Songs like Jephte: Plorate filii Israel plorate by Giacomo Carissimi
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Giacomo Carissimi
Jephte - Plorate colles (Filia / Eccho)
131 bpm • G# Maj • 05:01 • -22.7db
5% Popularity • 28% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
5% Popularity • 28% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
131 bpm • G# min • 05:27 • -32.93db
9% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
131 bpm • B min • 07:38 • -22db
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Gregorio Allegri
Miserere: III. Auditui meo
131 bpm • F min • 02:45 • -21.56db
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
L'Orfeo, Ato primo: III. Rosa del ciel
130 bpm • D min • 04:09 • -23.55db
21% Popularity • 33% Danceability • 10% Energy • 48% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 33% Danceability • 10% Energy • 48% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Giacomo Carissimi
Jephte: Cantemus omnes Domino
131 bpm • C Maj • 02:26 • -13.57db
0% Popularity • 43% Danceability • 39% Energy • 16% Liveness
54% Instrumentalness • 19% Positiveness
0% Popularity • 43% Danceability • 39% Energy • 16% Liveness
54% Instrumentalness • 19% Positiveness
► Preview
Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Marianna Martines
Psalm 110: I. Dixit Dominus
132 bpm • C# Maj • 04:13 • -12.18db
9% Popularity • 38% Danceability • 29% Energy • 8% Liveness
14% Instrumentalness • 41% Positiveness
9% Popularity • 38% Danceability • 29% Energy • 8% Liveness
14% Instrumentalness • 41% Positiveness
► Preview
Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
► Preview
Giacomo Carissimi
Jephte: XV. Populo Israel
131 bpm • F# Maj • 03:48 • -16.54db
0% Popularity • 18% Danceability • 22% Energy • 14% Liveness
30% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 22% Energy • 14% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Max Reger
Das Agnus Dei
130 bpm • C Maj • 01:58 • -23.67db
12% Popularity • 18% Danceability • 5% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 5% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: XI. Credo. Cred...
129 bpm • B Maj • 04:17 • -18.99db
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
17% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
17% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
► Preview
Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Missa "Ut queant laxis": Gloria
132 bpm • G Maj • 05:07 • -20.8db
0% Popularity • 22% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 14% Positiveness
0% Popularity • 22% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 14% Positiveness
► Preview
Claudio Monteverdi
Dolcissimi legami di parole amorose
129 bpm • G min • 03:06 • -18.33db
16% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Sébastien de Brossard
Elevatio O miraculum!
134 bpm • A# Maj • 01:55 • -24.53db
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Jephte: XVII. Filia
132 bpm • G min • 04:42 • -23.92db
4% Popularity • 27% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 27% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Intonatio: Deus in adiutorium / Responso...
128 bpm • D Maj • 02:12 • -12.99db
12% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
12% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
► Preview
Henry Purcell
Burial Service: Thou knowest, Lord, the ...
128 bpm • A# Maj • 02:30 • -30.13db
25% Popularity • 19% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 1: No. 17, Du f...
135 bpm • F# Maj • 04:32 • -23.28db
8% Popularity • 19% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Iudicium extremum: Sinfonia - Aspiciebam...
129 bpm • G Maj • 02:01 • -15.05db
0% Popularity • 31% Danceability • 30% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
0% Popularity • 31% Danceability • 30% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
► Preview
Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Claudio Monteverdi
Versicle/Response: Deus in adjutorium/Do...
135 bpm • D# Maj • 01:59 • -14db
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
► Preview
Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
127 bpm • G min • 01:40 • -26db
27% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
27% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Antonio Sartorio
Sartorio: Antonino e Pompeiano, Act 3: "...
127 bpm • D Maj • 03:22 • -18.24db
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
► Preview
Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Messa "Sciolto havean dall'alte sponde":...
133 bpm • C min • 09:16 • -14.28db
0% Popularity • 23% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Chœur. C...
127 bpm • F min • 01:55 • -22.27db
11% Popularity • 41% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
L'Allegro, il Penseroso ed il Moderato, ...
127 bpm • G# Maj • 01:18 • -18.54db
8% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Jacques Arcadelt
Il bianco e dolce cigno
127 bpm • E Maj • 02:11 • -14db
17% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Mit Fried und Freud ich fahr dahin, BuxW...
136 bpm • C Maj • 07:15 • -29db
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
39% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Sarti
Now the Powers of Heaven
136 bpm • G min • 05:41 • -20.19db
8% Popularity • 20% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Praise the Lord, O Jerusalem
136 bpm • C# min • 07:25 • -18.67db
9% Popularity • 22% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
► Preview
Giacomo Carissimi
Iudicium extremum: Tunc, horribili sonit...
129 bpm • C Maj • 05:57 • -12.62db
0% Popularity • 35% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 35% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
15% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
15% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
17% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
12% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Girolamo Fantini
All'imperio d'Amore: 1. Toccata "La Renu...
137 bpm • D Maj • 01:47 • -14db
15% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
► Preview
Giacomo Carissimi
Historia di Jephté: Historia di Jephte:...
134 bpm • G Maj • 06:52 • -22.65db
1% Popularity • 22% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jordi Savall
Ohimè Ch'Io Cado (Libro Nono)
126 bpm • C Maj • 04:28 • -21db
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Henry Purcell
Strike the Viol
125 bpm • E Maj • 03:54 • -19.71db
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Claudio Monteverdi
Madrigals, Book 9: Entri pur nel nostro ...
125 bpm • G Maj • 00:56 • -20.69db
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
Mass in D Major, Op. 86, B. 153: VI. Agn...
137 bpm • G Maj • 05:03 • -27.39db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Carissimi: Judicium extremum: "Aspicieba...
134 bpm • G Maj • 02:15 • -26.6db
3% Popularity • 30% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 30% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Firminus Caron
Leuven Chansonnier: No. 19, Cent mil esc...
137 bpm • F# Maj • 04:19 • -22.58db
12% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Markku Liukkonen
Aaria, Kun Herra Kulkee Pyhään Kaupunk...
137 bpm • C min • 04:22 • -18.78db
12% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Johannes Brahms
Geistliches Lied, Op. 30
137 bpm • D# Maj • 05:54 • -22.77db
17% Popularity • 16% Danceability • 11% Energy • 30% Liveness
94% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 30% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Francesco Durante
Magnificat in B flat major: Sicut erat i...
125 bpm • A Maj • 01:56 • -18db
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Henry Purcell
Purcell: Hear My Prayer, O Lord, Z. 15
137 bpm • C min • 02:28 • -21.91db
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Jephte - Heu mihi! filia mea (Jephte)
127 bpm • G# min • 00:54 • -27.46db
1% Popularity • 22% Danceability • 3% Energy • 12% Liveness
14% Instrumentalness • 10% Positiveness
1% Popularity • 22% Danceability • 3% Energy • 12% Liveness
14% Instrumentalness • 10% Positiveness
► Preview
Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
138 bpm • A Maj • 02:21 • -24.16db
7% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Antonio Lotti
Dixit Dominus (Soloists, Chorus)
138 bpm • G# Maj • 01:54 • -16.98db
8% Popularity • 53% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 53% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Giacomo Carissimi
Historia di Jonas: No. 8 to No. 17 "Jona...
127 bpm • C Maj • 04:45 • -21.09db
0% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Georg Philipp Telemann
Brockes-Passion, TWV 5:1, II. Teil: 106....
138 bpm • E min • 02:34 • -14.57db
9% Popularity • 34% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 34% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIa. Ad ge...
124 bpm • D Maj • 03:06 • -22.6db
8% Popularity • 23% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
27% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
139 bpm • C Maj • 03:30 • -23.34db
20% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Henry Purcell
To the Hills and the Vales
139 bpm • B Maj • 02:30 • -16.49db
9% Popularity • 35% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
15% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Johann Michael Bach
Ich weiss, dass mein Erlöser lebet
123 bpm • G Maj • 02:50 • -25.84db
13% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Giacomo Carissimi
Historia Jephte a 6: Plorate, filii Isra...
126 bpm • F# Maj • 04:17 • -20.14db
0% Popularity • 19% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: II. Cujus animam gementem
139 bpm • B min • 01:53 • -23.79db
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
► Preview
George Frideric Handel
Aminta e Fillide, HWV 83: Aria. Se vago ...
123 bpm • D min • 03:04 • -38.26db
8% Popularity • 32% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
![Bist du bei mir (Formerly Attrib. Bach as BWV 508)[Voice & Harpsichord] cover art](https://i.scdn.co/image/ab67616d00001e0299acf539a3fa903fc3223059)
Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. Bach a...
140 bpm • D Maj • 02:46 • -26.2db
8% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Hymn...
123 bpm • G Maj • 09:28 • -25.9db
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
► Preview
Giacomo Carissimi
Messa "Sciolto havean dall'alte sponde":...
137 bpm • C min • 03:43 • -17.72db
0% Popularity • 16% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Dardanus: "Voici les tristes lieux" - "M...
122 bpm • G min • 04:09 • -17.35db
8% Popularity • 30% Danceability • 22% Energy • 27% Liveness
4% Instrumentalness • 12% Positiveness
8% Popularity • 30% Danceability • 22% Energy • 27% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVa. Ad la...
122 bpm • C# min • 02:03 • -20.1db
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 02:52 • -16db
14% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
14% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness