeevani
82 bpm • E Maj • 04:49 • -7.93db
7% Popularity • 62% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 62% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 91% Positiveness
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Neelu Johri
Mava Mitho
83 bpm • G# Maj • 07:28 • -2.38db
8% Popularity • 60% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 60% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 92% Positiveness
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AI Artist Nepal
Senterem Senterem Bhelu Baje
77 bpm • C Maj • 01:00 • -7.49db
16% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Shirkant Narayan
Yevri Yevri Hoti Wa Baay
83 bpm • G Maj • 03:08 • -8.16db
7% Popularity • 80% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 80% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Saleem Kodathoor
Njan Varum Vare
83 bpm • C min • 01:29 • -5.48db
19% Popularity • 66% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 66% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Isaackolo
Isaackolo - Instrumental Version
83 bpm • A# Maj • 01:12 • -6.32db
11% Popularity • 58% Danceability • 74% Energy • 25% Liveness
31% Instrumentalness • 96% Positiveness
11% Popularity • 58% Danceability • 74% Energy • 25% Liveness
31% Instrumentalness • 96% Positiveness
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Uttara Kelkar
Malachya Malyat
83 bpm • F# Maj • 04:54 • -1.93db
8% Popularity • 68% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 68% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Deepak Kumar Sahu
Barpani Ke School
77 bpm • F Maj • 05:49 • -4.06db
7% Popularity • 56% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 56% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Krupa Ministries Official
Asrayapuramaina Naa Yesayya
84 bpm • D Maj • 07:57 • -6.97db
11% Popularity • 45% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 45% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Basavaraj Narendra
Nee Maari Nodaka Baravalli
84 bpm • C Maj • 06:24 • -10.31db
0% Popularity • 66% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 66% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Devakottai Abirami
Majava Irukuriye
85 bpm • F min • 03:31 • -5.53db
13% Popularity • 68% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 68% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Thandri Sannidhi Ministries
Kaavali Kaavali
85 bpm • E min • 10:11 • -8.94db
13% Popularity • 60% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 60% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Guddu Rangila
Holi Me Bhauji Ho
75 bpm • G# Maj • 06:42 • -3.8db
19% Popularity • 51% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 51% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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RAIHANA MUTHU
Ihfirli
75 bpm • C# min • 04:57 • -7.6db
16% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Krupa Ministries Official
Bahughanudavu Nive Yesaiah
77 bpm • C min • 10:57 • -6.82db
10% Popularity • 49% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 49% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Bikram Chowrak
Nilakshi’s Moran Bihu 2023
75 bpm • F# Maj • 05:27 • -6.58db
15% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Devakottai Abirami
Kannambochi Di
75 bpm • F min • 03:21 • -6.73db
8% Popularity • 68% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 68% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Prakriti Giri
Jaba Sajha Parchha
75 bpm • D Maj • 05:03 • -11.12db
10% Popularity • 66% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 66% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Santanu Sahu
Khuti Jam Heiche - Khuti Jam Heiche
85 bpm • D# min • 05:45 • -3.27db
11% Popularity • 34% Danceability • 89% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 34% Danceability • 89% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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RAIHANA MUTHU
Babariyile Mannu
86 bpm • G min • 05:26 • -7.57db
17% Popularity • 38% Danceability • 61% Energy • 85% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 38% Danceability • 61% Energy • 85% Liveness
0% Instrumentalness • 65% Positiveness
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Krupa Ministries Official
Karu Chikatilo
85 bpm • G Maj • 08:05 • -8.83db
12% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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D. Imman
Vuyir Printhalum
75 bpm • E min • 04:14 • -9.24db
9% Popularity • 59% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 59% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Noufal
Nalereyayi
74 bpm • A# min • 06:23 • -7.37db
7% Popularity • 36% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 36% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Ira Mohanty
Tu Dakilu Aa Re
74 bpm • A# min • 03:44 • -4.16db
12% Popularity • 38% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 38% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Mano
Muttinantha Hendathi
87 bpm • B min • 05:03 • -8.25db
9% Popularity • 70% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Gangadhar
Hae Re Koda
73 bpm • F Maj • 05:01 • -5.63db
10% Popularity • 68% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 68% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Chumki Mahata
Sisukaler Puthul Khela
88 bpm • C# min • 06:06 • -2.4db
11% Popularity • 35% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 35% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Shafi Kollam
Atharonnu Pooshi
88 bpm • G Maj • 05:11 • -8.82db
8% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Damo Bhai
Udiya Tara
73 bpm • A# Maj • 04:42 • -0.89db
13% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Ira Mohanty
Tu Jebe Hasidelu Tu Jebe Chahin Delu
90 bpm • D min • 03:19 • -5.03db
23% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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K. S. Chithra
Pyar Wale Rang
89 bpm • A Maj • 06:29 • -11.71db
9% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Hiresh Sinha
Mor Manmohni Mor Mrignayni
90 bpm • B Maj • 05:28 • -2.61db
17% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Hosanna Ministries Official
47th Feast Of Tabernacless Theme
90 bpm • C Maj • 05:27 • -14.16db
10% Popularity • 67% Danceability • 37% Energy • 20% Liveness
77% Instrumentalness • 14% Positiveness
10% Popularity • 67% Danceability • 37% Energy • 20% Liveness
77% Instrumentalness • 14% Positiveness
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Sudath Nawalage
Nonida dalvena
90 bpm • G min • 04:45 • -9.51db
0% Popularity • 64% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 64% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Dev Negi
Hey Sadguru
90 bpm • G min • 04:31 • -7.46db
10% Popularity • 66% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 66% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Nilutpal Xobdo
Nang Sarti Pen Ne Sarti
90 bpm • C Maj • 04:02 • -7.66db
14% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Raju Pariyar
Jovan Chokho Chha
90 bpm • G Maj • 02:46 • -5.08db
12% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Music Dragon
Akashare Bhasa Bhasa Megha Achhi Jete
90 bpm • G min • 04:55 • -4.73db
13% Popularity • 60% Danceability • 82% Energy • 80% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 60% Danceability • 82% Energy • 80% Liveness
0% Instrumentalness • 86% Positiveness
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Arvind
Phulara Pahada
90 bpm • A# Maj • 04:40 • -14.04db
7% Popularity • 52% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 52% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Nagalaxmi
Aadinchi Paadinchi
90 bpm • C# Maj • 02:05 • -4.58db
16% Popularity • 76% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 76% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Pratap Das
Timi Sangai Huda
71 bpm • F Maj • 04:06 • -4.68db
9% Popularity • 45% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 45% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Samsi
Bayapadakumu O Chinna Manda
92 bpm • F Maj • 05:15 • -4.83db
10% Popularity • 41% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 41% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Hosanna Ministries Kurnool
Anuraagapoornudaa
91 bpm • C# Maj • 09:15 • -9.88db
7% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Afsal
Monjerum Thathame
92 bpm • G# Maj • 05:03 • -8.36db
12% Popularity • 73% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 73% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Sharmila Tamang
Ghar Mero Pakhar
92 bpm • G Maj • 10:11 • -5.76db
7% Popularity • 78% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 78% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Anjana Barlekar
Tuni Bayko She Balatich Shani
92 bpm • G# Maj • 05:12 • -2.46db
19% Popularity • 71% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 71% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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S. P. Balasubrahmanyam
Nammane Armane
92 bpm • C# Maj • 04:44 • -6.99db
11% Popularity • 65% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 65% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Gitali
Guttiyaa Nau
93 bpm • G# min • 04:36 • -4.21db
9% Popularity • 41% Danceability • 75% Energy • 79% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 41% Danceability • 75% Energy • 79% Liveness
0% Instrumentalness • 72% Positiveness
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Nilakshi Neog
Moran Bihu
69 bpm • G Maj • 06:06 • -6db
19% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Hamom Sadananda
Tanglaba Mitkupse
93 bpm • A Maj • 04:53 • -6.19db
14% Popularity • 64% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 64% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Anuradha Sri Ram, Mathangi
Chirugali
94 bpm • E min • 04:54 • -6.39db
8% Popularity • 56% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 56% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Vandemataram Srinivas
Kante Koothurne
94 bpm • B min • 05:01 • -5.85db
13% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Rishiraj Pandey
Kajrari Naina
94 bpm • G Maj • 04:39 • -11.05db
13% Popularity • 66% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 66% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Sudath Nawalage
Sepathedi ekathuwela
94 bpm • D Maj • 03:41 • -7.97db
0% Popularity • 52% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 52% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Rajesh Krishnan
Modala Dinada Maathu
95 bpm • A# min • 02:54 • -9.93db
9% Popularity • 56% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
9% Popularity • 56% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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A.Devayya
Pattuchera Kattukuna
95 bpm • C# Maj • 05:12 • -4.28db
7% Popularity • 77% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 77% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Gangadhar
Romeo Raja
95 bpm • A min • 05:33 • -3.88db
11% Popularity • 69% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 69% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Anna Elsa Aji
Ee Lokam Vazhtheedum
95 bpm • E Maj • 04:36 • -7.26db
28% Popularity • 67% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 67% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 80% Positiveness
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Riyan Raj
Bai Nok Ayang
95 bpm • G Maj • 03:31 • -9.35db
9% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Staffen Production
Nagpuri Aashiq Awara
95 bpm • G# Maj • 05:10 • -10.93db
9% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Sudath Nawalage
Kandula
95 bpm • D Maj • 05:28 • -10.84db
0% Popularity • 62% Danceability • 61% Energy • 27% Liveness
1% Instrumentalness • 67% Positiveness
0% Popularity • 62% Danceability • 61% Energy • 27% Liveness
1% Instrumentalness • 67% Positiveness
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A R Stevenson
Chettunaku Manchu Unnatluga
95 bpm • G Maj • 08:28 • -8.45db
9% Popularity • 65% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 65% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
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Biswanath Debbarma
Saknaiyo Nwng
95 bpm • D Maj • 04:14 • -6.11db
13% Popularity • 65% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 65% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
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Sujatha
Subhi Kullirin
96 bpm • C min • 04:35 • -5.19db
4% Popularity • 58% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 58% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Kapil Madduri
Maayalo Padi Marchipokura
97 bpm • G# Maj • 03:00 • -6.72db
13% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Divya Ramachandra
Gallu Gallenutha Gejje
97 bpm • G Maj • 03:57 • -3.57db
7% Popularity • 72% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 72% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Sudath Nawalage
Gamaya
96 bpm • A Maj • 04:12 • -8.33db
0% Popularity • 81% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 81% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
