Songs like Jim And Boone by Dimitri Tiomkin
Based on a tempo of (+/- 10%) and a similar genre
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Tommy Smith
Children's Song No. 18
68 bpm • G min • 01:05 • -13.24db
15% Popularity • 45% Danceability • 37% Energy • 44% Liveness
93% Instrumentalness • 86% Positiveness
15% Popularity • 45% Danceability • 37% Energy • 44% Liveness
93% Instrumentalness • 86% Positiveness
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Alfred Newman
The Seven Year Itch: The Girl Upstairs
68 bpm • G Maj • 03:45 • -17.68db
17% Popularity • 35% Danceability • 13% Energy • 36% Liveness
25% Instrumentalness • 21% Positiveness
17% Popularity • 35% Danceability • 13% Energy • 36% Liveness
25% Instrumentalness • 21% Positiveness
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Jerome Moross
The Big Country
68 bpm • G Maj • 03:05 • -13.2db
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
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Mario Nascimbene
Funeral / Exit
69 bpm • F Maj • 03:55 • -18db
12% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
12% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
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Viljar Puu Weimann
Short Stories for Strings or 12 Miniatur...
67 bpm • F Maj • 01:55 • -33.66db
8% Popularity • 19% Danceability • 1% Energy • 23% Liveness
76% Instrumentalness • 14% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 23% Liveness
76% Instrumentalness • 14% Positiveness
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Ernest Gold
In Jerusalem
67 bpm • G min • 01:14 • -21.51db
16% Popularity • 13% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Earle Hagen
Aunt Bee
67 bpm • D Maj • 03:05 • -16.24db
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Alfred Newman
The Marriage Proposal (Greensleeves)
69 bpm • E min • 01:48 • -16.28db
25% Popularity • 19% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
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Jerome Moross
Main Theme
68 bpm • C Maj • 03:09 • -11.56db
15% Popularity • 21% Danceability • 26% Energy • 13% Liveness
41% Instrumentalness • 28% Positiveness
15% Popularity • 21% Danceability • 26% Energy • 13% Liveness
41% Instrumentalness • 28% Positiveness
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Dimitri Tiomkin
RIO Bravo - Main Theme (End Titles)
69 bpm • A Maj • 02:02 • -38.84db
11% Popularity • 24% Danceability • 1% Energy • 7% Liveness
12% Instrumentalness • 20% Positiveness
11% Popularity • 24% Danceability • 1% Energy • 7% Liveness
12% Instrumentalness • 20% Positiveness
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Cyril Mockridge
Main Title & Finale
70 bpm • F Maj • 02:14 • -9.11db
7% Popularity • 34% Danceability • 50% Energy • 18% Liveness
82% Instrumentalness • 18% Positiveness
7% Popularity • 34% Danceability • 50% Energy • 18% Liveness
82% Instrumentalness • 18% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
The Carousel Waltz
70 bpm • D Maj • 07:12 • -14.45db
8% Popularity • 21% Danceability • 29% Energy • 6% Liveness
55% Instrumentalness • 32% Positiveness
8% Popularity • 21% Danceability • 29% Energy • 6% Liveness
55% Instrumentalness • 32% Positiveness
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Francois Fortin
Azur
66 bpm • A# Maj • 04:52 • -19.62db
10% Popularity • 8% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Deunov
Step by step
70 bpm • D min • 03:42 • -17db
12% Popularity • 9% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
12% Popularity • 9% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Frances Nero
If Ever I Would Leave You - Love Montage
66 bpm • A# Maj • 05:54 • -15db
20% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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George Fenton
The Londonderry Air / Front Titles (Memp...
71 bpm • D# Maj • 03:57 • -24db
23% Popularity • 19% Danceability • 10% Energy • 37% Liveness
85% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 37% Liveness
85% Instrumentalness • 4% Positiveness
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Alfred Newman
Home in the Meadow
71 bpm • B min • 01:56 • -16db
22% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
22% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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Gary Grant
Ballet
71 bpm • G Maj • 01:00 • -14.67db
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
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Milo Paulus
Trapped Inside a Potato Crate
66 bpm • C Maj • 02:17 • -21.04db
12% Popularity • 10% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
12% Popularity • 10% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Lucie Svehlová
The Barn - Love Theme
65 bpm • D min • 05:06 • -14db
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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The Band Of The Royal Air Force Regiment
Last of the Summer Wine
72 bpm • A# Maj • 03:00 • -13.69db
15% Popularity • 13% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Ricardo Neffi
La chanson du Chianti
65 bpm • D Maj • 03:19 • -21.45db
14% Popularity • 31% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 52% Positiveness
14% Popularity • 31% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 52% Positiveness
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Bill Conti
Breaking The Sound Barrier
72 bpm • C Maj • 04:46 • -11.77db
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Richard Rodney Bennett
Rodney Bennett: Music for the Robert Bol...
64 bpm • E min • 01:23 • -24.15db
10% Popularity • 23% Danceability • 19% Energy • 35% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 19% Energy • 35% Liveness
91% Instrumentalness • 4% Positiveness
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Charles Williams
The Dream of Olwen - 1988 Remastered Ver...
73 bpm • F Maj • 04:02 • -15db
8% Popularity • 22% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
8% Popularity • 22% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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John Philip Sousa
Peaches & Cream
73 bpm • G Maj • 03:29 • -20db
1% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
1% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Dimitri Tiomkin
Red River: Main Title
73 bpm • G# Maj • 01:30 • -12.72db
14% Popularity • 18% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
14% Popularity • 18% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Geoff Love
The Big Country
73 bpm • D Maj • 02:42 • -11db
12% Popularity • 11% Danceability • 37% Energy • 10% Liveness
99% Instrumentalness • 42% Positiveness
12% Popularity • 11% Danceability • 37% Energy • 10% Liveness
99% Instrumentalness • 42% Positiveness
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Bill Conti
Mach I
73 bpm • F Maj • 01:22 • -8.9db
18% Popularity • 24% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 24% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Cliff Eidelman
Star Trek VI: The Undiscovered Country: ...
73 bpm • F Maj • 07:45 • -19db
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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George Dunning
3:10 To Yuma (Lovely Emily)
74 bpm • A# min • 03:29 • -13.79db
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Peter Deunov
Winning
74 bpm • G Maj • 01:46 • -18.48db
13% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
13% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Ernest Gold
Fight for Peace
74 bpm • E min • 01:26 • -12.44db
12% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
12% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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Elmer Bernstein
Main Title
74 bpm • F Maj • 01:42 • -9.63db
23% Popularity • 30% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
23% Popularity • 30% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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Dimitri Tiomkin
RIO Bravo - De Guella
74 bpm • A min • 03:35 • -31db
22% Popularity • 22% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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George Fenton
A New Day
75 bpm • D# Maj • 01:24 • -12.57db
23% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
23% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
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Victor Young
Johnny Guitar
74 bpm • G Maj • 01:28 • -12.91db
15% Popularity • 28% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 28% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jim Parker
Foyle's War - Main Title
75 bpm • D min • 02:12 • -16db
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Anton Karas
The Cafe Mozart Waltz - Original Version
75 bpm • F min • 02:19 • -10.01db
9% Popularity • 52% Danceability • 30% Energy • 28% Liveness
55% Instrumentalness • 52% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 28% Liveness
55% Instrumentalness • 52% Positiveness
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Leonard Rosenman
Rebel Without a Cause: Love Theme
75 bpm • G Maj • 01:28 • -29.59db
29% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
29% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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Moscow Symphony Orchestra
The Maltese Falcon : End Title
62 bpm • B Maj • 00:54 • -13.57db
20% Popularity • 12% Danceability • 18% Energy • 38% Liveness
74% Instrumentalness • 7% Positiveness
20% Popularity • 12% Danceability • 18% Energy • 38% Liveness
74% Instrumentalness • 7% Positiveness
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The Society Syncopators (performers)
By the Beautiful Sea
75 bpm • G Maj • 01:21 • -10.5db
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
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The Starshine Orchestra And Singers
Theme From The Virginian
75 bpm • G Maj • 02:33 • -11db
23% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
23% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Lawrence Welk and His Orchestra
Tonight We Love
75 bpm • C# Maj • 02:45 • -15.93db
13% Popularity • 38% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
13% Popularity • 38% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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London Festival Symphony Orchestra
Dream Of Olwen
76 bpm • G min • 03:35 • -15.9db
8% Popularity • 17% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 15% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 15% Positiveness
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Robert Farnon
Westminster Waltz
76 bpm • D Maj • 03:24 • -11.33db
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
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Jim Parker
Foyle's War - Main Theme - Reprise
76 bpm • A min • 01:35 • -18.14db
13% Popularity • 39% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
13% Popularity • 39% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Dimitri Tiomkin
Duel In the Sun - Prelude and Legend
76 bpm • G Maj • 03:07 • -24.04db
11% Popularity • 7% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 7% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Leonard Rosenman
Main Title
76 bpm • E min • 02:50 • -17db
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
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The Warner Bros. Studio Orchestra
Medley (Shine / It Had To Be You)
76 bpm • F min • 02:20 • -9.93db
8% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
8% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
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Henri Seroka
Olympic Winner
77 bpm • D Maj • 01:01 • -14.56db
22% Popularity • 12% Danceability • 35% Energy • 26% Liveness
92% Instrumentalness • 9% Positiveness
22% Popularity • 12% Danceability • 35% Energy • 26% Liveness
92% Instrumentalness • 9% Positiveness
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Alfred Newman
Main Title
60 bpm • F min • 01:33 • -14db
23% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
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Blvck Pharvon
End of Journey
60 bpm • A# Maj • 01:36 • -18.49db
23% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Edward White
Tour De France
77 bpm • B min • 02:21 • -10db
12% Popularity • 35% Danceability • 49% Energy • 35% Liveness
93% Instrumentalness • 75% Positiveness
12% Popularity • 35% Danceability • 49% Energy • 35% Liveness
93% Instrumentalness • 75% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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The Warner Bros. Studio Orchestra
Medley: Main Title / Prologue
76 bpm • F Maj • 05:20 • -10db
10% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
10% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Lennie Niehaus
Platoon Swims
77 bpm • C Maj • 03:14 • -13.28db
14% Popularity • 16% Danceability • 15% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
14% Popularity • 16% Danceability • 15% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Hollywood Studio Symphony Orchestra
Bart Returns
77 bpm • F Maj • 00:56 • -18.02db
11% Popularity • 24% Danceability • 22% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 22% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Alfred Newman
Airport Love Theme
78 bpm • G# min • 03:32 • -23db
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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Peter Deunov
A nice day
78 bpm • C Maj • 02:56 • -18.53db
12% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
12% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Victor Young
Main Theme: The Call of the Faraway Hill...
78 bpm • F Maj • 02:37 • -12.49db
14% Popularity • 7% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
14% Popularity • 7% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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Mantovani & His Orchestra
September Song
78 bpm • D min • 02:50 • -21.03db
10% Popularity • 17% Danceability • 8% Energy • 7% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 7% Liveness
83% Instrumentalness • 3% Positiveness
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Dimitri Tiomkin
High Noon
78 bpm • F Maj • 04:49 • -12.58db
10% Popularity • 16% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 14% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Living Strings
Wearing Of The Green
78 bpm • G# Maj • 03:10 • -17.76db
14% Popularity • 21% Danceability • 15% Energy • 17% Liveness
79% Instrumentalness • 18% Positiveness
14% Popularity • 21% Danceability • 15% Energy • 17% Liveness
79% Instrumentalness • 18% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
Paragon Rag
78 bpm • G Maj • 03:50 • -12.5db
14% Popularity • 64% Danceability • 29% Energy • 19% Liveness
91% Instrumentalness • 93% Positiveness
14% Popularity • 64% Danceability • 29% Energy • 19% Liveness
91% Instrumentalness • 93% Positiveness
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Alex North
The Long,Hot Summer
78 bpm • C Maj • 02:28 • -15.69db
13% Popularity • 29% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 29% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 28% Positiveness
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Luis Bacalov
Il prezzo del potere
79 bpm • C Maj • 03:34 • -21db
11% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
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Dimitri Tiomkin
Love Theme
59 bpm • A Maj • 01:46 • -21.91db
5% Popularity • 24% Danceability • 13% Energy • 17% Liveness
74% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 13% Energy • 17% Liveness
74% Instrumentalness • 4% Positiveness
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Burt Bacharach
The Old Fun City (N.Y. Sequence)
79 bpm • D# Maj • 04:04 • -16.04db
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
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Franz Lehár
Merry Widow Waltz
79 bpm • F Maj • 02:55 • -11db
15% Popularity • 16% Danceability • 38% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 16% Danceability • 38% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
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Original Soundtrack
Gardener's Suite
80 bpm • D# Maj • 02:18 • -15.66db
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
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Alex North
A Streetcar Named Desire: Main Title/New...
80 bpm • F# min • 02:30 • -11.36db
16% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
16% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
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Hanny Williams
Young Frankenstein - Theme
80 bpm • F# Maj • 02:37 • -14.38db
11% Popularity • 28% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
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Dimitri Tiomkin
Jett Rink Theme
79 bpm • D# Maj • 06:51 • -25.73db
7% Popularity • 13% Danceability • 8% Energy • 10% Liveness
55% Instrumentalness • 18% Positiveness
7% Popularity • 13% Danceability • 8% Energy • 10% Liveness
55% Instrumentalness • 18% Positiveness
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Carmine Coppola
The Godfather Intermezzo
80 bpm • D min • 03:20 • -19.53db
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Geoff Love
The Virginian
80 bpm • F min • 01:43 • -7.77db
19% Popularity • 41% Danceability • 66% Energy • 30% Liveness
87% Instrumentalness • 78% Positiveness
19% Popularity • 41% Danceability • 66% Energy • 30% Liveness
87% Instrumentalness • 78% Positiveness
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Gary Grant
Villefranche / In The Chapel
81 bpm • G Maj • 03:37 • -22.31db
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Bill Shirley
On The Street Where You Live (reprise)* ...
81 bpm • C Maj • 01:23 • -16db
24% Popularity • 39% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 39% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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The Warner Bros. Studio Orchestra
Medley: At La Belle Aurore
81 bpm • G min • 04:43 • -10.98db
6% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
6% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
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Dimitri Tiomkin
RIO Bravo - Love-Theme
80 bpm • F Maj • 02:34 • -41.99db
7% Popularity • 7% Danceability • 0% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
7% Popularity • 7% Danceability • 0% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
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Georges Garvarentz
Révélation à Asuncion
81 bpm • A# Maj • 01:28 • -16.47db
25% Popularity • 20% Danceability • 24% Energy • 34% Liveness
95% Instrumentalness • 24% Positiveness
25% Popularity • 20% Danceability • 24% Energy • 34% Liveness
95% Instrumentalness • 24% Positiveness
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Bill Conti
Orry's Odyssey
81 bpm • G Maj • 03:02 • -17.01db
10% Popularity • 12% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 7% Positiveness
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Gary Grant
Return To Villefranche
81 bpm • E Maj • 03:53 • -21db
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
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Leonard Bernstein
West Side Story: Overture
82 bpm • A Maj • 04:40 • -11.89db
36% Popularity • 22% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
36% Popularity • 22% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Ivor Novello
Why isn't it you
82 bpm • F Maj • 02:12 • -18db
14% Popularity • 51% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dimitri Tiomkin
Finale
80 bpm • D Maj • 01:26 • -17.57db
10% Popularity • 54% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 54% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Carlo Rustichelli
Buffalo Bill - Titoli
83 bpm • D# Maj • 02:08 • -21.63db
8% Popularity • 32% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Original Soundtrack
Christine In Hotel Corridor
82 bpm • F min • 01:53 • -10.39db
10% Popularity • 49% Danceability • 32% Energy • 5% Liveness
57% Instrumentalness • 59% Positiveness
10% Popularity • 49% Danceability • 32% Energy • 5% Liveness
57% Instrumentalness • 59% Positiveness
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Group-Forty Orchestra
Spring Fashion
83 bpm • G Maj • 02:41 • -13db
22% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
22% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
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Burt Bacharach
Not Goin' Home Anymore - Reprise / From ...
83 bpm • G min • 01:02 • -22.97db
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
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Dimitri Tiomkin
High Noon
81 bpm • D# Maj • 02:31 • -23.53db
11% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jerome Moross
The Major Alone
83 bpm • F Maj • 01:53 • -9db
9% Popularity • 35% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
9% Popularity • 35% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
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Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Milo Paulus
Scarlett in the Mist: II. Leaving Home
83 bpm • F# Maj • 01:40 • -13.32db
15% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
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Ned Washington
The Fall of Love
83 bpm • D min • 02:40 • -16.6db
2% Popularity • 16% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
