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Jesus Maria
Songs like
Jesus Maria
by
Jimmy Giuffre
Based on a tempo of (+/- 10%) and a similar genre
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Steve Swallow
Second Handy Motion
140 bpm • C Maj • 04:48 • -12.35db
4% Popularity • 56% Danceability • 39% Energy • 9% Liveness
48% Instrumentalness • 46% Positiveness
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Jaimie Branch
Theme Nothing
140 bpm • C# min • 05:16 • -6db
10% Popularity • 48% Danceability • 83% Energy • 5% Liveness
86% Instrumentalness • 62% Positiveness
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Jimmy Giuffre
Jesus Maria
140 bpm • A Maj • 06:16 • -24.26db
16% Popularity • 37% Danceability • 2% Energy • 17% Liveness
78% Instrumentalness • 12% Positiveness
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Marion Brown
Maimoun
141 bpm • C Maj • 07:33 • -10.91db
14% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
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Pete La Roca
Basra - Remastered 2004
139 bpm • D Maj • 09:59 • -11db
13% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Roland Kirk Quartet
Rip, Rig And Panic
141 bpm • A min • 06:56 • -17.01db
12% Popularity • 34% Danceability • 46% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
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Steve Swallow
Echo
140 bpm • D Maj • 05:21 • -15.73db
6% Popularity • 47% Danceability • 42% Energy • 18% Liveness
20% Instrumentalness • 49% Positiveness
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Joe Harriott
Jaipur
141 bpm • C min • 08:07 • -14.03db
13% Popularity • 58% Danceability • 37% Energy • 11% Liveness
27% Instrumentalness • 61% Positiveness
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The John Wright Trio
47th And Calumet
138 bpm • C Maj • 03:55 • -19.5db
12% Popularity • 52% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 22% Positiveness
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Max Roach
Three-Four vs. Six-Eight Four-Four Ways
139 bpm • D# Maj • 05:40 • -18.97db
14% Popularity • 43% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Pete La Roca
Majoun
141 bpm • G Maj • 03:44 • -12.96db
9% Popularity • 24% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Steve Kuhn
Trance
142 bpm • C min • 05:59 • -13.18db
15% Popularity • 35% Danceability • 35% Energy • 11% Liveness
38% Instrumentalness • 10% Positiveness
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Steve Swallow
Count The Ways
139 bpm • F Maj • 03:47 • -20.71db
0% Popularity • 51% Danceability • 41% Energy • 12% Liveness
94% Instrumentalness • 63% Positiveness
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Jimmy Giuffre
Blues in the Barn
138 bpm • A# min • 04:44 • -14.68db
1% Popularity • 53% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Don Cherry
Roland Alphonso
142 bpm • C min • 03:19 • -23db
9% Popularity • 64% Danceability • 21% Energy • 4% Liveness
0% Instrumentalness • 18% Positiveness
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Jan Garbarek Quartet
Afric Pepperbird
137 bpm • C Maj • 07:58 • -15.86db
12% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Roland Kirk Quartet
Serenade To A Cuckoo
137 bpm • F min • 04:35 • -20db
21% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
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Carla Bley
Ladies In Mercedes
137 bpm • D Maj • 05:41 • -23.36db
10% Popularity • 39% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
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Steve Swallow
Read My Lips
143 bpm • C# Maj • 04:50 • -17.32db
1% Popularity • 37% Danceability • 42% Energy • 16% Liveness
85% Instrumentalness • 54% Positiveness
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Christian Wallumrød Ensemble
Haksong
137 bpm • C Maj • 06:28 • -20.9db
11% Popularity • 55% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Andrew Hill
Pumpkin
137 bpm • G min • 05:23 • -15db
14% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Lee Konitz
When Your Lover Has Gone
137 bpm • G# Maj • 05:02 • -18db
31% Popularity • 51% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 44% Positiveness
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Jaimie Branch
Theme 002
144 bpm • C Maj • 05:20 • -7db
17% Popularity • 53% Danceability • 74% Energy • 16% Liveness
74% Instrumentalness • 66% Positiveness
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Max Roach
Tender Warriors
136 bpm • G Maj • 06:52 • -10.04db
8% Popularity • 39% Danceability • 71% Energy • 28% Liveness
16% Instrumentalness • 43% Positiveness
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Donald Byrd
Essence
136 bpm • D Maj • 10:42 • -17.96db
11% Popularity • 41% Danceability • 25% Energy • 11% Liveness
51% Instrumentalness • 28% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 5
136 bpm • B min • 04:58 • -17.12db
8% Popularity • 41% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Michel Godard
Doppo il tormento
136 bpm • F Maj • 04:20 • -12.87db
3% Popularity • 23% Danceability • 22% Energy • 12% Liveness
78% Instrumentalness • 15% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Max Roach
Sunday Afternoon
136 bpm • C min • 06:16 • -13.13db
14% Popularity • 40% Danceability • 47% Energy • 34% Liveness
92% Instrumentalness • 61% Positiveness
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Paul Bley
Mondsee Variations VI
144 bpm • A min • 08:10 • -21.6db
2% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Vijay Iyer Trio
Hood
144 bpm • B min • 06:10 • -22.84db
12% Popularity • 50% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Booker Little
Man Of Words - Remastered
136 bpm • F min • 04:51 • -16.19db
26% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Matthew Halsall
On The Other Side Of The World
144 bpm • G min • 08:56 • -14.11db
18% Popularity • 37% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Tomasz Stańko
Morning Heavy Song
136 bpm • C# Maj • 06:43 • -18.6db
18% Popularity • 39% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Steve Swallow
Afterglow
136 bpm • F# Maj • 05:59 • -21.69db
1% Popularity • 36% Danceability • 26% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
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Dollar Brand
スワジ
144 bpm • A# Maj • 01:37 • -9db
22% Popularity • 34% Danceability • 52% Energy • 59% Liveness
74% Instrumentalness • 56% Positiveness
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Horace Silver
Calcutta Cutie - Rudy Van Gelder Edition...
144 bpm • C Maj • 08:31 • -13db
25% Popularity • 57% Danceability • 22% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
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Don Ellis
Dew
136 bpm • F# Maj • 01:29 • -21.95db
24% Popularity • 18% Danceability • 22% Energy • 11% Liveness
33% Instrumentalness • 8% Positiveness
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Oregon
Yellow Bell
145 bpm • F min • 07:06 • -20db
22% Popularity • 38% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
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Harold Land Quintet
The Peace-Maker
136 bpm • F min • 05:07 • -16.67db
11% Popularity • 45% Danceability • 19% Energy • 6% Liveness
3% Instrumentalness • 37% Positiveness
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Eberhard Weber
Maurizius
135 bpm • F Maj • 08:13 • -24db
18% Popularity • 25% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jaco Pastorius
Vashkar
135 bpm • G# min • 09:55 • -16.86db
5% Popularity • 36% Danceability • 48% Energy • 7% Liveness
2% Instrumentalness • 19% Positiveness
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Collin Walcott
Margueritte
145 bpm • G Maj • 08:30 • -16.89db
10% Popularity • 40% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Lucian Ban
The Dowry Song
145 bpm • C Maj • 07:38 • -14.51db
8% Popularity • 36% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 15% Positiveness
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Jimmy Giuffre
Scintilla lll
135 bpm • C Maj • 01:40 • -22.15db
1% Popularity • 76% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 56% Positiveness
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John Surman
Invisible Threads
135 bpm • C Maj • 05:39 • -15.13db
9% Popularity • 52% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Lee Konitz
The Song Is You
134 bpm • C Maj • 05:05 • -19.33db
8% Popularity • 43% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Bley
Harlem
134 bpm • G min • 03:22 • -15.44db
18% Popularity • 60% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
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Ahmed Abdul-Malik
Nights On Saturn - Instrumental
146 bpm • C# min • 07:31 • -17.87db
8% Popularity • 42% Danceability • 36% Energy • 8% Liveness
69% Instrumentalness • 54% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Jimmy Giuffre
Future Plans
135 bpm • G Maj • 03:55 • -21.2db
1% Popularity • 31% Danceability • 0% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Gary Burton Quintet
The Colours Of Chloe
147 bpm • E min • 07:12 • -18.59db
11% Popularity • 20% Danceability • 28% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
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Lee Konitz
Somp'm Outa Nothin'
134 bpm • F min • 04:29 • -19.53db
8% Popularity • 58% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Myra Melford
Night of Sorrow
133 bpm • E min • 06:43 • -24.43db
9% Popularity • 38% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Jamie Saft
The Barrier
133 bpm • E min • 05:44 • -16db
19% Popularity • 40% Danceability • 45% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
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Carla Bley
Life Goes On: And Then One Day
133 bpm • F Maj • 09:02 • -19.98db
13% Popularity • 49% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
26% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Steve Lacy
Let's Cool One
133 bpm • G# Maj • 06:42 • -18db
12% Popularity • 48% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Lee Konitz
Uncharted
133 bpm • A# Maj • 03:55 • -20.09db
31% Popularity • 53% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Pete La Roca
And So I
148 bpm • D# Maj • 01:28 • -13db
29% Popularity • 44% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
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Art Ensemble Of Chicago
Ja
148 bpm • D# Maj • 08:39 • -14.59db
14% Popularity • 40% Danceability • 32% Energy • 37% Liveness
17% Instrumentalness • 47% Positiveness
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Kenny Burrell
Downstairs - Master Take
148 bpm • E Maj • 02:50 • -16.49db
20% Popularity • 58% Danceability • 42% Energy • 13% Liveness
67% Instrumentalness • 67% Positiveness
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Jeff Parker Trio
Mainz
149 bpm • F# Maj • 06:32 • -14.8db
8% Popularity • 65% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
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Joe Mcphee
Scorpio's Dance
149 bpm • C min • 08:42 • -12.38db
9% Popularity • 28% Danceability • 64% Energy • 97% Liveness
11% Instrumentalness • 16% Positiveness
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Grachan Moncur III
Thandiwa - Remastered
131 bpm • D Maj • 08:21 • -12.73db
7% Popularity • 56% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Nik Bärtsch
Modul 42
131 bpm • C# Maj • 06:27 • -23.64db
18% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Lennie Tristano
Line Up
131 bpm • F min • 03:34 • -14.29db
21% Popularity • 49% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Pete La Roca
Candu - Remastered 2004
130 bpm • D min • 06:45 • -9.99db
13% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Steve Swallow
Thinking Out Loud
151 bpm • C# Maj • 05:06 • -11.58db
2% Popularity • 38% Danceability • 59% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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Vijay Iyer Trio
Wrens
130 bpm • C Maj • 06:47 • -20.72db
7% Popularity • 32% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Ray Bryant Trio
Angel Eyes
130 bpm • C min • 03:20 • -27db
39% Popularity • 53% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Kham Meslien
Kar kar kar
129 bpm • G Maj • 02:59 • -20.37db
24% Popularity • 54% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Kenny Drew
Chartreuse
130 bpm • D Maj • 04:33 • -18.37db
37% Popularity • 54% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Ahmed Abdul-Malik
La Ibkey - Instrumental
152 bpm • D min • 05:49 • -13.35db
13% Popularity • 43% Danceability • 54% Energy • 14% Liveness
79% Instrumentalness • 49% Positiveness
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Jan Garbarek
Star
129 bpm • A min • 06:12 • -19.5db
12% Popularity • 29% Danceability • 13% Energy • 7% Liveness
56% Instrumentalness • 7% Positiveness
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Lennie Tristano
East Thirty-Second Street
129 bpm • G# Maj • 04:31 • -13.53db
21% Popularity • 55% Danceability • 42% Energy • 21% Liveness
5% Instrumentalness • 59% Positiveness
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Steve Swallow
Bite Your Grandmother
152 bpm • F# Maj • 04:44 • -12.21db
5% Popularity • 44% Danceability • 65% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Roland Kirk Quartet
No Tonic Press
129 bpm • C min • 04:31 • -18db
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
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Charles Lloyd Quartet
Dream Weaver: Meditation, Dervish Dance
153 bpm • A Maj • 11:35 • -14.23db
7% Popularity • 33% Danceability • 47% Energy • 18% Liveness
3% Instrumentalness • 30% Positiveness
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Jimmy Giuffre
The Train and the River
128 bpm • G Maj • 03:33 • -20.65db
24% Popularity • 61% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
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Kenny Burrell
Lotus Land
128 bpm • C Maj • 09:35 • -20.92db
13% Popularity • 38% Danceability • 20% Energy • 9% Liveness
51% Instrumentalness • 14% Positiveness
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Lennie Tristano
Turkish Mambo
153 bpm • D# min • 03:36 • -15db
17% Popularity • 61% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 66% Positiveness
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Don Cherry
Makondi
127 bpm • A Maj • 03:48 • -17db
14% Popularity • 59% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 74% Positiveness
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Steve Swallow
Willow
153 bpm • D Maj • 04:12 • -16.53db
2% Popularity • 35% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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Horace Silver
Safari - Remastered
127 bpm • G Maj • 02:48 • -9.56db
23% Popularity • 52% Danceability • 71% Energy • 32% Liveness
78% Instrumentalness • 96% Positiveness
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Henri Texier
Standing Ovation (For Mandela)
154 bpm • G Maj • 04:26 • -8.4db
13% Popularity • 52% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Roy Haynes Quartet
Some Other Spring
127 bpm • G Maj • 03:29 • -18db
24% Popularity • 49% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 26% Positiveness
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Ornette Coleman
Peace
127 bpm • B Maj • 09:04 • -15db
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
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Jamie Saft
Little Harbor
127 bpm • F min • 04:30 • -18.2db
17% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 1
127 bpm • A Maj • 03:40 • -24db
25% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Joe Zawinul
Sharon's Waltz
126 bpm • A min • 05:06 • -22.64db
11% Popularity • 54% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 17% Positiveness
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Yazz Ahmed
La Saboteuse
126 bpm • G# min • 04:31 • -18.46db
15% Popularity • 20% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Max Roach
Abstrutions
156 bpm • C# min • 03:38 • -13.66db
22% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
► Preview
Kenny Burrell
Moon And Sand
126 bpm • G min • 04:14 • -20db
34% Popularity • 67% Danceability • 30% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
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Chicago Underground Quartet
A Re-Occuring Dream
124 bpm • G Maj • 03:11 • -11.19db
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Dizzy Gillespie
Theme From The Cool World
124 bpm • A# min • 05:17 • -13.93db
10% Popularity • 49% Danceability • 36% Energy • 10% Liveness
66% Instrumentalness • 79% Positiveness
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Roland Kirk Quartet
I Talk With The Spirits
124 bpm • E min • 03:57 • -25.71db
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Henry Threadgill
Spotted Dick Is Pudding
123 bpm • A Maj • 08:53 • -12.5db
8% Popularity • 48% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 59% Positiveness
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Jesus Maria