Songs like Jesus Hates Faggots by John Grant
Based on a tempo of (+/- 10%) and a similar genre
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The Frank And Walters
Stages
148 bpm • A min • 04:04 • -7db
24% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Shearwater
You as You Were
148 bpm • F# Maj • 03:42 • -5.54db
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Baxter Dury
Prince of Tears
148 bpm • G# min • 03:05 • -8db
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Tindersticks
Can We Start Again?
148 bpm • B min • 03:51 • -12db
31% Popularity • 57% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 85% Positiveness
31% Popularity • 57% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 85% Positiveness
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Calexico
Sunken Waltz
148 bpm • C Maj • 02:27 • -9.08db
31% Popularity • 43% Danceability • 61% Energy • 41% Liveness
1% Instrumentalness • 60% Positiveness
31% Popularity • 43% Danceability • 61% Energy • 41% Liveness
1% Instrumentalness • 60% Positiveness
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The The
I WANT 2 B U
148 bpm • G# Maj • 03:20 • -9.71db
35% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
35% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
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Public Service Broadcasting
Progress
149 bpm • D# Maj • 03:25 • -9db
31% Popularity • 50% Danceability • 77% Energy • 10% Liveness
75% Instrumentalness • 51% Positiveness
31% Popularity • 50% Danceability • 77% Energy • 10% Liveness
75% Instrumentalness • 51% Positiveness
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Kings of Convenience
Toxic Girl
147 bpm • F# min • 03:09 • -15db
48% Popularity • 64% Danceability • 45% Energy • 9% Liveness
39% Instrumentalness • 89% Positiveness
48% Popularity • 64% Danceability • 45% Energy • 9% Liveness
39% Instrumentalness • 89% Positiveness
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Scott Matthews
Elusive
147 bpm • D Maj • 03:40 • -16.82db
36% Popularity • 48% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
36% Popularity • 48% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Arab Strap
The First Big Weekend
147 bpm • D Maj • 04:52 • -15db
36% Popularity • 71% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
36% Popularity • 71% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Charlotte Gainsbourg
5:55
146 bpm • C Maj • 04:52 • -8db
32% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
32% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
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Arcade Fire
Speaking in Tongues
146 bpm • F# Maj • 03:52 • -7.96db
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
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Hot Chip
Dancing In The Dark
146 bpm • D Maj • 06:32 • -6.9db
37% Popularity • 46% Danceability • 86% Energy • 11% Liveness
53% Instrumentalness • 10% Positiveness
37% Popularity • 46% Danceability • 86% Energy • 11% Liveness
53% Instrumentalness • 10% Positiveness
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Fink
Pilgrim
150 bpm • F# min • 07:02 • -10.77db
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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John Grant
Tc & Honeybear
146 bpm • F Maj • 05:06 • -7.54db
25% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
25% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Laura Marling
Gurdjieff's Daughter
150 bpm • C# min • 04:22 • -7.46db
22% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Kate Bush
King Of The Mountain
150 bpm • A# Maj • 04:53 • -12.14db
39% Popularity • 58% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
39% Popularity • 58% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
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Tindersticks
Another Night In
145 bpm • A# min • 05:12 • -13db
39% Popularity • 30% Danceability • 25% Energy • 39% Liveness
78% Instrumentalness • 33% Positiveness
39% Popularity • 30% Danceability • 25% Energy • 39% Liveness
78% Instrumentalness • 33% Positiveness
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Calexico
Woven Birds
146 bpm • A min • 03:46 • -14db
18% Popularity • 38% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 38% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Katy J Pearson
Talk Over Town
145 bpm • G min • 05:52 • -7.09db
28% Popularity • 59% Danceability • 80% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
28% Popularity • 59% Danceability • 80% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Patrick Wolf
The Magic Position
145 bpm • B Maj • 03:52 • -8.15db
31% Popularity • 51% Danceability • 49% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
31% Popularity • 51% Danceability • 49% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
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Kristin Hersh
Your Ghost
145 bpm • G Maj • 03:16 • -14.15db
43% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lambchop
Gone Tomorrow
145 bpm • F# Maj • 06:59 • -12.94db
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
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PJ Harvey
You Said Something
152 bpm • C Maj • 03:18 • -7db
52% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Public Service Broadcasting
They Gave Me a Lamp
152 bpm • A Maj • 03:56 • -9.49db
29% Popularity • 48% Danceability • 73% Energy • 22% Liveness
5% Instrumentalness • 30% Positiveness
29% Popularity • 48% Danceability • 73% Energy • 22% Liveness
5% Instrumentalness • 30% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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BC Camplight
Thieves in Antigua
144 bpm • A# Maj • 04:07 • -10db
18% Popularity • 58% Danceability • 72% Energy • 12% Liveness
68% Instrumentalness • 61% Positiveness
18% Popularity • 58% Danceability • 72% Energy • 12% Liveness
68% Instrumentalness • 61% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
38% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Lambchop
Something's Going On
145 bpm • E min • 02:45 • -13.06db
31% Popularity • 57% Danceability • 55% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
31% Popularity • 57% Danceability • 55% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
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Tindersticks
Tiny Tears
153 bpm • E min • 05:45 • -16.63db
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
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Laura Marling
Soothing
143 bpm • D min • 04:16 • -12db
37% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
37% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Midlake
Head Home
143 bpm • D min • 05:41 • -9db
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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Bill Callahan
Drover
154 bpm • B min • 05:24 • -11db
37% Popularity • 58% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
37% Popularity • 58% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
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Elbow
Mirrorball
143 bpm • F# min • 05:50 • -9db
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Hawley
The Ocean
142 bpm • A Maj • 05:36 • -9.28db
47% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
47% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
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Mercury Rev
Holes
142 bpm • D Maj • 05:56 • -7.61db
48% Popularity • 27% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 27% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Hamish Hawk
Caterpillar
154 bpm • D Maj • 05:36 • -11db
21% Popularity • 60% Danceability • 62% Energy • 18% Liveness
24% Instrumentalness • 61% Positiveness
21% Popularity • 60% Danceability • 62% Energy • 18% Liveness
24% Instrumentalness • 61% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Public Service Broadcasting
Everest
142 bpm • D# Maj • 03:47 • -6db
46% Popularity • 58% Danceability • 84% Energy • 36% Liveness
40% Instrumentalness • 39% Positiveness
46% Popularity • 58% Danceability • 84% Energy • 36% Liveness
40% Instrumentalness • 39% Positiveness
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Laura Veirs
Fire Snakes
141 bpm • G Maj • 04:57 • -13db
17% Popularity • 61% Danceability • 39% Energy • 12% Liveness
23% Instrumentalness • 44% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 12% Liveness
23% Instrumentalness • 44% Positiveness
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Nick Cave
What a Wonderful World
156 bpm • C# Maj • 03:03 • -16.51db
40% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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John Grant
Metamorphosis
156 bpm • C Maj • 05:41 • -4.8db
10% Popularity • 42% Danceability • 72% Energy • 25% Liveness
6% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 72% Energy • 25% Liveness
6% Instrumentalness • 14% Positiveness
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Gaz Coombes
Walk The Walk
156 bpm • D Maj • 03:56 • -6.6db
42% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
42% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
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Ed Harcourt
Something in My Eye
140 bpm • E Maj • 03:41 • -10.06db
19% Popularity • 53% Danceability • 43% Energy • 18% Liveness
2% Instrumentalness • 48% Positiveness
19% Popularity • 53% Danceability • 43% Energy • 18% Liveness
2% Instrumentalness • 48% Positiveness
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Hamish Hawk
Daggers
156 bpm • D Maj • 03:39 • -11.03db
21% Popularity • 39% Danceability • 67% Energy • 25% Liveness
21% Instrumentalness • 49% Positiveness
21% Popularity • 39% Danceability • 67% Energy • 25% Liveness
21% Instrumentalness • 49% Positiveness
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Stuart A. Staples
Goodbye to Old Friends
140 bpm • F# min • 06:13 • -8.82db
26% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
26% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
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Teleman
Skeleton Dance
156 bpm • C# Maj • 03:37 • -7.02db
27% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Public Service Broadcasting
Spitfire
140 bpm • B Maj • 03:57 • -5.07db
42% Popularity • 59% Danceability • 93% Energy • 39% Liveness
52% Instrumentalness • 56% Positiveness
42% Popularity • 59% Danceability • 93% Energy • 39% Liveness
52% Instrumentalness • 56% Positiveness
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The Leisure Society
God Has Taken A Vacation
140 bpm • E Maj • 02:39 • -10.44db
32% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
32% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
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King Creosote
For One Night Only
140 bpm • E Maj • 04:09 • -7.31db
29% Popularity • 50% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
29% Popularity • 50% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
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John Grant
Supernatural Defibrillator
140 bpm • B min • 02:51 • -5.65db
16% Popularity • 59% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 59% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Rufus Wainwright
Unperfect Actor (Sonnet 23)
139 bpm • G Maj • 05:45 • -5.82db
10% Popularity • 46% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 46% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Lambchop
Steve McQueen
139 bpm • G# Maj • 04:32 • -14.69db
23% Popularity • 53% Danceability • 32% Energy • 17% Liveness
50% Instrumentalness • 12% Positiveness
23% Popularity • 53% Danceability • 32% Energy • 17% Liveness
50% Instrumentalness • 12% Positiveness
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PJ Harvey
The Words That Maketh Murder
158 bpm • D min • 03:45 • -8.84db
37% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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FFS
Johnny Delusional
138 bpm • D min • 03:11 • -5.25db
41% Popularity • 56% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 56% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Cherry Ghost
Dead Man's Suit
138 bpm • G min • 05:41 • -4.91db
19% Popularity • 39% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 39% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Gwenno
Tir Ha mor
138 bpm • C Maj • 04:10 • -11.5db
30% Popularity • 58% Danceability • 59% Energy • 22% Liveness
75% Instrumentalness • 63% Positiveness
30% Popularity • 58% Danceability • 59% Energy • 22% Liveness
75% Instrumentalness • 63% Positiveness
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Nick Cave
Lavender Fields
138 bpm • A# Maj • 04:33 • -16.07db
34% Popularity • 16% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
34% Popularity • 16% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
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Tindersticks
Factory Girls
138 bpm • F Maj • 05:53 • -14.08db
13% Popularity • 46% Danceability • 9% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
13% Popularity • 46% Danceability • 9% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Hamish Hawk
The Mauritian Badminton Doubles Champion...
160 bpm • A# Maj • 03:38 • -9.12db
35% Popularity • 41% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 41% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Czars
Goodbye
160 bpm • C# Maj • 04:24 • -12.91db
10% Popularity • 41% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 41% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Martha Wainwright
Tower Of Song
137 bpm • A Maj • 03:44 • -9db
34% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Calvi
Strange Weather
137 bpm • A# min • 05:34 • -9.57db
45% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
45% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
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Marissa Nadler
River Of Dirt
160 bpm • G# min • 04:26 • -13.18db
0% Popularity • 50% Danceability • 53% Energy • 12% Liveness
57% Instrumentalness • 82% Positiveness
0% Popularity • 50% Danceability • 53% Energy • 12% Liveness
57% Instrumentalness • 82% Positiveness
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She Drew The Gun
Poem
136 bpm • A Maj • 04:17 • -13.58db
22% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Public Service Broadcasting
You + Me
136 bpm • A# Maj • 05:44 • -13.44db
26% Popularity • 51% Danceability • 22% Energy • 3% Liveness
29% Instrumentalness • 39% Positiveness
26% Popularity • 51% Danceability • 22% Energy • 3% Liveness
29% Instrumentalness • 39% Positiveness
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Mercury Rev
The Dark Is Rising
136 bpm • F Maj • 04:52 • -10.37db
37% Popularity • 30% Danceability • 28% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
37% Popularity • 30% Danceability • 28% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Hamish Hawk
Think of Us Kissing
136 bpm • D Maj • 03:37 • -6.05db
31% Popularity • 57% Danceability • 87% Energy • 12% Liveness
83% Instrumentalness • 32% Positiveness
31% Popularity • 57% Danceability • 87% Energy • 12% Liveness
83% Instrumentalness • 32% Positiveness
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Jane Weaver
Slow Motion
136 bpm • C Maj • 05:06 • -12.87db
23% Popularity • 51% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 51% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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King Creosote
Blue Marbled Elm Trees
136 bpm • A# Maj • 05:03 • -6.78db
36% Popularity • 43% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 36% Positiveness
36% Popularity • 43% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 36% Positiveness
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Sarabeth Tucek
Get Well Soon
136 bpm • F Maj • 04:00 • -14.99db
13% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Hawley
I Still Want You
162 bpm • A# Maj • 04:06 • -15.91db
32% Popularity • 25% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 30% Positiveness
32% Popularity • 25% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 30% Positiveness
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Midlake
Roadrunner Blues
135 bpm • C Maj • 04:12 • -5.14db
30% Popularity • 44% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 44% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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John Cale
Dying On The Vine - Fragments
135 bpm • C min • 03:51 • -8.45db
19% Popularity • 60% Danceability • 54% Energy • 92% Liveness
1% Instrumentalness • 46% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 92% Liveness
1% Instrumentalness • 46% Positiveness
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Bat For Lashes
Daniel
135 bpm • G# min • 04:11 • -8.39db
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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John Grant
Mike and Julie
135 bpm • C Maj • 06:20 • -10.55db
15% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Gaz Coombes
20/20
135 bpm • G min • 04:14 • -5.68db
27% Popularity • 54% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
27% Popularity • 54% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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PJ Harvey
Let England Shake
162 bpm • F Maj • 03:09 • -8.35db
38% Popularity • 36% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 36% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Midlake
Branches
135 bpm • D Maj • 05:02 • -12.73db
27% Popularity • 35% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 35% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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King Creosote
You Just Want
162 bpm • A# min • 07:25 • -10.51db
30% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
30% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
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Bat For Lashes
Daniel - Cenzo Townshend Radio Edit
135 bpm • G# min • 03:37 • -8.48db
16% Popularity • 55% Danceability • 70% Energy • 62% Liveness
1% Instrumentalness • 56% Positiveness
16% Popularity • 55% Danceability • 70% Energy • 62% Liveness
1% Instrumentalness • 56% Positiveness
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Wild Beasts
Underbelly
135 bpm • G# min • 01:54 • -16.75db
26% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Tindersticks
Bathtime
134 bpm • F# min • 04:03 • -9.94db
25% Popularity • 49% Danceability • 56% Energy • 13% Liveness
71% Instrumentalness • 52% Positiveness
25% Popularity • 49% Danceability • 56% Energy • 13% Liveness
71% Instrumentalness • 52% Positiveness
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Gaz Coombes
Detroit
134 bpm • D Maj • 05:40 • -4.92db
30% Popularity • 66% Danceability • 70% Energy • 11% Liveness
13% Instrumentalness • 28% Positiveness
30% Popularity • 66% Danceability • 70% Energy • 11% Liveness
13% Instrumentalness • 28% Positiveness
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Baxter Dury
Happy Soup
134 bpm • C min • 03:46 • -5db
25% Popularity • 47% Danceability • 79% Energy • 14% Liveness
94% Instrumentalness • 27% Positiveness
25% Popularity • 47% Danceability • 79% Energy • 14% Liveness
94% Instrumentalness • 27% Positiveness
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Hamish Hawk
Bakerloo, Unbecoming
134 bpm • E Maj • 04:02 • -8.98db
20% Popularity • 51% Danceability • 76% Energy • 14% Liveness
15% Instrumentalness • 46% Positiveness
20% Popularity • 51% Danceability • 76% Energy • 14% Liveness
15% Instrumentalness • 46% Positiveness
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Guillemots
Made-Up Lovesong #43
134 bpm • C# Maj • 03:40 • -9db
37% Popularity • 32% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 32% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Mercury Rev
Opus 40
133 bpm • F min • 05:10 • -7.34db
35% Popularity • 36% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 36% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Marianne Faithfull
Sliding Through Life on Charm
132 bpm • C Maj • 04:00 • -6.71db
7% Popularity • 38% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 38% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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The Hidden Cameras
Boys of Melody
133 bpm • G# min • 05:04 • -10.84db
28% Popularity • 41% Danceability • 54% Energy • 10% Liveness
66% Instrumentalness • 46% Positiveness
28% Popularity • 41% Danceability • 54% Energy • 10% Liveness
66% Instrumentalness • 46% Positiveness
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Laura Marling
Don't Pass Me By
166 bpm • E min • 05:09 • -9.75db
27% Popularity • 55% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
27% Popularity • 55% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
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World Party
Is It Like Today?
132 bpm • G Maj • 05:11 • -7.48db
48% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Richard Hawley
Tonight the Streets Are Ours
132 bpm • F Maj • 03:42 • -9.04db
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Eels
From Which I Came / A Magic World
132 bpm • D# Maj • 03:13 • -7.82db
28% Popularity • 51% Danceability • 55% Energy • 8% Liveness
15% Instrumentalness • 6% Positiveness
28% Popularity • 51% Danceability • 55% Energy • 8% Liveness
15% Instrumentalness • 6% Positiveness
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Vessels
Erase the Tapes
132 bpm • F# Maj • 04:54 • -8.27db
5% Popularity • 29% Danceability • 81% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
5% Popularity • 29% Danceability • 81% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
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Cherry Ghost
Herd Runners
132 bpm • E Maj • 05:42 • -9.32db
12% Popularity • 45% Danceability • 57% Energy • 9% Liveness
18% Instrumentalness • 20% Positiveness
12% Popularity • 45% Danceability • 57% Energy • 9% Liveness
18% Instrumentalness • 20% Positiveness
