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Jesus Will Fix It for You
Songs like
Jesus Will Fix It for You
by
Jeffrey Foucault
Based on a tempo of (+/- 10%) and a similar genre
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Jeffrey Foucault
Jesus Will Fix It for You
99 bpm • B Maj • 04:41 • -12db
18% Popularity • 63% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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DADDY LONG LEGS
Blood from a Stone
99 bpm • G Maj • 04:03 • -4db
12% Popularity • 47% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 46% Positiveness
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The Bones of J.R. Jones
Sinner Song
99 bpm • D Maj • 03:49 • -10.46db
21% Popularity • 42% Danceability • 17% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
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Shovels & Rope
Fish Assassin
100 bpm • C min • 01:23 • -6.43db
35% Popularity • 61% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Eilen Jewell
If You Catch Me Stealing
100 bpm • C Maj • 04:08 • -6db
18% Popularity • 58% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Black Rebel Motorcycle Club
Devil's Waitin'
98 bpm • F Maj • 03:50 • -8.89db
34% Popularity • 34% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jeffrey Foucault
Mayfly
99 bpm • B Maj • 03:34 • -13.95db
31% Popularity • 68% Danceability • 29% Energy • 12% Liveness
14% Instrumentalness • 33% Positiveness
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Davey Craddock
Rolling River
98 bpm • B min • 02:58 • -5.93db
11% Popularity • 44% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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The Bones of J.R. Jones
Black Letter Day
98 bpm • A min • 02:56 • -7.85db
34% Popularity • 65% Danceability • 56% Energy • 6% Liveness
20% Instrumentalness • 68% Positiveness
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Orb Mellon
Gonna Find It
100 bpm • A min • 03:22 • -5.07db
12% Popularity • 68% Danceability • 67% Energy • 18% Liveness
50% Instrumentalness • 81% Positiveness
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Martin Harley
Outlaw
98 bpm • A min • 03:23 • -7db
18% Popularity • 66% Danceability • 69% Energy • 10% Liveness
21% Instrumentalness • 70% Positiveness
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The Wanton Bishops
Come to Me
98 bpm • D min • 04:04 • -5.82db
38% Popularity • 42% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Scott H. Biram
Jack Of Diamonds
100 bpm • D Maj • 04:12 • -8.36db
36% Popularity • 48% Danceability • 69% Energy • 52% Liveness
3% Instrumentalness • 62% Positiveness
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Sawyer Fredericks
Silent World
98 bpm • D Maj • 03:44 • -9.69db
14% Popularity • 65% Danceability • 35% Energy • 10% Liveness
5% Instrumentalness • 11% Positiveness
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Hannah Miller
Promise Land
100 bpm • A Maj • 03:09 • -10.55db
30% Popularity • 34% Danceability • 31% Energy • 15% Liveness
2% Instrumentalness • 12% Positiveness
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The Reverend Shawn Amos
Moved
100 bpm • C Maj • 03:59 • -7.86db
18% Popularity • 63% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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John Doe
The Losing Kind
100 bpm • A min • 02:33 • -8.71db
19% Popularity • 46% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Algiers
Blood
100 bpm • C# min • 05:38 • -8.63db
28% Popularity • 24% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Jake Bugg
On My One
100 bpm • D Maj • 02:15 • -10.52db
38% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Scott H. Biram
Righteous Ways
101 bpm • C Maj • 02:51 • -11.41db
27% Popularity • 59% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Tenderloud
Shadow Red Hand
97 bpm • D min • 03:08 • -10.43db
13% Popularity • 30% Danceability • 52% Energy • 12% Liveness
7% Instrumentalness • 21% Positiveness
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Jeffrey Foucault
There's a Destruction on This Land
101 bpm • E Maj • 05:02 • -9.64db
8% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Harper
I Ride At Dawn
101 bpm • C Maj • 04:41 • -15db
22% Popularity • 59% Danceability • 24% Energy • 10% Liveness
19% Instrumentalness • 35% Positiveness
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7Horse
Goodnight Sweet Dream
97 bpm • C Maj • 03:56 • -7.47db
34% Popularity • 48% Danceability • 63% Energy • 18% Liveness
48% Instrumentalness • 35% Positiveness
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Lewis & Leigh
Only Fifteen
97 bpm • F# Maj • 03:40 • -4.13db
23% Popularity • 32% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Caitlin Canty
Enough About Hard Times
97 bpm • E min • 02:35 • -9.85db
34% Popularity • 57% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 91% Positiveness
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The Texas Sapphires
Bring Out the Bible (We Ain't Got a Pray...
102 bpm • D Maj • 04:14 • -7.29db
11% Popularity • 60% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Mickey Newbury
Just Dropped In
102 bpm • F# min • 04:15 • -12.98db
37% Popularity • 43% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Cliff Wagner
Castleneck
102 bpm • E min • 03:50 • -7.41db
20% Popularity • 68% Danceability • 79% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
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Paul Cauthen
Everybody Walkin' This Land
96 bpm • G Maj • 03:06 • -8.46db
51% Popularity • 70% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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The Wanton Bishops
Sleep With the Lights On
102 bpm • G Maj • 03:26 • -6db
53% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Martin Harley
Ball & Chain
96 bpm • E Maj • 04:29 • -8.57db
19% Popularity • 63% Danceability • 56% Energy • 33% Liveness
1% Instrumentalness • 60% Positiveness
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William Elliott Whitmore
Old devils
102 bpm • A min • 03:38 • -10.64db
41% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Smither
Train Home
96 bpm • B min • 04:25 • -9.99db
32% Popularity • 62% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
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The Suitcase Junket
Hot Rod God
102 bpm • G# min • 03:40 • -14.05db
17% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Malcolm Holcombe
To Get By
96 bpm • C# Maj • 04:03 • -10.31db
21% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Jeffrey Foucault
Dove and the Waterline
96 bpm • D# min • 03:50 • -12.84db
17% Popularity • 54% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Fantastic Negrito
Night Has Turned to Day
102 bpm • B Maj • 02:40 • -5db
37% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Blackie & The Rodeo Kings
Stoned
103 bpm • A# Maj • 03:45 • -8db
27% Popularity • 61% Danceability • 65% Energy • 12% Liveness
33% Instrumentalness • 66% Positiveness
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Chris Smither
Hold On I
103 bpm • E Maj • 04:03 • -9.08db
34% Popularity • 56% Danceability • 49% Energy • 69% Liveness
3% Instrumentalness • 50% Positiveness
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Trampled by Turtles
Ghosts
95 bpm • A Maj • 03:47 • -8.06db
21% Popularity • 38% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Elk Eyes
It Goes Dark
95 bpm • D min • 03:19 • -12.77db
11% Popularity • 59% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 17% Positiveness
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Jeffrey Foucault
Goner's Most
96 bpm • E Maj • 04:53 • -15.97db
5% Popularity • 55% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Jonah Tolchin
Hybrid Automobile
95 bpm • G Maj • 04:17 • -8.98db
17% Popularity • 53% Danceability • 74% Energy • 11% Liveness
15% Instrumentalness • 70% Positiveness
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Tony Crown
Killing Machine
103 bpm • E min • 03:29 • -12.47db
28% Popularity • 58% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Lucero
Everything You Need
95 bpm • C Maj • 01:20 • -10.6db
25% Popularity • 64% Danceability • 52% Energy • 9% Liveness
74% Instrumentalness • 80% Positiveness
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Ryan Kickland
Homesick
103 bpm • A Maj • 03:38 • -13.4db
12% Popularity • 52% Danceability • 18% Energy • 10% Liveness
27% Instrumentalness • 7% Positiveness
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Chris Smither
Maybellene
95 bpm • D Maj • 02:56 • -7.23db
40% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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The Record Company
I'm Changing
94 bpm • C Maj • 04:31 • -6.58db
20% Popularity • 58% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Hard Working Americans
It Runs Together
104 bpm • A min • 03:22 • -10.41db
26% Popularity • 61% Danceability • 55% Energy • 42% Liveness
3% Instrumentalness • 41% Positiveness
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Steve Fawcett
Dirty Water
104 bpm • G Maj • 02:16 • -8.15db
26% Popularity • 60% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Bror Gunnar Jansson
Spiritual
94 bpm • C Maj • 04:41 • -12.19db
19% Popularity • 31% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
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Jeffrey Foucault
Doubletree
104 bpm • G min • 03:15 • -18.1db
18% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jason Isbell
Now That Your Dollar Bills Have Sprouted...
94 bpm • A Maj • 05:11 • -6.32db
14% Popularity • 43% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Record Company
Feels So Good
105 bpm • D min • 03:56 • -3.74db
31% Popularity • 53% Danceability • 74% Energy • 39% Liveness
13% Instrumentalness • 64% Positiveness
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Boo Boo Davis
I'm so Tired
94 bpm • F Maj • 05:06 • -6db
23% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Kris Gruen
Half Way Down
93 bpm • C min • 02:29 • -6.04db
22% Popularity • 62% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 72% Positiveness
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The Hot Damns
Something Evil
105 bpm • A# min • 04:17 • -9.61db
22% Popularity • 40% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Jeffrey Foucault
Starlight and Static
105 bpm • B min • 03:52 • -13.24db
8% Popularity • 64% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Levon Helm
False Hearted Lover Blues
105 bpm • C# min • 03:29 • -7db
33% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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John Fullbright
Gawd Above
105 bpm • C Maj • 03:37 • -9.68db
28% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Builders and The Butchers
No Roses
105 bpm • E min • 05:16 • -9.9db
25% Popularity • 45% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Smither
Hundred Dollar Valentine
105 bpm • G Maj • 03:05 • -4.99db
31% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Rodney Crowell
I Don't Care Anymore
93 bpm • D min • 04:28 • -9.26db
20% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Jeffrey Foucault
Battle Hymn (of the College Dropout Farm...
106 bpm • C# Maj • 04:39 • -14.42db
12% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kelly Pardekooper
Yonder
93 bpm • A Maj • 03:04 • -11db
13% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Delaney Davidson
Demon Claws
106 bpm • E min • 04:04 • -9.6db
23% Popularity • 50% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Joshua James
Mother Mary
106 bpm • C# Maj • 04:31 • -7db
29% Popularity • 36% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Smither
Crocodile Man
106 bpm • D min • 03:33 • -10db
28% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Be Good Tanyas
What Are They Doing In Heaven Today
92 bpm • C Maj • 04:28 • -12.12db
25% Popularity • 41% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jeffrey Foucault
Dishes
92 bpm • C# Maj • 03:57 • -12.78db
19% Popularity • 51% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Dave Alvin
Run Conejo Run
106 bpm • F min • 04:52 • -9.58db
16% Popularity • 68% Danceability • 63% Energy • 8% Liveness
5% Instrumentalness • 57% Positiveness
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Mavis Staples
Every Step
92 bpm • D min • 04:02 • -12.47db
23% Popularity • 74% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
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DADDY LONG LEGS
Blood from a Stone
106 bpm • D Maj • 03:53 • -12.7db
18% Popularity • 28% Danceability • 59% Energy • 78% Liveness
11% Instrumentalness • 29% Positiveness
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Malcolm Holcombe
Pitiful Blues
106 bpm • F min • 03:46 • -11db
27% Popularity • 52% Danceability • 51% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
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Dusty Heart
Timbre and Trail
92 bpm • A Maj • 03:53 • -11.3db
2% Popularity • 42% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Bones of J.R. Jones
Dreams to Tell (Reprise)
106 bpm • G Maj • 03:16 • -11.55db
23% Popularity • 74% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Peter Wolf
Rolling On
106 bpm • E min • 04:07 • -12.62db
18% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Hanni El Khatib
Heartbreak Hotel
107 bpm • A# Maj • 03:11 • -9.57db
29% Popularity • 72% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
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Jonah Tolchin
Mockingbird
107 bpm • A min • 02:59 • -11.02db
30% Popularity • 69% Danceability • 46% Energy • 29% Liveness
15% Instrumentalness • 32% Positiveness
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The Jimmy Lloyd Songwriter Showcase
Remember to Breathe
92 bpm • G Maj • 02:53 • -6.8db
15% Popularity • 65% Danceability • 49% Energy • 15% Liveness
16% Instrumentalness • 49% Positiveness
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Jeffrey Foucault
Deserter's Information Center
107 bpm • B Maj • 04:38 • -10.53db
4% Popularity • 58% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
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Blues Saraceno
Hangin' tree
107 bpm • D Maj • 02:29 • -4.49db
29% Popularity • 60% Danceability • 96% Energy • 62% Liveness
0% Instrumentalness • 76% Positiveness
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Blackie & The Rodeo Kings
Heaven Knows Your Name
107 bpm • A Maj • 05:03 • -5.81db
8% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Luther Dickinson
Mean Ol' Wind Died Down
91 bpm • D Maj • 04:00 • -12.12db
12% Popularity • 67% Danceability • 38% Energy • 27% Liveness
6% Instrumentalness • 64% Positiveness
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Cedric Burnside
We Made It
107 bpm • D Maj • 03:34 • -8db
39% Popularity • 72% Danceability • 75% Energy • 29% Liveness
4% Instrumentalness • 82% Positiveness
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Brent Amaker and the Rodeo
Man In Charge - Tison Remix
91 bpm • A min • 04:08 • -5.61db
33% Popularity • 53% Danceability • 90% Energy • 17% Liveness
87% Instrumentalness • 74% Positiveness
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Charlie Patton's War
Pharoah
107 bpm • A# min • 03:41 • -7db
9% Popularity • 48% Danceability • 79% Energy • 7% Liveness
8% Instrumentalness • 54% Positiveness
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Chris McDermott
Even The Devil Gets Right Someday
91 bpm • F Maj • 04:20 • -10.36db
14% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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William Elliott Whitmore
Johnny law
108 bpm • E Maj • 04:29 • -13db
33% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jonah Tolchin
Where The Hell Are All Of My Friends
91 bpm • D Maj • 03:13 • -18db
20% Popularity • 49% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Fink
Where the Sun & the Moon Sleep
108 bpm • C Maj • 03:51 • -8.69db
16% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Mary Gauthier
Got Your Six
108 bpm • E Maj • 02:38 • -8.22db
30% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Eagle Rock Gospel Singers
At Night
109 bpm • F Maj • 03:19 • -4.43db
30% Popularity • 32% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Parker Millsap
The Very Last Day
90 bpm • C# min • 03:00 • -9.26db
37% Popularity • 60% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Jeffrey Foucault
Blues for Jessie Mae
109 bpm • C min • 03:53 • -11.52db
8% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Fontaine
Running On Empty
109 bpm • G Maj • 04:10 • -10.06db
11% Popularity • 43% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Lonesome Shack
Medicine
90 bpm • A min • 05:54 • -9.69db
21% Popularity • 71% Danceability • 42% Energy • 22% Liveness
21% Instrumentalness • 55% Positiveness
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Hard Working Americans
Blackland Farmer
109 bpm • A min • 07:37 • -10db
14% Popularity • 42% Danceability • 51% Energy • 93% Liveness
7% Instrumentalness • 63% Positiveness
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Justin Townes Earle
If I Was The Devil
90 bpm • F Maj • 02:34 • -12.44db
34% Popularity • 55% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Jesus Will Fix It for You