Songs like Jim und Andy by G.G. Anderson
Based on a tempo of (+/- 10%) and a similar genre
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Christian Lais
Dein Kapitel im Tagebuch
118 bpm • G Maj • 03:30 • -5.95db
34% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Tanja Lasch
Er hat mich geliebt - Lampenlied Mix
118 bpm • C Maj • 03:42 • -3db
30% Popularity • 74% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 74% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Die Cappuccinos
Ich will ohne dich nicht nach Hause geh'...
118 bpm • E Maj • 03:48 • -4.32db
40% Popularity • 74% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 74% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Kristina Bach
Und die Erde steht still
118 bpm • A Maj • 03:39 • -8.48db
37% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Uwe Busse
Eine Lüge zuviel
118 bpm • G# Maj • 03:16 • -6.57db
30% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Klostertaler
Ha-le-lu-ja
118 bpm • F Maj • 03:19 • -5.43db
32% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Gottfried Würcher
Ich kam grad heim, als sie ging
118 bpm • C Maj • 03:03 • -6.21db
30% Popularity • 74% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 74% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Udo Wenders
Der letzte Zug, cara mia
118 bpm • G# Maj • 03:00 • -6.83db
38% Popularity • 66% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 66% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Rosanna Rocci
Un Anno D'Amore
118 bpm • A# min • 03:25 • -4.5db
33% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Roy Black
Wie ein Stern am Horizont
118 bpm • E Maj • 03:06 • -8.05db
28% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Uwe Busse
Genau wie du - Remastered
118 bpm • F# Maj • 03:44 • -5.33db
23% Popularity • 63% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 63% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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G.G. Anderson
Kali Spera Griechenland
118 bpm • D Maj • 03:20 • -2.8db
18% Popularity • 68% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 68% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Christian Anders
Es fährt ein Zug nach Nirgendwo - Remas...
118 bpm • A# Maj • 04:42 • -8.37db
43% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Reiner Kavalier
Einmal kommt auch für dich der Tag
118 bpm • C# min • 03:48 • -4db
21% Popularity • 61% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 61% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Roberts
Die Maschen der Mädchen
118 bpm • A# Maj • 02:39 • -10db
33% Popularity • 66% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 99% Positiveness
33% Popularity • 66% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 99% Positiveness
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Peter Orloff
Bettler und Prinz
119 bpm • A Maj • 02:35 • -4.3db
13% Popularity • 70% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 70% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Roy Black
Fremde Erde
118 bpm • G Maj • 02:39 • -10.12db
30% Popularity • 78% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 78% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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G.G. Anderson
Am weissen Strand von San Angelo
118 bpm • D Maj • 03:57 • -9.82db
24% Popularity • 62% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Nicki
Weil i immer no an Engerl glaub
119 bpm • A Maj • 03:53 • -15.07db
38% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Hanne Haller
Weil du ein zärtlicher Mann bist
117 bpm • A# Maj • 03:42 • -11.91db
29% Popularity • 81% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 81% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Tanja Lasch
Verdammt nochmal - Disco-Fox-Version (Di...
117 bpm • C# Maj • 03:29 • -4.82db
24% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Rex Gildo
Hast Du heut schon mal gelebt - Neuaufna...
119 bpm • D Maj • 03:34 • -7db
27% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Oliver Haidt
War das nur ein Traum
119 bpm • G Maj • 03:28 • -4db
20% Popularity • 73% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 73% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Helene Fischer
Mitten im Paradies
119 bpm • C min • 03:28 • -3.23db
46% Popularity • 76% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 76% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Vincent & Fernando
Auch Sterne brauchen Sonne
117 bpm • B min • 03:11 • -3.9db
30% Popularity • 68% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Kristina Bach
Du machst eine Frau erst zur Frau - Mix ...
117 bpm • C Maj • 03:32 • -5.25db
35% Popularity • 75% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 75% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Linda Feller
Sterne in der Nacht
119 bpm • C# Maj • 03:34 • -4.91db
41% Popularity • 66% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 66% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Andreas Martin
Das erste Mal im Leben
117 bpm • G Maj • 03:57 • -6.18db
17% Popularity • 59% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 59% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Roy Black
Sand in deinen Augen
116 bpm • C Maj • 04:01 • -12.3db
29% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Helene Fischer
Friesen Hitmedley
120 bpm • G Maj • 06:43 • -3.8db
22% Popularity • 71% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 71% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Petra Frey
Du Kannst Nur Einmal Lieben
120 bpm • E Maj • 03:28 • -5.53db
33% Popularity • 75% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 75% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Oliver Haidt
Wir flogen einmal hinauf zu den Sternen
120 bpm • A# Maj • 03:28 • -5db
14% Popularity • 66% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 66% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Rosanna Rocci
Lailola - dt. Version
120 bpm • E Maj • 03:49 • -6db
30% Popularity • 71% Danceability • 96% Energy • 82% Liveness
4% Instrumentalness • 96% Positiveness
30% Popularity • 71% Danceability • 96% Energy • 82% Liveness
4% Instrumentalness • 96% Positiveness
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Andreas Martin
Nur Bei Dir (Just For You)
116 bpm • E Maj • 04:11 • -6.68db
31% Popularity • 72% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 72% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Mara Kayser
Ich will mehr
120 bpm • B Maj • 02:59 • -4.25db
31% Popularity • 71% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 71% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Die Flippers
Hundertmal
120 bpm • D Maj • 02:58 • -3.93db
31% Popularity • 74% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 74% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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G.G. Anderson
Du bist mein kleiner Diamant
120 bpm • C# Maj • 03:29 • -6.16db
26% Popularity • 69% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 69% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Heck
Wie man Liebe buchstabiert
120 bpm • G# Maj • 03:37 • -6db
23% Popularity • 65% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 65% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Uwe Busse
Einfach Sehnsucht
120 bpm • A Maj • 03:06 • -6.19db
19% Popularity • 63% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 63% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Sandro
Sag einfach ja!
120 bpm • A# Maj • 04:19 • -3.82db
19% Popularity • 75% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 75% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Die Cappuccinos
Affären tun weh
116 bpm • D# Maj • 03:24 • -3.91db
34% Popularity • 55% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 55% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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atlantis
Lass mi bei dir sein - Neuaufnahme
120 bpm • D Maj • 03:40 • -5.74db
19% Popularity • 68% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 68% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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G.G. Anderson
Weine nicht, African Baby
120 bpm • A Maj • 03:59 • -6db
9% Popularity • 67% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 67% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Diana Sorbello
Ich fange nie mehr was an einem Sonntag ...
116 bpm • A# Maj • 03:10 • -8db
37% Popularity • 76% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 76% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Uwe Busse
Wie buchstabiert man Zärtlichkeit
120 bpm • F min • 03:11 • -7.57db
24% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Christian Franke
Doch schweigen werd ich nicht - Radio Ve...
120 bpm • G# Maj • 03:57 • -3db
25% Popularity • 61% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 61% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Semino Rossi
Muy Bien
120 bpm • F# Maj • 03:26 • -5db
40% Popularity • 65% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 65% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Christian Lais
Heissgeliebt - Radio
120 bpm • A# Maj • 03:13 • -3.68db
36% Popularity • 59% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 59% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Die Cappuccinos
Es ist das erste Mal
120 bpm • E Maj • 03:24 • -4db
46% Popularity • 79% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 79% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Die Paldauer
Ich muss Dich wiederseh'n
116 bpm • B min • 03:37 • -6.27db
23% Popularity • 70% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 70% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Uwe Busse
Hausnummer 30
120 bpm • C Maj • 03:09 • -7db
21% Popularity • 57% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 57% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Peter Orloff
War das schon alles
120 bpm • C# Maj • 03:34 • -4db
22% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Sonia Liebing
Auch wenn's für uns kein Morgen gibt
116 bpm • A# Maj • 03:51 • -3db
37% Popularity • 69% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 69% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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G.G. Anderson
Am Ende unserer Träume
120 bpm • C# Maj • 03:34 • -8db
21% Popularity • 80% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 80% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Duo Sunrise
Du bist mehr für mich
120 bpm • G Maj • 03:37 • -4.51db
14% Popularity • 73% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 73% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Die Paldauer
Zwischen Himmel & Hölle
120 bpm • C# Maj • 03:25 • -4.89db
20% Popularity • 71% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 71% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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atlantis
Engerl fliag mir ned davon
120 bpm • E Maj • 04:15 • -5.11db
17% Popularity • 76% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 76% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Uwe Busse
Liebe beginnt
120 bpm • D Maj • 03:30 • -8db
18% Popularity • 62% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 62% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Laura Wilde
Mein Herz versteht spanisch
120 bpm • B Maj • 03:20 • -5.97db
15% Popularity • 60% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 60% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Kristina Bach
Küss mich, Küss mich
120 bpm • D# Maj • 04:04 • -4db
35% Popularity • 72% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 72% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Chris Roberts
Ich mach ein glückliches Mädchen aus d...
120 bpm • A Maj • 02:39 • -7db
15% Popularity • 75% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 75% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Michelle
Dein Püppchen tanzt nicht mehr
120 bpm • G# Maj • 03:42 • -3.96db
47% Popularity • 76% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 76% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Nicole
Allein in Griechenland
120 bpm • G Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Die Flippers
Die rote Sonne von Barbados
120 bpm • A# Maj • 03:26 • -7db
48% Popularity • 64% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 64% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Christian Anders
Der Brief - Remastered 2005
120 bpm • D Maj • 03:44 • -7db
31% Popularity • 58% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 58% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Andreas Martin
Herz an Herz
121 bpm • C Maj • 03:01 • -6.22db
25% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Roger Whittaker
Eloisa
115 bpm • A# Maj • 03:29 • -7.34db
40% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Charly Brunner
Dieses kleine große Leben
121 bpm • B min • 03:23 • -6.59db
13% Popularity • 72% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 72% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Petra Frey
Liebst Du mich
121 bpm • E Maj • 03:21 • -3.51db
37% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Die Flippers
Malaika
121 bpm • E Maj • 03:14 • -12db
47% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Christian Lais
Sie vergass zu verzeihn - Radio
121 bpm • F Maj • 03:30 • -4.9db
44% Popularity • 63% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 63% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Semino Rossi
Das verflixte 7. Jahr
121 bpm • F Maj • 03:12 • -5.16db
37% Popularity • 70% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 70% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Die Cappuccinos
Dich erkenn ich mit verbundnen Augen
115 bpm • G min • 03:13 • -4.89db
36% Popularity • 66% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 66% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Bernd Clüver
Mexican Girl
115 bpm • C Maj • 03:32 • -6.98db
30% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Kristina Bach
Fliegst du mit mir zu den Sternen
115 bpm • C Maj • 03:53 • -4.59db
33% Popularity • 82% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 82% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Die Flippers
Mexico
121 bpm • A Maj • 03:16 • -4.75db
34% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Uwe Busse
Sommer '76 - Remastered
115 bpm • A Maj • 03:27 • -3db
31% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Semino Rossi
Heute hab ich Zeit für dich
115 bpm • A# Maj • 03:59 • -5db
37% Popularity • 72% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 72% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Roger Whittaker
Das Lied von Aragon
122 bpm • C Maj • 04:34 • -6.22db
36% Popularity • 65% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 65% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Marc Pircher
Ich geh für dich durchs Feuer
122 bpm • F# Maj • 03:28 • -4db
32% Popularity • 70% Danceability • 95% Energy • 73% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 70% Danceability • 95% Energy • 73% Liveness
0% Instrumentalness • 94% Positiveness
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Die Freunde
Ich hab mich neu in dich verliebt
122 bpm • G Maj • 03:31 • -4.82db
19% Popularity • 66% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 66% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Die Flippers
Der Hit-auf-Hit-Party-Mix
121 bpm • A Maj • 06:29 • -5.75db
32% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Roy Black
Rosenzeit
122 bpm • B min • 03:08 • -7db
36% Popularity • 68% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 68% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Die Cappuccinos
Boom Boom Bailando
122 bpm • C Maj • 02:57 • -3.74db
37% Popularity • 70% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 70% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Roger Whittaker
Lass mich bei dir sein
114 bpm • C Maj • 03:34 • -10.22db
36% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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G.G. Anderson
Am weissen Strand von San Angelo
122 bpm • C Maj • 03:37 • -4.67db
22% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Christian Lais
Als sie ging - Radio
122 bpm • A Maj • 03:54 • -2.09db
23% Popularity • 56% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 56% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Roberts
Du bist nicht mit Gold zu bezahlen
114 bpm • D Maj • 02:42 • -9.87db
29% Popularity • 54% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 54% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Hansi Süssenbach
Ich flieg mit Dir zum Mond
122 bpm • A Maj • 03:16 • -4.94db
24% Popularity • 79% Danceability • 74% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
24% Popularity • 79% Danceability • 74% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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Die Grafen
Versteh' doch - Remix
122 bpm • C Maj • 03:49 • -3.45db
22% Popularity • 72% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 72% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Tommy Fischer
Es steht in Deinen Augen - Single Mix
122 bpm • C# Maj • 03:13 • -5.65db
21% Popularity • 76% Danceability • 87% Energy • 34% Liveness
4% Instrumentalness • 96% Positiveness
21% Popularity • 76% Danceability • 87% Energy • 34% Liveness
4% Instrumentalness • 96% Positiveness
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Christian Franke
Lass sie nie wieder los - Radio Version
122 bpm • G# Maj • 04:06 • -4.01db
37% Popularity • 66% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 66% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Nicole
Die zweite Liebe
122 bpm • A Maj • 03:39 • -6db
24% Popularity • 61% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 61% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Musikapostel
Spiel noch einmal für mich Habanero
122 bpm • D Maj • 04:20 • -6db
23% Popularity • 59% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 59% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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G.G. Anderson
Ich würd es wieder tun
122 bpm • C Maj • 03:31 • -5.21db
19% Popularity • 62% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 62% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Roger Whittaker
Wenn es dich noch gibt
122 bpm • F Maj • 03:33 • -9.73db
40% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Gaby Baginsky
Der Rum von Barbados
114 bpm • B min • 03:00 • -6db
28% Popularity • 78% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 78% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Semino Rossi
Komm' und küss mich Corazon
122 bpm • G# Maj • 03:09 • -2.78db
36% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness