Songs like Jewish Sketches: Second Suite, Op. 13: Andante Con Moto by Alexander Krein
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Krein
Jewish Sketches: Second Suite, Op. 13: A...
86 bpm • G min • 04:44 • -25.32db
0% Popularity • 16% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Hollers Gang
In Your Words
86 bpm • C# min • 02:11 • -18.23db
15% Popularity • 42% Danceability • 16% Energy • 24% Liveness
90% Instrumentalness • 30% Positiveness
15% Popularity • 42% Danceability • 16% Energy • 24% Liveness
90% Instrumentalness • 30% Positiveness
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Mel Bonis
Suite en trio, Op. 59: I. Serenade
86 bpm • E min • 03:39 • -25db
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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Georg Goltermann
Concerto for cello and orchestra no. 1 i...
86 bpm • E Maj • 03:00 • -26db
20% Popularity • 13% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
20% Popularity • 13% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Theme by Tchaikovsky, Op...
86 bpm • E Maj • 01:33 • -22.3db
19% Popularity • 15% Danceability • 11% Energy • 29% Liveness
96% Instrumentalness • 13% Positiveness
19% Popularity • 15% Danceability • 11% Energy • 29% Liveness
96% Instrumentalness • 13% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120: II. ...
86 bpm • A min • 01:43 • -24.47db
20% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
20% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Lieder Ohne Worte, Erstes Heft, Op. 19 (...
86 bpm • G min • 01:58 • -24.79db
11% Popularity • 28% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
11% Popularity • 28% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Rita Strohl
Great Dramatic Sonata, "Titus et Bérén...
86 bpm • G Maj • 05:30 • -21.4db
19% Popularity • 27% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
19% Popularity • 27% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Louise-Andrée Baril
Nocturne opus posthume en do dièse mine...
86 bpm • C# min • 04:08 • -32db
13% Popularity • 13% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Henry Holden Huss
Romance
87 bpm • E Maj • 05:22 • -22.36db
14% Popularity • 20% Danceability • 9% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Alexander Krein
Esquisses hebraïques No. 2, Op. 13: I. ...
85 bpm • C min • 06:00 • -20.54db
0% Popularity • 19% Danceability • 6% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 6% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
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Anonymous
4 Songs, Op. 13: No. 3. Sure on this shi...
87 bpm • E min • 02:31 • -22.87db
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Suite, Op. 23: IV. Lied. Schlicht und in...
87 bpm • C# Maj • 03:44 • -27db
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Dance Of The K...
87 bpm • A min • 02:13 • -14.24db
22% Popularity • 35% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
22% Popularity • 35% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17, No. 3
85 bpm • A Maj • 02:42 • -25.67db
15% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
15% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Trio in A Minor, Op. 50: II. Varia...
87 bpm • E Maj • 02:20 • -19.63db
20% Popularity • 32% Danceability • 12% Energy • 10% Liveness
11% Instrumentalness • 15% Positiveness
20% Popularity • 32% Danceability • 12% Energy • 10% Liveness
11% Instrumentalness • 15% Positiveness
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Alexander Krein
3 Ornaments, Op. 42 (Arr. for Violin & P...
85 bpm • G# Maj • 02:07 • -18.64db
0% Popularity • 20% Danceability • 15% Energy • 14% Liveness
66% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 15% Energy • 14% Liveness
66% Instrumentalness • 5% Positiveness
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George Enescu
Octet, Op. 7 (Arr. for String Orchestra ...
85 bpm • E Maj • 09:03 • -25.21db
22% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
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Edvard Grieg
5 Songs, Op. 70 (Transcr. D. Müller-Sch...
85 bpm • E Maj • 02:21 • -22.11db
19% Popularity • 29% Danceability • 9% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
19% Popularity • 29% Danceability • 9% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Overture on Hebrew Themes, Op. 34
87 bpm • G min • 08:19 • -18.64db
11% Popularity • 20% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor Op.64: II. Al...
85 bpm • C Maj • 08:07 • -21.33db
9% Popularity • 13% Danceability • 12% Energy • 7% Liveness
43% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 12% Energy • 7% Liveness
43% Instrumentalness • 5% Positiveness
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José Manuel Ortega Caballo
Allegro Scherzino : Flying - Orchestral ...
85 bpm • A Maj • 01:21 • -17.17db
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Alexander Krein
Jewish Sketches, Suite No. 2, Op. 13: I....
87 bpm • G min • 04:40 • -16.13db
0% Popularity • 20% Danceability • 13% Energy • 16% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 13% Energy • 16% Liveness
7% Instrumentalness • 7% Positiveness
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Johannes Brahms
ヴァイオリン・ソナタ 第1番 �...
87 bpm • D# Maj • 07:30 • -17.97db
17% Popularity • 14% Danceability • 10% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Margaret Bonds
Montgomery Variations: VI. Lament
87 bpm • D min • 02:41 • -36.19db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Dorothy Howell
Divertissements: II. Three Divertissemen...
87 bpm • A# Maj • 04:47 • -23.97db
11% Popularity • 9% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Walter Kaufmann
Concerto for Piano and Orchestra No. 3: ...
84 bpm • F min • 09:44 • -24.3db
10% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Lili Boulanger
Reflets
88 bpm • D Maj • 02:47 • -24.98db
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 3% Positiveness
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Alexander Krein
Symphony No. 1, Op. 35: Lento. Molto App...
85 bpm • F# Maj • 09:13 • -22.1db
0% Popularity • 9% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Jascha Heifetz
Dance No. 4 (arr. J. Heifetz for violin ...
88 bpm • F# min • 01:31 • -8.9db
0% Popularity • 62% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
0% Popularity • 62% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Nino Rota
Guerra e pace (Film Music Suite): Andrea...
88 bpm • F Maj • 02:50 • -27.1db
17% Popularity • 10% Danceability • 4% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
84 bpm • C# Maj • 10:38 • -29.1db
7% Popularity • 10% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: III. Un peu plus...
88 bpm • C min • 02:09 • -28.97db
22% Popularity • 11% Danceability • 4% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 4% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossienne No. 1 (Orch. Corp)
84 bpm • F min • 03:40 • -35.19db
7% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Krein
Jewish Melody, Op. 43
88 bpm • E min • 03:17 • -14.58db
0% Popularity • 23% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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蔡榮吉
泰綺思
84 bpm • E min • 04:36 • -13.49db
10% Popularity • 25% Danceability • 23% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 23% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Gabriel Yared
As Far as Florence
84 bpm • G Maj • 04:31 • -25.96db
23% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Giacomo Puccini
星はきらめき～歌劇『トスカ�...
88 bpm • B min • 03:36 • -19.61db
12% Popularity • 22% Danceability • 9% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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S. Charles Brown
A Song Without Words
84 bpm • F# Maj • 03:13 • -30.19db
14% Popularity • 22% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 22% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Clara Schumann
Schumann: 3 Romances, Op. 22: No. 1 Anda...
84 bpm • C# Maj • 03:09 • -23.33db
16% Popularity • 28% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Alexander Krein
Esquisses hébraïques No. 1, Op. 12: I....
88 bpm • G Maj • 04:30 • -23.97db
0% Popularity • 18% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Rued Langgaard
Symphony No. 14, "Morgenen" (The Morning...
89 bpm • D Maj • 07:17 • -33.61db
8% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: XI. Adagio (aft...
84 bpm • A Maj • 05:42 • -19.43db
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
Il tabarro, SC 85: Introduzione
84 bpm • A min • 02:02 • -26.17db
8% Popularity • 13% Danceability • 6% Energy • 77% Liveness
95% Instrumentalness • 8% Positiveness
8% Popularity • 13% Danceability • 6% Energy • 77% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Winfred Jeremiah
A Fascinating Night
83 bpm • A# Maj • 02:13 • -17.87db
8% Popularity • 25% Danceability • 15% Energy • 19% Liveness
54% Instrumentalness • 17% Positiveness
8% Popularity • 25% Danceability • 15% Energy • 19% Liveness
54% Instrumentalness • 17% Positiveness
► Preview
Cecil Burleigh
4 Rocky Mountain Sketches, Op. 11: At Su...
83 bpm • F Maj • 02:51 • -20.46db
14% Popularity • 20% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Alexander Krein
Poem, Op. 11, No. 2
89 bpm • E Maj • 03:54 • -24.53db
0% Popularity • 42% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 42% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Violin Concerto in D Major, K075: III. A...
89 bpm • D Maj • 05:22 • -25.91db
2% Popularity • 18% Danceability • 6% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 6% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
83 bpm • D min • 01:14 • -36.64db
14% Popularity • 31% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 16% Positiveness
14% Popularity • 31% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 16% Positiveness
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Bach
Adagio, Concerto, No. 2 in E Major
83 bpm • D min • 06:30 • -13.51db
13% Popularity • 23% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 9% Positiveness
13% Popularity • 23% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 9% Positiveness
► Preview
Yannis Constantinidis
Suite sur des mélodies populaires grecq...
83 bpm • A min • 01:53 • -26.14db
19% Popularity • 26% Danceability • 5% Energy • 17% Liveness
12% Instrumentalness • 15% Positiveness
19% Popularity • 26% Danceability • 5% Energy • 17% Liveness
12% Instrumentalness • 15% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Introduction to The Queen of Spades, Op....
83 bpm • D Maj • 04:20 • -20.52db
24% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: No....
89 bpm • G min • 06:42 • -31.84db
11% Popularity • 14% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Alexander Krein
Dance No. 4
89 bpm • A Maj • 01:36 • -14.89db
0% Popularity • 66% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
0% Popularity • 66% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
► Preview
Manuel de Falla
Suite populaire espagnole (Arr. for Cell...
89 bpm • G Maj • 01:11 • -22.89db
15% Popularity • 34% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
15% Popularity • 34% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Enrique Grandados
Orientale
83 bpm • C min • 03:35 • -19.33db
13% Popularity • 18% Danceability • 15% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
13% Popularity • 18% Danceability • 15% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
► Preview
Dr. Jeffrey Thompson
The Planets Suite: Venus, Bringer Of Pea...
83 bpm • F min • 08:48 • -30.15db
12% Popularity • 8% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 3% Positiveness
► Preview
Su Shien-Ta
Glazunov: Meditation, Op. 32
83 bpm • D Maj • 04:05 • -18.26db
7% Popularity • 16% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
7% Popularity • 16% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
► Preview
Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Alexander Krein
Poème, Op. 10
89 bpm • F Maj • 07:35 • -15.56db
0% Popularity • 17% Danceability • 24% Energy • 8% Liveness
79% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 24% Energy • 8% Liveness
79% Instrumentalness • 5% Positiveness
► Preview
Wilhelm Stenhammar
2 Sentimental Romances, Op. 28: No. 1 in...
83 bpm • A Maj • 05:33 • -16.08db
15% Popularity • 12% Danceability • 16% Energy • 9% Liveness
46% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 16% Energy • 9% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Ria Mbanefo
My Own Lover
83 bpm • A# Maj • 02:54 • -20.19db
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
► Preview
Marko Celesty
Calm Cascades
89 bpm • G Maj • 01:56 • -31.27db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
89 bpm • E Maj • 07:28 • -21.27db
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
► Preview
Erik Satie
Relâche, Pt. 2: No. 3, Rentrée de la f...
83 bpm • F Maj • 02:00 • -34.46db
6% Popularity • 15% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
6% Popularity • 15% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Alexander Krein
Ornaments, Op. 42: Andante
83 bpm • C# Maj • 03:35 • -27.19db
0% Popularity • 16% Danceability • 4% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 4% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Zdeněk Fibich
Poem in D-Flat Major, Op.39a
83 bpm • C# Maj • 02:44 • -23.91db
12% Popularity • 12% Danceability • 2% Energy • 10% Liveness
36% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 2% Energy • 10% Liveness
36% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
ヴァイオリン協奏曲 ホ短調 �...
83 bpm • C Maj • 08:23 • -29.87db
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Nocturnes, Op. 9, B. 54: No. 2 in E-Flat...
82 bpm • D# Maj • 04:06 • -24.13db
11% Popularity • 16% Danceability • 7% Energy • 17% Liveness
84% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 17% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Miniatures for Cello & Strings: No. 1, C...
90 bpm • G Maj • 03:08 • -18db
16% Popularity • 18% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 18% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Max Bruch
Kol Nidrei, Op. 47
82 bpm • D Maj • 09:53 • -28.55db
12% Popularity • 16% Danceability • 3% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90: V, Liebestra...
90 bpm • C Maj • 01:05 • -16.73db
14% Popularity • 25% Danceability • 14% Energy • 85% Liveness
31% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 85% Liveness
31% Instrumentalness • 5% Positiveness
► Preview
Carl Venth
Aria
90 bpm • C min • 05:09 • -24.22db
13% Popularity • 20% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Valses Nobles Et Sentimentales: IV. Asse...
82 bpm • E Maj • 01:24 • -18.18db
10% Popularity • 12% Danceability • 20% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 20% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Pablo Casals
Song of the Birds
90 bpm • A min • 02:32 • -21.1db
19% Popularity • 20% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
19% Popularity • 20% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
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Edward Elgar
Chanson de nuit et chanson de matin, Op....
82 bpm • G Maj • 03:10 • -17.19db
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
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Alexander Krein
Hebrew Sketches, Op. 12: I. Lento
82 bpm • G Maj • 03:54 • -19.3db
0% Popularity • 18% Danceability • 9% Energy • 9% Liveness
39% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 9% Liveness
39% Instrumentalness • 6% Positiveness
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Astor Piazzolla
Oblivion (Arr. for violin, cello and pia...
82 bpm • G# Maj • 04:10 • -23.1db
11% Popularity • 22% Danceability • 10% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 10% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Helena Semanov
Passacaglia In F Major
82 bpm • C Maj • 02:20 • -38.24db
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
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Georges Delerue
Chère Louise
82 bpm • A min • 04:48 • -20db
28% Popularity • 18% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Trio in A Minor, Op. 50, TH 117: T...
82 bpm • C# min • 01:12 • -19.16db
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
53% Instrumentalness • 22% Positiveness
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
53% Instrumentalness • 22% Positiveness
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Timo Andres
Timo Andres: Upstate Obscura: 1. Valley ...
82 bpm • D# Maj • 04:40 • -20.25db
6% Popularity • 9% Danceability • 15% Energy • 57% Liveness
90% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 15% Energy • 57% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Krein
Esquisses hébraïques No. 1, Op. 12: II...
82 bpm • G Maj • 03:30 • -20.61db
0% Popularity • 22% Danceability • 11% Energy • 15% Liveness
81% Instrumentalness • 16% Positiveness
0% Popularity • 22% Danceability • 11% Energy • 15% Liveness
81% Instrumentalness • 16% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
82 bpm • E Maj • 04:40 • -25.54db
0% Popularity • 12% Danceability • 5% Energy • 13% Liveness
73% Instrumentalness • 9% Positiveness
0% Popularity • 12% Danceability • 5% Energy • 13% Liveness
73% Instrumentalness • 9% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
12% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Suite in D Minor, Op. 16b, R. 211: II. S...
82 bpm • G min • 03:06 • -32.56db
9% Popularity • 23% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 18% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 18% Positiveness
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Klezmer Klassica
Hebrew Sketches, Op. 12: 1. Lento
82 bpm • G Maj • 04:26 • -13.88db
0% Popularity • 26% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 6% Positiveness
0% Popularity • 26% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 6% Positiveness
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Benjamin Godard
Suite De Trois Morceaux, Op. 116
82 bpm • G Maj • 05:24 • -27.96db
18% Popularity • 16% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
18% Popularity • 16% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56 - 1. Berceuse
82 bpm • B Maj • 01:02 • -22.48db
10% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
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Winfred Jeremiah
Paris In April
91 bpm • A# Maj • 03:16 • -17.82db
8% Popularity • 20% Danceability • 13% Energy • 39% Liveness
43% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 13% Energy • 39% Liveness
43% Instrumentalness • 8% Positiveness
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Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
91 bpm • C# Maj • 08:49 • -26.45db
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
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Traditional
Deep River (Arr. J. Lenehan for Clarinet...
82 bpm • F Maj • 02:15 • -34.95db
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 9...
81 bpm • C Maj • 04:42 • -15.33db
11% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
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Alexander Krein
3 Ornaments, Op. 42 (Arr. for Violin & P...
91 bpm • E Maj • 02:06 • -17.02db
0% Popularity • 23% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
0% Popularity • 23% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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Giacomo Puccini
私のお父さん～歌劇『ジャン�...
91 bpm • G# Maj • 02:43 • -21.4db
19% Popularity • 20% Danceability • 17% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 17% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
5 Pieces for 2 Violins & Piano (Arr. for...
81 bpm • A Maj • 01:34 • -15.03db
17% Popularity • 44% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 44% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22/...
81 bpm • A Maj • 04:46 • -23.47db
33% Popularity • 17% Danceability • 5% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 5% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
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Carrie Baynes
Nightingales Sing In Berkeley Square
81 bpm • C# Maj • 03:02 • -20.14db
25% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
