Songs like Jessica's Theme From The Man From Snowy River by Stan Whitmire
Based on a tempo of (+/- 10%) and a similar genre
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Stratus
Hallelujah - Instrumental
135 bpm • A min • 04:04 • -16db
25% Popularity • 24% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 17% Positiveness
25% Popularity • 24% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 17% Positiveness
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Gary Girouard
Love's Light
135 bpm • A Maj • 04:03 • -18.82db
42% Popularity • 38% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
42% Popularity • 38% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Stan Whitmire
Jessica's Theme From The Man From Snowy ...
135 bpm • D Maj • 02:56 • -20db
31% Popularity • 34% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 22% Positiveness
31% Popularity • 34% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 22% Positiveness
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Dave Grusin
On Golden Pond
134 bpm • G Maj • 03:46 • -18.84db
32% Popularity • 54% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
32% Popularity • 54% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
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Attila Fias
Hard to Say I'm Sorry - Piano Instrument...
136 bpm • E Maj • 03:50 • -16.54db
27% Popularity • 31% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
27% Popularity • 31% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Joe Yamada
Follow Your Heart
136 bpm • D Maj • 02:19 • -16.48db
45% Popularity • 36% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
45% Popularity • 36% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Marilyn Byrnes
A Dream Is a Wish Your Heart Makes
136 bpm • C Maj • 01:41 • -13.22db
33% Popularity • 39% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 39% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Gary Girouard
Bright Angels
136 bpm • A Maj • 04:06 • -20.79db
43% Popularity • 36% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
43% Popularity • 36% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Stan Whitmire
What The World Needs Now Is Love
134 bpm • D min • 04:37 • -18.67db
16% Popularity • 43% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
16% Popularity • 43% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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David Foster
Romance
136 bpm • A# Maj • 03:37 • -20.81db
27% Popularity • 51% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
27% Popularity • 51% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Allen & Bright
You and Me - Instrumental
136 bpm • G Maj • 03:21 • -9.18db
44% Popularity • 52% Danceability • 29% Energy • 12% Liveness
79% Instrumentalness • 50% Positiveness
44% Popularity • 52% Danceability • 29% Energy • 12% Liveness
79% Instrumentalness • 50% Positiveness
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David Carnes
My Love Is Like a Red, Red Rose
136 bpm • A# Maj • 03:09 • -21.3db
32% Popularity • 48% Danceability • 4% Energy • 34% Liveness
75% Instrumentalness • 22% Positiveness
32% Popularity • 48% Danceability • 4% Energy • 34% Liveness
75% Instrumentalness • 22% Positiveness
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Nazareno Aversa
Hold Back the River
136 bpm • F Maj • 04:01 • -18.14db
27% Popularity • 58% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
27% Popularity • 58% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
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Ian Mulder
Ocean of Dreams
136 bpm • A# Maj • 04:22 • -17.3db
26% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
26% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Stan Whitmire
The Glory Of Love
134 bpm • F Maj • 05:03 • -13.55db
9% Popularity • 39% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 39% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Denise Young
Love Will Light Your Way
136 bpm • C Maj • 02:32 • -17.68db
43% Popularity • 59% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
43% Popularity • 59% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Chet Swiatkowski
Rhapsody On A Theme Of Paganini
137 bpm • C# Maj • 02:53 • -20db
38% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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David Carnes
Wonderful, Merciful Savior
134 bpm • A Maj • 02:22 • -23.26db
49% Popularity • 42% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
49% Popularity • 42% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Brad Jacobsen
Hushed October Morning Mild
133 bpm • A# Maj • 03:13 • -20.31db
21% Popularity • 38% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
21% Popularity • 38% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
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Marilyn Byrnes
Beauty and the Beast
133 bpm • A min • 03:48 • -20.66db
7% Popularity • 41% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
7% Popularity • 41% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Brandon Mills
Always On My Mind
137 bpm • D Maj • 02:59 • -18db
44% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
44% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Stan Whitmire
When I Fall In Love
133 bpm • D min • 04:15 • -19.49db
12% Popularity • 44% Danceability • 12% Energy • 14% Liveness
87% Instrumentalness • 6% Positiveness
12% Popularity • 44% Danceability • 12% Energy • 14% Liveness
87% Instrumentalness • 6% Positiveness
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Kurt Bestor
Stradivarius
133 bpm • A min • 04:24 • -9.39db
9% Popularity • 32% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
9% Popularity • 32% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Gary Girouard
Leave the Light On (I'll Be Home)
137 bpm • F Maj • 03:43 • -22db
31% Popularity • 30% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 30% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Michele McLaughlin
A Celtic Dream
132 bpm • A min • 01:43 • -15.15db
52% Popularity • 32% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
52% Popularity • 32% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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David Huntsinger
Once Upon A Dream
138 bpm • D min • 02:05 • -26db
36% Popularity • 52% Danceability • 7% Energy • 16% Liveness
83% Instrumentalness • 46% Positiveness
36% Popularity • 52% Danceability • 7% Energy • 16% Liveness
83% Instrumentalness • 46% Positiveness
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Anne Trenning
Max's Birthday
132 bpm • G Maj • 02:58 • -16.26db
28% Popularity • 50% Danceability • 37% Energy • 15% Liveness
92% Instrumentalness • 47% Positiveness
28% Popularity • 50% Danceability • 37% Energy • 15% Liveness
92% Instrumentalness • 47% Positiveness
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Steven Cravis
Through the Kaleidoscope
132 bpm • C# Maj • 03:31 • -15.11db
36% Popularity • 32% Danceability • 34% Energy • 14% Liveness
86% Instrumentalness • 40% Positiveness
36% Popularity • 32% Danceability • 34% Energy • 14% Liveness
86% Instrumentalness • 40% Positiveness
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George Winston
Lullaby
138 bpm • E Maj • 03:25 • -18.5db
39% Popularity • 35% Danceability • 16% Energy • 18% Liveness
86% Instrumentalness • 14% Positiveness
39% Popularity • 35% Danceability • 16% Energy • 18% Liveness
86% Instrumentalness • 14% Positiveness
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Nazareno Aversa
I Can Go to Distance / Hercules
138 bpm • D Maj • 04:02 • -25.47db
34% Popularity • 36% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
34% Popularity • 36% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
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Mike Strickland
Canon In D - Composed Or Made Famous By:...
132 bpm • D Maj • 04:35 • -16.4db
20% Popularity • 47% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
20% Popularity • 47% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Silvard
Calypso
132 bpm • G Maj • 03:05 • -12.39db
20% Popularity • 47% Danceability • 48% Energy • 21% Liveness
86% Instrumentalness • 43% Positiveness
20% Popularity • 47% Danceability • 48% Energy • 21% Liveness
86% Instrumentalness • 43% Positiveness
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Keith Martinson
Through the Years
139 bpm • G Maj • 02:28 • -20db
41% Popularity • 42% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 33% Positiveness
41% Popularity • 42% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 33% Positiveness
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Richard Stoltzman
Love Theme / I'll Never Leave You
139 bpm • E Maj • 03:36 • -19.86db
12% Popularity • 24% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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George Winston
Give Me Your Hand / La Valse Pour Les Pe...
139 bpm • G Maj • 02:41 • -23.85db
34% Popularity • 44% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
34% Popularity • 44% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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David Huntsinger
Farewell To Mystic Harbor
131 bpm • G Maj • 03:22 • -17.8db
10% Popularity • 36% Danceability • 9% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
10% Popularity • 36% Danceability • 9% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
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Mike Strickland
Watermark
131 bpm • A# Maj • 02:22 • -23.17db
34% Popularity • 42% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
34% Popularity • 42% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Marilyn Byrnes
You Raise Me Up (Instrumental)
139 bpm • C Maj • 04:29 • -19db
31% Popularity • 26% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Stan Whitmire
How Do I Live
131 bpm • D Maj • 04:28 • -17.93db
30% Popularity • 45% Danceability • 21% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
30% Popularity • 45% Danceability • 21% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
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Bruce Rowland
Jim Brings in the Brumbies
131 bpm • F Maj • 02:01 • -14.13db
27% Popularity • 38% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
27% Popularity • 38% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
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Allen & Bright
Rainbow - Instrumental
140 bpm • D Maj • 03:23 • -14.21db
46% Popularity • 49% Danceability • 16% Energy • 8% Liveness
11% Instrumentalness • 29% Positiveness
46% Popularity • 49% Danceability • 16% Energy • 8% Liveness
11% Instrumentalness • 29% Positiveness
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Helen Jane Long
Expression (Air Studios 2013)
130 bpm • C Maj • 03:28 • -18.99db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Mike Strickland
The Wedding Song
139 bpm • D# Maj • 03:00 • -21.63db
20% Popularity • 46% Danceability • 6% Energy • 19% Liveness
92% Instrumentalness • 14% Positiveness
20% Popularity • 46% Danceability • 6% Energy • 19% Liveness
92% Instrumentalness • 14% Positiveness
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Marcelo Tau
Can You Feel the Love Tonight
130 bpm • A# Maj • 03:57 • -17db
33% Popularity • 50% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
33% Popularity • 50% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Stan Whitmire
Music Of The Night/All I Ask Of You
140 bpm • C# Maj • 06:12 • -20.12db
26% Popularity • 44% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
26% Popularity • 44% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Nazareno Aversa
Total Eclipse to the Heart
140 bpm • G# Maj • 03:38 • -19.01db
23% Popularity • 46% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
23% Popularity • 46% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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David Lanz
A Whiter Shade of Pale
130 bpm • A min • 05:27 • -15db
32% Popularity • 50% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
32% Popularity • 50% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Helen Jane Long
Storm Away
130 bpm • D Maj • 03:52 • -11.5db
29% Popularity • 38% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 20% Positiveness
29% Popularity • 38% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 20% Positiveness
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Pete Anthony
West Wing Suite (Bonus Track)
140 bpm • G Maj • 03:33 • -18.42db
15% Popularity • 14% Danceability • 12% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 12% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Mike Strickland
Time To Say Goodbye
140 bpm • G Maj • 04:06 • -15db
26% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
26% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Elton John
The Lion King: Can You Feel the Love Ton...
130 bpm • G Maj • 04:16 • -19.19db
31% Popularity • 17% Danceability • 15% Energy • 17% Liveness
88% Instrumentalness • 13% Positiveness
31% Popularity • 17% Danceability • 15% Energy • 17% Liveness
88% Instrumentalness • 13% Positiveness
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Costantino Carrara
The Greatest Showman (The Piano Medley):...
130 bpm • G# Maj • 05:53 • -14.11db
34% Popularity • 34% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
34% Popularity • 34% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Stan Whitmire
Theme From Terms Of Endearment
141 bpm • C Maj • 03:18 • -19.26db
12% Popularity • 48% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
12% Popularity • 48% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Helen Jane Long
Out of It All
130 bpm • F Maj • 04:38 • -21.09db
30% Popularity • 62% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
30% Popularity • 62% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Mark Magnuson
Jesu Joy Of Mans Desiring
141 bpm • G Maj • 04:10 • -15.12db
25% Popularity • 63% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 78% Positiveness
25% Popularity • 63% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 78% Positiveness
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Daywind
Through The Eyes Of Love
129 bpm • A# Maj • 03:23 • -13db
30% Popularity • 36% Danceability • 14% Energy • 25% Liveness
91% Instrumentalness • 12% Positiveness
30% Popularity • 36% Danceability • 14% Energy • 25% Liveness
91% Instrumentalness • 12% Positiveness
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Tom McBryde
I Finally Found Someone
141 bpm • G# min • 03:27 • -22.61db
29% Popularity • 38% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
29% Popularity • 38% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Attila Fias
Imagine - Piano Instrumental
129 bpm • C Maj • 03:37 • -16db
40% Popularity • 52% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
40% Popularity • 52% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Stan Whitmire
I Can Only Imagine
141 bpm • E Maj • 05:12 • -20db
22% Popularity • 36% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
22% Popularity • 36% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Carmine De Martino
Tennessee
141 bpm • C Maj • 03:44 • -23.25db
21% Popularity • 50% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
21% Popularity • 50% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Gary Girouard
Streaks of Light
129 bpm • C# Maj • 03:11 • -20.25db
41% Popularity • 40% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
41% Popularity • 40% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
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Silvard
Vacation Time!
129 bpm • D Maj • 03:49 • -14.35db
21% Popularity • 46% Danceability • 27% Energy • 26% Liveness
87% Instrumentalness • 50% Positiveness
21% Popularity • 46% Danceability • 27% Energy • 26% Liveness
87% Instrumentalness • 50% Positiveness
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Laura Sullivan
Pachelbel for the Potomac
142 bpm • D Maj • 05:09 • -16.87db
21% Popularity • 30% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
21% Popularity • 30% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
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Piano Joe
From This Moment On - solo piano
128 bpm • G# Maj • 01:17 • -20db
41% Popularity • 46% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
41% Popularity • 46% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Stan Whitmire
Rainy Days And Mondays
141 bpm • D# Maj • 03:59 • -17.32db
19% Popularity • 44% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
19% Popularity • 44% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
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William Wilson
Largo from "New World Symphony"
142 bpm • C Maj • 02:08 • -26.06db
31% Popularity • 45% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
31% Popularity • 45% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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James Todd
Breeze In G
128 bpm • G Maj • 04:31 • -17.55db
15% Popularity • 20% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
15% Popularity • 20% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Nazareno Aversa
I Don't Want To Miss A Thing
128 bpm • D Maj • 03:30 • -21db
25% Popularity • 40% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 11% Positiveness
25% Popularity • 40% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 11% Positiveness
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Jamie Conway
Without You
128 bpm • G Maj • 03:41 • -21.84db
18% Popularity • 49% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
18% Popularity • 49% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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John Barry
Rachmaninoff: Rhapsody On A Theme Of Pag...
128 bpm • C# Maj • 03:09 • -16db
39% Popularity • 27% Danceability • 11% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 27% Danceability • 11% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Bruce Rowland
Main Theme
128 bpm • C Maj • 01:31 • -17.65db
33% Popularity • 32% Danceability • 27% Energy • 15% Liveness
55% Instrumentalness • 21% Positiveness
33% Popularity • 32% Danceability • 27% Energy • 15% Liveness
55% Instrumentalness • 21% Positiveness
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George Skaroulis
I Want to Spend My Lifetime Loving You
127 bpm • A min • 04:54 • -19.25db
19% Popularity • 32% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
19% Popularity • 32% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Kenzie Smith Piano
We Are One
127 bpm • G Maj • 03:08 • -22.2db
24% Popularity • 43% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
24% Popularity • 43% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Louis Landon
Conscious Love
143 bpm • C Maj • 05:04 • -20.55db
38% Popularity • 39% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Stan Whitmire
Love Theme From St. Elmo's Fire
127 bpm • G# Maj • 03:22 • -17.02db
15% Popularity • 48% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
15% Popularity • 48% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Keith Martinson
A Time to Love
127 bpm • C Maj • 03:52 • -19db
22% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
22% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Danny Wright
Feather Theme
127 bpm • D Maj • 03:07 • -26.53db
48% Popularity • 40% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
48% Popularity • 40% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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David Lanz
Norwegian Rain
127 bpm • A min • 03:43 • -17.4db
41% Popularity • 40% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 40% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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The Session
The Young & the Restless (Nadia's Theme)
144 bpm • C# min • 03:49 • -26db
22% Popularity • 70% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
22% Popularity • 70% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Guitarist
Daydream Believer
126 bpm • G Maj • 02:52 • -10.52db
34% Popularity • 59% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
34% Popularity • 59% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
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Stan Whitmire
Send In The Clowns
144 bpm • D# Maj • 03:32 • -22.14db
9% Popularity • 41% Danceability • 4% Energy • 14% Liveness
86% Instrumentalness • 8% Positiveness
9% Popularity • 41% Danceability • 4% Energy • 14% Liveness
86% Instrumentalness • 8% Positiveness
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Doug Hammer
In the Fields
126 bpm • G Maj • 04:16 • -22.65db
17% Popularity • 42% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 6% Positiveness
17% Popularity • 42% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 6% Positiveness
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Silvard
Collage: Variations on Rainbow Connectio...
126 bpm • C Maj • 05:22 • -14.95db
31% Popularity • 41% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 39% Positiveness
31% Popularity • 41% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 39% Positiveness
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Christine Brown
Imagine What a Wonderful World
126 bpm • G# Maj • 04:54 • -18.47db
33% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
33% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
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Richard Dillon
Dancing On the Light
126 bpm • E min • 04:43 • -19.03db
32% Popularity • 37% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
32% Popularity • 37% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Helen Jane Long
Willow
145 bpm • F Maj • 03:25 • -20.24db
49% Popularity • 19% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
49% Popularity • 19% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Stan Whitmire
When You Believe
126 bpm • E Maj • 04:57 • -16.81db
7% Popularity • 44% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
7% Popularity • 44% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Louis Landon
The Painter
125 bpm • G min • 03:14 • -21.55db
43% Popularity • 33% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
43% Popularity • 33% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
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Marcelo Tau
Go to the Distance
125 bpm • D Maj • 03:36 • -18.76db
36% Popularity • 59% Danceability • 11% Energy • 24% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 59% Danceability • 11% Energy • 24% Liveness
90% Instrumentalness • 27% Positiveness
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Bethan Myfanwy Hughes
Suo Gan
146 bpm • D Maj • 03:29 • -18db
20% Popularity • 42% Danceability • 18% Energy • 22% Liveness
97% Instrumentalness • 19% Positiveness
20% Popularity • 42% Danceability • 18% Energy • 22% Liveness
97% Instrumentalness • 19% Positiveness
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Kim Collingsworth
Heaven Extravaganza Medley
146 bpm • G# Maj • 09:18 • -9.46db
6% Popularity • 30% Danceability • 69% Energy • 94% Liveness
12% Instrumentalness • 38% Positiveness
6% Popularity • 30% Danceability • 69% Energy • 94% Liveness
12% Instrumentalness • 38% Positiveness
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David Lanz
Leaves On The Seine - Remastered
147 bpm • F# min • 04:51 • -26.62db
38% Popularity • 40% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
38% Popularity • 40% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Stan Whitmire
I Believe In You And Me
126 bpm • F Maj • 04:02 • -19.6db
17% Popularity • 44% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
17% Popularity • 44% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Jamie Conway
The Greatest Love Of All
124 bpm • F# min • 04:53 • -22.93db
23% Popularity • 46% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
23% Popularity • 46% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Mark Northam
Forrest Gump: Opening Theme
124 bpm • D Maj • 02:26 • -22db
28% Popularity • 47% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
28% Popularity • 47% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Helen Jane Long
Everything
147 bpm • A min • 03:18 • -16.14db
43% Popularity • 33% Danceability • 37% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
43% Popularity • 33% Danceability • 37% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
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Mark Magnuson
Pachelbels Canon In D Major
124 bpm • C Maj • 04:20 • -14.32db
31% Popularity • 61% Danceability • 33% Energy • 12% Liveness
85% Instrumentalness • 34% Positiveness
31% Popularity • 61% Danceability • 33% Energy • 12% Liveness
85% Instrumentalness • 34% Positiveness
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Bruce Rowland
Phar Lap
147 bpm • G Maj • 02:49 • -20.12db
12% Popularity • 36% Danceability • 13% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
12% Popularity • 36% Danceability • 13% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
