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Jimmy Sutton
Songs like
Jimmy Sutton
by
George Stoneman
Based on a tempo of (+/- 10%) and a similar genre
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Chandler Beavers
Runaway Traveler
137 bpm • G Maj • 03:25 • -10.27db
16% Popularity • 51% Danceability • 74% Energy • 36% Liveness
94% Instrumentalness • 91% Positiveness
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The Freight Hoppers
Hound Chase
137 bpm • E Maj • 02:22 • -5db
11% Popularity • 60% Danceability • 74% Energy • 5% Liveness
92% Instrumentalness • 96% Positiveness
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Wade Ward
Peachbottom Creek
137 bpm • F Maj • 01:28 • -13db
15% Popularity • 53% Danceability • 46% Energy • 16% Liveness
90% Instrumentalness • 92% Positiveness
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Bob Dylan
Freight Train Blues
137 bpm • G Maj • 02:11 • -9.11db
35% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kruger Brothers
Like a Spark
137 bpm • D Maj • 01:46 • -17.59db
18% Popularity • 39% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 83% Positiveness
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Buell Kazee
Wagoner's Lad
138 bpm • D# Maj • 03:11 • -12db
16% Popularity • 57% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Matokie Slaughter
New River Train (Version 2)
136 bpm • G# Maj • 02:00 • -12.3db
13% Popularity • 65% Danceability • 56% Energy • 10% Liveness
95% Instrumentalness • 98% Positiveness
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Erik Darling
Banjo Tune
136 bpm • G Maj • 01:42 • -11.69db
14% Popularity • 46% Danceability • 46% Energy • 18% Liveness
90% Instrumentalness • 98% Positiveness
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Nathan Sefalden
Nora
138 bpm • E Maj • 03:09 • -11.51db
26% Popularity • 58% Danceability • 45% Energy • 29% Liveness
84% Instrumentalness • 96% Positiveness
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Wade Ward
Chilly Winds
138 bpm • G# Maj • 01:08 • -13.99db
19% Popularity • 64% Danceability • 40% Energy • 15% Liveness
86% Instrumentalness • 96% Positiveness
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Norman Edmonds
Kingdom Come
136 bpm • G# Maj • 02:06 • -12db
9% Popularity • 48% Danceability • 8% Energy • 9% Liveness
15% Instrumentalness • 40% Positiveness
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small void
down in the holler
136 bpm • G Maj • 01:54 • -9.26db
15% Popularity • 38% Danceability • 67% Energy • 38% Liveness
80% Instrumentalness • 90% Positiveness
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Tim Lake
A Russian Sailor Running From A Fight
138 bpm • D Maj • 01:07 • -5.81db
14% Popularity • 52% Danceability • 89% Energy • 34% Liveness
96% Instrumentalness • 74% Positiveness
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Cutter & Cash and The Kentucky Grass
Mamas Don't Let Your Babies Grow Up To B...
138 bpm • F# Maj • 02:56 • -11.61db
12% Popularity • 55% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sami Braman
Duck House
135 bpm • G Maj • 02:17 • -10.2db
10% Popularity • 44% Danceability • 66% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
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Skip Gorman
Utah Carroll
139 bpm • F Maj • 05:23 • -17.62db
11% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Hazel Dickens
Gabriel's Call
135 bpm • F Maj • 02:16 • -10.49db
10% Popularity • 50% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Kirk Sutphin
Yellow Rose Of Texas
139 bpm • D Maj • 01:58 • -17db
9% Popularity • 59% Danceability • 37% Energy • 20% Liveness
97% Instrumentalness • 90% Positiveness
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Jake Eddy
Grandfather's Clock
135 bpm • C Maj • 02:59 • -14.94db
10% Popularity • 46% Danceability • 50% Energy • 18% Liveness
93% Instrumentalness • 96% Positiveness
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Herschel Sizemore
Loar's Waltz
135 bpm • A# Maj • 03:20 • -12.88db
10% Popularity • 52% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Gary O'Slide
Chasing you
139 bpm • G# Maj • 02:40 • -15.66db
8% Popularity • 44% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 55% Positiveness
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Seth Mulder & Midnight Run
Back to the Carolinas
135 bpm • C Maj • 02:41 • -6.04db
11% Popularity • 62% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Joel Mabus
Little Rabbit
135 bpm • A min • 03:16 • -14.46db
16% Popularity • 45% Danceability • 27% Energy • 22% Liveness
90% Instrumentalness • 78% Positiveness
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Cup O’Joe
Azazel's Escape
134 bpm • C Maj • 02:50 • -8.01db
13% Popularity • 44% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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None of the Above
Eight More Miles
134 bpm • D Maj • 03:12 • -8.29db
7% Popularity • 60% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
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Chance McCoy & The Appalachian String Band
Jimmy Johnson
135 bpm • A Maj • 03:13 • -8.34db
13% Popularity • 59% Danceability • 86% Energy • 27% Liveness
88% Instrumentalness • 96% Positiveness
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Ashley MacIsaac
The Green Fields Of Glentown
134 bpm • F Maj • 00:59 • -12.43db
9% Popularity • 32% Danceability • 36% Energy • 20% Liveness
82% Instrumentalness • 96% Positiveness
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T M Hanna
Macrofiche
140 bpm • G# Maj • 03:22 • -16.02db
13% Popularity • 71% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 91% Positiveness
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Jean Ritchie
Shortnin' Bread
134 bpm • B Maj • 01:12 • -12.05db
8% Popularity • 58% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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House of Pancakes
Give Up
140 bpm • G Maj • 03:10 • -14.95db
10% Popularity • 79% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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North Fork Crossing
If You Quit
140 bpm • A Maj • 03:32 • -8.64db
12% Popularity • 56% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Reeltime Travellers
Kiss Me Quick Papas Coming
134 bpm • E Maj • 03:13 • -7.71db
9% Popularity • 55% Danceability • 61% Energy • 33% Liveness
87% Instrumentalness • 73% Positiveness
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Brad Leftwich and the Hogwire Stringband
Rabbit in the Lowland
134 bpm • A Maj • 03:03 • -10.57db
8% Popularity • 57% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
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The Macrae Sisters
Tennessee Mountain Fox Chase
134 bpm • C Maj • 03:05 • -6.9db
8% Popularity • 56% Danceability • 80% Energy • 28% Liveness
90% Instrumentalness • 98% Positiveness
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Rev. Gary Davis
Yes Sir, That's My Baby Now
141 bpm • F Maj • 01:11 • -4.75db
11% Popularity • 74% Danceability • 44% Energy • 9% Liveness
82% Instrumentalness • 86% Positiveness
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Contact Outrageous
Spell Introduction
133 bpm • A Maj • 03:42 • -4.97db
17% Popularity • 53% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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High Fidelity
There Is Power in the Blood
141 bpm • G Maj • 02:26 • -7.47db
11% Popularity • 46% Danceability • 78% Energy • 36% Liveness
89% Instrumentalness • 97% Positiveness
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Cahalen Morrison
My Girls Heavy
133 bpm • F# Maj • 03:17 • -11.87db
9% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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T M Hanna
Hundered Shades of Blue
141 bpm • G Maj • 02:46 • -15.86db
10% Popularity • 54% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Sparks
I Am The Man, Thomas
141 bpm • G Maj • 02:09 • -7.27db
20% Popularity • 53% Danceability • 62% Energy • 14% Liveness
11% Instrumentalness • 63% Positiveness
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None of the Above
Forget About Me
141 bpm • D Maj • 03:46 • -10.26db
9% Popularity • 72% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Hunter Robertson
Threw Down
133 bpm • C# min • 01:12 • -11.53db
15% Popularity • 43% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 76% Positiveness
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Reeltime Travellers
Paddy Wont You Drink Some Cider
133 bpm • A Maj • 02:20 • -8.01db
17% Popularity • 62% Danceability • 58% Energy • 31% Liveness
88% Instrumentalness • 89% Positiveness
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Brad Leftwich and the Hogwire Stringband
Big-Eyed Rabbit
133 bpm • A Maj • 03:05 • -9.47db
9% Popularity • 58% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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Leroy Troy
Alabama Jubilee
133 bpm • G Maj • 02:31 • -16.72db
16% Popularity • 74% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Joe and Odell Thompson
Love Somebody (Soldier's Joy)
133 bpm • G# Maj • 02:14 • -11.28db
8% Popularity • 63% Danceability • 50% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Fred Cockerham
Frankie Baker
133 bpm • E Maj • 01:22 • -12.68db
13% Popularity • 73% Danceability • 29% Energy • 10% Liveness
44% Instrumentalness • 98% Positiveness
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None of the Above
Paul's Breakdown
142 bpm • G Maj • 03:49 • -11.4db
7% Popularity • 51% Danceability • 56% Energy • 10% Liveness
82% Instrumentalness • 64% Positiveness
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Allison de Groot & Tatiana Hargreaves
Wabash Blues
132 bpm • A min • 02:52 • -9.88db
10% Popularity • 51% Danceability • 48% Energy • 19% Liveness
93% Instrumentalness • 69% Positiveness
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Brad Leftwich and the Hogwire Stringband
Lost Indian
133 bpm • A Maj • 02:37 • -10.12db
10% Popularity • 67% Danceability • 57% Energy • 13% Liveness
69% Instrumentalness • 87% Positiveness
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T M Hanna
The No Power Waltz (Instrumental)
132 bpm • C Maj • 01:04 • -20.57db
13% Popularity • 60% Danceability • 23% Energy • 11% Liveness
10% Instrumentalness • 21% Positiveness
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Wade Ward
Sourwood Mountain
132 bpm • F Maj • 01:19 • -15db
13% Popularity • 64% Danceability • 51% Energy • 12% Liveness
97% Instrumentalness • 97% Positiveness
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Ryan Thomson
Arkansas Traveler
132 bpm • D min • 02:05 • -9.97db
11% Popularity • 54% Danceability • 52% Energy • 24% Liveness
87% Instrumentalness • 68% Positiveness
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Fred Cockerham
Little Satchel
132 bpm • E Maj • 03:38 • -13.14db
9% Popularity • 74% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Dan Menzone
Menzone Drive
142 bpm • D Maj • 03:37 • -12db
10% Popularity • 54% Danceability • 66% Energy • 15% Liveness
94% Instrumentalness • 92% Positiveness
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Meredith Moon
Byron's Song
142 bpm • G Maj • 02:16 • -12.21db
15% Popularity • 63% Danceability • 41% Energy • 15% Liveness
94% Instrumentalness • 90% Positiveness
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The Delmore Brothers
Goodbye Booze - Remastered
132 bpm • A# Maj • 02:33 • -13.63db
15% Popularity • 48% Danceability • 39% Energy • 9% Liveness
20% Instrumentalness • 92% Positiveness
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Jake Eddy
Liquor Cellar
132 bpm • D Maj • 02:17 • -14.02db
9% Popularity • 44% Danceability • 56% Energy • 25% Liveness
86% Instrumentalness • 98% Positiveness
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Stephen Wade
Old Joe
142 bpm • C Maj • 01:47 • -9.8db
11% Popularity • 58% Danceability • 68% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
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Audey Ratliff
Cactus Polka
132 bpm • G Maj • 02:52 • -12.33db
8% Popularity • 64% Danceability • 42% Energy • 24% Liveness
90% Instrumentalness • 96% Positiveness
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Charlie Parr
Manifold
132 bpm • B min • 02:34 • -7.62db
8% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Nathan Sefalden
Go To Town
142 bpm • E Maj • 02:48 • -6.4db
26% Popularity • 42% Danceability • 69% Energy • 18% Liveness
95% Instrumentalness • 93% Positiveness
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Peggy Seeger
The Young Man Who Wouldn't Hoe Corn
132 bpm • E min • 01:49 • -24.43db
10% Popularity • 63% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Fred Cockerham
Fortune
132 bpm • E Maj • 01:40 • -15.73db
11% Popularity • 58% Danceability • 44% Energy • 22% Liveness
86% Instrumentalness • 97% Positiveness
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Billy Faber
Green Corn
132 bpm • D Maj • 01:41 • -11.89db
16% Popularity • 31% Danceability • 56% Energy • 36% Liveness
99% Instrumentalness • 78% Positiveness
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David Johnson
Bile Them Cabbage Down
131 bpm • D min • 02:39 • -12db
15% Popularity • 50% Danceability • 62% Energy • 23% Liveness
96% Instrumentalness • 97% Positiveness
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Russ Carson
Awesome Sauce
143 bpm • C# Maj • 04:15 • -5.79db
13% Popularity • 43% Danceability • 87% Energy • 9% Liveness
98% Instrumentalness • 93% Positiveness
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Dan Levenson
Katy Hill
131 bpm • C min • 02:22 • -19.57db
9% Popularity • 48% Danceability • 26% Energy • 14% Liveness
78% Instrumentalness • 73% Positiveness
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Reeltime Travellers
Elzics Farewell
131 bpm • G Maj • 02:40 • -9.48db
17% Popularity • 46% Danceability • 57% Energy • 22% Liveness
87% Instrumentalness • 78% Positiveness
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Wade Ward
Half Shaved / High Atmosphere
131 bpm • F Maj • 02:11 • -17db
10% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Daniel lork
Cupcake
131 bpm • D Maj • 02:22 • -34.46db
18% Popularity • 70% Danceability • 3% Energy • 11% Liveness
54% Instrumentalness • 80% Positiveness
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Bobby Langdon
Bill Cheatam
131 bpm • G Maj • 02:40 • -14.86db
8% Popularity • 53% Danceability • 54% Energy • 7% Liveness
89% Instrumentalness • 90% Positiveness
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Pharis & Jason Romero
Going to Town
131 bpm • G Maj • 02:04 • -8.9db
8% Popularity • 49% Danceability • 59% Energy • 32% Liveness
95% Instrumentalness • 87% Positiveness
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Lonesome Ace Stringband
Katy Hill
131 bpm • B min • 02:58 • -11.89db
18% Popularity • 58% Danceability • 60% Energy • 25% Liveness
71% Instrumentalness • 85% Positiveness
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Fiddlin' Earl White
Shucking the Brush
131 bpm • D Maj • 02:22 • -9.93db
14% Popularity • 49% Danceability • 76% Energy • 15% Liveness
92% Instrumentalness • 97% Positiveness
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Wade Ward
Shady Grove
131 bpm • G min • 01:20 • -8.87db
26% Popularity • 60% Danceability • 45% Energy • 21% Liveness
98% Instrumentalness • 97% Positiveness
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Caleb Klauder & Reeb Willms
Whispering Forest
131 bpm • A# Maj • 03:18 • -9.61db
8% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Stringbean
Hey Old Man (Can You Play A Banjo)
144 bpm • C# Maj • 01:57 • -10.76db
19% Popularity • 50% Danceability • 68% Energy • 11% Liveness
4% Instrumentalness • 96% Positiveness
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Tim Lake
The Achiever's Ball
131 bpm • G Maj • 02:54 • -5.49db
12% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Reeltime Travellers
Ain't Gwine Drink a, No More
130 bpm • G Maj • 02:18 • -8.84db
14% Popularity • 62% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Uncle Dave Macon
Rabbit in the Pea Patch
130 bpm • D Maj • 01:44 • -16.51db
8% Popularity • 64% Danceability • 31% Energy • 21% Liveness
81% Instrumentalness • 82% Positiveness
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Benton Flippen
Benton's Dream
130 bpm • D Maj • 01:39 • -11.28db
10% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Bronwyn Keith-Hynes
Happy Hollow
130 bpm • A Maj • 02:41 • -11.87db
10% Popularity • 51% Danceability • 46% Energy • 4% Liveness
93% Instrumentalness • 96% Positiveness
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Stefan Michael Raab, Christoph Allerstorfer
Dancing in the Wildwood
130 bpm • G Maj • 01:04 • -8.32db
16% Popularity • 51% Danceability • 52% Energy • 30% Liveness
76% Instrumentalness • 98% Positiveness
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House of Pancakes
Fatamorgana
130 bpm • C Maj • 03:41 • -10.48db
8% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Theodore Nehemiah
Why Go Home
144 bpm • E Maj • 03:07 • -10.94db
28% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Virginia Mountain Boys
Lost Train Blues
144 bpm • G Maj • 03:00 • -11.7db
8% Popularity • 49% Danceability • 71% Energy • 23% Liveness
79% Instrumentalness • 67% Positiveness
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Tim Lake
Jingle Bells
130 bpm • G Maj • 01:32 • -2.85db
12% Popularity • 59% Danceability • 67% Energy • 22% Liveness
10% Instrumentalness • 96% Positiveness
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Cathy Fink
Kitchen Girl
130 bpm • D Maj • 02:07 • -17.49db
9% Popularity • 45% Danceability • 20% Energy • 7% Liveness
76% Instrumentalness • 96% Positiveness
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Jody Stecher
The Golden Vanity
130 bpm • F Maj • 05:28 • -13.64db
8% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Dan Levenson
Banjo Tramp
130 bpm • D Maj • 03:05 • -12.4db
10% Popularity • 67% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Kyle Creed
Kyle's Friend's Tune
130 bpm • C# min • 01:11 • -11.61db
11% Popularity • 54% Danceability • 47% Energy • 15% Liveness
86% Instrumentalness • 99% Positiveness
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The Forum
El Gem
145 bpm • C Maj • 01:07 • -14.91db
13% Popularity • 40% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
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Noah Cline
Squirrel Heads and Gravy
130 bpm • E Maj • 01:37 • -10.06db
13% Popularity • 59% Danceability • 47% Energy • 19% Liveness
81% Instrumentalness • 93% Positiveness
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Dan Menzone
2720
145 bpm • D Maj • 02:26 • -11.97db
10% Popularity • 58% Danceability • 66% Energy • 32% Liveness
87% Instrumentalness • 96% Positiveness
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Peggy Seeger
Long Lonesome Road
129 bpm • G Maj • 02:17 • -25.71db
11% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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George Stoneman
Sally Anne
145 bpm • G min • 02:11 • -11.33db
0% Popularity • 46% Danceability • 68% Energy • 18% Liveness
44% Instrumentalness • 67% Positiveness
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Bill Emerson
Sweet Dixie
145 bpm • D Maj • 02:18 • -12.36db
14% Popularity • 41% Danceability • 69% Energy • 31% Liveness
86% Instrumentalness • 96% Positiveness
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David Johnson
Cripple Creek
129 bpm • G Maj • 02:11 • -12.88db
9% Popularity • 48% Danceability • 53% Energy • 15% Liveness
98% Instrumentalness • 95% Positiveness
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Broke Mountain Bluegrass Band
Robin's Egg
129 bpm • D Maj • 02:00 • -9.01db
10% Popularity • 47% Danceability • 49% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Jimmy Sutton